Lecture (12)

Lecture @ CIANT, Prague, Czech Republic


Using the most advanced social software platforms and rich multimedia
internet applications, dance-tech.net provides movement and new media
artists, theorist, thinkers and technologists an on-line space for
accessing and sharing ideas, work, research and collaborative projects.

Barrios Solano introduces dance-tech.net and dance-techTV as a
sustainable model of production and exchange of knowledge within a
community of movement and mew media artits, theorists, technologists and
organizations. The new internet or Web 2.0 architectures helps us to
see Networks as the materialization of social dynamics, as sites of
action, translocal presence and social innovation and sampling. They
have become the most important emergent repositories of social and
cognitive capital of a given community. dance-tech.net registers
conversations, dialogues, performances, ideas and lives using the WWW as
a site for a relational intervention on the boundaries of bodies,
countries, disciplines and organizations.

TRACES:

DANCE/IMPROVISATION/NEW MEDIA/COGNITION


SAMPLES OF MY WORK


BATESON QUESTION?


WHAT IS A HAND?



RESEARCH
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK

EMERGENCE

BOTTOM-UP

Innovation!

fly.jpg


Why the fly?



Gambiarra











Let' me tell you a story:

Tell me how did you die?

Gregory Bateson








Can the computers think like humans?


-That reminds me of a story!

WE FEEL FINE


Storytelling

Context/domain of interactions

Relations





Word Cloud made with all the words of the CIANT website


SEE in wordle






http://www.wordle.net/show/wrdl/2192554/poolwords_creativity



Relational definitions



http://www.wordle.net/show/wrdl/2192556/diads



1.-COMMUNITY

DANCE AND TECHNOLOGY
FROM A LIST SERV TO A SOCIAL NETWORK
WEB 2.0


OPEN PLATFORM


DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION:
INTERNATIONAL/TRANS-LOCAL
TRANS-DISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS

KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, Dance New Amsterdam, STEIM, TMA The Hellerau, Reverso,THE
WAAG)

TANGIBLE BENEFITS??
DANCE THEATHER WORKSHOP
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74



2.-KNOWLEDGE


What is dance anyway?

RELEVANCE DANCE IS RELEVANT

INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT

RE-FRAME IT

KNOWLEDGE BACKBONE/ENGAGEMENT:

MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS
> 100

YES YOU CAN...
INTERVIEWS:
KNOWLEDGE BACKBONE...
Watch live streaming video from dancetechtv at livestream.com



Find more videos like this on dance-tech.net
AS KNOWLEDGE AND AS A SUBJECT
ETHNOGRAPHY/ BOTTOM-UP

PROCESSPPROCESSPROCESS....

GIDEON
OBARZANEK

IVANA MULLER
BEBE MILLER
LISA
NELSON/TUNNING SCORES

ALVA
NOE/PHILOSOPHY OF MIND

IVANA
MULLER/CONCEPTUAL DANCE

European Tele-Plateaus Phase 2/Madrid

ANDREW
SCHNEIDER/PERFORMANCE AND WEARABLE interfaces

JOSEPHINE
DORADO/MIXED REALITY PERFORMANCES

ANGELO
VERMEULEN/BIO ARTS

SABINE
SEYMOUR/WEARABLE FASHION

TRISTAN
PERICH/NOISE AND CIRCUIT BENDING PERFORMER


Knowledge Lineages?
AN EXAMPLE...

Find more
videos like this on dance-tech.net




Find more
videos like this on dance-tech.net

SYNDICATION/ VIRAL DISTRIBUTION


PARTICIPATORY CREATION OF KNOWLEDGE:
loose network of correspondents
INTERVIEWS/NEWS REPORTAGE
PARTICIPATORY JOURNALISM

EXAMPLES OF COLLABORATION:

WITH CRITICAL CORRESPONDENCE (NYC)

Find more
videos like this on dance-tech.net


SABINE KLAUS (SCOTLAND)

CODA KEDJA Opening Event Oslo Norway from Creation Editor on Vimeo.


DEBORAH HUSTIC (CROATIA)

USE OF INTERNET NATIVE TECHNOLOGY


EMBEDDED/OPEN LAB IN FESTIVALS

Find more photos like this on dance-tech.net

WORLD GRID LAB

Extra Festival Annecy (France)
Panorama de Danca Rio de janeiro (Brazil)
CYNETART 2010 Dresden (Germany)


Find more
videos like this on dance-tech.net



3.-DANCE-TECHTV

COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND
CURATED


LIVE: UK, Venezuela, Switzerland, USA,
Brazil, Mexico, Sweden, Germany, France, Bolivia and Paraguay.

