Josie Cáceres y Federica Folco formaron parte de la programación artística de MOV-S con el espectáculo Maravillosa. Hablamos con ellas sobre este proyecto.
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dance-tech.tv is proud to present a selection of Piezas Distinguidas by La Ribot (Spain/Switzerland). They are part of what she calls DISTINGUISHED PROJECT which has spanned for more than 20 years. They are characterized by their brevity and metaphorical encapsulation questioning “the temporal, spatial, and conceptual limits of dance.”
Watch more from Watch on dance-tech.tv
International Videodance Festival of Chile FIVC begins
The call for the third International Videodance festival of Chile (FIVC) 2012, received more than 100 videos from 22 countries of America, Europe, Asia and Africa.
FIVC Official Selection 2012, will offer four programs of about one hour and thirty minutes. Because of the masive participation that took place for this call the Festival of this year will have an unofficial exhibition (OFF), for those pieces that were classified in a first stage of selection, and a national exhibition only for artists of the Valparaíso (Chile).
FIVC 3.0 will take place from July 25 to August 10, 2012 at Spain Cultural Center and El Bosque Civic Center in Santiago and PCDV (Chile).
FIVC is an independent event and self-managed, with no funding of any tipe.
Organizes and produces. Caida Libre
General direction and production: Brisa MP
Jury 2012: Paula Moraga and Brisa MP
Reporter (Press): Evelyn Vera
Web Design: Andy Dockett
Translation selection text: Liliana Cozzi
Sponsoring institutions: Spain Cultural Center, Balmaceda Arte Joven in Valparaíso (Chile). PCDV Valparaíso.
Collaborators: RELEe'-, Danza contemporánea, Onoff.cl, Elotrocine.cl , Viña Casanueva
PROGRAM
FIVC
Festival Internacional de Videodanza de Chile
International Videodance Festival of Chile
http://www.videodanza.cl/
Twitter: @CADALIBRE
FACEBOOK: Festival Internacional de Videodanza de Chile
La programación artística de MOV-S acogió dos funciones de Todos los nombres. Este solo de María Muñoz es un viaje de búsqueda por los vocablos que identifican y definen un cuerpo y construyen y confirman la existencia misma. Marlon Barrios conversó con Muñoz y Pep Ramis, componentes de la compañía Mal Pelo.
Hello dance-techers,
We're happy to report that have rolled out a mobile site for the dance-tech experience.
We had upgraded the mobile version with a future-friendly HTML5 creating a great-looking experience across numerous mobile devices.
We were able to create something that's high quality and that provides a frictionless experience for users. o, you can connect with dance-tech.net/m on the road.
Take a look at a few things that dance-tech Mobile offers.
A BETTER APP-LIKE EXPERIENCE FOR YOUR MEMBERS
It works with iOS and Android devices. It's optimized for smartphones so you can access it easily with the devices they already use every day.
So, connect with your community on the in your portable device!!
Marlon
ALSO, HERE IS THE MOST POPULAR CONTENT ON DANCE-TECH.NET!
Your activity organizes the content!
an remember to read the last three messages!
HERE SOME SCREENSHOTS OF THE MAIN FEATURES!
THANK YOU!!
CONNECT TO THE ACTIVITY STREAM
SEE THE MENU IN THE TOP RIGHT!
UPDATE YOU STATUS AND BLOG FROM YOUR DEVICE AND SHARE IT TO OTHER SN SUCH AS FACEBOOK AND TWITTER!
POST TO YOUR BLOG!!
SIGUE LAS FOTOS DE LA COMUNIDAD Y COMENTA!!
SUIGUE LOS EVENTOS!
Los días 15 y 16 de junio, en el marco del encuentro MOV-S se celebraron varias sesiones de presentación de proyectos relacionadas con las temáticas de los tres grupos de trabajo. Podéis escuchar los audios de dichas presentaciones. Para más información sobre los proyectos presentados, podéis consultar el siguiente link.
El día 14 de junio, el Foyer del Gran Teatro Falla acogió el Solo de Israel Galván. Emancipado de la música, el bailaor se enfrentó a su propio ritmo en una pieza unipersonal de carácter experimental y sin adornos, un paso más en su trabajo de investigación con el lenguaje del cuerpo. Marlon Barrios conversó con él sobre esta pieza y su concepción del baile flamenco.
Study of actions of a self-portrait.Study of actions of a self-video-portrait.
Actions ordered to myself in a video portrait.
Durante el encuentro de Cádiz, las intervenciones de los relatores de cada una de las mesas de trabajo fue grabada con el objetivo de establecer un relato en audio de las discusiones y los acuerdos a los que se llegó en cada mesa de trabajo.
Escuchar los archivos de audio.
Hello dance-techers,
Here is the page with the most popular content of this week and also please read the last week message.
http://www.dance-tech.net/leaderboards
As you can see in the navigation menu, we have added some features to the regular social media functionality.
Here is the new feature of the week:
Your LIVE video channel...
