LUCHA is a AI research and creation project by Brisa MP human artist. Lucha is a machine for the performing arts. The project explores the notion of body-data and the collaboration between machines and humans, displacing  of the  choreographer category to the machine and activating a peaceful audience as representation of our controlled society.

LUCHA suggest the role of matters  are not, in the present day, and will ever be in future, only means of human expression and human creation, but they may one day enter into a de-hierarchical or even superior dialogue with the human race. LUCHA 1.0 is my first exploration into artificial intelligence that was created upon the performing art s and technology piece titled HERE.

LUCHA 1.0 with the support:

Creation Grant  Generalitat of Catalonia Culture Department .

Residence at MediaLab L´Estruch Creation Factory. HANGAR. Barcelona. 2020.

+ more 

https://caidalibre.cl

https://caidalibre.cl/lucha/

LUCHA PROJECT EXHIBITION

OPENING July 17th 2021 

DY3COPIA BODY AND TECHNOLOGY

VIRTUAL GALLERY

SECOND FLOOR GALLERIES - ROOM F: Mary Neubauer, Brisa MP

Dy3corpia

The Museum of Wild and Newfangled Art

Call for Submissions | Online Biennial 2021

https://www.mowna.org/submit/2021-biennial

a selection of 100 artists will be curated

artists selected receive 70% split of ticket sales

all media and all mediums of art made from 2019 to 2021

deadline march 2nd 2021

this may include:

interactive

experiences

movement

abstract

play

sound

street

fashion

animations

live performance

photography

illusions

nature

software

videoart

memes

writing

bots

gifs

vr

ar

xr

painting

sculpture

sketches

theater

poetry

opera

cinema

other creative things only you can dream up

we are wild & newfangled

are you?

SUBMIT

The 21st Century Dancer: The Multidisciplinary Kinesthetic Body- History, Lineage and Futures

Dance Platform 2018 
March 14–18, 2018 


Bullmannaue 20a 
45327 Essen
Germany 

tanzplattform2018@pact-zollverein.de 

www.tanzplattform2018.de 
Facebook / Instagram / Twitter

Hello all, here is the link to the Soma Session Thursday, September 8. Reyna J. Perdomo is inviting you to a scheduled Zoom meeting.
Topic; Soma Session 3 with Reyna
Description; GYROKINESIS® Method and Embodied-Balanced-Flow Body/Mind Training with Reyna.
Time: Sep 8, 2022 01:00 PM Caracas, 1 PM EST., 7 PM CET.

Join Zoom Meeting
https://us02web.zoom.us/j/81041596974?pwd=bFB1MHdlSHlnczQ1Zi9UVmw3UUhIUT09

Meeting ID: 810 4159 6974
Passcode: 369443

Seminario Intensivo de Danza y Tecnología Digital Interactiva

Hello all, 

MotionDAO, an artists collective exploring the affordances of the blockchain for  movement and inter-disciplinary artists.

We have been  meeting, thinking and creating experiments and we have now the opportunity to meet and share our experience in Kassel  Germany during Documenta 15th.

This is the MotionDAO group on dance-tech.net

MotionDAO is a Dance-tech.net project

Claim you special NFT. Scan the QR code and you will be prompted to create a Near wallet to collect the NFT. The daily NFT are gifts for you from MotionDAO artists. #artist #collaboration #motiondao #artblockchain #blockchain #nearprotocol #near #dancetech

Here is the recoding of the meditation session of today uploaded in the Internet Archives ... (supported by MotionDAO/Near Protocol)

https://archive.org/details/sati_07_27_22

ssssss

If you have questions about investing in a particular country, you will not be able to do so. If you don't know the development of a tractor, then you have to reconcile it all to the fullest, for this artistic explanation.

If you want to learn more about how to translate into a particular language, it also involves analyzing and interpreting your results to find original and useful content. If you do it right, like we're in the future and you're interested in a competitor, you can ask for a response. Holders of free and sophisticated motivation for automation sound automation, and the ability to express oneself in a special specialty of the day.

Before learning, I want to start well established in case you can access it.

Choose a personal interest in the interesting and relevant information. You can always ask for a teacher. It is important to avoid generals and genes. Tell us what you need to know about Limiter

Reconciliation information

below, the information relating to the information provided in the database. If there is a condom in the country, then in the case of a federal law enforcement agency that is proprietary information only, confidential websites with extensions such as ".edu" and ".gov "are trustworthy. Remember that the Internet is a big place and anyone can write whatever they want to Not want in the information and documentary material of the documentary that was applied to a large group of influencers and futurists.