Experimental performances connecting:
Lebanon, UK, Sweden, Mexico, Brazil and NYC
Chile and Ireland

Content donated by more than forty artist: from all continents

ASSOCIATE PRODUCERS (any member of the networks)



LIVE BROADCASTING/LECTURES, PERFORMANCES

BRUNEL UNIVERSITY LONDON
FORWARD MOTION THEATER NY




VIRAL DISTRIBUTION

Watch live streaming video from dancetechtv at livestream.com


SPONSORED SPACE



USE IN CLASSROOMS:
Wesleyan University
University of Utah
Allow students a dialogue with the community/experts and novices
PEERS



MORE:

SIBLING NETWORKS

MOVIMIENTO.ORG
(SPANISH AND PORTUGUESE)

SPECIAL PROJECT:

REM 2.0 RED EN MOVIMIENTO/NETWORKS IN MOVEMENT

Workshops in: Madrid, Rio de janeiro, Sao Paulo, Montevideo, Buenos Aires, Asuncion.

E-learning Project: REM 2.0


Más fotos como esta en | Mais fotos como esta em movimiento.org |
movimento.org










NEW WWW AFFORDS:

LEAN FORWARD APPROACH
PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS
INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS
CREATIVE ENGAGEMENT AS EXCHANGE/GENEROSITY
DIY
DIWO
DISTRIBUTED
CONVERSATIONS/DIALOGUE
EVERYTHING NEXT TO EVERYTHING




COMMUNICATION IS NOT A BOND

THE BOND IS CREATED BY DOING IT TOGETHER


PARTICIPATION MAKES THE SITE



CREATION OF AN INFRASTRUCTURE OF TRUST AND TRUST IN THE INFRASTRUCTURE

INFRASTRUCTURE OF GENEROSITY


SOCIAL


COMMUNITIES=COMMONS=ECOLOGICAL

REFLECT THE LOGIC AND DYNAMICS OF THE SOCIAL LIFE

CULTURE IS SOCIAL



CONTESTING BOUNDARIES:
BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE,
ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING






++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
LIVE
PROCESS
PRODUCT
ART
RESEARCH
KNOWLEDGE
COLLABORATION
CREATIVITY
ORGANIZATION
COMPLEXITY
RELATIONAL
CONNECTION
PRESENCE
ECOLOGICAL
MOBILITY
REAL-TIME
SOCIAL
NETWORKS
COMMUNITY
PARTICIPATION
DEMOCRACY


NEW INTERNET:
CONVERGENCE
API____APPLICATION PROGRAM INTERFACE: CONNECTIONS BETWEEN APPLICATIONS
RSS____FLOW OF CONTENT ....
MASSIVE DATA BASES/DB DRIVEN SITES
ON-LINE VIDEO

OPEN PLATFORMS
BOTTOM-UP ARCHITECTURES
GENEROSITY PRINCIPLES (PROSUMER/ LEAN FORWARD) UGC
COLLABORATIVE CREATIVITY
EMERGENT CLUSTERS OF KNOWLEDGE


SYNCHRONOUS/ ASYNCHRONOUS









Troika Ranch

dancetechtv on livestream.com. Broadcast Live Free

Alejandra Ceriani

Bebe Miller and Company
dancetechtv on livestream.com. Broadcast Live Free

Chunky Move

Watch live streaming video from dancetechtv at livestream.com

We Live in Public

Cena11

Human Browser

Can you see me now? Blast Theory

Can You See Me Now? Tokyo from Blast Theory on Vimeo.



Uncle Roy All Around You/Blast Theory

Uncle Roy All Around You from Blast Theory on Vimeo.


Dance a day
Boris Willis


Koosil-ja Wang
Watch live streaming video from dancetechtv at livestream.com

ERS Counting Workshop for Future Perfect



Isabelle Choiniere

dancetechtv on livestream.com. Broadcast Live Free

Armando Menicacci

Watch live streaming video from dancetechtv at livestream.com



ETP Dresden



Tristan Perich

Find more videos like this on dance-tech.net

Idol Task/CynetArts 09

ZEN Station/Cynetarts 09

Mindbox/Cynetarts 09


ECHO System




Radio Healer
RADIO
HEALER





Twitter Community Choreography



Swing wing


Improv everywhere

Read more…
@MUSE 010
Palucca Schule
July 28th 2010


Using the most advanced social software platforms and rich multimedia
internet applications, dance-tech.net provides movement and new media
artists, theorist, thinkers and technologists an on-line space for
accessing and sharing ideas, work, research and collaborative projects.

Barrios Solano introduces dance-tech.net and dance-techTV as a
sustainable model of production and exchange of knowledge within a
community of movement and mew media artits, theorists, technologists and
organizations. The new internet or Web 2.0 architectures helps us to
see Networks as the materialization of social dynamics, as sites of
action, translocal presence and social innovation and sampling. They
have become the most important emergent repositories of social and
cognitive capital of a given community. dance-tech.net registers
conversations, dialogues, performances, ideas and lives using the WWW as
a site for a relational intervention on the boundaries of bodies,
countries, disciplines and organizations.

