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dance-tech.net: Shared movements, embodied knowledge and collaborative creativity in the New Internet

Posted by Marlon Barrios Solano on October 17, 2009 at 11:00pm
Prepared by Marlon Barrios Solano for the event: "Emergent Global Corporealities: Dance Technologies and Circulations of the Social" Yale University, New Haven, CC Using the most advanced social software platforms and rich multimedia internet applications, dance-tech.net provides movement and new media artists, theorist, thinkers and technologists an on-line space for accessing and sharing ideas, work, research and collaborative projects. Barrios Solano introduces dance-tech.net and dance-techTV as a sustainable model of production and exchange of knowledge within a community of movement and mew media artits, theorists, technologists and organizations. The new internet or Web 2.0 architectures helps us to see Networks as the materialization of social dynamics, as sites of action, translocal presence and social innovation and sampling. They have become the most important emergent repositories of social and cognitive capital of a given community. dance-tech.net registers conversations, dialogues, performances, ideas and lives using the WWW as a site for a relational intervention on the boundaries of bodies, countries, disciplines and organizations. TRACES: DANCE/IMPROVISATION/NEW MEDIA/COGNITION BATESON QUESTION? WHAT IS A HAND? RESEARCH COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK EMERGENCE BOTTOM-UP 1.-COMMUNITY DANCE AND TECHNOLOGY FROM A LIST SERV TO A SOCIAL NETWORK WEB 2.0 OPEN PLATFORM DANCE-TECH.NET FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION: INTERNATIONAL/TRANS-LOCAL TRANS-DISCIPLINARY GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES. COLLABORATIONS, PARTNERSHIPS AND BARTERING: INDIVIDUALS VENUES DTW, Eyebeam, Dance New Amsterdam, STEIM, TMA The Hellerau, Reverso,THE WAAG) TANGIBLE BENEFITS?? DANCE THEATHER WORKSHOP HARDWARE: LEMURPLEX/MIDITRON SOFTWARE: CYCLING74 2.-KNOWLEDGE What is dance anyway? RELEVANCE DANCE IS RELEVANT INNOVATION??? HOW WE IDENTIFY IT SUPPORT IT RE-FRAME IT KNOWLEDGE BACKBONE/ENGAGEMENT: MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS > 100 YES YOU CAN... INTERVIEWS: KNOWLEDGE BACKBONE... AS KNOWLEDGE AND AS A SUBJECT ETHNOGRAPHY/ BOTTOM-UP PROCESSPPROCESSPROCESS.... GIDEON OBARZANEK IVANA MULLER BEBE MILLER LISA NELSON/TUNNING SCORES ALVA NOE/PHILOSOPHY OF MIND IVANA MULLER/CONCEPTUAL DANCE European Tele-Plateaus Phase 2/Madrid ANDREW SCHNEIDER/PERFORMANCE AND WEARABLE interfaces JOSEPHINE DORADO/MIXED REALITY PERFORMANCES ANGELO VERMEULEN/BIO ARTS SABINE SEYMOUR/WEARABLE FASHION TRISTAN PERICH/NOISE AND CIRCUIT BENDING PERFORMER Knowledge Lineages? AN EXAMPLE...
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SYNDICATION/ VIRAL DISTRIBUTION PARTICIPATORY CREATION OF KNOWLEDGE: loose network of correspondents INTERVIEWS/NEWS REPORTAGE PARTICIPATORY JOURNALISM EXAMPLES OF COLLABORATION: WITH CRITICAL CORRESPONDENCE (NYC)
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SABINE KLAUS (SCOTLAND)

CODA KEDJA Opening Event Oslo Norway from Creation Editor on Vimeo.

DEBORAH HUSTIC (CROATIA) USE OF INTERNET NATIVE TECHNOLOGY EMBEDDED IN FESTIVALS/OPEN LAB IN FESTIVALS WORLD GRID LAB
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3.-DANCE-TECHTV COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND CURATED LIVE:Turkey, London, Venezuela, Switzerland, NYC. Content donated by more than forty artist: all continents Academia and independent broadcasters ASSOCIATE PRODUCERS (any member of the networks) LIVE BROADCASTING/LECTURES, PERFORMANCES, art projects (Movement Research Festival and Broadcasting station/workshops GRID LAB/Lebanon, France and Geneva) INTERACTIVE BROADCASTING... VIRAL DISTRIBUTION SPONSORED SPACE MORE: SIBLING NETWORKS MOVIMIENTO.ORG (SPANISH AND PORTUGUESE) USE IN CLASSROOMS: Wesleyan University University of Utah Allow students a dialogue with the community/experts and novices PEERS NEW WWW AFFORDS: LEAN FORWARD APPROACH PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS CREATIVE ENGAGEMENT AS EXCHANGE/GENEROSITY DIY DIWO DISTRIBUTED CONVERSATIONS/DIALOGUE EVERYTHING NEXT TO EVERYTHING COMMUNICATION IS NOT A BOND THE BOND IS CREATED BY DOING IT TOGETHER PARTICIPATION MAKES THE SITE CREATION OF AN INFRASTRUCTURE OF TRUST AND TRUST IN THE INFRASTRUCTURE SOCIAL COMMUNITIES=COMMONS=ECOLOGICAL REFLECT THE LOGIC OF THE SOCIAL LIFE CULTURE IS SOCIAL CONTESTING BOUNDARIES: BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE, ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ LIVE PROCESS PRODUCT ART RESEARCH KNOWLEDGE COLLABORATION CREATIVITY ORGANIZATION COMPLEXITY RELATIONAL CONNECTION PRESENCE ECOLOGICAL MOBILITY REAL-TIME SOCIAL NETWORKS COMMUNITY PARTICIPATION DEMOCRACY NEW INTERNET: CONVERGENCE API____APPLICATION PROGRAM INTERFACE: CONNECTIONS BETWEEN APPLICATIONS RSS____FLOW OF CONTENT .... MASSIVE DATA BASES/DB DRIVEN SITES ON-LINE VIDEO OPEN PLATFORMS BOTTOM-UP ARCHITECTURES GENEROSITY PRINCIPLES (PROSUMER/ LEAN FORWARD) UGC COLLABORATIVE CREATIVITY EMERGENT CLUSTERS OF KNOWLEDGE SYNCHRONOUS/ ASYNCHRONOUS
Tags: PRESENTATION, october, yale
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