Call for professional choreographers and dance companies who want to participate in the International Platform for Choreographers, to be held in Almada - Portugal, between October 2 and 4, 2025.
Long text: The International Platform for Choreographers is a section of the Quinzena de Dança de Almada - International Dance Festival, next year in the 33rd edition.
- Only contemporary dance pieces no longer than 20 minutes will be selected. Longer pieces must be adapted to the time limit. The performances will be included in a shared program with other participants.
- The organisation will invite the selected participants to all the different performances, events, debates, and meetings with promoters included in the International Platform for Choreographers.
- The organisation will assure the conditions for the presentation of the selected dance pieces, being responsible for the programming and promotion of the performances.
- The organisation will provide theatre facilities and the necessary technicians (indoors or outdoors. For site specific presentations each case will be addressed individually.
- All basic lighting for the stage will be assured, although there may be limitations in special effects. A maximum of 10 light queues can be programmed for each piece.
- For participants living outside the AML (Lisbon Metropolitan Area), the organisation will provide accommodation and subsistence for three days during the event, for the dancer(s) and one choreographer or technician of the selected piece up to a maximum of 4 people per project. If the number is exceeded, costs will be assured by the participants.
- Accommodation will be assured in double rooms for participants from the same company. If single rooms are requested, the extra costs are to be paid by the participants. Only the dancer(s), and one accompanying professional (choreographer or technician) are considered by the organisation.
- The organisation will assure the transfer from the Airport to Almada, for flights arriving between 8am and 10pm. The organisation does not cover the transfer back to the airport, but will help the participants to get organised with public transportation.
- The organisation will not pay fees or cover other expenses such as travels.
We are thrilled to announce the availability of artist residency weeks in my cute and peaceful flat located at Lake Studios Berlin, in the charming neighborhood of Friedrichshagen, Berlin. This is a unique chance for dancers, movement artists, choreographers, musicians, and interdisciplinary artists to immerse themselves in a vibrant and artistic community.
Highlights:
• Location: Nestled in the picturesque and creative area of Friedrichshagen, Berlin, within the inspiring Lake Studios Berlin. Just three blocks from the largest lake in Berlin, perfect for swimming and relaxation.
• Accommodation: A cozy apartment featuring a private bathroom and kitchenette, complete with a dishwasher. The flat comfortably accommodates up to three people, with a bunk bed and a queen-sized bed.
• Amenities: High-speed WiFi, access to beautiful movement studios, multimedia equipment, and a top-notch sound system.
• Outdoor Space: Enjoy the serene garden, outdoor studio, and sauna.
• Community: Be part of a lovely and artistic community, perfect for collaboration and inspiration; shared practices three times a week.
These are self-funded residencies, offering you the opportunity to share your work and connect with the dynamic Berlin art scene. very affordable accommodation and art space in Berlin.
350 Euros per week! Living and creating!!
Included:
• Access to well-equipped movement studios and multimedia equipment.
• A supportive and creative environment tailored for artistic growth and creative process.
• Proximity to the largest lake in Berlin, ideal for swimming and unwinding.
• The chance to engage with Berlin’s rich and diverse artistic community from a peaceful place.
Don’t miss this opportunity in one of the most inspiring cities in the world. Whether you are a dancer, choreographer, or interdisciplinary artist, our residency offers the perfect setting for your creative endeavors.
We look forward to welcoming you to our community at Lake Studios Berlin!
Our research project, MODINA (Movement, Digital Intelligence and Interactive Audience) is a 3-year dance and technology project, co-funded by the Creative Europe programme of the EU (https://modina.eu). We’re opening a call for artist residencies for multidisciplinary duos, with competences in dance and in technology (particularly related to computational creativity and audience interaction), for example: a dancer/choreographer and a creative technologist. Following the successful first edition of the MODINA residencies, we are organizing 5 residencies of 8 weeks, between January and May 2025, across 5 cities: Bucharest, Budapest, Düsseldorf, Ljubljana and Tallinn. Deadline for applications: 4/August.
To round out our 2024 Submerge program, LAKE Studios is seeking finished performance works that explore the intersections of (live) music and dance. We are particularly interested in artists and works that give voice to underrepresented cultural expressions in the German contemporary dance and performance scene.