TRACES:

DANCE/IMPROVISATION/NEW MEDIA/COGNITION


SAMPLES OF MY WORK



RESEARCH
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK

EMERGENCE

BOTTOM-UP


BATESON
QUESTION?


WHAT IS A HAND?


_____________________________________
Can the computers think like humans?

-That reminds me of a story!

WE FEEL FINE


Storytelling

Context/domain of interactions

Relations





1.-COMMUNITY

DANCE AND TECHNOLOGY
FROM A LIST SERV TO A SOCIAL NETWORK
WEB 2.0


OPEN PLATFORM


DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION:
INTERNATIONAL/TRANS-LOCAL
TRANS-DISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS

KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, Dance New Amsterdam, STEIM, TMA The Hellerau, Reverso,THE
WAAG)

TANGIBLE BENEFITS??
DANCE THEATHER WORKSHOP
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74




TANZPLAN Scholarship for dance-tech.neT ABD movimiento.org members
Gabriel Esteban Cunich (Chile)

process/experience

2.-KNOWLEDGE


What is dance anyway?

RELEVANCE DANCE IS RELEVANT

INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT

RE-FRAME IT

KNOWLEDGE BACKBONE/ENGAGEMENT:

MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS
> 100

YES YOU CAN...
INTERVIEWS:
KNOWLEDGE BACKBONE...
Watch live streaming video from dancetechtv at livestream.com



Find more videos like this on dance-tech.net
AS KNOWLEDGE AND AS A SUBJECT
ETHNOGRAPHY/ BOTTOM-UP

PROCESSPPROCESSPROCESS....

GIDEON
OBARZANEK

IVANA MULLER
BEBE MILLER
LISA
NELSON/TUNNING SCORES

ALVA
NOE/PHILOSOPHY OF MIND

IVANA
MULLER/CONCEPTUAL DANCE

European Tele-Plateaus Phase 2/Madrid

ANDREW
SCHNEIDER/PERFORMANCE AND WEARABLE interfaces

JOSEPHINE
DORADO/MIXED REALITY PERFORMANCES

ANGELO
VERMEULEN/BIO ARTS

SABINE
SEYMOUR/WEARABLE FASHION

TRISTAN
PERICH/NOISE AND CIRCUIT BENDING PERFORMER


Knowledge Lineages?
AN EXAMPLE...

Find more videos like this on dance-tech.net



Find more videos like this on dance-tech.net
SYNDICATION/ VIRAL DISTRIBUTION


PARTICIPATORY CREATION OF KNOWLEDGE:
loose network of correspondents
INTERVIEWS/NEWS REPORTAGE
PARTICIPATORY JOURNALISM

EXAMPLES OF COLLABORATION:

WITH CRITICAL CORRESPONDENCE (NYC)

Find more videos like this on dance-tech.net

SABINE KLAUS (SCOTLAND)

CODA KEDJA Opening Event Oslo Norway from Creation Editor on Vimeo.


DEBORAH HUSTIC (CROATIA)

USE OF INTERNET NATIVE TECHNOLOGY


MOVESTREAM


EMBEDDED/OPEN LAB IN FESTIVALS

WORLD GRID LAB

Extra Festival Annecy (France)
Panorama de Danca Rio de janeiro (Brazil)
CYNETART 2010 Dresden (Germany)

Poland and Brussels

Find more videos like this on dance-tech.net


3.-DANCE-TECHTV

COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND
CURATED


LIVE: UK, Venezuela, Switzerland, USA, Brazil, Mexico, Sweden, Germany, France, Bolivia and Paraguay.
Experimental performances connecting:
Lebanon, UK, Sweden, Mexico, Brazil and NYC
Chile and Ireland

Content donated by more than forty artist: from all continents

ASSOCIATE PRODUCERS (any member of the networks)



LIVE BROADCASTING/LECTURES, PERFORMANCES

BRUNEL UNIVERSITY LONDON
FORWARD MOTION THEATER NY




VIRAL DISTRIBUTION

Watch live streaming video from dancetechtv at livestream.com


SPONSORED SPACE



USE IN CLASSROOMS:
Wesleyan University
University of Utah
Allow students a dialogue with the community/experts and novices
PEERS



MORE:

SIBLING NETWORKS

MOVIMIENTO.ORG
(SPANISH AND PORTUGUESE)

SPECIAL PROJECT:

REM 2.0 RED EN MOVIMIENTO/NETWORKS IN MOVEMENT

Workshops in: Madrid, Rio de janeiro, Sao Paulo, Montevideo, Buenos Aires, Asuncion.

