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DTW consolidates as an institutional Friend! Dance-tech members receive 40% discount on tickets to Dance Theater Workshop. Mention the code DT40 and bring valid proof such as a Dance-tech profile page printout, Union card, or a postcard/program from a recent performance or collaborative project. All discounts are one per person. Discounts must be requested at the time of purchase, cannot be issued retroactively, and cannot be combined with any other offer. NOTE: this is one of the reasons that you must put your complete name and actual picture in your profile! This benefit id only valid for individual members.
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Hod Lipson demonstrates a few of his cool little robots, which have the ability to learn, understand themselves and even self-replicate. At the root of this uncanny demo is a deep inquiry into the nature of how humans and living beings learn and evolve, and how we might harness these processes to make things that learn and evolve.
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doing interviews

Got this from a friend...Marlon's interview with me i...........interviews are a wank........interviewing is the pretense that the artist has something profound to say .........in a time when art as we have known it has already become extent.......interviews live in a dream world of the past........ we dive into each others world......... alone in a high art world with our rich friends.........and pretentious attitudes......something made important that actually is not.........the dish towel text is the important text in this interview with Marlon? The more you make me look ridiculous the better...
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EMBODIED TECHNE SERIES Eposide 1 An interview with dance improvisation artist, lecturer and researcher on improvisation and perception (Tunning Scores) as one of the "Embodied Techne Series". She takes us across her experiences with dance, movement studies, psychology of perception (J.J. Gibson) and her experience with video. Conducted in New York by Marlon Barrios Solano (February 15/2008) and video editing courtesy of Ashley A. Friend. LISA NELSON is a dance-maker, improvisational performer, videographer, and collaborative artist who has been exploring the role of the senses in the performance and observation of movement since the early '70s. Stemming from her work with video and dance in the '70s, she developed an approach to spontaneous composition and performance she calls Tuning Scores: a communication format for ensemble performance that she presents as site-specific Observatories. She performs, teaches, and creates dances in diverse spaces on many continents, and maintains long-term collaborations with other artists, including Steve Paxton, Daniel Lepkoff, videoartist Cathy Weis, and Image Lab, a multidisciplinary research/performance ensemble. She received a NY "Bessie" Dance and Performance award in 1987 and an Alpert Award in the Arts in 2002. For 30 years, she was co-editor of Contact Quarterly, an international dance and improvisation journal, and directs Videoda, a project for videotapes of improvisational dance. She lives in the mountains of Vermont in the U.S. Video images from workshop organized by Movement Research http://www.movementresearch.org/ Thank you!
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Hip Hop Arts Academy

