29th November 2007
Belfast (Sonic Arts Research Centre): 8PM UK TIME
Hamburg (Hochschule f=FCr Musik und Theatre): 9PM CET
Graz (Insitut f=FCr Elektronische Musik and Akustik): 9PM CET
[Admission Free]
Within the context of EU Culture 2007 project COMEDIA, the Sonic Arts
Research Centre, the Hochschule f=FCr Musik und Theatre Hamburg and the
Insitut f=FCr Elektronische Musik and Akustik (KUG Graz) present a
concert which showcases four unique strategies for music performance
over networks. This event presents instrumental, audio-visual and
laptop work and features music by John Cage, a network piece by Pedro
Rebelo and structured improvisations with a distributed piano trio
and a laptop trio. The concert will also take place in SecondLife
(www.secondlife.com)
Programme
Five (John Cage)
Cage's work is performed with a distributed quintet, making use of
Georg Hajdu's Quintet.net software for network performance.
Piano Trio
A pianist in each site forms a distributed trio performing a free
improvisation work. The performance utilises remote avatars developed
at SARC which abstract and display gestures from remote performers.
Frequencyliator Laptop Trio
Developed at SARC by Alain Renaud, the Frequencyliator acts as a hub
for laptop improvisation providing cues, distributing bandwidth and
facilitating negotiation between performers through a voting system.
Disparate Bodies 2.0 (Pedro Rebelo)
First performed as version 1.0 in Belfast, NY and Stanford as part of
NIME 2007, this work relies on the development of performative and
improvisational strategies which take advantage of network
performance scenarios through graphic notation and temporal
structuring. The work itself is a clash of disparate approaches which
form the basis of an investigation into relationships with musical
potential (between performers, performers and audiences, composition
and improvisation etc...). Help shape the performance by distributing
scores over space and time using the online db_editor.
The db_editor invites to public to shape the performance of Disparate
Bodies by manipulating various graphic score sources. The changing
position of each symbol is reflected in the order and duration of
each score element during the performance. By dragging the symbols
over the map you are editing two aspects of how the final performance
score will be put together and displayed to audiences and performers
on the three sites. The time of edit (shown on the right column)
determines the relative duration and order (most recent first) of
score elements.
The position relates to how prominent score element for each site
(e.g. a score element positioned over Belfast suggests that only
performers in Belfast will play that element). This editor will be
open till the 28th November 12:00 CET, when the final score sequence
will be assembled.
More info, links to db_editor, web and second life streaming
locations http://www.sarc.qub.ac.uk/pages/db/
