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by MARLON BARRIOS SOLANO dance-tech.net/ dance-tech TV/ dance-tech interviews Friday March 27th 09 Lecture for Arts, Media and Engineering Arizona State University Barrios Solano introduces dance-tech.net and dance-techTV as a sustainable model of production and exchange of knowledge within a community of movement and mew media artits, theorists, technologists and organizations. The new internet or Web 2.0 architectures helps us to see Networks as the materialization of social dynamics, as sites of action, translocal presence and social innovation and sampling. They have become the most important emergent repositories of social and cognitive capital of a given community. dance-tech.net registers conversations, dialogues, performances, ideas and lives using the WWW as a site for a relational intervention on the boundaries of bodies, countries, disciplines and organizations. TRACES: BATESONQUESTION? WHAT IS A HAND? QUESTIONS COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INETERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK EMERGENCE BOTTOM-UP DANCE AND TECHNOLOGY 2.0 FROM A LIST SERV TO A SOCIAL NETWORK DANCE-TECH.NET FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION INTERNATIONAL/TRANSLOCAL TRANSDISCIPLINARY GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS: KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES. COLLABORATIONS, PARTNERSHIPS AND BARTERING: INDIVIDUALS VENUES DTW, Eyebeam, Dance New Amsterdam, STEIM, Hellerau, THE WAAG) HARDWARE: LEMURPLEX/MIDITRON SOFTWARE: CYCLING74/ OPENFRAMEWOKS TANGIBLE BENEFITS?? UNDER REPRESENTED GROUPS: RED SUDAMERICANA DE DANZA/ OPEN KNOWLEDGE INNOVATION??? HOW WE IDENTIFY IT SUPPORT IT META-FRAME-IT KNOWLEDGE BACKBONE/ENGAGEMENT: MODELING SUSTAINABLE PRODUCTION...YES YOU CAN... DONATION SYSTEM RELEVANCE DANCE IS RELEVANT AS KNOWLEDGE AND AS A SUBJECT ETHNOGRAPHY/ BOTTOM-UP INTERVIEWS: RESEARCH... MARKERS PROCESSPPROCESSPROCESS.... GIDEON OBARZANEK IVANA MULLER BEBE MILLER LISA NELSON ALVA NOE IVANA MULLER SUSAN KOZEL ANDREW SCHNEIDER JOSEPHINE DORADO ANGELO VERMEULEN SABINE SEYMOUR TRISTAN PERICH SYNDICATION/ VIRAL DISTRIBUTION PARTICIPATORY CREATION OF KNOWLEDGE: COMMUNITY OF PRACTICE share know-how, the production effort and the product loose network of correspondents SAMPLING THE WAYS INTERVIEWS/NEWS REPORTAGE OPEN CLASSROOMS: Wesleyan University (lectures and access) University of Utah (skype talks) dialogue with the community/experts and novices SIBLING NETWORKSMETA-NETWORK MOVIMIENTO.ORG (SPANISH AND PORTUGUESE) DBM PARTICIPATION MAKES THE SITE DISTRIBUTED-UP CONVERSATIONS/DIALOGUE JUXTAPOSITION REACTION/INTENSITIES/RHYTHMS/SPEED/FLEXIBILITY EVERYTHING NEXT TO EVERYTHING

DANCE-TECHTV/ Mogulus platform COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND MAIN CHANNEL CURATED LIVE:Turkey, London, Venezuela, Switzerland, NYC. Content donated by more than forty artist: all continents Academia and independent broadcasters ASSOCIATE PRODUCERS (any member of the networks) AND NETWORK OF CHANNELS FOR LIVE BROADCASTING/LECTURES, PERFORMANCES, art projects (Movement Research Festival and Broadcasting station/workshops GRID LAB/Lebanon, France and Geneva)

Collaborative Creativity/Kaltura Motionplex.org Collaborative On-line video editing/In development Fall 2009 Collaborative creativity/in development NEW WWW AFFORDS: PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS LEAN FORWARD CREATIVE ENGAGEMENT AS EXCHANGE DIY DIWO RESEARCH WITHIN THE COMPANIES COMMUNICATION IS NOT A BOND THE BOND ID CREATED BY DOING IT TOGETHER Planning for COGNITIVE CAPITAL= implementation real time communications, relational archiving of knowledge, possibilities of active engagement. PLASTICITY/readiness for change and assimilation of experiences/learning DISTRIBUTED SELF-ORGANIZING SOCIAL COMMUNITIES=COMMONS=ECOLOGICAL CONTESTING BOUNDARIES: BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE, ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING
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