Hip Hop Arts AcademySmall Classes, Private & Personal Training OnlyThe Hip-Hop Dance Academy is the only specialized and qualified conservatory devoted to the education of Hip-Hop dance in the world.Created exclusively to uphold and perpetuate the authentic foundations of Hip-Hop dance, The Hip-Hop Dance Academy is the most intensive and challenging facility that provides dancers an extensive professional training that develops talent into sophisticated and knowledgeable skills.In this groundbreaking program, designed to provide high quality dance instruction/training and body awareness at half the rate charged by top dance programs in the New York City area. The uniqueness of this program stems from its inception, which is geared toward the professionally trained dancer and moves at an accelerated rate, while still addressing beginner through advanced stages of Hip Hop dance instruction. The techniques and concepts you will learn can be applied to other forms of dance and movement to increase efficiency, effectiveness and contribute to your overall performance.Within the program, Artist/ Actors/ Dancers develop technical expertise in hip-hop dance along with the educational and intellectual enlightenment gained from studying a broad range of academic subjects.The Spring Intensive ’08, is a Program which tackles the fundamentals of Hip-Hop Dance offering all levels a meticulous opportunity to grasp and embrace the elements of hip-hop dance such as Popping, Locking, B-boy fundamentals, Boogaloo, Breakin, Funk styling and Illusion styles.In the curriculum, dancers discover the origins and history of hip-hop dance.Loose weight, Tone muscles and gain self-confidenceLearn how to defend from a crooked agent, manager or promoterLearn to use common and personal items as expressions (mic keys, band members, purse, chair, pen, eyebrow etc.)Condition your mind and body to prevent panicSharpen you sense of awareness and how to project itRelax your mind through breathing exercisesCreate your “it” FactorHelp you say goodbye to procrastinationInspire you to take consistent and massive actionCreate a support network for yourself and your careerAllow you to grow in any direction you chooseFace your fears about yourself and the industryBuild a strong belief system to let you flourishDefine a clear set of goals for the yearCreate a strategic plan on how you're going to make it happenSolidify your vision for yourself and your careerGain renewed excitement for your careerWHAT ARE YOU WAITING FOR?Get you in the best shape of your life.Artist Development Workshop Energy training designed to build self-confidence increased awareness, improved flexibility, speed & good performance. Class tactics are integrated to help Artist achieve a better sense of personal comfort and peace of mind while performing.Pls email with serious inquires only!
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STEIM has created junXion, a software application for music performers, art installation makers, theater makers, choreographers. STEIM has become institutional friend of dance-tech.net and offers a special version of the junXion software: a version that works for half a year for 30 Euros. This software is normally 75 Euros. After the 6 month you, if you wish can buy the software only paying the remaining balance. junXion v3 is a Mac OSX data routing application that can process any Human Interface Device (joysticks, mice, touchscreens) and MIDI device data using conditional processing and remapping, with MIDI events as its output. This resulting MIDI data is then available to any audio or music software that runs on that Mac or can be send to external MIDI devices. junXion v3 is redesigned completely from the ground up (as compared to v1.4), resulting in a system whereby the user creates so-called 'Patches'. Each Patch is a connection between a sensor input (for example: 'joystick X-axis') and an Action (for example: 'convert the sensor data into midi controller 3, but only under certain conditions'). The Action is a user selectable set of conditions and actions that determine what should happen with the input-sensor's data and what kind of MIDI data should be send out. All the members of the network can enjoy this discount! Interested members should email me (marlon@dance-tech.net) and add a link to your profile page in the network! You can also use the network to communicate with me. CONDITIONS: -The member needs to be an "individual" and needs to have a completed profile in dance-tech.net with his or her real and complete name. This is the only way of confirming your identity and membership to dance-tech.net. -The members favored with this deal must blog at least once a week about their learning and creative process, use of the software during 6 months in their blog at dance-tech.net.
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Very goods news!
Cycling74 the company that produces, develops and sales MaxMSP and Jitter ( and other software and hardware) is a dance-tech.net's institutional friend!

All members of dance-tech.net will enjoy of the Student Discounts at Cycling74
This is the student discount list
They have set up a record for dance-tech.net.

This student discount will allow dance-tech.net members to buy the 9-month
authorization of Max/MSP/Jitter for $59.00 USD. Members would also be able to purchase
the full bundle.

CONDITIONS:
-This deal is geared specially to independent artists all over the world. Full time students and faculty are able get this benefit from their educational institution.
-The member needs to be an "individual" and needs to have a completed profile in dance-tech.net with his or her real and complete name. This is the only way of confirming your identity and membership to dance-tech.net.
-The members favored with this deal must blog at least once a month during one year moths about their learning and creative process, use of the software in their blog at dance-tech.net.



Interested members should email me (marlon@dance-tech.net) and Erin Dougherty (erin@cycling74.com), to to start the process and add you to the dance-tech.net/cycling74 account and then you could log in to an online account at the Cycling74 and purchase
software with discount.

You should include your name and the link to your member page in dance-tech.net
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The Performance Mix festival organized Mobile Clubbing. It was an spontaneous gathering for dance. The rules are show up at the designated place and time, turn on your personal stereo and dance. Mobile clubbing is a matter of identity: you can dance the way you want, and listen to the music you choose. www.newdancealliance.org
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eyebeam logo


Outside Eyebeam

Give get, give get

Those of you that have been by our Feedback exhibition—and we’re pleased to report heavy foot traffic—will know all about drinking and peeing. There’s a similar cycle that keeps Eyebeam’s ecosystem in good health, and that’s giving and getting!

Mark your calendars for our annual tech-infused bacchanal: Eyebeam’s 2008 Benefit celebrates freedom and creativity, will take place May 6. In the meantime, swing by this Saturday for the culmination of Joseph DeLappe’s reenactment of Gandhi’s March to Dandi—The Salt Satyagraha Online, his 240 mile treadmill-trek through Second Life.

Other reasons to stop by: composting, power-plant building and street-reclaiming workshops. Our lovely new signage on our building’s facade will help you find your way.