OUR CALL: We are looking for finished pieces — solos, duets or trios — 30 to 40 minutes in length, to be presented in an evening or afternoon double-bill with another artist’s work. We will also give consideration to durational pieces or installations designed for public spaces. Artists must be willing to offer a two-day workshop, The Choreographer’s LAB, to introduce their work processes to other professional performance artists. Workshops will take place from 11:00 – 16:00 on two consecutive days. Chosen pieces will be presented either the week of August 5th, August 19th, or the week of August 26th. Artists must be based in Berlin.
THEME: Pleasure and Groove, Rhythm and Resistance
“We need to learn how to practice love such that care—for ourselves and others—is understood as political resistance and cultivating resilience.” Adrienne Maree Brown, Pleasure Activism: The Politics of Feeling Good
This year’s SUBMERGE Festival will highlight the confluence of music and dance, and their joint potential to foster joy, strength, resistance and resilience. We will consider works connecting (live) music and dance that address any of these questions:
Do you have a finished work that holds at its center the relationship between music, rhythm and dance?
A piece that explores the philosophical potential of rhythm, the musical body, the gratification of dance performed with live music, and/or the risks and rewards of presenting the dance-inherent-in-music and the-music-inherent-in-dance? Does your work fit the guiding quote above?
Does it explore activism via tools of music and dance?
Is your work engaged with underrepresented dance and music within the German contemporary dance and performance scene?
Does your work celebrate the joyful power of performance and challenge us to think critically or act with awareness in the face of adversity?
The SUBMERGE Festival will take place in barrier free studios.
WHAT WE OFFER:
Two-day Workshop 500€ for one facilitator
Performance 350€ per artist
Light and tech support for performance
Professional video and photos of performance
Child care support during workshop and performance
Accessibility support
4 hours of Studio time in July or August
To apply, use the application form, available HERE and on our website for download. Applications can be submitted in German or English. Email complete forms to submergefestival@gmail.com.
Hello to all members of the Dance-tech.net family and enthusiasts of the digital dance realm,
As we look back on the remarkable journey that Dance-tech.net has undertaken since its inception in October 2007, it's thrilling to consider the path that lies ahead. Born from a vision to blend the realms of dance, technology, and digital culture, Dance-tech.net has grown into a vibrant community of artists, technologists, and scholars who share a passion for pushing the boundaries of what's possible in art and technology.
A Vision Expanded
Dance-tech.net has always been more than a platform; it's a living, breathing ecosystem that thrives on collaboration, innovation, and exploration. Our mission has led us to foster an environment where new ideas can flourish, where the intersection of movement and technology sparks creative fires.
Our Supportive Partners
As we embark on this next chapter, we're excited to announce the support of key partners who share our commitment to innovation and education in the realms of dance and technology. Lake Studios Berlin (lakestudiosberlin.com) continues to be a steadfast supporter, providing a space where artists and technologists can converge and create.
Radiona (radiona.org), with its dedication to open community and innovation, aligns with our vision of a collaborative future.
Furthermore, we're establishing special educational partnerships with leading organizations in the AI space: Hugging Face (huggingface.co) and Fal.ai (fal.ai/dashboard). These collaborations are set to enrich our community's understanding and application of AI in dance and performance, marking a significant leap forward in our collective exploration of digital technology.
Looking Forward
This next phase for Dance-tech.net is not just about growth; it's about deepening our engagement with the digital world and its potential to transform dance and artistic expression. We are standing at the threshold of a new era, ready to explore the possibilities of movement, embodiment, cognition and digital technology with a special focus on AI's role in redefining these domains.
An Invitation to Explore | Helps us with new directions...
This journey would not be possible without you, our community. Your curiosity, passion, and creativity have been the driving force behind Dance-tech.net's evolution. As we move forward, I invite you to join us in this exciting new phase. Let's continue to challenge the boundaries of dance and technology, together. Let me know in the comments how do you feel about these new and how can we reacticate the community and these exciying filed of inquiry.
Warm regards,
Marlon Barrios Solano Curator | Dance-tech.net and Movimiento.org
This is the unseeable space in which machine learning makes its meaning. Beyond that which we are incapable of visualizing is that which we are incapable of even understanding. — James Bridle
Latent space, in the realm of machine learning and artificial intelligence, refers to a high-dimensional abstract space where data’s intrinsic, hidden features are represented in a compressed form. This space is particularly significant in the context of generative models, such as Generative Adversarial Networks (GANs) and transformers, where it serves as the groundwork for the models to learn, encode, and manipulate the underlying patterns of the data they’re trained on. By navigating through this latent space, these models can generate new instances of data that, while reflective of the learned patterns, are distinct and original.
