“The Copier” takes its inspiration quite literally. The flare of a copy machine's light sweeps like a lighthouse beacon over the floors and walls of Cedar Lake's spacious warehouse like performance space. Music begins and ends with the rhythm of a cantankerous computer printer and other natural and synthetic sounds captured from the city: subways and traffic, ring tones and paper shredders, bird songs, barking dogs and the murmur of overheard conversations punctuate composer David Poe's otherwise orchestral score.
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