This Week at Eyebeam:

April 5: FEEDBACK: Alternative Energy Sources + Use/Reuse Workshops

April 8: Green Drinks NYC at Eyebeam

April 15: Synthetic Times: Media Art China 2008

April 19: FEEDBACK: Sustainability Action Day: Toxic Tours + Urban Gardening

New From our Labs:

April 3 – 4: They Were Here installation by Addie Wagenknecht

April 4: Application online: Interactivos? @ Eyebeam

April 4: Open Source for Snobs at MIND08

April 5: Party at Dandi: Celebrate Gandhi’s mileage in Second Life + Eyebeam

April 10 – 12: Forays takes over Pittsburgh and Braddock, PA

Community:

Share Prize Winner 2008: Eyebeam alum Chris Sugrue

April 2: Where We Are Now: Locating Art and Politics in New York City

April 2: Call to Artists: Windows Brooklyn


April 5: FEEDBACK: Alternative Energy Sources + Use/Reuse Workshops

Power Cart, Mouna Andraos

Alternative Energy Sources + Use/Reuse Workshops
Date: April 5, 3 – 6PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free
Sign-up: bookstore AT eyebeam DOT org

Eyebeam resident artist Joo Youn Paek presents Expand-a-Bag, an inflatable craft workshop.

Eyebeam alums Jenny Broutin, Carmen Trudell and Mouna Andraos will lead a workshop in which participants create personal power stations using alternative energy sources. The Personal Power Plant is a portable device that harvests energy using a solar cell and hand crank generator. The device also includes a visual multimeter to monitor the amount of energy stored.

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April 8: Green Drinks NYC at Eyebeam

Power Cart, Mouna Andraos

Green Drinks NYC
Date: April 8, 6 – 9PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Eyebeam is pleased to host the next Green Drinks NYC, a monthly gathering of individuals with professional or personal interest in environmental issues. Green Drinks take place 6 – 10PM on the second Tuesday of each month at various Manhattan hotspots.

Come to network, share info and make friends this Tuesday at Eyebeam!

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April 15: Synthetic Times: Media Art China 2008

OP_ERA by Daniela Kutschat Hanns + Rejane Cantoni

OP_ERA by Daniela Kutschat Hanns + Rejane Cantoni

Synthetic Times: Media Art China 2008
Date: April 15, 6:30 – 8PM
Location: Symposium: Parsons, The New School for Design, 66 W. 12th St., NYC | Closing Reception: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Synthetic Times: Media Art China 2008, a Cultural Olympics project that will open at the National Art Museum of China in Beijing in June 2008, launches in NYC with programming co-organized by the exhibition’s curator, Zhang Ga, the MoMA, Parsons School of Design and Eyebeam.

On April 15, following a day-long symposium at Parsons, Eyebeam will feature performances by Eyebeam artists Jeff Crouse, Stephanie Rothenberg, Taeyoon Choi, and Friedrich Kirchner from 8 – 10PM.

For more information visit: http://www.mediartchina.org/organization.

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April 19: FEEDBACK: Sustainability Action Day: Toxic Tours + Urban Gardening

Sow-In, Leah Gauthier

Sustainability Action Day: Toxic Tours + Urban Gardening
Date: April 19, 3 – 6PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Join Feedback artists Natalie Jeremijenko, Leah Gauthier, Brooke Singer, and The Lower East Side Ecology Center for a day of workshops.

Natalie Jeremijenko will present No Park, a project on maximizing paved roads.

Leah Gauthier will lead Sow-In, in which participants will distribute hundreds of seed pots to community gardeners across the city for transplant, care, harvest, and seed saving.

The Lower East Side Ecology Center will lead demonstrations on composting with worms.

Brooke Singer will lead tours through very local sites of contamination (such as Greenpoint, Williamsburg, and Gowanus). Tours will be guided by a private toxicologist who studies the legacy of industrial areas within NYC that are not classified by the EPA but are, in some cases, more harmful than Superfund sites.

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New From our Labs

April 3 – 4: They Were Here installation by Addie Wagenknecht

They Were Here, Addie Wagenknecht

They Were Here
Date: April 3 – 4, all day
Location: Clement Clarke Moore Park, 22nd St. and 10th Ave., NYC

They Were Here is an installation by Addie Wagenknecht, a fellow in the production lab, installed at the Northwest corner of Clement Clarke Moore Park, located at 22nd St. and 10th Ave., Chelsea.

A flock of stark, white, static two-dimensional birds inhabit a tree. The birds’ physical negatives were modeled on the actual species that once inhabited Manhattan. According to a recent Audubon Society report, 20 species of birds are declining at a rate of 68 percent a year.

Stop by the park for a vision of what once was.

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April 4: Application online: Interactivos? @ Eyebeam

Entramado, Plaza de Luz. Installation by Pablo Valbuena. Photo: Pablo Valbuena

Entramado, Plaza de Luz, installation and photo by Pablo Valbuena.

