lectures (6)
Brunel University's Center for Contemporary and Digital Performance in London regularly
organizes an annual series of Performance Research Seminars. Since 2009, the Performance Research Seminar Series has cooperated with dance tech net to produce live broadcasts selected from seminars or workshops live from Brunel's Drama Studio - making them available to anyone in the world interested in the subject. The public is invited to participate in this series of encounters, lectures, screenings, physical and new media workshops and discussions, focussed on new thinking in performance practices,
interactivity, technologies, digital/scientific creativity, and cultural production.
Sue Broadhurst
Johannes Birringer, director of the Research Center at Brunel University, joined dancetechTVlive as associate producer, and more than a dozen of the the one hour talks and discussions
are now also archived on the site.
This partnership between the Center and dance-techTV also supports experiments in collaborative video broadcasting and research; the channel is dedicated to interdisciplinary explorations of the performance of movement and media.
The channel allows worldwide 24/7 linear broadcasting of selected programs, LIVE streaming and Video On-demand.
On-line lectures
Questions or feedback to Johannes Birringer
Co-producer Marlon Barrios Solano
dance-techTV @ UStream broadcasting from Utrecht Camillo 2.0 Conference May 25th to 29th 2011!
Performance Studies International Conference # 17th
Camillo 2.0
Technology, Memory and Experience
Watch the stream the following pages:
http://dance-tech.tv/videos/dance-techtv-live/
http://www.ustream.tv/channel/dance-techtv
Streaming Porgram Thursday May 26th CET
Panels:
9:30 Dance and New Media: New technologies
11:00 Performance of Science and technology:UU Drift 21, Room 109
13:00 Technologies of the Self: Body Modification. Memory and Melancholia
(only selected panels with be broadcast and will be announced everyday but we will follow the same blocks)
Stay tuned for later afternoon and evening!
on-line producer/curator/researcher/workshop leader
dance and new media/networked media production/collaborative technologies
I offer consulting, lectures and facilitation of workshop as participatory platforms for knowledge sharing and change with an embodied improvisational approach.
I like to share my experience on:
- On-online/off-line collaborative technologies/methods
- Social media and hyper-media for artists and cultural managers
- Movement arts and new media (dance and technology).
- Networked/collaborative creativity and interactive tools for knowledge production, generation and distribution
- Open Space technologies and interactive learning for collaboration and innovation
- Performance, communication and sustainability
- Post-pc technologies for collaboration and creation
- Collaborative spaces and networks for/in the performing arts
I facilitate the materialization of social dynamics that augment dialogue and increase the possibilities of collaboration for social innovation.
Labs and workshops*:
With a hybrid background on dance, cognitive science, new media and organizational development, I combine improvisational arts, collaborative methodologies, on-line collaborative technologies, eco-systemic approaches and mindfulness training to facilitate the necessary environment and collaborative architectures to augment participation, engagement and innovation.
I focus on embodiment, collaborative creativity and the potential of the new internet for the development of alternative and self-organizing strategies for knowledge production and learning.
I use interactive learning strategies, games and open space technologies as relational interventions questioning traditional approach for knowledge sharing between bodies, countries, disciplines and organizations.
I have lectured and facilitated workshops in more than 20 countries within professional events (conferences, symposiums, festivals) and educational institutions.
* All workshops are adaptable in their formats and may be modified based on needs and local conditions.
Open Space Technology is the main format for all workshops.
Mobile lab equipment is provided.
meta_creation lab
Inter-actors, attractors and the aesthetics of complexity
An embodied collaborative workshop interfacing movement art practices, digital arts, computational networks and social systems oriented to movement and interdisciplinary artists (music, new media, theater, etc)
This workshop is a collaborative lab to creatively explore the contemporary performing approaches of real-time composition considering them practices of an aesthetics of self organization and of complex systems.
An embodied/distributed cognition approach is used to generate physical activities and games (scores), guided discussions/conversations about relevant artists works and concepts exploring the aesthetic of embodied complex systems their emergent properties for spaces activated by human and computational actions.
meta-creation are real-time composition games/scores, that explore the dynamic couplings of mind, body and information/data flows as a hybrid meta-design that allows for emergent and self-organized "dramaturgies" and/or performance experience.
This workshop is an open space for experimentation and inquiry about bottom-up architectures as compositional prototyping strategies and processes.
The participants explore interactivity plus generativity: use of rule systems, computational and hybrid (human/machine) algorithms as "scores" conceiving the performance space as a cognitive system.
meta_media lab
social media production and internet presence in art festivals and events
Open Studio/Installation/Workshop
meta_media lab sustainable collaborative format to produce and distribute networked digital content in the arts. It is geared to collaborate with artistic venues and festivals on leveraging the viral power of social media platforms and the new Internet (Web 2.0) augmenting presence, developing audiences and facilitating the generation and distribution of knowledge. These strategies benefit from an engaged international community of more than 5000 members including individual artists and organizations.
