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Le premier film à avoir présenté au public une idée d'interface de GESTUELc'est dans : Johnny Mnemonic en 1994non MINORITY REPORT ...Minority report pousse plus loin le concept mais je penses qu'il est important de rapeleraux lecteurs l'antérioté de l'idée présentée dans Johnny Mnemonic
Minority Report UI designer John Underkoffler talks about the future of gestures il nous parle du projet Luminous Room mais ausi de Perceptive Pixels
Rappel : je vous parlait de G-STALT, (voir InSitu, INRIA Saclay & LRI ,)
A google traduction French 2 English
Pour ceux qui me suivent depuis un momment je vous ai déjà parler de la borne innovanews developpé par Digimind & Pikko dans le cadre de l’Observatoire des Innovations et du projet innovanews à la Cité des Sciences
Rajouter à cela une micro veille sur les instruments du futurs et plus particulierement leurs interfaces ...
J'étais aux anges pendant la conference sur la realitée augmentée organisée en collaboration avec Demain la lune et Future-instruments durant le jamais assez recomandé MAPPING FESTIVALJe reprends ici les pistes d'outil de processing évoquée au début de la conférence par DEMAIN LA LUNE
Le processing KEZAKO?
Processing :Les outils de réalitée augementée présenteé par Demainlalune.ch
Langage de programmation & environnement de dév "multimédia" de Design by numbers. prolongement "multimédia" de Design by
numbers l'environnement de prog graphique développé par John Maeda du le Media Lab du Massachusetts Institute of Technology.
Le logiciel processing à pour vocation la création plastique
et graphique interactive. (MAC, WINDOWS, LINUX) Source: WIKIPEDIA
NDLR :A ce que j'ai compris le terme est devenu générique pour definir les outils de création interactives
ARToolKit http://www.hitl.washington.edu/artoolkit/
is a software library for building Augmented Reality (AR) applications. These are applications that involve the overlay of virtual imagery on the real world. For example, in the image to the right a three-dimensional virtual character appears standing on a real card. It can be seen by the user in the head set display they are wearing. When the user moves the card, the virtual character moves with it and appears attached to the real object.
DECOUVERTE DE L'ARTOOLKIT Via http://deptinfo.unice.fr/~renevier/nmi/
Arduino
Processingopen-source electronics prototyping platform based on flexible, easy-to-use hardware and software. It's intended for artists, designers, hobbyists, and anyone interested in creating interactive objects or environments.
Openframeworks.ccpen source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool.
Cours en ligne de l'École d'Art d'Aix-en-Provence
Cours en ligne de l'Université Paris 8
GAMUZAThe library is designed to work as a general purpose glue, and wraps together several commonly used libraries under a tidy interface: openGL for graphics, rtAudio for audio input and output, freeType for fonts,freeImage for image input and output, quicktime for video playing and sequence grabbing.
The code is written to be both cross platform (PC, Mac, Linux, iPhone) and cross compiler. The API is
designed to be minimal and easy to grasp. There are very few classes, and inside of those classes, there are very few functions. The code has been implemented so that within the classes there are minimal cross-referening, making it quite easy to rip out and reuse, if you need, or to extend.
A specific tool designed for non-professional or absolute beginners programmers working on art/interaction/design field, and to
provide an easy-to-use fast-approaching tool to cover computer vision interaction design teaching needs(otras).
CALL FOR ENTRIES RESIDENCIES 1/2011 FROM JANUARY TO JUNE 2011
From January to June 2011 PACT Zollverein is offering a residency programme for the development and realisation of projects and productions, which is open to professional artists from both Germany and abroad working in the fields of dance, performance, media art or music. Residencies are planned individually and include a working space and local accommodation as well as financial support in the form of a weekly grant allowance and travel costs. By arrangement and subject to requirement, PACT Zollverein also offers its residents technical support and advisory assistance with press and public relations and dramaturgy.
A residency CAN incorporate the following:
> Studio space (from 63 to 173 sq.m.)
> Local accommodation (maximum 6 people)
> Weekly grant allowance for all of the residency project participants (maximum group of 6 people)
> Travel costs covering one journey only per participant to and from PACT Zollverein (subject to prior agreement)
> Technical equipment (by arrangement and subject to availability)
> Stage rehearsals with professional technical supervision and support (by arrangement and subject to availability)
> Daily professional open class
> Professional advice in: Project funding, project management, press and public relations
Your applications should include:
> the completed application form (to be found at: www.pact-zollverein.de --> Working fields --> Residencies)
> a short letter of motivation
> a project description
> a 10 line summary of your project description
> curriculum vitae for everyone involved in the project
> only 1 DVD / CD-RoM of your own work
Closing date for applications: June 30th 2010 (post-marked) Please do not send the material by registered post or by email !
