Blogs

Immersing myself in this residency at  Lake Studio Berlin, I have been inpired by the young designer and creative coder Nahuel Gerth. Based in Prague, he is not just a designer, but a visual storyteller, playfully weaving together the threads of science, arts, technology,  with  the laguage and tools of generative design. I am inspired by his passion for innovation and playfullness, while exploring  the boundaries of human-computer interaction and design.

Nahuel is also a new dance-tech.net member.

PLAY WITH SOME OS HIS LIVE APPS!

Dancing Team https://nahuelgerth.de/tools/dancing-team/

Digital Twin https://nahuelgerth.de/tools/digital-twin/

Nahuel, plays with  form, code, and emboiment. He uses procesural design for the web as a medium of art and playfully expands interaction with elegamt design. Visit  Nahuel's Website and follow his journey on Instagram @NahuelGerth.

🖌️ Contrast and Identity 🖌️

One facet of Nahuel's work that profoundly resonates with me is the stark contrast it presents between the materiality of emboiment and slick graphic dynamic 2D design. He juxtaposes algorythmic design with the material reality of embodiment. This interplay between Nahuel's digital geometies and my corporeal existence creats a compelling narrative tension. 

impossible simplicity
Day 2 AIR Lake Studios Berlin
Concept, programming, video and performance by Marlon Barrios Solano
https://marlonbarrios.github.io/body-tracking-pose/

🎨  Residency Experiences 🎨

t Lake Studio Berlin, my residency immerses me in a world where art and technology seamlessly blend to create a new frontier of expression. Armed with tools like p5.js and MediaPipe, coupled with the flexibility of web-based platforms, I sculpt interactive, generative environments that transcend traditional boundaries. These digital dances, born from code and creativity, exist as fluid experiences accessible to all, embodying the inclusive spirit of open-source technology.

Through my exploration, I strive to foster collaboration and inclusivity within the artistic community. Every keystroke and algorithmic tweak represents not just artistic creation, but also a commitment to sharing knowledge and insights. The LapTop Dances Prototype, a culmination of concept, programming, and performance, serves as a tangible manifestation of this ethos.

As I delve into realms of creative coding, machine learning, and generative AI, both in text and image, I anticipate the evolution of participatory performances that blur the lines between the digital and physical realms. Stay tuned for updates as I unveil the results of this exploration within the Laptop Dances | Soft Spaces project.

For ongoing research and developments, visit Marlon Barrios Solano's website.

 the body of the text
LapTop Dances Prototype
Concept, programming and performance by Marlon Barrios Solano
Code and live app here:
https://github.com/marlonbarrios/the_body_of_the_text
7th day of AIR at @lakestudiosberlin

In this residency I am researching creative coding, machine learning, generative AI  (text and image) and participatiry improvisational performance.

https://marlonbarrios.github.io/

I will be presenting some of tis reserach very soon and it is part of the project Laptop Dances | Soft Spaces.

#ArtAndTechnology #GenerativeArt #DigitalSculpture #InteractiveArt #CreativeJourney #dancetech

Reflecting on the culmination of our residency at Lake Studios Berlin in November 20th 2023, “Meta-fictions: A Fugue entangled with several odd kins and intelligences” represents a significant milestone in my journey exploring the realms of generativity, dance, and AI. This performance was not just the result of collaborative efforts but also a testament to the boundless possibilities that arise when different worlds of creativity and technology intersect.

Throughout the residency, my focus was on leveraging the capabilities of generative AI, to create an innovative choreographic tool also inrelation with the history of the use of rule systems and improvisational structures by dancers and actors. We iengaged in a dynamic dialogue with AI. We created a generative loop of continuous improvisation in collaborations with AIs. This process illustrated the true essence of generativity — an evolving, unpredictable artistic expression.

In “Meta-fictions,” we delved into the realm of self-aware storytelling. The performance was a conscious blend of fiction and reality, constantly evolving and reshaping itself based on the interactions between the dancers, AI, and the audience. This approach allowed us to explore the narrative in a way that questioned and played with the very nature of storytelling in the digital age. We collaborated and performed with fabulation engines.

A key aspect of the residency’s outcome was its rich tapestry of cultural influences due to our nationalities and complex histories: Venezuela, Mexico and Spain. From ancient indigenous chants to the modern rhythms of Spanish pop and American hits, the musical landscape of the performance was diverse and vibrant. The inclusion of Miguel Bose’s iconic performance in drag from Almodovar’s “Tacones Lejanos” brought an element of cinematic flair, merging music, film, and dance. The movements, inspired by the dramatic essence of bullfighting, connected our digital creation with deep-rooted cultural expressions. Longings, belongings and exiles were present.

In this project, AI took on multiple roles — as a repository of memories, a source of imagination, an evidence of cultural mashup and as collaging unique worlds. Durinf the process, AI-generated visuals of ethereal forms of jellyfish and algae, were not just artistic elements but symbolized the blending of the natural and digital realms, hight art conceptuality and fantasize about alien rituals. These OddKins represented the symbiosis of life forms. We watched Donna Haraway documentary and also sang karaoke. Working with LLMs is going meta all the time.

As I look back on “Meta-fictions,” I see it as an exploration in the field of performance art and installation. It’s a vivid example of how computation and AI happens is time and time happened in semantic realms. This residency at Lake Studios Berlin was an opportunity to navigate the uncharted (yet familiar) waters of generativity, AI, and dance improvisation. Stuff that changes in real-time.

Thanks to the artists collaborators in this residency Dakota Comin, Cesar Rene Perez, and Vera Rivas and the support of Lake Studios Berlin.

All images are from Maria Kousi and were taken in November 17th 2023.

Read experimental process documentation on Lake Studios Berlin blog

Presenting as a part of the collection"Choreography or ELSE": "Les Temps Tirailles" by Myriam Gourfink (2009)  

WATCH HERE

‘Les Temps Tiraillés’ means “time torn” (or pulled) and this premiere of Gourfink’s new work deconstructs conventional concepts of performance and time and emphasises the unique revitalising of dance at every staging. The work is ongoing when the audience arrives and it happens both live on stage and streamed onto screens elsewhere. It also continues Gourfink’s exploration of the complex relationship between music and choreography, entwining her imperceptible movement with the haunting, spectral score by Austrian composer, Georg Friedrich Haas that engages two violas, a bassoon and one movement of silence within a computer-generated electronic framework.

‘Les Temps Tiraillés’ is presented with reviews and an interview

WATCH HERE

Choreography or ELSE presents:

While We Were Holding It Together

by

Ivana Müller

READ MORE ABOUT CHOREOGRAPHY OR ELSE

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marlon barrios solano

producer