E-learning Project: REM 2.0


Más fotos como esta en | Mais fotos como esta em movimiento.org | movimento.org









NEW WWW AFFORDS:

LEAN FORWARD APPROACH
PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS
INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS
CREATIVE ENGAGEMENT AS EXCHANGE/GENEROSITY
DIY
DIWO
DISTRIBUTED
CONVERSATIONS/DIALOGUE
EVERYTHING NEXT TO EVERYTHING




COMMUNICATION IS NOT A BOND

THE BOND IS CREATED BY DOING IT TOGETHER


PARTICIPATION MAKES THE SITE



CREATION OF AN INFRASTRUCTURE OF TRUST AND TRUST IN THE INFRASTRUCTURE

INFRASTRUCTURE OF GENEROSITY


SOCIAL


COMMUNITIES=COMMONS=ECOLOGICAL

REFLECT THE LOGIC AND DYNAMICS OF THE SOCIAL LIFE

CULTURE IS SOCIAL



CONTESTING BOUNDARIES:
BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE,
ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING






++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
LIVE
PROCESS
PRODUCT
ART
RESEARCH
KNOWLEDGE
COLLABORATION
CREATIVITY
ORGANIZATION
COMPLEXITY
RELATIONAL
CONNECTION
PRESENCE
ECOLOGICAL
MOBILITY
REAL-TIME
SOCIAL
NETWORKS
COMMUNITY
PARTICIPATION
DEMOCRACY


NEW INTERNET:
CONVERGENCE
API____APPLICATION PROGRAM INTERFACE: CONNECTIONS BETWEEN APPLICATIONS
RSS____FLOW OF CONTENT ....
MASSIVE DATA BASES/DB DRIVEN SITES
ON-LINE VIDEO

OPEN PLATFORMS
BOTTOM-UP ARCHITECTURES
GENEROSITY PRINCIPLES (PROSUMER/ LEAN FORWARD) UGC
COLLABORATIVE CREATIVITY
EMERGENT CLUSTERS OF KNOWLEDGE


SYNCHRONOUS/ ASYNCHRONOUS









Troika Ranch

dancetechtv on livestream.com. Broadcast Live Free

Alejandra Ceriani

Bebe Miller and Company
dancetechtv on livestream.com. Broadcast Live Free

Chunky Move

Watch live streaming video from dancetechtv at livestream.com

We Live in Public

Cena11

Human Browser

Can you see me now? Blast Theory

Can You See Me Now? Tokyo from Blast Theory on Vimeo.



Uncle Roy All Around You/Blast Theory

Uncle Roy All Around You from Blast Theory on Vimeo.


Dance a day
Boris Willis


Koosil-ja Wang
Watch live streaming video from dancetechtv at livestream.com

ERS Counting Workshop for Future Perfect



Isabelle Choiniere

dancetechtv on livestream.com. Broadcast Live Free

Armando Menicacci

Watch live streaming video from dancetechtv at livestream.com



ETP Dresden



Tristan Perich

Find more videos like this on dance-tech.net

Idol Task/CynetArts 09

ZEN Station/Cynetarts 09

Mindbox/Cynetarts 09


ECHO System




Radio Healer
RADIO HEALER




Twitter Community Choreography



Swing wing


Improv everywhere


Read more…
Lecture created by Marlon Barrios Solano

TELC, CZECH Republic

Transistor 10


Where do I come from?
Dance improvisation (real-time composition), real-time technology, embodied cognition, co-authorship

https://www.youtube.com/user/unstablelandscape#p/c/8C5E8BF050DA1B39/3/Pevl1INSK6M

WHAT IS DANCE-TECH.NET?


Innovation!

fly.jpg


Why the fly?



Gambiarra











Let' me tell you a story:

Tell me how did you die?

Gregory Bateson








Can the computers think like humans?

-That reminds me of a story!

WE FEEL FINE


Storytelling

Context/domain of interactions

Relations





Word Cloud made with all the words of the CIANT website


SEE in wordle






http://www.wordle.net/show/wrdl/2192554/poolwords_creativity



Relational definitions



http://www.wordle.net/show/wrdl/2192556/diads


Models of mind/body/life/environment


"Is there love in the Telematic Embrace"

Roy Ascott


"Telematic culture means, in short, that we do not think, see, or feel in isolation. Creativity is shared, authorship is distributed,
but not in a way that denies the individual her
authenticity or
power of self creation, as rather crude models of
collectivity might
have done in the past. On the contrary, telematic culture
amplifies
the individual’s capacity for creative thought and action,

for more vivid and intense experience, for more informed
perception,
by enabling her to participate in the production of global
vision
through networked interaction with other minds, other
sensibilities,
other sensing and thinking systems across the
planet—thought
circulating in the medium of data through a multiplicity
of different
cultural, geographical, social, and personal layers.
Networking
supports endless redescription and recontextualization
such that
no language or visual code is final and no reality is
ultimate.
In the telematic culture, pluralism and relativism shape
the configurations
of ideas —of image, music, and text—that circulate in
the system."



read more here





Designed experiences?

Engineered exchanges?


Systems?