All complete applications received by this date will be considered and replied to in writing. Residents are selected by a panel. Please note that we can unfortunately not return your application material to you.
Please send the Application to us by post:
PACT Zollverein Residencies 1 / 2011 Katharina Charpey Bullmannaue 20 a D-45327 Essen
For further information contact:
Katharina Charpey Fon: +49 (0)201.2894712 Fax: +49 (0)201.2894701 katharina.charpey @ pact-zollverein.de www.pact-zollverein.de
PACT Zollverein / Choreographisches Zentrum NRW and its residency programme are supported by the Minister President of the state of North Rhine-Westphalia and the City of Essen. Tanzlandschaft Ruhr is supported by the Kultur Ruhr GmbH.
LIVE on dance-techTV Today:
"le voyageur de nulle part" from Reza Daneshvar/Iran 18h CET Saturday 29th of May
http://www.festival-extra.com/menu0.htm
WATCH THEM HERE
http://www.dance-tech.net/profile/dancetechTV
"where were you on January 8th?" from Amir Reza Koohestani/Iran 20h30 CET Saturday 29th Of May
http://www.festival-extra.com/menu0.htm
WATCH THEM HERE
http://www.dance-tech.net/profile/dancetechTV
World Premiere
Amy Seiwert / im'ij-re with Frieder Weiss (U.S.A. & Germany): White Noise
http://www.dance-tech.net/xn/detail/1462368:Event:72875
Watch interviews and performance experpts from EXTRA 10, Annecy,
France
If video is not embed :
Check this post :
http://www.as-map.com/blog/2010/05/29/lipad-sera-une-revolution-une-gamine-de-20-mois-kiffe/
-Steven Cohen in "Chandelier" 18h30 CET 28th May 2010
-Giles Jobin Company Le Chainon Manquant 20h30 CET 28th May 2010
-Christian Vogel 22h30 aprox. from the festival lobby/ 28th May 2010
More Tomorrow!
WATCH ON DANCE-TECHTV
Produced by EXTRA 10 festival and Work Grid Lab/dance-tech.net
http://fontstruct.fontshop.com/gallery
R0XING isn't IT ?
we will be broadcasting live from the EXTRA 10 Festival in Annecy, France:
-Tonite Thursday May 27th 2010 22h30 CET "Esto es asi y a mi no me jodais..." from Spanish director Rodrigo Garcia. Theater/physical theater in French.
http://www.dance-tech.net/profiles/blogs/extra10-cest-comme-ca-et-me
Interview with Rodrigo Garcia (In spanish)
-Tomorrow Friday May 28th 2010 18h30 CET "Chandelier" by South African Artist Steven Cohen.
Sample and interview with Steven Cohen
Watch dance-techTV
Stay tuned...
Marlon
du détonnant Rodrigo Garcia, sera accessible en direct grâce au world grid lab dans le cadre du festival-extra 10 de Bonlieu scène nationale.
Rodrigo García nous propose une représentation où les interprètes travaillent une présence brutale, absorbés par leurs tâches ...
Première diffusion en direct sur internet d'une pièce de Rodrigo García, depuis Bonlieu Scène Nationale, Annecy.
L’opportunité de vivre en instantané, avec des personnes du monde entier, l'expérience du constat de notre inertie face à l’horreur de la société de consommation.
Accessible via :
http://www.livestream.com/dancetechtv
http://www.dance-tech.net/
Découvrez Festival Extra-10 : De Genève à Annecy sur Culturebox !
Découvrez Festival Extra-10 : De Genève à Annecy sur Culturebox !
dance. There is still no standardized system of notation for sequences
of movement and choreography. Several years ago the choreographer
William Forsythe created a new and very promising system of notation
with which one can study or reconstruct an entire choreography without
actually having seen it. William Forsythe and his company plan to
continue the development of this new system of notation for dance from
2010 to 2013 and make it available to artists, dance scholars and the
professional public.