In “Duets in Latent Space,” embodies a live collaboration between the artist or user— situated before a laptop — and generative AI models that reside within this enigmatic latent space. Through various forms of input, whether they be movements, sounds, or digital interactions, the AI responds in kind, generating visual, auditory, or textual outputs that are played back in real time.
In “Duets in Latent Spaces,” I navigate different trajectories in the domain where machine learning finds its meaning inspired by James Bridle’s contemplation on locating these spaces beyond our capacity to visualize or understand.
“Duets in Latent Spaces” is conceptualized as a lecture-performance, installation and webpages, designed to bridge the realms of the tangible, the remembered and the speculative, facilitating presentations both in person and online.
This project unfolds through a series of vignettes combining stories, re-tellings, interfaces, software, movement scores and re-performances, each spanning 3 to 7 minutes, that illuminate trajectories of the generative potential of human-AI interaction, inviting the audience into a collaborative narrative that melds human intuition, storytelling with algorithmic playfulness.
Each segment is woven with personal stories, dances, histories about cybernetics, migration, post-coloniality and choreographic thinking. They venture into uncharted probability spaces, powered by bespoke applications I’ve developed to interface with advanced generative AI models and machine learning models for body and gesture recognition.
These interactions forge semantic and action landscapes that delve into the deep, unseen dimensions of data, cultural memory and language. By reversing the hegemonic narratives of generative AI and manipulating inputs, actions, and prompts, I navigate the AI models’ generative processes exploring their emancipatory potential, forging unique cognitive recombinations with evolving texts, images, and soundscapes set within the ethereal spaces of desire, affect, memory, longing and hybrid materiality.
Central to this project are several technologies: p5.js, enabling creative coding in the browser; Next.js, for rendering server-side React applications; machine learning models for hangs gesture and body movement recognition; humansLarge Language Models (LLMs), offering extensive capabilities for generating human-like text; and Generative Adversarial Networks (GANs), known for producing highly realistic images. These technologies underpin the performance, emphasizing REAL-TIME dynamic interactions that highlight the creative and epistemic challenges of generative AI.
Moreover, “Duets in Latent Spaces” extends beyond the performance realm into live, interactive applications, making the underlying technology directly accessible. The apps themselves, alongside their source code, are freely available, inviting further exploration and engagement from the audience and the broader community. This transparency aims to demystify the technology, encouraging a hands-on understanding and critical examination of AI’s role in shaping our perceptions of identity, creativity, and reality.
This project and each node is a mutable invitation to ponder the unseen forces that mold our digital and physical existence (as memory and imagination), offering a nuanced perspective on the intricate relationship between human cognition and artificial intelligence. Through this work, I challenge audiences to reflect on the invisible dimensions that influence our world, inhabiting the gap between the known and the unknowable latent space of entropic creativity.
It has been presented at:
-. Generative AI, Arts and Ethics, think-tank at Chateau de Fey, France March 5th of March 2024.
-. ACCAD Future Tech | The Ohio Stare University OSU Dance (Online) February 22nd 2024
-. Unfinished Fridays @ Berlin Lake Studios February 23rd 2024.
It can be adapted to be presented as installation-performances, installations, online apps and as line and online lecture-performance.
Call for professional choreographers, dance companies and directors who want to participate in the Video Dance Showcase, to be held in Almada - Portugal, between September 19 to October 6, 2024.
The Video Dance Showcase is a section of the Quinzena de Dança de Almada - International Dance Festival, this year in the 32nd edition.
- The organisation will assure the conditions for the presentation of the selected pieces, being responsible for the programming and promotion of the presentations.
- The organisation will provide space and technical conditions for the presentation of selected videos.
- The organisation will be allowed to record and photograph the event and use excerpts of the pieces for promotion, archive, and educational purposes.
- The organisation will choose the location and time of presentation, within the duration of the festival.
- The authors are invited to attend the screening and participate in the presentation if they have the possibility to be present.
The submitted proposals must be:
- Works of Video Dance with a duration of 8 minutes or less.
- Presented by video directors, choreographers, dance companies or other institutions that hold the rights of presentation (proof of author's permission for presentation in the festival must be sent if the application is approved).