GAMES


Plan


Programming


Choreography


Architecture


Design


Narrative


Ritual/Habits/learning



Network


dance-tech.net

visualization




CIANT website



Website as Graphs




EMBODIED COGNITION


Philosophers, cognitive scientists and artificial intelligence researchers who study embodied cognitionembodied mind believe
that the nature of the human mind is largely determined by the form of the human body. They argue that all aspects of cognition, such as ideas, thoughts, concepts and categories are shaped by aspects of the body.
These aspects include the perceptual system, the intuitions that
underlie the ability to move, activities and interactions with our
environment and the naive understanding of the world that is built into
the body and the brain. and the



Lucy Suchmam: SITUATED ACTIONS:


She challenged common assumptions behind the design of interactive systems with a cogent anthropological argument that human action is constantly constructed and reconstructed from dynamic interactions with
the material and social worlds. The theory of cognition"">situated cognition emphasizes the importance of the
environment as an integral part of the process" class="mw-redirect"">cognitive process. She has made
fundamental contributions to ethnographic analysis, conversational
analysis and Participatory Design techniques for the development of
interactive computer systems.


1 Cognition is situated.

2 Cognition is time-pressured.

3 We off-load cognitive work onto the environment.

4 The environment is part of the cognitive system.

5 Cognition is for action.

6 Off-line cognition is body-based.


Activity...exercise!




CHANGE


BOUNDARY


INTERFACE


STATE/Behaviors


RULES (open relationship) Collaboration


WHAT IS CHANGING??




CHANGE



VARIABLES IN A SYSTEM:

CONTROL

AGENCY

AUTONOMY



EMERGENCE OF PATTERNS:

ACCUMULATION IN TIME = PACE

ACCUMULATION IN SPACE = PLACE


hubs, nodes and relations



INTENSITY/FLOWS/


DOMAINS___CREATED BY THE INTERACTION


DOMAINS:

  • memory: recording,storage, assess (media production and date bases) suggestion systems, and search engines, cataloging/user generated, beliefs
  • Imagination: simulations and abstractions, all sensoriums/myth
  • Environment: other sentient creatures, technology systems, space.




Process and presence

SYNCHRONOUS AND ASYNCHRONOUS


to systems, to interaction, to creative process



Dynamics


Knowledge


Articulation



KINDS Of Change:

Replication

Reproduction
Recombination



Growth

Metabolic

Movement
metamorphosis
Mutation

Adaptive

Decay

Evolution

-

Re-learned

Re-program

Re-designed

Re-engineered

-




Copy/sampling
Combinatorial/remixing
hacking of infrastructure
re-purposing
Feedback and adjustment in the PROCESS

Continuous beta


Prototype


CONTINUOUS PROTOTYPING



TECHNOLOGIES OF TRANSMISSION AND CHANGE (TECHNE)










META and self: story about ness



ECOSYSTEMS...



HYBRID SYSTEMS



AUGMENTED STORYTELLING


distributed...performance







KNOWLEDGE: MEMORY AND IMAGINATION/IS ALWAYS SHARED/ALWAYS EMBODIED



COMMUNITY/COLLECTIVE/crowds (artists, community and institutions)


INNOVATION: ALWAYS COLLABORATIVE AND LINEAGE BASED


SOCIAL AUGMENTATION OF THE COGNITIVE PROCESSES


COGNITIVE AUGMENTATION OF THE SOCIAL


communication Infrastructure that has allowed to mirror the social



INVOLVEMENT:

  • Show case/this is me and this is what I do?
  • Dialogue
  • Collaboration: centralized/Distributed.
  • Coordination actions/planning
  • Real-time
ALL RECORDED/sampled/documented/Publish

Reflexive Living









MORE:

JJ Gibson


Action Network-Theory




















Huma Browser


Tweetter Choreography

Lookup More







Read more…
@MUSE 010
Palucca Schule
July 28th 2010


Using the most advanced social software platforms and rich multimedia
internet applications, dance-tech.net provides movement and new media
artists, theorist, thinkers and technologists an on-line space for
accessing and sharing ideas, work, research and collaborative projects.

Barrios Solano introduces dance-tech.net and dance-techTV as a
sustainable model of production and exchange of knowledge within a
community of movement and mew media artits, theorists, technologists and
organizations. The new internet or Web 2.0 architectures helps us to
see Networks as the materialization of social dynamics, as sites of
action, translocal presence and social innovation and sampling. They
have become the most important emergent repositories of social and
cognitive capital of a given community. dance-tech.net registers
conversations, dialogues, performances, ideas and lives using the WWW as
a site for a relational intervention on the boundaries of bodies,
countries, disciplines and organizations.

TRACES:

DANCE/IMPROVISATION/NEW MEDIA/COGNITION


SAMPLES OF MY WORK



RESEARCH
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK

EMERGENCE

BOTTOM-UP


BATESON
QUESTION?


WHAT IS A HAND?


_____________________________________
Can the computers think like humans?

-That reminds me of a story!

