Independent (2)

Dear Friends,

We would like to shortly inform you about the situation in Hungary. The independent theatre and dance companies and venues still didn't receive their yearly state support from the Cultural Ministry (for 2010). The reason is that the government ordered to lock a certain percentage of this support alluding to the general bad financial situation of the country. This means that the organizations working in the field will only receive 66% of the awarded amount. Many organizations have already debts and many are obliged to fire their workers and to give up their projects.

I enclosed a statement of support that we plan to forward to the cultural officials. If you feel like that please sign it and send it back. (You can send it back signed in e-mail or by fax: +3613581005).
Also please forward it to those organizations whom you know were working with Hungarian artists in the past.

As a member of L1 danceLab and L1 Associacion we are also in a difficult situation as our support for 2010 will be about half of the last year's one. However we do our best to survive and to continue our collaboration. There will be a change in the theatre law in this fall. We have to see how will that change the circumstances.

Waiting for your help and reply and wishing you a nice summer time!

Marta Ladjanszki

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The Surveillance System says Poulson is a physical network of bodies controlling bodies through movement, video, improvisation and sound. "These works exist somewhere between the realms of performance art and dance. They focus on movement as a language of basic human interaction, whether it is through a subtle gesture, a theatrical spectacle, or the placement of a body within a space." says Poulson.In fact it also represents to many viewers a temporal and iterative dimension to dance with technology capturing proportions of bodies and technologies temporally in dimension and space..Sarah says, " Pre-recorded and live surveillance videos act as signals that trigger the performers’ options within the non-linear dramas. Choreographed and improvisational elements based on spontaneous decisions force us (and/or other performers) to learn how we fit within the system and how we can or cannot manipulate one another. Dynamic systems of communication emerge within these multi-sensory works."Visit Sarah's page

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