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Art.On.Wires Festival Oslo 2010 - day 2

May 11th

As a festival like this, or maybe every festival, it is always a contact-making-connections-pool.

A possibility to get to know other fields of art/artists which could or do collaborate in order to create new art (pieces).
Along those lines the day yesterday ended in an open space introducing the people who give the workshops.
Everyone who was interested in talking a little about their work, their art-approach, projects etc. got a microphone in his/her hand and could give a glimpse into their life to the audience.

Today we(*) started our workshop for interactive environments. Talking about recent projects and showing some video material to expose the listener to some ways of making use of the system/environment.
I was talking about the need of finding a common working-language. Just by trying to understand the other participating project-developer. Which means, everyone creating a performance (for instance) should move a little in the interactive space, should look over the shoulder of the musician, try to comprehend the graphic program or install the camera system. Within this crossing the boarders you bring everyone to a point of equality. There you have a chance of a communication which eventually will lead to an artistic output with hopefully some semantic comprehensible line for the audience.


Across the hall where the festival happens, Alexander Carot ( http://www.carot.de/ ) is giving his workshop on a software he developed to enable musicians to rehears and perform together without meeting in real person. Having the problem of delivering the sound with a delay he invented his software “Soundjack” ( http://www.soundjack.eu ).


Another interesting workshop deals with kids toys. Through soldering components together they create the weirdest sounds. After everything is put together, you just press buttons and the sounds come out of a toy. Very funny one.
( http://www.daal.at/ )

After a very intriguing key note by Mark Coniglio about his work, he is giving a workshop on the software Isabora, which he invented himself.

In his lecture he was talking about some art pieces which work with the matter of fact that we are the number one in our life.

I am - is the most used expression in Skype chat.

When we use interactive environments we are fascinated by the music I can create because I move (or graphics etc).

Mark introduced us to one of his recent works "loopdiver". Loopdiver was created with the Isadora software.

They basically filmed a dance phrase from 6 different ankles and then cut them apart and together in all possible orders. In addition they put loops on top with different durations and so on.

At the end, the dancer had to learn what they created with the software.

( http://www.troikaranch.org/vid-loopDiver.html )


In one corner you could see a huge table with stooped people around again soldering something together. The goal was to built a small LED Gadget/Screen with a USB connection which can be fed with any information you want. Some of the components just need to get a software, which has yet to be written.

( http://www.daal.at/ )


Before dinner time I was sitting together with some people and Frode Volden (docent for cognitive psychology and human interface design at Gjøvik university) for a so called focus talk.

The question to discuss was on perception of quality. What does it mean to us. How do we use it in a artist approach.

This focus talk is used as a platform to develop a new vocabulary in the field of audio-visual cognition in order to find a way to measure quality. To install parameters and make technology/interfaces more effective, better designed for an intuitive use, to simply define it with its own words/vocabulary.

A few statements shall be listed here


- in the moment there is human energy invested it has a high level of quality

- everything containing passion has high quality

- that would be nice

- it is a matter of (expert) knowledge if you receive something as high or low or no quality

- it's a matter of content

- don't mix high and low quality components

- but "south park" does it

- does technology helps to raise the level of quality?

- depends on the use of it

- restrictions within the use of technologies can be useful


and so on.

Frode Volden was mostly listening, making some notes and asking some questions.

Even that we all came from a very different background (musician, dancer, wearable LED artist, VJ, programmer) we were able to talk on an equal level. We made similar experiences and so had a platform of communication in a high quality ;-)


After dinner there will be a concert with Alexander Carot.

http://www.carot.de/




(*)
We is:
Marko Ritter - VVVV programmer - http://blog.intolight.de
Valérie-Françoise Vogt - graphic design - http://veevee.de
Jacob Korn - musician (Abelton, Max 4life) - http://www.jacobkorn.de/
Johanna Roggan - dancer, choreographer - www.moveonit.net
Read more…
May 10th
A new laboratory-like festival has been born. In Oslo, Norway. Out of nothing Dr. Alexander Eichhorn ( http://www.dance-tech.net/profile/echa ) organized a whole festival by himself. Inviting artists (dancers/choreographers, musicians, code-poets, interior designer, visual designer), programmer, nerds as well as students from the university Oslo to lead workshops in the wide field of media art.

Introduction to OpenFrameworks, Motion Capture Systems and Techniques, BoBo – Gadgetto, Isadora – Advanced Features Quick Boot, Using Interactive Environments for Performance (dance, visuals, music), Telematic Interaction – How physical and technical restrictions determine artistic consequences, Systematic Understanding of Music.

http://art-on-wires.org/workshops


After a nice long ride from Dresden, Germany to Oslo, we(*) arrived with a lot of equipment for the workshop we're going to give. Using Interactive Environments for Performance (dance, visuals, music).
A warm atmosphere and friendly people were welcoming us.
On Sunday and today we set up the festival venue at the Kanonenhallen and due to the fact that there are not so many people from the "outside" (people who would just come to take a workshop) have signed in and all the workshop-leaders are wanting to go to the other workshops as well, we decided not to have the workshops overlapping, but giving space that everyone could participate in every workshop and/or to tinker on or with something...