WE FEEL FINE


Storytelling

Context/domain of interactions

Relations





1.-COMMUNITY

DANCE AND TECHNOLOGY
FROM A LIST SERV TO A SOCIAL NETWORK
WEB 2.0


OPEN PLATFORM


DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION:
INTERNATIONAL/TRANS-LOCAL
TRANS-DISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS

KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, Dance New Amsterdam, STEIM, TMA The Hellerau, Reverso,THE
WAAG)

TANGIBLE BENEFITS??
DANCE THEATHER WORKSHOP
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74




TANZPLAN Scholarship for dance-tech.neT ABD movimiento.org members
Gabriel Esteban Cunich (Chile)

process/experience

2.-KNOWLEDGE


What is dance anyway?

RELEVANCE DANCE IS RELEVANT

INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT

RE-FRAME IT

KNOWLEDGE BACKBONE/ENGAGEMENT:

MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS
> 100

YES YOU CAN...
INTERVIEWS:
KNOWLEDGE BACKBONE...
Watch live streaming video from dancetechtv at livestream.com



Find more videos like this on dance-tech.net
AS KNOWLEDGE AND AS A SUBJECT
ETHNOGRAPHY/ BOTTOM-UP

PROCESSPPROCESSPROCESS....

GIDEON
OBARZANEK

IVANA MULLER
BEBE MILLER
LISA
NELSON/TUNNING SCORES

ALVA
NOE/PHILOSOPHY OF MIND

IVANA
MULLER/CONCEPTUAL DANCE

European Tele-Plateaus Phase 2/Madrid

ANDREW
SCHNEIDER/PERFORMANCE AND WEARABLE interfaces

JOSEPHINE
DORADO/MIXED REALITY PERFORMANCES

ANGELO
VERMEULEN/BIO ARTS

SABINE
SEYMOUR/WEARABLE FASHION

TRISTAN
PERICH/NOISE AND CIRCUIT BENDING PERFORMER


Knowledge Lineages?
AN EXAMPLE...

Find more videos like this on dance-tech.net



Find more videos like this on dance-tech.net
SYNDICATION/ VIRAL DISTRIBUTION


PARTICIPATORY CREATION OF KNOWLEDGE:
loose network of correspondents
INTERVIEWS/NEWS REPORTAGE
PARTICIPATORY JOURNALISM

EXAMPLES OF COLLABORATION:

WITH CRITICAL CORRESPONDENCE (NYC)

Find more videos like this on dance-tech.net

SABINE KLAUS (SCOTLAND)

CODA KEDJA Opening Event Oslo Norway from Creation Editor on Vimeo.


DEBORAH HUSTIC (CROATIA)

USE OF INTERNET NATIVE TECHNOLOGY


MOVESTREAM


EMBEDDED/OPEN LAB IN FESTIVALS

WORLD GRID LAB

Extra Festival Annecy (France)
Panorama de Danca Rio de janeiro (Brazil)
CYNETART 2010 Dresden (Germany)

Poland and Brussels

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3.-DANCE-TECHTV

COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND
CURATED


LIVE: UK, Venezuela, Switzerland, USA, Brazil, Mexico, Sweden, Germany, France, Bolivia and Paraguay.
Experimental performances connecting:
Lebanon, UK, Sweden, Mexico, Brazil and NYC
Chile and Ireland

Content donated by more than forty artist: from all continents

ASSOCIATE PRODUCERS (any member of the networks)



LIVE BROADCASTING/LECTURES, PERFORMANCES

BRUNEL UNIVERSITY LONDON
FORWARD MOTION THEATER NY




VIRAL DISTRIBUTION

Watch live streaming video from dancetechtv at livestream.com


SPONSORED SPACE



USE IN CLASSROOMS:
Wesleyan University
University of Utah
Allow students a dialogue with the community/experts and novices
PEERS



MORE:

SIBLING NETWORKS

MOVIMIENTO.ORG
(SPANISH AND PORTUGUESE)

SPECIAL PROJECT:

REM 2.0 RED EN MOVIMIENTO/NETWORKS IN MOVEMENT

Workshops in: Madrid, Rio de janeiro, Sao Paulo, Montevideo, Buenos Aires, Asuncion.

E-learning Project: REM 2.0


Más fotos como esta en | Mais fotos como esta em movimiento.org | movimento.org
ASHLEY FRIEND

Cedar Lake

08: Marina from Caleb Custer on Vimeo.