Inspired by Nahuel: Marlon Barrios Solano delves into generative design and human-computer interaction at Lake Studio Berlin, inspired by Nahuel Gerth's innovative approaches. Read more
Meta-fictions: Entangled with Odd Kins: Reflect on the interplay between dance, AI, and narrative in Marlon Barrios Solano's latest project, showcasing unpredictable artistic evolution. Explore further
Unfinished Fridays #106: Don't miss a unique evening at Lake Studios Berlin on February 23rd, 2024, featuring new works by resident artists and special guests. Details here
Sacred Economics (2019 Remix): Engage with Charles Eisenstein's ideas on transforming our economic systems towards sustainability, presented in a thought-provoking remix. Watch now
Poetics of Encryption Exhibition 24: Visit KW Institute for Contemporary Art from February 17 to May 26, 2024, for an exhibition exploring digital tools, secrecy, and the cultural implications of technology through the work of over 40 international artists. Learn more
Stay informed and inspired with this week's selection of engaging events and exhibitions!
Immersing myself in this residency at Lake Studio Berlin, I have been inpired by the young designer and creative coder Nahuel Gerth. Based in Prague, he is not just a designer, but a visual storyteller, playfully weaving together the threads of science, arts, technology, with the laguage and tools of generative design. I am inspired by his passion for innovation and playfullness, while exploring the boundaries of human-computer interaction and design.
Nahuel, plays with form, code, and emboiment. He uses procesural design for the web as a medium of art and playfully expands interaction with elegamt design. Visit Nahuel's Website and follow his journey on Instagram @NahuelGerth.
🖌️ Contrast and Identity 🖌️
One facet of Nahuel's work that profoundly resonates with me is the stark contrast it presents between the materiality of emboiment and slick graphic dynamic 2D design. He juxtaposes algorythmic design with the material reality of embodiment. This interplay between Nahuel's digital geometies and my corporeal existence creats a compelling narrative tension.
t Lake Studio Berlin, my residency immerses me in a world where art and technology seamlessly blend to create a new frontier of expression. Armed with tools like p5.js and MediaPipe, coupled with the flexibility of web-based platforms, I sculpt interactive, generative environments that transcend traditional boundaries. These digital dances, born from code and creativity, exist as fluid experiences accessible to all, embodying the inclusive spirit of open-source technology.
Through my exploration, I strive to foster collaboration and inclusivity within the artistic community. Every keystroke and algorithmic tweak represents not just artistic creation, but also a commitment to sharing knowledge and insights. The LapTop Dances Prototype, a culmination of concept, programming, and performance, serves as a tangible manifestation of this ethos.
As I delve into realms of creative coding, machine learning, and generative AI, both in text and image, I anticipate the evolution of participatory performances that blur the lines between the digital and physical realms. Stay tuned for updates as I unveil the results of this exploration within the Laptop Dances | Soft Spaces project.
Reflecting on the culmination of our residency at Lake Studios Berlin in November 20th 2023, “Meta-fictions: A Fugue entangled with several odd kins and intelligences” represents a significant milestone in my journey exploring the realms of generativity, dance, and AI. This performance was not just the result of collaborative efforts but also a testament to the boundless possibilities that arise when different worlds of creativity and technology intersect.
Throughout the residency, my focus was on leveraging the capabilities of generative AI, to create an innovative choreographic tool also inrelation with the history of the use of rule systems and improvisational structures by dancers and actors. We iengaged in a dynamic dialogue with AI. We created a generative loop of continuous improvisation in collaborations with AIs. This process illustrated the true essence of generativity — an evolving, unpredictable artistic expression.
In “Meta-fictions,” we delved into the realm of self-aware storytelling. The performance was a conscious blend of fiction and reality, constantly evolving and reshaping itself based on the interactions between the dancers, AI, and the audience. This approach allowed us to explore the narrative in a way that questioned and played with the very nature of storytelling in the digital age. We collaborated and performed with fabulation engines.
A key aspect of the residency’s outcome was its rich tapestry of cultural influences due to our nationalities and complex histories: Venezuela, Mexico and Spain. From ancient indigenous chants to the modern rhythms of Spanish pop and American hits, the musical landscape of the performance was diverse and vibrant. The inclusion of Miguel Bose’s iconic performance in drag from Almodovar’s “Tacones Lejanos” brought an element of cinematic flair, merging music, film, and dance. The movements, inspired by the dramatic essence of bullfighting, connected our digital creation with deep-rooted cultural expressions. Longings, belongings and exiles were present.