The method, which Forsythe developed together with the Advanced Computing Center for the Arts and Design at Ohio State University, utilizes complex CG and animation technology. The piece or choreography
is first recorded on film from various perspectives and then converted
into a written score with the aid of computer software. In an additional
step, the choreographer inserts directions and defines pauses,
transitions and impulses to complete the score. The prototype, which
Forsythe created for his piece “One Flat Thing, Reproduced” (see
synchronousobjects.osu.edu), will be further developed to increase the
simplicity, user-friendliness and affordability of the software, so that
every choreographer will be able to use the system of notation to
record their own dance pieces in the future.
In order to demonstrate that this method functions with all dance pieces, the “Motion Bank” project, funded by the Federal Cultural Foundation, will apply it to works by other renowned choreographers with
widely differing artistic styles.
If the process proves successful in this trial phase, it will be offered to all choreographers so that they may make a digital score of their own pieces with the aid of free, user-friendly software. In
return, the choreographers must agree to include their scores into the
Motion Bank for public use. Over time, the Motion Bank will evolve into a
library of digital dance scores that documents the complex construction
of the choreographies, enables them to be performed again at a later
time and preserves them for future generations.
The steps of development – from choreography to written score to the reconstructed performance – will be presented to future users and dance enthusiasts in a series of public “lecture performances”. Students and
young artists will have the opportunity to participate in workshops and
master classes which introduce the new method.
The Federal Cultural Foundation has allocated 1.4 million euros to fund the Motion Bank by William Forsythe from 2010 to 2013.
Original post here
(Internet Ballet)
http://www.intima.org/bi/ins
by Igor Stromajer and Brane Zorman
Saturday, 29 May 2010 at 22:00 (Amsterdam/Berlin/Paris Local Time)
Netherlands Media Art Institute, Amsterdam
Live Internet Broadcast
- authors and performers: Igor Stromajer & Brane Zorman
- theoretical adviser: Bojana Kunst
- live music (composed and performed) by MC Brane Vs BeitThron
- live video edited by Igor Stromajer
Co-produced by the Netherlands Media Art Institute (Nederlands
Instituut Voor Mediakunst), Amsterdam (www.nimk.nl), Intima Virtual
Base – Institute for Contemporary Arts (www.intima.org) and Cona
Institute,
Ljubljana, Slovenia (www.cona.si), May 2010.
Ballettikka Internettikka is a series of tactical art projects which
began in 2001. It explores wireless Internet ballet performances
combined with guerrilla tactics and mobile live Internet broadcasting
strategies. After invading the Bolshoi Theatre in Moscow (2002), La
Scala in Milan (2004), the National Theatre in Belgrade (2005),
Volksbühne in Berlin (2006), the City Hall and Lippo Centre in Hong
Kong (2007), a construction site in Seoul (2008), the Norwegian island
Svalbard in the Arctic Ocean (2008), the Japanese island Minami
Torishima in the Pacific Ocean (2009) and other institutions, places
and their concepts. Stromajer and Zorman are now preparing a new
Internet ballet – Ballettikka Internettikka Insecttikka, performing
and broadcasting live from the coded location C3K44XE in Hamburg. The
live event will be broadcast to the public at the Netherlands Media
Art Institute, Amsterdam, and on the Internet at:
http://www.intima.org/bi/ins
[]
In the Port of Hamburg, at the micro location C3K44XE, Stromajer and
Zorman will release two micro robotic bugs: two artificial autonomous
robotic toy insects (based on the HexBug Alpha and HexBug Bravo
platforms), equipped with mechanical and electronic sensors and with
two wireless waterproof night vision micro spy-cameras, let loose to
commit a parallel suicide (the third, invisible micro robotic bug,
equipped with the same camera, will observe the situation from the
distance).
Both of the robotic bugs are programmed only to commit suicide – at
the same time (with up to +/- 5 seconds time tolerance) – but not how
to do it. Their intelligent decision-making electronic system will
allow them to select the method of their simultaneous death.
Visitors of the Performmikka Internettikka event in Amsterdam and
visitors on-line will be able to monitor the robotic bugs’ path to
death, and their final decision.
How will the robotic insects decide? Autonomously or politically?
"We shall fight them on the beaches. We shall fight them on the
landing grounds. We shall fight in the fields and in the streets, we
shall fight in the hills. We shall never surrender." (W. Churchill)
[]
Ballettikka Internettikka Insecttikka is a part of the event
Performmikka Internettikka, curated by Petra Heck.
http://nimk.nl/eng/calendar/performmikka-internettikka
Performmikka Internettikka is an evening with
Internet/teleperformances by Annie Abrahams, Christophe Bruno,
Constant Dullaart and Igor Stromajer & Brane Zorman, focused on the
relations between
contemporary performance practices and the Internet.
