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Zoi Dimitriou, greek choreographer based in London will be working on her new piece this April. She will be working on The Chapter House, a new interdisciplinary dance piece with intricate choreography by Zoi Dimitriou and video design by Mark Coniglio.

This new work looks at the act of documentation and of performing. It aims to expose the processes and mechanics of making, and uses digital media to document, re-construct and re-enact a live performance.

In The Chapter House, Zoi Dimitriou looks back at the body of her own work and questions how meaning gets revealed and transformed in an attempt to subject the ‘personal’ to another’s viewpoint.

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Zoi Dimitriou' Bio

Choreographer and dancer Zoi Dimitriou was born in Athens. She graduated from

the Greek State School of Dance, received the Onassis Foundation Scholarship to

study at Trisha Brown in New York and in 2005 completed with distinction her MA

in European Dance Theatre Practice at Trinity Laban in London. As a dancer she

has collaborated with artists such as Yvonne Rainer, Kirsty Simpson, Felix Ruckert,

Shiobhan Davies among others. Based both in London and Athens she launched

her choreographic career in 2006. Works of her company have been featured in

internationally renowned venues and festivals and have brought the choreographer

major UK choreography awards like the Robin Howard Foundation Award

2008, the Bonnie Bird Choreography Fund Award 2009 and the CfC Award 2010

(Choreography for Children). In Greece she has been commissioned to make works

for the Onassis Cultural Centre, the National Ballet Company of Greece, the Athens

Festival and in the UK for the Laban Theatre, The Place, Sadlers Well’s, Company of

Angels, Shift Company and Focus Company.

Zoi Dimitriou has participated in the European Network Aerowaves and in numerous

other European projects for research and exchange. She teaches at Trinity Laban in

London, Impulstanz Festival in Vienna, Marameo in Berlin, Duncan Research Centre

for Dance in Athens among others. Her work is supported by Arts Council England

and the Hellenic National Centre of Theatre & Dance.

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The Chapter House is commissioned by Trinity Laban and supported using public funding by Arts Council England with further in kind support from dancedigital, Duncan Research Center for Dance (GR) and dance-tech Berlin/ Lake Studios.

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Hi everyone,
just to share our joy that we have just premiered a first version of our new work I-CARE-US, a performance for the AR.Drone 2 and a dancer. After two years of hard programming work (we have created a custom-built Performance App for computers in LabView, resolved live video stream issues, interfaced with the drone flight data via OSC etc.) and winning the VIDA 15.0 production incentive award, we would like your feedback!
Here is more information and the trailer of the performance:
http://projectoicareus.wordpress.com/
Best Stephan

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Using Augmented Reality, Artistic Research, and Mobile Phones to Explore Practice-based Learning

Posted on 14 March, 2014 by Richard

Living Archives affiliate Daniel Spikol presented a paper at Ideas in Mobile Learning 2014, an event that brought together practitioners, industry players, and researchers to exchange visions of how to use mobile technology to change the way we teach and learn.

The paper Using Augmented Reality, Artistic Research, and Mobile Phones to Explore Practice-based Learning is co-authored by Daniel Spikol, Camilla Ryd, Jacek Smolicki, Susan Kozel, and Jeanette Ginslov. In short, the paper argues that the design of practice-based learning activities can benefit from integrating artistic research, both in the development of these activities and when carrying them out. Spikol’s presentation is embedded below (or here on YouTube). The slides are available here.

http://livingarchives.mah.se/2014/03/paper-presented-at-ideas-in-mobile-learning/

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Participantes seminario Galicia

Durante tres días, más de 40 profesionales vinculados a las arts vivas y el pensamiento crítico se han reunido en San Simón para pensar juntos sobre otras articulaciones posibles.