In this project, AI took on multiple roles — as a repository of memories, a source of imagination, an evidence of cultural mashup and as collaging unique worlds. Durinf the process, AI-generated visuals of ethereal forms of jellyfish and algae, were not just artistic elements but symbolized the blending of the natural and digital realms, hight art conceptuality and fantasize about alien rituals. These OddKins represented the symbiosis of life forms. We watched Donna Haraway documentary and also sang karaoke. Working with LLMs is going meta all the time.
As I look back on “Meta-fictions,” I see it as an exploration in the field of performance art and installation. It’s a vivid example of how computation and AI happens is time and time happened in semantic realms. This residency at Lake Studios Berlin was an opportunity to navigate the uncharted (yet familiar) waters of generativity, AI, and dance improvisation. Stuff that changes in real-time.
Thanks to the artists collaborators in this residency Dakota Comin, Cesar Rene Perez, and Vera Rivas and the support of Lake Studios Berlin.
All images are from Maria Kousi and were taken in November 17th 2023.
Sati-AI is not intended to be a monolithic knowledge base on Buddhist meditation practice and theory, instead, it is designed to embody and augment my interdisciplinary research path in relation to my Vipassana meditation practice. My art and research traverses cognitive science, dance improvisation and choreography, contemplative practices, art and technology and software development. In Sati-AI, early buddhist knowledge is an attractor. Sati-AI is imagined as an embodiment of the distributed, uncertain, and queer condition of not having a center, a rigor necessitated by the state of knowing not knowing. Sa
Read more…
Following Quinzena de Dança de Almada’s organisation as a space for the presentation and sharing of experiences between contemporary dance artists, we are inviting choreographers, dance companies and professional directors to submit their projects for presentation on the International Platform for Choreographers and/or on the Video Dance Showcase.
The 31st edition of Quinzena de Dança de Almada - International Dance Festival will be presented in Almada (Lisbon, Portugal), from September 21 to October 8, 2023.
Interested parties can submit their proposals until January 22, 2023, for the International Platform for Choreographers and April 9, 2023, for the Video Dance Showcase. Conditions and online forms are available here.
For any question, please feel free to contact us via quinzena@cdanca-almada.pt.
Hello all, here is the link to the Soma Session Thursday, September 8.Reyna J. Perdomo is inviting you to a scheduled Zoom meeting. Topic; Soma Session 3 with Reyna Description; GYROKINESIS® Method and Embodied-Balanced-Flow Body/Mind Training with Reyna. Time: Sep 8, 2022 01:00 PM Caracas, 1 PM EST., 7 PM CET.
MotionDAO, an artists collective exploring the affordances of the blockchain for movement and inter-disciplinary artists.
We have been meeting, thinking and creating experiments and we have now the opportunity to meet and share our experience in Kassel Germany during Documenta 15th.
To receive the zoom link please leave a comment in this post!
Session Description:
Sati: The Practice of Mindful Awareness
We will explore the potency of embodied awareness: ‘bodyfulness’ as a reframing of the four foundations of Mindfulness (Satipathana) as presented by early buddhism. We will practice Sati in combination with contemporary practices influenced by embodied cognition and somatics. The sessions start with guided mindfulness practice, silence and unfolds to a council/dialogue practice.
My Bio:
Marlon Barrios Solano is a Venezuelan-American interdisciplinary artist, educator and researcher based between the US and Europe. With a hybrid background in movement arts, performance/dance studies, software engineering and psychology, he investigates the intersections of socio-technical systems, embodied cognition, choreography, computation, networks, somatic awareness and social innovation in art, pedagogy and healing. He is fascinated by software, complexity and culture.
He is a Certified Vipassana/Mindfulness Meditation Teacher by Spirit Rock Meditation Center (USA) and practices under the mentorship of Stephen Batchelor. He is a student of the Somatic Experiencing Certification Program (NYC) and he is an Embodyoga® 200 Hour Teacher (RYT200). From 2016 to 2021, he worked and lived at Insight Meditation Society in Barre, MA in the US.He teachers mindfulness meditation to artists, technologists and creative professionals.
As a dancer in NYC, he collaborated with New York choreographers Lynn Shapiro, Merian Soto, Dean Moss and Susan Marshall and with musicians Philip Glass, John Zorn and Erik Friedlander. He holds an MFA in Dance and Technology 2004 intersecting networked environments, performance of improvisation and embodied cognition from The Ohio State University, USA.
