Contemporary dance and multimedia performance for three female performersChoreographic trio inspired by Hélène Cixous’ The Laugh of the Medusa and Australian poet Diane Fahey’s feminist poetry, Genesis 3:16 un-occults woman as a concept and exposes classical representations: women stuck in mythological stereotypes in the interest of power, women having to express according to dominant male discourse, women who cannot explore their black continent because "black is dangerous". By associating dance, text, song, music, images and symbolic objects in a journey towards a feminine being-in-the-world, another vision is allowed to emerge.
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