Esta es la lista definitiva de participantes con los links de sus proyectos, personales o colectivos, artísticos o institucionales:

Kirenia Martínez / www.ciaentremans.com
Begoña Cuquejo / www.traspediante.com/begona-cuquejo
Javier Martín / www.javiermartín.com
David Loira / nadiecreaunblogparanada.blogspot.com.es/p/david-loira.html
Mercé de Rande / www.cirkunstanzias.com
Félix Fernández / www.felixfernandez.org
Caterina Varela / www.lamacana.es
Pablo Fidalgo / www.pablofidalgo.com
Uxía P. Vaello / Artista
Geni Iglesias / Artista
Man Hauser / www.alg-a.org
María Pereira / www.cidadedacultura.org
Roberto Abuín / www.axouxerestream.com
Claudia Delso / www.casatomada.org
Ania González / lysisundkritik.wordpress.com
Chema Mesías / www.istoenormal.org
Jacobo Sutil / www.agadic.info
Cristina Balboa / www.funboaescenica.com / funboaescenica.blogspot.com.es
Iago Martínez / www.revistaluzes.com / www.galizaanocero.tv / cuacfm.org
Xesús Ron / redenasa.tv/es / www.grupochevere.eu
Begoña Llamosas / www.coruna.es/cultura
Natalia Balseiro / www.mov-s.org / www.entransito.net
Ánxela Blanco / www.tea-tron.com/olivianecesita/blog
Xoán Mosquera / Arquitecto
Iñaki Martínez / www.marcovigo.com
Carol Fernández / Artista
Montse Dopico / montsedopico.com
Encarna Lago / www.museolugo.org
Alejandro García Ruffoni / www.playdramaturgia.com / www.teatropradillo.com
Natalia Álvarez / www.museoreinasofia.es
Aimar Pérez Galí / www.aimarperezgali.com
Guillermo Weickert / guillermoweickert.com / www.asociacionpad.com
Beatriz Fernández / www.lapoderosa.es
Carlos Ordás / www.musac.es
Fernando Pérez / www.alhondigabilbao.com
Cristina Alonso / granerbcn.cat
Olatz de Andrés / addedantza.org / www.muelle3.wordpress.com
Natividad Buil / www.danzatrayectos.com
Olga Gutiérrez / encuentroeince.blogspot.com.ar
Roi Fernández / www.espazoextramuros.org
Alejandra Aguirre / atalaya9izquierdo.com
Roberto Taboada / festivalt.wordpress.com

El listado de personas que colaboraron en el proceso de curadoría previo a la organización del seminario se puede consultar aquí.

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http://www.dancedigital.org.uk/dancedigitaldev/improlab/

BOOK BY MARCH 31 FOR THE EARLY BIRD DISCOUNT

DANCEDIGITAL IMPROVISATION LAB:

PERFORMANCE, CONSCIOUSNESS AND THE CLOUD

 

Led by Nina Martin (USA) and Marlon Barrios Solano (USA/VZ/D)

April 21-27 2014

Zinc Arts Centre, Essex and the University of Bedfordshire, Bedford

 

The dancedigital improvisation lab brings together two exceptional artists whose research is leading the dance field in connecting improvisation, performance, cognition, neuro-science and digital processes in their practices. Join master teacher, Nina Martin, who is teaching her ReWire/Dancing States work in the UK for the first time, and dancedigital fellow, Marlon Barrios Solano, who will lead improvisations in and out of the cloud. Participants from the lab will have opportunity to share their work at the dancedigital Mobilities Festival 26-27 April 2014.

 

The lab can be undertaken as a residential experience. There are hotel room style dormitories on site available for £50 pppn.

The lab will meet from 930am – 6pm daily, 21-25 April inclusive, at Zinc Arts Centre.
Lab fee: £180/£150 including festival pass for 26-27 April (does not include accommodation)
The lab runs from 21-25 April at Zinc Arts Centre in Chipping Ongar, Essex (accommodation available on site).
The festival is from 26-27 April at the University of Bedfordshire, Bedford, and, if there is interest from participants, there is opportunity to share outcomes from the lab on Sunday 27 April.

 

The lab is suitable for artists interested in dance improvisation, dance and movement professionals, advanced students and community dancers.

 

Booking: http://www.dancedigital.org.uk/dancedigitaldev/improlab/
If you have queries about the lab, please email tamara.ashley@dancedigital.org.uk

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dance-tech Space@ Lake Studios Berlin
www.lakestudiosberlin.com

Since January 2014, dance-tech Space@ Lake Studios Berlin is offering to international interdisciplinary movement and media artists the possibility to live and make art  for a month in a peaceful artist run working, living and performance space in Berlin, Germany.