THE CLYTEMNESTRA REMASH CHALLENGE
Martha Graham Company









NEW WWW AFFORDS:

LEAN FORWARD APPROACH
PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS
INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS
CREATIVE ENGAGEMENT AS EXCHANGE/GENEROSITY
DIY
DIWO
DISTRIBUTED
CONVERSATIONS/DIALOGUE
EVERYTHING NEXT TO EVERYTHING




COMMUNICATION IS NOT A BOND

THE BOND IS CREATED BY DOING IT TOGETHER


PARTICIPATION MAKES THE SITE



CREATION OF AN INFRASTRUCTURE OF TRUST AND TRUST IN THE INFRASTRUCTURE

INFRASTRUCTURE OF GENEROSITY


SOCIAL


COMMUNITIES=COMMONS=ECOLOGICAL

REFLECT THE LOGIC AND DYNAMICS OF THE SOCIAL LIFE

CULTURE IS SOCIAL



CONTESTING BOUNDARIES:
BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE,
ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING






++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
LIVE
PROCESS
PRODUCT
ART
RESEARCH
KNOWLEDGE
COLLABORATION
CREATIVITY
ORGANIZATION
COMPLEXITY
RELATIONAL
CONNECTION
PRESENCE
ECOLOGICAL
MOBILITY
REAL-TIME
SOCIAL
NETWORKS
COMMUNITY
PARTICIPATION
DEMOCRACY


NEW INTERNET:
CONVERGENCE
API____APPLICATION PROGRAM INTERFACE: CONNECTIONS BETWEEN APPLICATIONS
RSS____FLOW OF CONTENT ....
MASSIVE DATA BASES/DB DRIVEN SITES
ON-LINE VIDEO

OPEN PLATFORMS
BOTTOM-UP ARCHITECTURES
GENEROSITY PRINCIPLES (PROSUMER/ LEAN FORWARD) UGC
COLLABORATIVE CREATIVITY
EMERGENT CLUSTERS OF KNOWLEDGE


SYNCHRONOUS/ ASYNCHRONOUS









Troika Ranch

dancetechtv on livestream.com. Broadcast Live Free

Alejandra Ceriani

Bebe Miller and Company
dancetechtv on livestream.com. Broadcast Live Free

Chunky Move

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We Live in Public

Cena11

Human Browser

Can you see me now? Blast Theory

Can You See Me Now? Tokyo from Blast Theory on Vimeo.



Uncle Roy All Around You/Blast Theory

Uncle Roy All Around You from Blast Theory on Vimeo.


Dance a day
Boris Willis


Koosil-ja Wang
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ERS Counting Workshop for Future Perfect



