Birthday:
December 25
- Photos
- Friends
- About
Do you want this account to represent:
organization of humans (us) many of you
If you are representing an organization, what is the name of the organization:
Hole Dance Films
If you are representing an organization, what kind of organization?
Company, Artists Services, Producer, Media
First Name (Required: even if you are representing an organization you must use your name)
Carrie
Last Name (Family Name)
Noel Richer
About Me (human/individual)/interests, work..short bio/ THis is the most important. It is the only way to know that you are not a SPAMBOT!Be generous!
Hole Dance Films was established in 2009 in response to the emerging genre of Choreography for the Camera. Encompassing a myriad of art forms such as dance, cinematography, music, set design, scriptwriting and editing, the new genre of Dance Film lends itself to a wide range of audiences. Artistically directed by both Carrie Noel Richer and Kate W. Kosharek, Hole Dance Films is in a unique position to contribute extensive experience in experimental filmmaking, narrative story telling, site specific dance work, cutting edge choreography as well as complete access to the only professional dance company in Wyoming, Contemporary Dance Wyoming. Hole Dance Films philosophy is to guide the audience to view and understand dance by portraying everyday human activity through choreography and within the structure of a movie. A clear narrative not only makes for successful films, it ultimately will expand and invigorate today’s stagnant audience for modern dance. We embrace the luxury of shooting in any environment without the logistics of housing an audience. Our productions rely on the opportunity to use multiple environments that can easily be manipulated and enhanced using cinematography techniques. Challenging the line between real and surreal, the life metaphors that are the basis of each film are founded within inventive movement, quirky characters and cinematic illusions. Articulating the physicality of communication and exaggerating everyday human gestures, gives the audience ways to identify with the film yet room to form their own interpretation.