The artists will enjoy the recently opened Lake Studios Berlin, a unique living and creative working space with fast connection into the exciting creative center of Berlin and with the advantage of the quiet beauty of Mueggelsee lake and a forest at only 5 minute walk for depth concentration on research, creative process and swim in summer months.

Lake Studios Berlin is primarily a working space for 8 diverse movement artists with the need to go deeper into their work and practice. It is an experience of collaborative living and creation, and the resident will have the opportunity of artistic exchange as well as access to inside information about the dance scene in Berlin.

The artist will enjoy a private apartment and access to a dance space with sprung wooden floors.

The spaced is allotted per month.

The space is offered selected first-come, first-served (FCFS) and a lottery when more than one. 

Interested artists must be dance-tech.net members, and send a brief description of your project or how do you envision to use the space. 

Write an email to marlon@dance-tech.net with dance-tech Space@Lake Studios Berlin in the subject line.

Months available will be announced on this page and via email to the network members.

VERY IMPORTANT:

This is a self generated residency and it is is conceived as an independent (not funded) collaboration between dance-tech and Lake Studios Berlin as a way to facilitate alternative and affordable spaces for independent artists and creative researchers. 

The selected artist will pay his/her transportation expenses and will pay 600 Euros per month to cover costs.

Residency includes:

  • The artist will have access to 100 hours of studio space per month, divided between the large and small Studios.
  • Possibility to teach classes, workshops and / or organize a performance or work-in-progress showing during the residency period.
  • The artists will be featured  and should blog about their process on dance-tech.net for the month of work.
  • The applicants must be a dance-tech.net member  

NOTE:  The residency  does not provide any equipment. 

There is one projector available in the big space.

Artists to date:

January 2014 | Shai Faran

February 2014 | Jeanne Bloch

April 2014 | Zoi Dimitriu

May 2014 | Eroca Nichols

June 2014 | In Kyung Lee

July-August 2014 | Jeannette Ginslov

Note: artists for September, October and November  2014 have been selected.

Stay tuned for new for upcoming months available!

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Artists, scholars and practitioners can apply for the residency. Their practice and research should relate to the  topical themes (not exclusive):

 

New media and performance

Movement practices  and economy

Improvisation and real time systems

Screen-dance  and movement based installation

Choreographic scores and new media tools (generative tools)

Movement, somatics and technology

Mobile devices, locative media and choreography

Social media  and trans-local collaborations

Contemplative practices and movement

  

Decisions will be communicated one week after deadline of each residency.

This residency is planned for a single artist but space can accommodate a couple. There is a fee of 150 Euros extra  for additional person.

The artists will live in a small, minimal yet comfortable one bedroom apartment in the Lake Studios Complex.

Questions?

marlon@dance-tech.net

 

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Seminario en la Isla de San Simón

El programa del próximo seminario en la Isla de San Simón, que tendrá lugar entre el 11 y el 13 de marzo, es resultado de un trabajo colectivo en el que también resuenan las conversaciones iniciadas en el proceso de elaboración del segundo seminario, que tendrá lugar en Bilbao a finales de mayo.

Un grupo de trabajo visitó el espacio de San Simón el día 21 de febrero para situar su propuesta de programa expandido sobre el mapa, sobre el territorio de la isla y sus espacios singulares.

La Isla de San Simón es, en realidad, un territorio formado por dos islas unidas por un puente. A lo largo de la historia acogió un hospital de infecciosos, un hogar para niños huérfanos y una cárcel para presos políticos durante el Franquismo. Este espacio de tensión y dolor en el pasado es, hoy, un espacio para la construcción de futuros posibles, imaginados por los artistas abriendo otras maneras de articulación que se empiezan a analizar desde la propia práctica, atravesándolas para saber qué dejan en nuestros cuerpos, qué resuena después del encuentro y hacia dónde nos desplaza para tejer otras redes. Para pensar en otros modos de articularnos e imaginar otras complicidades posibles.

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Agite y Sirva Call 2014  ·  6th Screendance Touring Festival

·  1st National Screendance Award, aimed at Mexican artists
·  Official Selection 2014


The Agite y Sirva Screendance Touring Festival 2014 calls for international entries of screendance and dance documentary works for its sixth edition.

