Subscribe to Cultureband: http://bit.ly/cultureband Subscribe to TenduTV: bit.ly/tendutvyt Glow is an illuminating choreographic essay by Artistic Director G...
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Some of the visual effects are absolutely stunningly beautiful, however a lot of the movement content and overall composition of that movement is not as compelling: Each change in computer/ lighting effect has a specific quality and design potential; the movement material existing in it, shapes that design potential. If these episodic like effects existed in some other physical and temporal arrangement for the live context — maybe side by side reminiscent of the mini portraits of bill viola Catherine's Room, 2001 or four hands, or the wonderful limits of perceptions — the value of what makes the aesthetics of each movement phase / live -light canvas / would for me enrich the experience. The current uni-dimentional linear framing does not support how these elements exist together. (ps. the performer has an amazing physical range, but to what end is this employed in this work).
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Hello,
This is an interview that I did with Gideon Obarzanek.
http://www.dance-tech.net/video/dance-tech-01program-interview
Some of the visual effects are absolutely stunningly beautiful, however a lot of the movement content and overall composition of that movement is not as compelling: Each change in computer/ lighting effect has a specific quality and design potential; the movement material existing in it, shapes that design potential. If these episodic like effects existed in some other physical and temporal arrangement for the live context — maybe side by side reminiscent of the mini portraits of bill viola Catherine's Room, 2001 or four hands, or the wonderful limits of perceptions — the value of what makes the aesthetics of each movement phase / live -light canvas / would for me enrich the experience. The current uni-dimentional linear framing does not support how these elements exist together. (ps. the performer has an amazing physical range, but to what end is this employed in this work).