This is how we started today. With some setting up, a nice lunch and a short introduction speech from Dr. Eichhorn.
Now people listen to the OpenFramework lecture and already implementing codes.
Mark Coniglio ( http://www.dance-tech.net/profile/TroikaRanch ) gives kind of a private workshop for two people on the software Isadora, which he invented.

Everything is quite informal and relaxed - a good start for a young festival.


http://art-on-wires.org/


(*)

We is:

Marko Ritter - VVVV programmer - http://blog.intolight.de

Valérie-Françoise Vogt - graphic design - http://veevee.de

Jacob Korn - musician (Abelton, Max 4life) - http://www.jacobkorn.de/

Johanna Roggan - dancer, choreographer - www.moveonit.net


About me, Johanna Roggan:

I'm a dancer, dance creator, teacher. Currently residing in Dresden, Germany. Working together with the non-profit organization Trans-Media-Academy (TMA) Hellerau ( http://t-m-a.de/ ).

I'm going to give a workshop here in Oslo for interactive environments. Questioning the need of interactivity in performances, how long is it supportive and when does it turn into a show effect.

About communication between the performance-developer (the dancer, the programmer, the designer) - how to find a common working language.

Read more…

Strings Attached: An Experiment in Connection

Strings Attached: An Experiment in Connection
May 19, 8pm at TSA Collective
$5 donation

“…interaction should consist of bidirectional communication, and can have no predetermined outcome if the interactors are genuinely engaged in the exchange of information/experience.” Sita Popat

Strings Attached is an interactive performance choreographed and performed by Cindi L’Abbe. The piece explores the roles of audience, director and performer through modes of audience participation, choreographed structure and improvisation. Soundscore will be provided by Ian Logan and David Ross. The performance will be followed by a panel discussion moderated by Laina Barakat.
The panel includes Cindi L’Abbe, Ian Logan (of Sisters and Brothers) and Cathy Nicoli (dance faculty at Keene State College).


What’s the point?
To allow audience members to “enter” a dance by interacting and directing the performance
To explore the concept of communication through a dance conversation using words and physical strings
To illustrate the connected-ness of human beings through invisible and visible threads
To create interactive art as a demonstration of the creative potential of audiences as well as performance, to democratize the dance

What are we talking about?
Interactive elements in performance art as methods of creating audience “connection”, relevance
Improvisation as conversation, performance as communication
The performing arts as an illustration of humanity
Read more…

  • Talk / Discussion under the image and movement workshop led by Toni Mira and David Dalmazzo in La Caldera. Saturday 15th May from 10.30am. Free admission. Limited capacity



To close the week of the workshop led by TONI MIRA and DAVID DALMAZZO in
La Caldera, NU2's proposes a talk / discussion to present three support
and experimentation initiatives about digital tools applied to the
performing arts: the project HELLOWORLD! (Madrid), the MEDIAESTRUCH
of Sabadell and the NU2’s LABS's in L'animal a l’esquena
(Girona).

The session aims to inform and discuss about the challenges of the dance
/ new media creation and the collaborative initiatives to create spaces
for artists from the differents sectors.

- David Rodriguez will discuss the objectives and projects
developed by HelloWorld! , stable platform focused on production and new
technologies. They work at the Medialab-Prado, in the Teatro Pradillo
and Galería Off Limits of Madrid. +info: http://www.tea-tron.com/helloworld

- Oriol Rossell and Julià Carboneras will present MEDIAESTRUCH,
L'Estruch new department dedicated to the convergence of the performing
arts and new technologies.+info: http://www.lestruch.cat/mediaestruch/

- Núria Font will discuss the experiences of the laboratories
organized by NU2's in L'animal al'esquena since 2004 and will introduce
the characteristics of the LAB for this year.

By late morning, Toni Mira and David Dalmazzo will present the artists
participating in the workshop and the work they carried out.


Schedules:


10'30h Presentation by Núria Font and Toni Mira

11h Conference presentation by David Rodriguez - HelloWorld!

11'30h Presentation of MEDIAESTRUCH by Oriol Rossell

12h Coffee Break

12'30h Presentation of NU2's laboratories

13h Works presentations of the lab: technology, image and movement

13'30h Symposium / debate


Check all the information at the website of NU2’s - http://www.nu2s.org -
and La Caldera - http://www.lacaldera.info


Attention! The activity is free but it’s neccesary to book
sending an email to info@lacaldera.info

La Prinzipal of La Caldera is offering a "low cost" meal for 7 euros. If
you want to sign up, booking is essential sending an email at La
Caldera before May 12th, specifying the subject: FOOD lab IM (specify
number of people)

See you there!!


* NU2'S associacío per la creació has the
support of the Generalitat de Catalunya's Departament of Cultura, the
Ajuntament de Barcelona and the Ramón Llull institute.

Read more…

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