Thanks to the support of the Coordinación Nacional de Danza of the Instituto Nacional de Bellas Artes and the Red Nacional de Festivales de Danza, the Agite y Sirva Festival will give the First National Screendance Award, which is aimed at Mexican artists and it consists of a First Prize of MX$12,000 (US$900 - €660), a Second Prize of MX$8,000 (US$600 - €440) and a Third Prize of MX$6,000 (US$450 - €330).

Also as every year, we will release the Official Selection Agite y Sirva 2014 of international screendance and dance documentary. The works will be evaluated by an international jury, who could declare desert any of the three prizes. The selected works will be part of the Agite y Sirva Festival 2014's touring program in Mexico and other countries, with previous notification to authors.

Deadline for works reception: March 24, 2014.

The Official Selection will be announced on April 14, 2014.
*
The First National Screendance Award's results will be announced on May 26, 2014.

*Selected authors or representatives must send the following to fest@agiteysirva.com at the latest on April 23, 2014:
· 2 still photos of the work (min. 300 dpi) and 1 copy of the work.

Submissions are uniquely sent online through this link.

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MOV-S 2014: un proyecto nómada de acción colectiva

Después de tres ediciones en las que MOV-S se plantea como un congreso internacional itinerante acompañado de un programa artístico propio, en 2012 se propone un nuevo proyecto respondiendo a la necesidad de operar, desde otros lugares, en los nuevos contextos para la danza en los territorios iberoamericanos.

La cuarta edición fue un proceso de pensamiento colectivo para discutir, de forma horizontal, los modos de operar en danza en los contextos iberoamericanos actuales. Además, por primera vez, se vincula a un festival local, Cádiz en Danza, cuyo director, Pepe Vélez, comisaria el programa artístico del encuentro.

En esta quinta edición proponemos un proyecto nómada de acción colectiva que se desarrollará en un período de dos años a través de varios territorios iberoamericanos. A través de una serie de seminarios vinculados a festivales locales iremos abordando desde diferentes perspectivas el tema de la “Articulación”.

Encontraréis toda la información en www.mov-s.org.

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Galicia: un proceso de curadoría colectiva

La primera etapa del recorrido que se desarrolla bajo el proyecto MOV-S ha tenido lugar en Galicia. Ha atravesado un proceso de curadoría colectiva en el que participaron 20 agentes del territorio incluyendo a artistas, escritores, editoras, antropólogas, actores, tecnólogas…

El colectivo Misa de Domingas, que se reúne cada domingo a las 12h en Casa Tomada, en A Coruña, invitó a una serie de personas a discutir sobre el tema que proponemos como punto de partida: “Articulación: redes, colectivos y comunidades”.

A partir de la pregunta “¿Qué es hoy para ti una red?”, se activó un proceso caótico, sin normas ni metodología, para pensar en la articulación en las prácticas artísticas. Todo derivó hacia lugares no previstos: dejamos de pensar en crear una red y comenzamos a pensar y actuar en red, dejando espacio para el desplazamiento que supone entrar en escena y jugar con otros métodos, sin límites formales en los lenguajes y sin fronteras territoriales.

Programaciones expandidas, tecnologías de encuentro, relevancia, visibilidad e invisibilidad y la articulación entre instituciones, entre artes vivas y los museos, entre el cuerpo y la vida real, son los conceptos que el colectivo de pensamiento ha puesto sobre la mesa para atravesar de un modo íntimo, práctico y propositivo en el marco del seminario que tendrá lugar en marzo en la Isla de San Simón.

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I arrived at Studio Lake for the Dance Tech February Residency with the project of focusing on a boring but healthy work process… : Creating a codification based on light and movement needs fastidious movement and space cutting out…

“Augmented Dance by Light“ is a research I started in order to figure out energy efficient alternatives to light design. I consider the light rather than the lighting power (energy) as a rare resource to use with scarcity on stage.
Working with the interactive textile designer, Pauline Vierne, we integrated small LEDs on dancers costumes to get dancers involved into the overall light design system.