Interactivos? @ Eyebeam
Date: April 4: Call for Participation online
April 25: Application Deadline | May 15: Notification of acceptance
May 26: Call for Collaborators | May 29: Notification of acceptance

Interactivos? was initiated by the Medialab-Prado program and the Madrid City Council in 2006. The two week program is a hybrid workshop, exhibition, and seminar.

This summer, Eyebeam joins Medialab-Prado in running Interactivos? as part of its annual summer workshop-based programming.

Through a call for participation targeting artists, engineers, musicians, programmers, designers, architects, and hackers, Interactivos? seeks a set of projects for collective development, within a set of inter-disciplinary work groups. Once projects have been selected from the call for participation, a second call will be published for individuals to apply to become collaborators on the selected projects. Completed projects will be presented in an exhibition July 12 – August 9, at the end of the program.

The program will be produced by Eyebeam staff and fellows, with the support of local community members. Please see the Call for Participation after April 4 for more details.

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April 4: Open Source for Snobs at MIND08

Open Source for Snobs at MIND08
Date: April 4, 9AM – 6PM
Location: Tishman Auditorium, Parsons, The New School for Design, 66 W. 12th St., NYC
Cost: Free

R&D OpenLab Fellows Ayah Bdeir and Jessica Banks will present Open Source for Snobs at MIND08 on Friday, April 4. Their talk will take place during the afternoon session two, Design in the Near Future.

MIND08 is a conference presented by SEED and MoMA and inspired by Design and the Elastic Mind. Bringing together an eclectic group of speakers and participants, including leading scientists, designers, and architects, the conference will explore topics such as the personal genome, brain visualization, generative architecture, and collective design.

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Joseph DeLappe

April 5: Party at Dandi: Celebrate Gandhi’s mileage in Second Life + Eyebeam

Reenactment: The Salt Satyagraha Online—Gandhi’s March to Dandi in Second Life—Last Day of the March
Date: April 5, 12 – 6PM
Location: Eyebeam, 540 W. 21st St., NYC, and Eyebeam Island after 5PM

Saturday, April 5 marks the culmination of Eyebeam artist and resident Joseph DeLappe’s 22 day and 240 mile reenactment of Gandhi’s Salt March to Dandi, the 1930’s walk in protest of the British Salt Act of 1882. On Saturday, DeLappe will have completed this trek on a treadmill installed at Eyebeam, which he used to control a Gandhi avatar in Second Life. The public is invited to witness the final steps at Eyebeam, or online in Second Life.

The march will end at the Eyebeam Island in Second Life, with MGandhi Chakrabarti’s arrival some time after 5PM Eastern time: http://slurl.com/secondlife/Eyebeam%20Island/102/160/27

For daily start locations visit the project blog: http://saltmarchsecondlife.wordpress.com

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Forays into Pink

April 10 – 12: Forays takes over Pittsburgh and Braddock, PA

Forays into Lifestyle | Forays into Blow Jobs | Forays into Pink
Date: April 10 – 11
Location: Various, Pittsburgh + Braddock, PA
Cost: Free

Forays into Lifestyle
Eyebeam alum Adam Bobbette and senior fellow Geraldine Juárez will present their new installation Forays into Lifestyle, as part of the touring exhibition Other Options, organized by INCubate. The exhibition will feature objects they have been constructing by repurposing and hacking the urban infrastructure of New York City. The show opens on April 11 in Tent Show, 6 – 9PM.

Forays into Blow Jobs
As part of the collaborative process of Forays, the group will work with Carnegie Mellon University students in the storefront of Good Services, to construct a system to repurpose vehicle traffic to inflate a car-sized iceberg balloon. The action will take place on April 10 at noon, 2628 East Carson St., Pittsburgh, directly across from South Side Works.

Forays into Pink
On April 12, Forays will unveil their Snake and Ladders labyrinth game, equipped with a giant inflatable die. Snake and Ladders is a DIY scaffolding structure attached to a building in Braddock. The event is part of public projects created for Points of Interest, an event organized by Braddock Active Arts and featuring work by Swoon, Leon Reid, Material Exchange and Forays, among others. Transportation from Pittsburgh to Braddock will be available. The event will run all day.