You can also go to the library. In the past explains the contribution of artistic interpretation of the book, which was published in history books. The recurring cost of the most important and most important of all, compared to the recurring without, however, the traditional forms with the latest technology. And fundamental knowledge of bibliographic information for a fundamental explanation of community concerns.

Design your content

Coming up with your memory is crucial. You cannot invest in an investment involving a full and comprehensive investment. What is the main reason you were able to make your contribution? The arguments and ideas have been put together in an attempt to break into your own idea of ​​the main idea. You must provide evidence and precursors for the defense and the aphorism. No nuance was found in the piano and writing algorithms.

Investigations

Many related problems have arisen. You can still be a professional teacher at this stage. Some of the online wowessay services are more educated at the workplace in the project that has gone astray. It's a great idea, as well as what you have to say about the excitement and excellence of excellent lyrics. These services are a group of professional professors and professors who have successfully developed and promoted entrepreneurs.

This is the best way to invest in a small business that has invested in a well-known business relationship with other business people. The result of this processis that you will be able to find out the results obtained from the results.

VRYSTAAT ARTS FESTIVAL – JULY 2020 ONLINE - Bloemfontein, South Africa

SCREENDANCE: DIVERSITY & REPRESENTATION MATTERS

https://www.facebook.com/vrystaatkunstefees

An online panel discussion via Zoom 02 July 2020

South Africa: 14-15:30 SAST 

UK: 13:00 - 14:30 BST

USA: 08-09:30 EST

VIDEO LINK: https://www.facebook.com/202113399825664/videos/294524148583739  

Hosted by Georgina Thomson and Jeannette Ginslov

Introduction

This is an online Screendance panel event that presents and discusses the art form, Screendance.  Screendance artists from diverse backgrounds have been asked to present their work, revealing what Screendance is, how they create it, and why it matters. It is also a panel discussion about the form of Screendance, the representation of bodies on screen, cultural diversity and the body’s representation at International Screendance festivals.

Given the current socio-political climate we can no longer skirt around the issues of bodies race, diversity and their representation on screen. To date, this topic has never been fully discussed on a Screendance panel. Being highly contentious these issues are often difficult to talk about and overlooked in favour of other discussions on funding and networking, for example. These are also important issues, but the representation of dancing bodies cannot and should not be a discussion held by academics behind closed doors. Yes, it may be uncomfortable to talk about race and representation, but this discomfort needs to be discussed as we cannot get away from bodies, their representation and context. They are the very medium of Screendance, entangled with the medium of cinema. So how do we overcome something that we cannot and should not ignore? How do we ask these questions in and with our work and how is this represented on screens internationally? There may be no answers, but at least let us try to talk about these issues. We have work to do.

Hosts

Jeannette Ginslov: Screendance and embodied technologies practitioner & PhD Candidate London South Bank University: UK

Georgina Thomson: Dance Programme Coordinator: Vrystaat Arts Festival South Africa

Presenters:

Omari Carter: Associate Lecturer and Screendance Practitioner: UK

Gabri Christa: Dance filmmaker, Assistant Professor of Professional Dance Practice Barnard College and Curator-Director of Moving Body-Moving Image Festival: NYC USA

Simon Fildes: Screendance practitioner, producer, curator and teacher: Scotland

Robin Gee: Screendance practitioner, Associate Professor of Dance, University of North Carolina, Greensboro

Smangaliso Siphesihle Ngwenya: Screendance practitioner, writer, choreographer and performer: South Africa

Participating in the discussion:

Dominique Jossie: Filmmaker/Producer and Screendance practitioner: South Africa

Tania Lea Vossgatter: Dance teacher, choreographer and aspirant Screendance practitioner: South Africa

Here is a list of the screendance that the artists are referring to:

SCREENDANCE PANEL 02 JULY 2020: Playlist on You Tube https://www.youtube.com/playlist?list=PL-byKtwPMjA5oLMeMlD9zHL6farkpUqds

Omari Carter: Associate Lecturer and Screendance Practitioner: UK

Ease on Down: https://youtu.be/MHw2LyTBWKo

Gabri Christa: Dance filmmaker, Associate Professor of Professional Dance Practice Barnard College and Curator-Director of Moving Body-Moving Image Festival: NYC USA

Quarantine: https://youtu.be/9iZH1BP6KvE

Simon Fildes: Screendance practitioner, producer, curator and teacher: Scotland

Trio for a Quartet: https://youtu.be/kFzKJORI2H0

Robin Gee: Screendance practitioner, Associate Professor of Dance, University of North Carolina, Greensboro: USA

Wanting https://youtu.be/oSSu_W2I3Ho

Smangaliso Siphesihle Ngwenya: Screendance practitioner, writer, choreographer and performer: South Africa https://youtu.be/K9xO88y7qk4

https://www.behance.net/gallery/99405945/Take-my-breath-performance

I have been hosting an Embodied Writing Session along with Lauren Tietz. We would like to invite any dancer/embodied practitioners who are interested in embodied writing practices to join us.
The sessions are led by whoever wants to share their practice or experiment with practice. Sessions are held via Zoom.