Isabelle Choiniere

dancetechtv on livestream.com. Broadcast Live Free

Armando Menicacci

Watch live streaming video from dancetechtv at livestream.com



ETP Dresden



Tristan Perich

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Idol Task/CynetArts 09

ZEN Station/Cynetarts 09

Mindbox/Cynetarts 09


ECHO System




Radio Healer
RADIO HEALER




Twitter Community Choreography



Swing wing


Improv everywhere

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Drawing on "9 Evenings of Theatre and Engineering" as historical prototype for interactive art humbling current soft exhibitions such as "Decode" (V&A, London),Birringer discusses the emergent field of digital performance and demonstrates various techniques and concepts of visual, scored or improvisational interactive performance. He will share his experience and knowledge of working in different cultural and collaborative professional settings as well as research contexts. Witnessing shifts toward open source and open system design, and referring to international stage works, choreographic systems, installations and site-specific performances, the function of interactivity is examined under a critical light.This audiovisual seminar was commissioned as part of FOOD 4 THOUGHT by The School of Arts and New Media, University of Hull @ Scarborough.
Watch live streaming video from dancetechtv at livestream.com
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NEW INTERNET Participation makes the site Asynchronous and synchronous interaction Community of Practice process, process, process Why dance? Dance and Technologies? Techne/skill: cognition Networked knowledge: LISA NELSON, ALVA NOE AND WILLIAM FORSYTHE Interdisciplinary performance of motion Bottom-up approaches? 2.0 = prosumer...lean forward dance-tech.net Rich multimedia social network 1200+ international members >1500 pages views a day. Knowledge backbone: dance-tech.net interviews 85+ Sustainable: internet native/skyped On-LINE VIDEO ALL THE WAY Dance-techTV and channel network: Collaborative Broadcasting Partnership with Mogulus 12 channels for members+ Organizations as active members of the community: engaged contributors Trade of benefits of membership. Modeling sustainability: if I can do it you can do it. Self interviews, emergent correspondents, co-producers Collaborative Creativity: motionplex.org On line collaborative editing Partnership with kaltura Meta-Networks: partnership with movimiento.org/dance-network in Spanish/Portuguese. Media/communication Research Residencies: TMA Hellerau/ETP, STEIM and Gilles Jobin Company RELATIONAL INTERVENTION IN THE SYSTEM OF DISTRIBUTION OF KNOWLEDGE Contesting boundaries: bodies, countries, languages, technologies disciplines and notions of consumer/producer Intervention in TELE
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This is a capture of the LIVE broadcast: LecDem on Motion Tracking by Robert Wechsler and participants of the Geneva Sessions 09/Made in Laussane. June 12th 7 pm @ L'Arsenic, Lausanne ttp://www.theatre-arsenic.ch/ This informal gathering was the culmination of the first week where the participants were introduced to real-time processing motion for the interactive control of media. About the Geneva sessions 09 http://gvadancetraining.ning.com/profiles/blogs/geneva-sessions-09 http://gvadancetraining.ning.com/ Software used: http://eyecon.palindrome.de/
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by MARLON BARRIOS SOLANO dance-tech.net/ dance-tech TV/ dance-tech interviews Friday March 27th 09 Lecture for Arts, Media and Engineering Arizona State University Barrios Solano introduces dance-tech.net and dance-techTV as a sustainable model of production and exchange of knowledge within a community of movement and mew media artits, theorists, technologists and organizations. The new internet or Web 2.0 architectures helps us to see Networks as the materialization of social dynamics, as sites of action, translocal presence and social innovation and sampling. They have become the most important emergent repositories of social and cognitive capital of a given community. dance-tech.net registers conversations, dialogues, performances, ideas and lives using the WWW as a site for a relational intervention on the boundaries of bodies, countries, disciplines and organizations. TRACES: BATESONQUESTION? WHAT IS A HAND? QUESTIONS COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INETERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK EMERGENCE BOTTOM-UP DANCE AND TECHNOLOGY 2.0 FROM A LIST SERV TO A SOCIAL NETWORK DANCE-TECH.NET FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION INTERNATIONAL/TRANSLOCAL TRANSDISCIPLINARY GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS: KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES. COLLABORATIONS, PARTNERSHIPS AND BARTERING: INDIVIDUALS VENUES DTW, Eyebeam, Dance New Amsterdam, STEIM, Hellerau, THE WAAG) HARDWARE: LEMURPLEX/MIDITRON SOFTWARE: CYCLING74/ OPENFRAMEWOKS TANGIBLE BENEFITS?? UNDER REPRESENTED GROUPS: RED SUDAMERICANA DE DANZA/ OPEN KNOWLEDGE INNOVATION??? HOW WE IDENTIFY IT SUPPORT IT META-FRAME-IT KNOWLEDGE BACKBONE/ENGAGEMENT: MODELING SUSTAINABLE PRODUCTION...YES YOU CAN... DONATION SYSTEM RELEVANCE DANCE IS RELEVANT AS KNOWLEDGE AND AS A SUBJECT ETHNOGRAPHY/ BOTTOM-UP INTERVIEWS: RESEARCH... MARKERS PROCESSPPROCESSPROCESS.... GIDEON OBARZANEK IVANA MULLER BEBE MILLER LISA NELSON ALVA NOE IVANA MULLER SUSAN KOZEL ANDREW SCHNEIDER JOSEPHINE DORADO ANGELO VERMEULEN SABINE SEYMOUR TRISTAN PERICH SYNDICATION/ VIRAL DISTRIBUTION PARTICIPATORY CREATION OF KNOWLEDGE: COMMUNITY OF PRACTICE share know-how, the production effort and the product loose network of correspondents SAMPLING THE WAYS INTERVIEWS/NEWS REPORTAGE OPEN CLASSROOMS: Wesleyan University (lectures and access) University of Utah (skype talks) dialogue with the community/experts and novices SIBLING NETWORKSMETA-NETWORK MOVIMIENTO.ORG (SPANISH AND PORTUGUESE) DBM PARTICIPATION MAKES THE SITE DISTRIBUTED-UP CONVERSATIONS/DIALOGUE JUXTAPOSITION REACTION/INTENSITIES/RHYTHMS/SPEED/FLEXIBILITY EVERYTHING NEXT TO EVERYTHING

DANCE-TECHTV/ Mogulus platform COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND MAIN CHANNEL CURATED LIVE:Turkey, London, Venezuela, Switzerland, NYC. Content donated by more than forty artist: all continents Academia and independent broadcasters ASSOCIATE PRODUCERS (any member of the networks) AND NETWORK OF CHANNELS FOR LIVE BROADCASTING/LECTURES, PERFORMANCES, art projects (Movement Research Festival and Broadcasting station/workshops GRID LAB/Lebanon, France and Geneva)

Collaborative Creativity/Kaltura Motionplex.org Collaborative On-line video editing/In development Fall 2009 Collaborative creativity/in development NEW WWW AFFORDS: PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS LEAN FORWARD CREATIVE ENGAGEMENT AS EXCHANGE DIY DIWO RESEARCH WITHIN THE COMPANIES COMMUNICATION IS NOT A BOND THE BOND ID CREATED BY DOING IT TOGETHER Planning for COGNITIVE CAPITAL= implementation real time communications, relational archiving of knowledge, possibilities of active engagement. PLASTICITY/readiness for change and assimilation of experiences/learning DISTRIBUTED SELF-ORGANIZING SOCIAL COMMUNITIES=COMMONS=ECOLOGICAL CONTESTING BOUNDARIES: BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE, ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING
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