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Community

Share Prize Winner 2008: Eyebeam alum Chris Sugrue

Congratulations to Eyebeam alum Chris Sugrue who was awarded the Share Prize 2008 at the Share Festival this year. Cluster Magazine, Italy, featured this article on March 19: http://www.cluster.eu/2008/03/19/share-prize-2008/

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April 2: Where We Are Now: Locating Art and Politics in New York City

Where We Are Now: Locating Art and Politics in New York City | Network-Wide Meeting
Date: April 2, 6:30 – 8:30PM
Location: Judson Church, 239 Thompson St., at W. 3rd St., NYC, in the assembly hall basement

In October 2007 a call was circulated for a meeting of art, academic and activist institutions and individuals to discuss the merits of a coordinated strategy to raise awareness of the many art and politics discussions and projects in the city, while making an impact on the politics of NYC and beyond.

One month later, more than 60 representatives from a range of institutions convened, and the Where We Are Now network was born. Our goal is to demonstrate that powerful critical voices still exist, in pursuit of global justice, agency and participation. Using the pivotal moment of the 2008 presidential election, we share a sense that the times have changed and are ours to claim. Through activities as diverse as art exhibitions, days of decentralized action, street performances and pedagogical conferences, we seek to gauge the status of the political in contemporary art, and consider how we may act as resources for one another and for communities within and beyond New York City.

Network-wide meetings will be held on the first Wednesday of every month at the same location and time.

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April 2: Call to Artists: Windows Brooklyn

Windows Brooklyn
Date: June 14 – 22
Location: Carroll Gardens and Cobble Hill, Brooklyn

Sara Jones, Andrea Wenglowskij, and Eyebeam alum Leah Gauthier are curating a show entitled Windows Brooklyn, and are inviting local artists to participate. Windows Brooklyn is an art exhibition which will be installed in numerous storefronts along Court St. and Smith St. in Carroll Gardens and CobbleHill, Brooklyn from June 14 – 22. This is an opportunity for local artists to make newwork in response to public space. Photos of the participatingstores are online, soyou can tailor your proposal to a particular location.

Information about the show and the application process are online at: http://windowsbrooklyn.com/artists.htm.

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Mobile Clubbing

mobile clubbingMarch April 3 FREEThursdays | Foley Square near City Hall |12:30 pmMobile Clubbing is a spontaneous gathering for dance. The rules are show up at the designated place and time, turn on your personal stereo and dance. Mobile clubbing is a matter of identity: you can dance the way you want, and listen to the music you choose.To RSVP email 29friendsdancing@gmail.comCo-produced by Megan Metcalf
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On Monday April 7th, Chez Bushwick founder and dance/media phenom Jonah Bokaer will guest curate a program for Kinetic Cinema, my monthly screening series at Collective:Unconscious.For his program, Jonah will show pivotal works of movement-based video art by Nam June Paik. The theme of the evening will be the thread between between video art and post-modern dance focusing on Paik's significant contributions to both art forms. As a dance artist whose work addresses the human body in relation to contemporary technologies, Jonah will be able to offer rare insights into Paik's multi-disciplinary work that overlapped with dance, visual art, media, and technology.

NUDEDESCENDANCE by Jonah BokaerKinetic CinemaMonday April 7th, 7:30pm (and the first Monday of every month)$5 Admission (buy tix at the door)@ Collective:Unconscious279 Church Street (just south of White Street)New York, NY 10013Trains: 1 to Franklin; A, C, E to Canalhttp://weird.org/films.htm212.254.5277MORE INFO: www.movetheframe.comKinetic Cinema explores the intersection of dance and the moving image both on screen and stage. Each month curator Anna Brady Nuse invites a special guest from the dance community to share the films and videos that have inspired or moved them. These could be films that feature dance, are kinetic-based, or have been influential on their work in some way. The guest curators come from a range of backgrounds as performers, choreographers, critics, and filmmakers. Upcoming guests include Jonah Bokaer (April 7th), Levi Gonzalez (May 5th), and Kriota Willberg (June 2nd).Jonah Bokaer's work has been presented widely throughout venues in the United States and abroad, including Cornell University, Dance Theatre Workshop, Danspace Project, Dixon Place, La Mama ETC, P.S. 122, Symphony Space, The Laban Centre (London), the ISB (Bangkok), Naxos Bobine, Studio Théatre de Vitry, and La Générale (Paris), Les Subsistances (Lyon), La Compagnie (Marseille), and OT301 (Amsterdam). Bokaer was a member of the Merce Cunningham Dance Company from 2000 to 2007. In 2002, he formed Chez Bushwick with a group of artists and choreographers, to create an adventurous arts organization that has significantly impacted a new generation of dance artists, choreographers, and performers in the United States, and beyond.For more info on Kinetic Cinema and reviews of past programs, check out my videodance blog, Move the Frame
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