I will share zoom links on here. The dates and times are not "consistent", but we have been meeting Mondays sometimes around 10am CST or 2pm CST.

You can message me or reply here if you are interested.

We are also gathering a knowledge bank and a writing archives for some kind of publication (live, hard copy, digital, NFT).

These sessions are supported by MotionDAO

Hello all,

I will be offering a a weekly online meditation sessions every Wednesday at 12pm. EST.

The sessions are  led in English and are offered for free to dance-tech.net and movimiento.org members.

These sessions are supported by MotionDAO/Near protocol and are part of the MotionDAO Somatic Care Intiative.

All levels of experience are welcome.

To receive the zoom link please leave a comment in this post!

Session Description:

Sati: The Practice of Mindful Awareness 

We will explore the potency of embodied awareness: ‘bodyfulness’ as a reframing of the four foundations of Mindfulness (Satipathana) as presented by early buddhism. We will practice Sati in combination with contemporary practices influenced by embodied cognition and somatics. The sessions start with guided mindfulness practice, silence and unfolds to a council/dialogue practice.

My Bio:

Marlon Barrios Solano is a Venezuelan-American interdisciplinary artist, educator and researcher based between the US  and Europe. With a hybrid background in movement arts, performance/dance studies, software engineering and psychology, he investigates the intersections of socio-technical systems, embodied cognition, choreography, computation, networks, somatic awareness and social innovation in art, pedagogy and healing.  He is fascinated by software, complexity and culture.

He is a Certified Vipassana/Mindfulness Meditation Teacher by Spirit Rock Meditation Center (USA) and practices under the mentorship of Stephen Batchelor. He is a student of the Somatic Experiencing Certification Program (NYC) and he is an  Embodyoga® 200 Hour Teacher (RYT200). From 2016 to 2021, he worked and lived  at Insight Meditation Society in Barre, MA in the US.He teachers mindfulness meditation to artists, technologists  and creative professionals.

Marlon was a research associate at the Inter-University of Dance/University of The Arts (UDK/HZT) in Berlin (Germany) from 2013 to 2016 and a collaborator of Lake Studios Berlin. He was a 2017 Hombroich Fellow (Germany) and has been artist/researcher  in residency at ICK Amsterdam 2013-14 and at the Gilles Jobin Company in Geneva (Switzerland) 2009-2012. He has taught and developed projects in the US, Europe, North Africa, the Middle East and South America.

As a dancer  in NYC, he collaborated with New York choreographers Lynn Shapiro, Merian Soto, Dean Moss and Susan Marshall and with musicians Philip Glass, John Zorn and Erik Friedlander. He holds an MFA in Dance and Technology 2004 intersecting networked environments,  performance of improvisation and embodied cognition from The Ohio State University, USA. 

He is the creator and curator of the social networks dance-tech.net and movimiento.org and the producer of the dance-tech interviews.

He is one of the leaders of  MotionDAO: Artists Exploring the Blockchain.

https://marlonbarrios.github.io/

Buddha design byIgor Stromajer

To receive the zoom link please leave a comment in this post!

DRE is Dance Career Recovery/Transition option that can be applied immediately following the COVID-19 pandemic, when social distancing restrictions have been lifted and you deem your locality/community safe. 

 It will assist you through the uncertainties of negotiating a “new normal” of a post-COVID-19 society and its income uncertainties, while returning you immediately to maximum movement productivity with minimal cost to you individually.

There are two stages to DRE.   Stage 1: You plan your DRE environment now during the pandemic. Stage 2: You implement it immediately upon the lifting of social restrictions. 

For more information on STAGE 1 & 2:  Link-  DRE

DRE is free to apply and use by any Dancer, anywhere.

A sensual, fluid, hypnotic exploration of a “human sculpture”: the bodies of five dancers pass, cross, follow, intertwine with each other. A video of dance, adaptation of choreographer Gilles Jobin’s “The Moebius Strip”.

