The goal of the “Real Time Composition” method is to put the maker in the position of “mediator” and “facilitator” of the events, blocking his temptation to impose himself by means of the will or the ability to manipulate them. His only “creative act”, should there be any, amounts to the mastery with which he handles the tension, the balance and potential of the material he is dealing with, letting things happen – if they really have to – by themselves.
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