Lighting the body space
During the first tests, I got very interested by the lighting effects created by the combination of light and movement: we were lighting the body space. And who else than dancers can deal with space and body?

We did many tests and learnt a lot from them, at the technical level as well as with the dance.

What I found very interesting while working at Lake Studio was the importance to get very basic when you deal with technical experimentation. This is the cost to leave space for amazing aesthetics outcomes. We are almost there and I hope to show you more in my next post….

Today, I can tell “boring” can be “enlightening”!

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InShadow 2014 - Call for entries

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CALL FOR ENTRIES IS OPEN!

VIDEOS, PERFORMANCES AND INSTALLATIONS

DEADLINE: 30TH MAY

6th InShadow - International Festival of Video, Performance and Technologies

December 2014

São Luiz Teatro Municipal, Teatro do Bairro and other venues, museums and galleries in Lisbon (Portugal)

www.voarte.com

ACCEPTED GENRES

a) Video Dance / the videos in competition run to 8 awards attributed by the Official Jury, Schools Jury, Vo'Arte Jury and Public. Entry form here.

b) Documentaries / the videos in competition run to an award attributed by the Documentary Jury. Entry form here.

c) Performance (solos) / Presented in alternative spaces in Lisbon. Entry form here.

d) Installations / Presented in alternative spaces in Lisbon. Entry form here.  

SUBMISSIONS

Read the regulations thoroughly here, fill in the online entry form for each genre at the SUBMISSIONS subtabs and send the film via wetransfer to info@voarte.com (features: Quick Time, codec H264, in HD if possible) until 2GB (maximum capacity of wetransfer) or, alternatively, send the DVD and other elements as in the point B) of the regulations to:


Vo'Arte

InShadow – 6th International Festival of Video, Performance and Technologies

Rua S. Domingos à Lapa, nº 8N 1200-835 Lisboa, Portugal

E-mail (for questions related to the regulations and online entry form) voarte@voarte.com

For file sharing please send to: info@voarte.com

Tel: +351 21 393 24 10 or +351 91 404 04 71

Vo’Arte and InShadow Festival are on Facebook!

Like us!

We’re looking forward to receive your works!

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Comparing and Contrasting Videos

Videos:1.Her Morning Elegance: http://www.dance-tech.net/video/oren-lavies-her-morning2.Hurricane: http://www.dance-tech.net/video/hurricane-fan-inspired-dance-videoWithin both these videos, each show a variety of different ideas in which I could approach my own video project. In Her Morning Elegance, the camera is set on the ceiling, looking down at the women. This approach was a good choice since the "dancer" is on a bed and on her side. This image appears to be more 2D instead of 3D. In Hurricane, the women dances on the bed as well, but she plays with levels.I would not use the ceiling approach if the dancer was playing in the upper levels because we would not be able to see all of the fine details with her face or core region. Her movements would not be as clear. If she would have done a back bend that would have been a good time to use the ceiling effect. Instead, in Hurricane they used shots that were looking up at her. They placed the camera on the floor and at eye level. Here I was able to see the dancers movement pattern. She used the walls as well on the sides of the bed. The camera would pan out slowly so we could see the entire picture. This effect was nice because it gave the video dynamic. In the other video, the camera did not pan in or out. The camera instead went quickly to the close ups of the women's face. This did not happen as often as the other video, Hurricane. The women in Her Morning Elegance only had one setting while in the other video, the women had two. The two settings in the Hurricane seemed like there were more because of how often the camera would change to another angle. The camera would follow the dancers movement.He would focus on her core point so her whole body was present in each frame. The camera was shaky in this video, while in Her Morning Elegance, the camera was sturdy the entire time and did not fidget. I think that it would have been too much to use creative techniques with the camera in Her Morning Elegance because of the non stop pixel captures. In this setting, the camera needed to be steady, where as in the Hurricane, the video seemed more abstract because of the cameras actions.
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CALL FOR SUBMISSIONS, Dance Film Showcase, 2014
The Dance Film Showcase, in its fifth year at TFF, strives to present the highest quality of visually engaging, sensory stimulating, movement driven short film work. The program curated by Cari Ann Shim Sham*, an award winning filmmaker, video artist, educator and Topanga local, continues a partnership with Dances Made to Order and local based filmmakers of Los Angeles.