Petra Heck, curator
(Nederlands Instituut voor Mediakunst, NIMk)
E-mail: petra [at] nimk.nl
Tel.: +31 20 6237101
Fax: +31 20 6244423
[]
Additional information about Ballettikka Internettikka Insecttikka:
Intima Facebook: http://www.facebook.com/intima
Intima Twitter: http://twitter.com/intima
Intima Facebook Group: http://bit.ly/20Hhj1
Flickr: http://bit.ly/b1EFJL
[] [] []
Intima Virtual Base
intima.org [at] gmail.com, skype: intima.org
Mobile: +49 162 634 3285 (Germany)
http://www.intima.org
Cona
http://www.cona.si
[] [] []
* intimate news: Ballettikka Internettikka
The newsletter is produced by the Intima Virtual Base – Institute for
Contemporary Arts and Cona Institute, Slovenia.
This e-mail message was sent to you because the authors and the
producers wished to invite you to join the on-line artistic event or
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If you do not wish to receive future e-mail messages from Intima
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Beside the Jury prizes, there is an on-line popular vote, If you like my piece, you can vote it at:
www.fileprixlux.org/vote-interactive-art.aspx
This is her page in dance-tech.net
http://www.dance-tech.net/profile/SoniaCillari
Watch Interview with Sonia.
Sorry for Windows Users ...
I Suggest you buy a ROPE ... :))))
Let's go :
* = R0X1NG Tools : mean save our life during the processing.
SCREENSHOOT
* SKITCH : SCREENSHOOT and annoting
CONVERT VIDEO :
* SQUARED 5 : VIDEO CONVERT FOR CONVERTING .MOD TO .MOV
http://www.squared5.com/
PERIAN : http://perian.org/
VLC : VIEW & CONVERT : http://www.videolan.org/vlc/
FLIP 4 MAC : http://www.telestream.net/telestream-products/desktop-products.htm
HANDRAKE : http://handbrake.fr/
QUICKLY MANAGE DATA:
http://www.mucommander.com/index.php#download
MASTERING
BOINXTV :TVSTUDIO MASTERING : http://www.boinx.com/boinxtv/overview/
MODUL8 : VD JING (THE ONE) http://www.modul8.ch/
This will be Ellen Bromberg's last year as mentor for DFTC in Victoria, BC, Canada.
Under Ellen's direction DFTC Victoria has had 4 very successful years and created over 50 short dance videos by participants of this unique program - some of which have gone on to being screened nationally and internationally.
This is your last chance to apply for DFTC 2010 program with Ellen Bromberg and we have extended our deadline to June 10th, 2010. Visit our website for more detailed information at:
www.danceforthecamera.org
If you would like to apply as "dancer only" please visit website above for detailed info.
DFTC Victoria will miss Ellen's huge talent and energy. Ellen has helped develop DFTC Victoria into a sound program that will continue into the future and for that, we at DFTC Victoria, will be forever grateful to Ellen.
Wishing the dance community a wonderful summer!
Thank you dance-tech.net,
Grace Salez
Program Director
DFTC 2010
gsalez@island.net
My work deals with a usage of artificial intelligent techniques in humanoid robotics. The focus is on social robotics and how to use the interactive evolution for robotic dance system. In this work the definition, principles and basic features of Interactive Evolutionary Computation are described and followed by an overview of their research and applications. This technique optimizes systems based on subjective human evaluation. Th algorithm is applied to a system of design of robotic dance, in which the evolutionary algorithm helps user to create choreography of the robotic dance. The experiments with several human subjects show that the interactive genetic algorithm approach to robotic dance choreography design aid system is promising.
Here are some highlights about some upcoming events relevant for our community:
-Works Grid Lab at the EXTRA 10 Festival, Annecy, France.
Stay tuned for interviews are LIVE streaming of performances and seminars.
Watch video and trailer
http://www.dance-tech.net/video/trailer-festival-10
-“PONG” – net-linked, interactive installation | European Tele-Plateaus
- FRAMEWOKS Screendance Video Series at Dance New Amsterdam, NYC, USA
- dance-tech.net and movimiento.org present at MOV-S 2010: Space for International Exchange for Dance and movement Arts, Madrid, Spain.
