by
MARLON BARRIOS SOLANO
dance-tech.net/ dance-tech TV/ dance-tech interviews
Friday March 27th 09
Lecture for Arts, Media and Engineering
Arizona State University
Barrios Solano introduces dance-tech.net and dance-techTV as a sustainable model of production and exchange of knowledge within a community of movement and mew media artits, theorists, technologists and organizations. The new internet or Web 2.0 architectures helps us to see Networks as the materialization of social dynamics, as sites of action, translocal presence and social innovation and sampling. They have become the most important emergent repositories of social and cognitive capital of a given community. dance-tech.net registers conversations, dialogues, performances, ideas and lives using the WWW as a site for a relational intervention on the boundaries of bodies, countries, disciplines and organizations.
TRACES:
BATESONQUESTION?
WHAT IS A HAND?
QUESTIONS
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INETERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK
EMERGENCE
BOTTOM-UP
DANCE AND TECHNOLOGY 2.0
FROM A LIST SERV TO A SOCIAL NETWORK
DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION
INTERNATIONAL/TRANSLOCAL
TRANSDISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS:
KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, Dance New Amsterdam, STEIM, Hellerau, THE WAAG)
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74/ OPENFRAMEWOKS
TANGIBLE BENEFITS??
UNDER REPRESENTED GROUPS: RED SUDAMERICANA DE DANZA/
OPEN KNOWLEDGE
INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT
META-FRAME-IT
KNOWLEDGE BACKBONE/ENGAGEMENT:
MODELING SUSTAINABLE PRODUCTION...YES YOU CAN...
DONATION SYSTEM
RELEVANCE DANCE IS RELEVANT
AS KNOWLEDGE AND AS A SUBJECT
ETHNOGRAPHY/ BOTTOM-UP
INTERVIEWS:
RESEARCH...
MARKERS
PROCESSPPROCESSPROCESS....GIDEON OBARZANEK
IVANA MULLER
BEBE MILLER
LISA NELSONALVA NOEIVANA MULLER
SUSAN KOZEL
ANDREW SCHNEIDERJOSEPHINE DORADOANGELO VERMEULENSABINE SEYMOURTRISTAN PERICH
SYNDICATION/ VIRAL DISTRIBUTION
PARTICIPATORY CREATION OF KNOWLEDGE:
COMMUNITY OF PRACTICE
share know-how, the production effort and the product
loose network of correspondents
SAMPLING THE WAYS
INTERVIEWS/NEWS REPORTAGE
OPEN CLASSROOMS:
Wesleyan University (lectures and access)
University of Utah (skype talks)
dialogue with the community/experts and novices
SIBLING NETWORKSMETA-NETWORK
MOVIMIENTO.ORG (SPANISH AND PORTUGUESE)
DBM
PARTICIPATION MAKES THE SITE
DISTRIBUTED-UP
CONVERSATIONS/DIALOGUE
JUXTAPOSITION
REACTION/INTENSITIES/RHYTHMS/SPEED/FLEXIBILITY
EVERYTHING NEXT TO EVERYTHING
DANCE-TECHTV/ Mogulus platform
COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND
MAIN CHANNEL CURATED
LIVE:Turkey, London, Venezuela, Switzerland, NYC.
Content donated by more than forty artist: all continents
Academia and independent broadcasters
ASSOCIATE PRODUCERS (any member of the networks)
AND NETWORK OF CHANNELS FOR LIVE BROADCASTING/LECTURES, PERFORMANCES, art projects (Movement Research Festival and Broadcasting station/workshops GRID LAB/Lebanon, France and Geneva)
Collaborative Creativity/Kaltura
Motionplex.org
Collaborative On-line video editing/In development Fall 2009
Collaborative creativity/in development
NEW WWW AFFORDS:
PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS
INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS
LEAN FORWARD
CREATIVE ENGAGEMENT AS EXCHANGE
DIY
DIWO
RESEARCH WITHIN THE COMPANIES
COMMUNICATION IS NOT A BOND
THE BOND ID CREATED BY DOING IT TOGETHER
Planning for
COGNITIVE CAPITAL=
implementation real time communications, relational archiving of knowledge, possibilities of active engagement.
PLASTICITY/readiness for change and assimilation of experiences/learning
DISTRIBUTED
SELF-ORGANIZING
SOCIAL
COMMUNITIES=COMMONS=ECOLOGICAL
CONTESTING BOUNDARIES:
BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE, ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING
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