We consider films under 15 min that engage at least one of these topics:
1.) Dance for Camera
2.) Experimental film involving dance
3.) Narratives about dance
4.) Documentaries about dance
5.) Films about movement

DEADLINE: May 1st, FREE of charge

TO APPLY please email a private link of your film to: shimsham@topangafilmfestival.com
OR Send a DVD and a cover letter with your contact info to:
Dance Film Showcase, ATTN: Cari Ann Shim Sham*
274 No. Topanga Canyon Blvd. Topanga, CA 90290

MISSION & OBJECTIVE
Now in its 10th year, TFF is dedicated to the exhibition of independent cinema that explores trans‐format content and inspires the imagination. The festival provides a unique opportunity to enjoy a wealth of international content that ranges from pure unbounded creativity to empowering and educational. The festival endeavors to bridge cultures, create and expand community, provide cultural exchange, and networking opportunities.

ABOUT THE FESTIVAL
“The Topanga Film Festival is a true original. A chance to see great films under the stars in one of the most magical spots on the continent. A jewel of a festival.”
~ Wendie Malick,, actor

Deep in heart of Southern California’s counter-culture enclave Topanga Canyon, a small evolution is brewing. Organizers of the 9th Annual Topanga Film Festival, to be held July 17th-20st, 2014 will include documentary films, panels, and networking opportunities. With hands-on demonstrations of cutting edge technology, those in attendance enjoy a user friendly, culturally creative experience.

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The Bachelor in Contemporary Dance offered by Manufacture – University of Performing Arts of Western Switzerland – in collaboration with Zurich University of the Arts (ZHdK) is the first university-level programme in contemporary dance in Switzerland. Practice-oriented, this programme features partnerships with leading international institutions. Students therefore have the opportunity to become familiar with numerous choreographic languages; meet renowned professionals in dance education and practice, and become part of a national and international network. 

 

The programme combines a core curriculum common to the Lausanne and Zurich schools with two different options, each developed specifically at one of the sites. 

 

The Creation option, offered in Lausanne in partnership with P.A.R.T.S. (Brussels), is an integral part of the pedagogical vision followed by Manufacture’s Theatre department since 2003. The programme emphasises the concepts of creativity, independence, and a reflexive approach. 

 

At Manufacture, the presence of a Dance and a Theatre department at a single location enables the development of synergies between the departments and fosters an interdisciplinary approach.

Audition: An audition for the Creation option is organised every year, after which Manufacture composes a class of twelve dancers. 
 

Calendar

  • 1st round of auditions in Lausanne (Manufacture): between March 31st to April 4th 2014 

             > deadline: March 14th 2014

  • 1st round of auditions in Brussels (P.A.R.T.S): between May 10th to 12th 2014 

             > deadline: April 17th 2014

  • 2nd round of auditions in Lausanne (Manufacture): from June 23rd to 27th 2014 

  • programme start: September 15th 2014

 

Academic Head Thomas Hauert
 

Duration 3 years / 180 ECTS credits
 

Teaching languages English and French

Additional informations: http://www.hetsr.ch/index.php?option=com_content&task=view&id=1123&Itemid=320#BA_Dance_English

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Open Call: CYNETART Competition 2014

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Trans-Media-Akademie Hellerau (DE) announces CYNETART Competition 2014.

Young media artists, artist collectives, creatives and scientists working in the field of new media are invited to hand in their projects. 

The CYNETART Competition is held every two years and comprises the Grant and the Artist-in-Residence Grant from the Saxon State Minister for Higher Education, Research and the Arts, the CYNETART Award in cooperation with HELLERAU – European Centre for the Arts and the CYNETART ARTE Creative Commission. With a total value of about 30,000EUR the CYNETART Competition is considered as one of Europe's most prestigious awards in the fiel of media art.

The winning projects will be presented within "CYNETART – 18th international festival for computer based art and transdisciplinary media projects" taking place from 13th to 19th November 2014 at Festspielhaus Hellerau in Dresden, Germany.

Deadline: 15th March 2014

Further information and application: http://www.cynetart.de/cfp/2014/

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