- Natacha Melo, mastermind of the Southamerican Network of Dance, speaks at Dance/USA Dance Beyong Borders, Washington DC, USA
- Call for Collaborators | INTERACTIVOS?'10: Neighborhood Science Workshop, Madrid, Spain.
- MUSE 010 - International Summerworkshop by Tanzplan Dresden (Germany) for professional and advanced dancers
- Interactive Performance Design Seminar DCE 494/598 Class # 46420, Arizona State University, USA
- EMPAC LIVE.MEDIA + PERFORMANCE.LAB, Troy, NYC, USA
- SEEDS Festival: NOURISHMENT, Earthdance, MA, USA
Watch Video about SEEDS
- Salon NOTEBOOK: Dance + Technology: What is Happening NOW? By Zachary Whittenburg
- Research Associate position available in movement, computation and digital media in the School of Arts, Media and Engineering at Arizona State University, USA
If you find value in dance-tech.net please consider the different levels of membership!
Advertise in dance-tech.net and reach the world!
Research Associate position available in movement, computation and digital media in the School of Arts, Media and Engineering [http://ame.asu.edu/] at Arizona State University.
Research focus themes: embodied interaction for rehabilitation and cultural networks.
Qualifications include:
• Computational background in programming, interest in movement and/or theory of new media systems and art practices
• excellent research and scholarly writing skills in the domains of new technology art and digital culture as well as an ability to do research in realms of scientific literature, health and education.
• Creative movement practice, background or critical interest for use in research, scholarly writing and development for system building for experiential media systems [see AME website for further details]
• Ability to work with transdisciplinary teams as well as produce individual work that crosses traditional disciplinary boundaries in the arts and sciences.
• Familiarity with studies and practices of embodiment [e.g. somatic practices and/or knowledge of kinetic, physiological, philosophical texts]
Specific duties and responsibilities:
⁃ research and write for publication in scholarly journals in arts, media and science.
⁃ coordinate in the computational design and implementation of an overarching, hybrid approach to integrating systems building for arts practice [see echo::system project www.echo-system.org]
⁃ assume a leadership role in the design and implementation of an overarching, hybrid approach to the development of movement schema [physical and computational] and evaluation of Parkinson's' rehabilitation System and related programs.
⁃ coordinate and extend ongoing efforts that assess patients, tools and programs that integrate the arts, sciences and engineering
⁃ design new evaluation instruments that integrate computational models with both qualitative and quantitative measures
Appointment period: Academic year appointment beginning in August 2010; 9 month, full-time post-grad appointment.
Minimum degree requirements and specialty area:
Minimum Master's degree in any of following disciplines; Computer Science, Media Studies, Critical theory. Specialty area or background in movement; Creative Practice, Embodiment studies, Somatic Movement, Physical therapy, Neuroscience.
Application:
⁃ Please provide CV and two work samples of your choice for application to this position.
Email to testcase@asu.ed
Todd Ingals
Break-Out Session Speaker (MANAGEMENT: Networking the Next Generation of Leaders Around the World)
Natacha Melo is a contemporary dance performer and cultural promoter in
Uruguay and Europe, where she works with several dance companies from
Belgium, Germany, France and The Netherlands. In 2001, she launched the
South American Dance Network to promote integration and collaboration
among the various protagonists of the regional contemporary dance scene.
Partnering with Brazil's Idança.net, the Network created the social
network movimiento.org, with a focus on promoting dialog about dance,
reaching more than 2,800 members in less than two years. Natacha has
been co-producer for eight South American Dance Meetings and has
participated in numerous regional events, linking and integrating the
network’s platform with topics such as cultural policy, creation,
production and management, international communication technologies,
arts education and art and social change.
More here
Natacha Melo is a contemporary dance performer and cultural promoter in
Uruguay and Europe, where she works with several dance companies from
Belgium, Germany, France and The Netherlands. In 2001, she launched the
South American Dance Network to promote integration and collaboration
among the various protagonists of the regional contemporary dance scene.
Partnering with Brazil's Idança.net, the Network created the social
network movimiento.org, with a focus on promoting dialog about dance,
reaching more than 2,800 members in less than two years. Natacha has
been co-producer for eight South American Dance Meetings and has
participated in numerous regional events, linking and integrating the
network’s platform with topics such as cultural policy, creation,
production and management, international communication technologies,
arts education and art and social change.
More here