Yes, all dance-tech.net members can now use the network for LIVE video broadcast in your own LIVE video channel automatically embedded in your account.
Broadcast your rehearsals, performances, lectures and your experiments on dance-tech.net.
We have established a partnership with USTREAM.TV that allows you to create a free or professional broadcasting video channel that will be embedded in the network and have its own URL.
Your own LIVE video channel on your profile page!
In this way each member of dance-tech.net becomes a potential broadcasting producer.
More than 4000 potential providers of live content!You can use the network to share with friends and directly re-post in Facebook and Twitter...
Just in few clicks!
be part of the LIVE video revolution for the arts!
Let's innovate together...
To create your own USTREAM.TV channel:
1.-Log in to the network, go to the tab "My LIVE video channel" in the main menu and follow prompts.
2.-You may use a USTREAM.TV channel that you have already created or create a new one.
If you want your channel to show in your profile page: go to the "settings" in your profile page There you can select to show the channel in your page and place it anywhere in the page.
It will show at the lower part of your profile page by default.
You always will be able to see your channel or direct your viewers to the URL of "My LIVE video channel" page and also to the channel in your profile page if you have defined so in the settings.
See channel on Marlon Barrios Solano page:
See channel on "My LIVE video channel page
Let us know when you create your channels to announce it...
Happy LIVE video streaming.
Marlon
marlon@dance-tech.net
Disclaimer: dance-tech.net does endorse the content or opinions expressed within the USTREAM channels created by its members. Members must follow the USTREAM terms and conditions. As in any section the network, each member is responsible of the copyright clearance of the published or broadcasted material. Dance-tech.net does not get any moneys from adverting layered on the USTREAM free channels nor from USTREAM.TV
Erin Jonhson and I are working on a new piece called "Bobinetting" for the ZERO1 Biennial in San Jose this January. More information to come soon, but until then:
Bobinetting is the contemporary appropriation of an anachronistic feminist device. In 1832 French ballerina Marie Taglioni dawned the first tutu to dance the ballet La Sylphide. The tutu is made of tulle, light fabric that consists of strong hexagonal stitching. The light and strong makeup of the dancing skirt allowed for Taglioni to move around the stage more freely and to jump as high as her male counterparts. Since the nineteenth century the tutu and its characteristic tulle technology has become the iconographic symbol of the female ballerina as sexual object. Bobinetting explores the way that technological prosthesis can simultaneously empower and objectify the body. What is technology and what does it do to our identity? This performance is a new media artwork for which tulle is a movement sensor. By way of stripping digital devices from the performance environment we focus on the physicality of the human body as it has always interacted with objects. During a time when new media devices are often staged as trendy fetish objects, we take away the devices to think metaphorically and historically about bodies, movement sensors, and prosthetics. Bobbinetting is a prosthetic dance between tulle netting and human agent.
Ya ha pasado un mes desde la celebración del encuentro en Cádiz y seguimos recibiendo feedbacks de personas participantes en el mismo.
Cristina Riera fue relatora en una de las mesas de trabajo de la sala Colaboración Público-Privada. En su blog http://delirandounpoco.wordpress.com, publicó un post de valoración del encuentro bajo el título Un ejemplo de práctica institucional colaborativa y abierta en el que reflexiona sobre MOV-S como un experimento en diferentes capas.
- Link al post.
- Pdf del post (16/7/2012).
También, y bajo el título Metodologías colaborativas en cultura #Movs2012, ofrece una imagen con conclusiones básicas sobre metodologías colaborativas en cultura y el papel del gestor cultural a propósito de MOV-S 2012.
Después de un primer mapa visual que incluía conclusiones sobre el encuentro, Marta Ardiaca en su blog http://temptatives.wordpress.com comparte un post titulado #movs2012 ideas para cultivar y un mapa a partir de su experiencia como relatora en la sala Movilidad y visibilidad.
- Link al post.
- Pdf del post (16/7/2012).
Susana Serrano, también relatora en la sala Movilidad y visibilidad, comparte un post titulado Cuerpo, laboratorio, resistencia...//reflexiones MOV-S en su blog http://susanaserrano.cc.
- Link al post.
- Pdf del post (16/7/2012).
Margarida Troguet, directora del Teatre L'Escorxador de Lleida participó como relatora en la sala Sostenibilidad de las prácticas artísticas. Nos ha hecho llegar sus reflexiones sobre la programación artística y una serie de imágenes que contienen conclusiones de la mesa 7.
- Pdf del artículo.
(Haz clic en las imágenes para aumentarlas)
Message Thursday
July 12th 2012
Hello dance-techers,
I would like to thank you for all your ongoing contributions with dance-tech.net and dance-tech.tv
The projects keep growing and evolving with your contributions that nurture the platforms themselves, content productions and special collaborations/partnerships.
I would like to invite you to use dance-tech.net for developing your own on-line network community. I suggest to include it on your online strategy and you will benefit form the the engagement of a community of practice focused on experimentation, open knowledge and innovation in the body based artistic and research practices.