The Moebius Strip, created at the Théâtre de la Ville in Paris during the spring of 2001 became one of his most emblematic pieces. “On the stage, viewed as a white painting, bodies are thrown like splashes of colors, mixed as tint areas and given rhythm by the shades of the clothes” (Rosita Boisseau). This creation evokes his father’s paintings, Arthur Jobin, which alternate between geometrical rigor and intensive vibration of juxtaposed colors.

Dance film 26 minutes / choreography THE MOEBIUS STRIP recorded in december 2001 at the Arsenic, Lausanne.

Dance film 26 minutes / choreography THE MOEBIUS STRIP recorded in december 2001 at the Arsenic, Lausanne.
Premiered 8 mai 2001, Théâtre de la Ville Les Abbesses, Paris (France)
Choreography : Gilles Jobin
Dancers : Christine Bombal, Jean-Pierre Bonomo, Vinciane Gombrowicz, Gilles Jobin, Lola Rubio
Music : Franz Treichler
Light design : Daniel Demont

Gilles Jobin has created a choreographic work in immersive virtual reality. With VR_I, the choreographer will invite the audience for a unique sensory experience. Equipped with virtual reality headsets, five visitors at a time freely navigate a real world inhabited by virtual dancers. Developed in association with Artanim, the work will hold its World Premiere from 6 to 10 October at the Festival du Nouveau Cinéma in Montreal.

A choreographer combines dance with immersive virtual reality in a work that provides viewers with a unique sensory experience. Blending art with technology, VR_I resulted from the encounter between Gilles Jobin and the founders of Artanim, Caecilia Charbonnier and Sylvain Chagué, motion capture technology experts and virtual reality pioneers in Switzerland and abroad. In association with them, Gilles Jobin developed VR_I, a work in which the creator questions our perception of reality and enters new unexplored and unchartered territories for contemporary dance. Thanks to the virtual reality technology developed by Artanim, VR_I viewers equipped with virtual reality headsets and backpack computers move freely in a total virtual space. Five viewers at a time may explore this world, moving in turn in an endless desert, an urban landscape or inside a loft at the top of a mountain. Participants each embody an avatar that faithfully replicates their movements, enhancing the feeling of immersion in the virtual world while also enabling them to see their peers. During the experience, participants can thus interact physically and even communicate with the others. Five virtual dancers then come to blur their perception, multiplying, growing to the point of becoming giants or becoming tiny. With these effects of scale, Gilles Jobin addresses the concept of spatiality in a truly original way. The international cast for this work that was designed and produced in Switzerland features American composer Carla Scaletti, Belgian fashion designer Jean-Paul Lespagnard and dancers Victoria Chiu, Susana Panadés Diaz, Diya Naidu, Tidiani N’Diaye and Gilles Jobin himself.

(text sampled from project website)

More project info and dates

 I am so happy that our project #MotionDAO was included in the current #gitcoin grants rounds for quadratic funding. 

The GitCoin organization  matches  your donation using an algorithm that favors the amount of donations/supporters instead of the amount of $ donated. So real crowd funding.

You may donate just a dollar in ETH , DAI, USDC  or Matic and it gets algorithmically augmented based in the number of supporters.

This round is until March 24th.

Support MotionDAO.

We are an international think-tank of artists, researchers, creative technologists and token engineers paving the way of creative innovation in the web3 for/with movement artists/embodied perspective.

To donate you need to use your Metamask wallet and you may use ETH or Matic. Please share and...thank you!

Cool opportunity  to get you wallet and etc! Follow videos!

Ask us questions and join the conversation in our super active Telegram Channel.

#innovation #project #funding #engineers #creative #ethereum #polygon #matic #kernel #motiondao

DONATE HERE

https://www.yogacenteramherst.com/dancing-awareness/

Thursdays 4-5:15pm EST

Somatic awareness+breath+mindful movement+connection

I am offering the Dancing Awareness class adapted to the online environment. I will continue our exploration and benefiting of the possibilities of playing with networked presence, shared vitality and expanded somatic exploration.  I lead the sessions as synthesis of my investigation on somatics, embodied cognition, meditation, dance improvisation and networked performance.

You need a hight speed internet, computer or smart devices with camera and microphone. You can do this class alone or with a group and need at least some space to move and play. You may also adapt the activities to your space and range of movement afforded by it. I suggest to place the device at floor level and be willing to reconnect with  you body and with others.

We will use the ZOOM video platform.

This class is produced and supported by
Yoga Center Amherst | Online

Pay from the heart model!

Follow instructions here!
http://www.yogacenteramherst.com/online/