Dance-tech.net will be emphasizing decentralization with a totally distributed and horizontal approach for the presentation and featuring of content.
Therefore:
1.- Chronological order
All the content by the community will be featured based on chronological order in all the pages, including the home page.
2.- You as co-curator
All the dance-tech NEWS will only be sent one a week and will highlight the most popular members and content of the week. The site will self-organize based on users participation. Your participation will make you more visible.
You can participate in many ways, with any kind of media content. You can automatically SHARE in Facebook or Tweeter all you dance-tech posts. This helps also to spread the word a about this project.
The dance-tech NEWS email email will be sent on Thursdays.
It is your participation that determines the content of the newsletter. We all determine what matters!
We are all curators!
NOTE: You can opt out to receive these mails in your settings/email section of your profile. Here you can customize all the email aspects for your account.
3.-Please, don't send me press releases about events for me to post them. Post them yourself and move them in the social network platforms. That makes to content more useful.
It is about collaborative platforms.
dance-tech.net can be used for PR and marketing purposes but you are in charge.
An please, use the real dates of the events. Events with dates implying a duration of more than 8 weeks will be deleted. Respect your peers!
4.-About dance-tech.net:
Here you can find a description of the dance-tech projects and other collaborative opportunities.
http://www.dance-tech.net/page/dance-tech-exploring-digital-networks-as-medium\
5.-Donations are VOLUNTARY
We have put in place an automated monthly donation system integrated with the sign-up and sign-in functions for the dance-tech.net, yet:
ACCESS REMAINS FREE.
You will be now reminded that all the dance-tech interactive projects are supported by generosity of its users
http://www.dance-tech.net/profiles/blogs/important-automated-donations-system-launched-in-september-2011-t
Your donation does not impact your visibility in the site!
If you have any suggestions or would like to get more involved in this project please, email marlon@dance-tech.net
have a great weekend!
Marlon
Plataforma CRIM, Festival Escena Doméstica, #ccahora o Graner fueron algunos de los proyectos que se presentaron en el marco de MOV-S. En este vídeo podéis ver entrevistas con algunas de las personas que hablaron sobre ellos.
María Ptqk, metodóloga del encuentro MOV-S, quiere compartir con todos vosotros la experiencia #10penkult. Decálogo de prácticas culturales de código abierto. Organizado por Susana Serrano, tuvo como participantes a algunos de los relatores que trabajaron en Cádiz (la misma Ptqk, Jaron Rowan, Kamen Nedev...).
Pedro Soler, también presente en el proyecto, ha organizado uno en La Caldera de Barcelona, que se está desarrollonado estos días. Podéis seguir el proceso en http://www.tea-tron.com/lacaldera/blog/.
Guillermo Heras nos ha hecho llegar un artículo en el que reflexiona sobre el encuentro y lanza una serie de ideas al sector que pueden ser interesantes y útiles a la hora de encontrar alternativas a los problemas y cuestiones actuales.
Pdf del artículo.
Los metodólogos María Ptqk, Ainara Martín y Rubén Martínez explican las estrategias y metodos utlizados en los grupos mesas de trabajo durante el encuentro en este vídeo realizado por Marlon Barrios en el marco del proyecto Meta_media Lab.
Recogemos algunas aportaciones, reflexiones e ideas que han ido surgiendo en redes sociales y blogs a raíz del encuentro de hace un par de semanas en Cádiz.
En el blog www.prototyping.es se inició un interesante debate a partir de un post de Adolfo Estalella sobre la metodología utilizada durante los días de MOV-S 2012. Algunos de los participantes del encuentro en Cádiz entraron en el debate con aportaciones a tener en cuenta.
- Link del post
- Pdf del post (29/6/2012)
Por su parte, Iguazel Elhombre, también reflexionó, de una manera más personal sobre la experiencia.
- Link del post
- Pdf del post (29/6/2012)
Marta Ardiaca, colgó hace unos días en su cuenta de Twitter el siguiente mapa sobre algunas de las conclusiones a las que se llegaron en la mesa de trabajo en la que participó.
También en Twitter, Susana Serrano compartió un texto de Suely Rolnik titulado "El ocaso de la víctima".
- Link al artículo
- Pdf del artículo (29/6/2012)
Ainara Martín nos ha hecho llegar grabaciones que realizó en la sala "Colaboración Público-Privada" con las conclusiones de los relatores.
Queremos compartir con vosotros el resultado de los dos días de trabajo en comunidad que tuvo lugar durante el encuentro.
Fotografiamos todos los murales que se realizaron como resultado de las discusiones en las diversas mesas de trabajo. Esperamos que estas imágenes sean una herramienta útil para vosotros (las encontraréis numeradas del 1 al 111).
Ponemos a vuestra disposición las conclusiones que presentaron los metodólogos María Ptqk, Rubén Martínez y Ainara Martín en el acto de clausura de MOV-S 2012 y el audio del acto.