MOTION in the Cloud
social media dynamics for art administrators and stubborn artists
The new internet is social, locative, multimedia rich and open. It offers many possibilities to artists and art managers (organizations) to augment their presence, produce and distribute knowledge and develop collaborative artistic experiments. The participants are introduced to the basic principles of the new internet and its fundamental technological characteristics and platforms. Strategies are developed and prototyped.
DIY=DIWO
Do It Your Self with Others
Embodied /Distributed Creativity Lab
Open Space for creative collaboration
A collaborative space is facilitated with open format methodologies combining improvisational embodied activities, games and exchange.
This approach is the frame for any kind of collaborative gathering and creative laboratory in the cultural industries or organizations.
Interested?
marlon@dance-tech.net
Lectures, workshops and consulting
Vlogger/social media specialist/on-line producer
dance and new media/networked media production/collaborative technologies
Marlon Barrios Solano is the creator and producer of dance-tech.net, dance-techTV, DANCE TECH@, a series of online interviews and several projects of participatory journalism in the arts. He shares his experience with these platforms and sustainable models of production,
exchange and distribution of knowledge within communities of artists of movement, digital media and organizations. His interventions are always bodily grounded and systemically approached based on his hybrid background of dance, new media/real-time technologies and cognitive science.
He researches the many changes and necessary strategies implied by the new horizontal Internet architectures that facilitate participation, collaboration and its potential for the development of audiences and collaborative creativity.
He understands on-line participatory platforms as spaces for action, for the materialization of open social dynamics that augment dialogue and increase the possibilities of social innovation.
He approaches digital social networks as an alternative repository of cognitive/social capital and the locus of relational interventions questioning limits between bodies, countries, disciplines and organizations.
Marlon has researched, lectured and lead workshops in many international professional events and for educational institutions in the following topics:
Performance of movement and new media
Digital social networks
Networked Media Production and sustainability
New Internet dynamics
Internet technologies and audience development
Vlogging, Podcasting and production for the new Internet
Social media, knowledge production and innovation
New media and collaborative creativity
Interactive technologies for movement artists
Cognitive systems, dance and interactivity
Networked Methodologies and technologies
Digital Networks and Artists Communities
Participatory Arts Journalism
Performance of Improvisation, technologies of real-time composition and embodied
cognition
Marlon Barrios Solano has been social media advisor of the South American Network of Dance (Brazil, Uruguay, Colombia, Venezuela, Argentina), RUMOS Danca Itau Cultural (Brazil), Panorama de Danca (Brazil), Gilles Jobin Company (Switzerland), Bonlieu Scène Nationale (France), Dance New Amsterdam (USA), Dance Companies Association from Catalunya (Spain)
among others.
Lectures, workshops and consulting can be done in English and Spanish
Download pdf with more information
Using the most advanced social software platforms and rich multimedia internet applications, dance-tech.net provides movement and new media artists, theorist, thinkers and technologists an on-line space for accessing and sharing ideas, work, research and collaborative projects.
Barrios Solano introduces dance-tech.net and dance-techTV as a sustainable model of production and exchange of knowledge within a community of movement and mew media artits, theorists, technologists and organizations. The new internet or Web 2.0 architectures helps us to see Networks as the materialization of social dynamics, as sites of action, translocal presence and social innovation and sampling. They have become the most important emergent repositories of social and cognitive capital of a given community. dance-tech.net registers conversations, dialogues, performances, ideas and lives using the WWW as a site for a relational intervention on the boundaries of bodies, countries, disciplines and organizations.
TRACES:
DANCE/IMPROVISATION/NEW MEDIA/COGNITION
SAMPLES OF MY WORK
BATESON QUESTION?
WHAT IS A HAND?
RESEARCH
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK
EMERGENCE
BOTTOM-UP
1.-COMMUNITY Connecting People
DANCE AND TECHNOLOGY
FROM A LIST SERV TO A SOCIAL NETWORK
WEB 2.0
OPEN PLATFORM
DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION:
INTERNATIONAL/TRANS-LOCAL
TRANS-DISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS
KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, STEIM, TMA The Hellerau, Reverso, THE WAAG
TANGIBLE BENEFITS??
DANCE THEATHER WORKSHOP
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74
2.-KNOWLEDGE
What is dance anyway?
RELEVANCE
DANCE IS RELEVANT
INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT
RE-FRAME IT
KNOWLEDGE BACKBONE/ENGAGEMENT:
MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS
> 100
INTERVIEWS:
KNOWLEDGE BACKBONE...
AS KNOWLEDGE AND AS A SUBJECT
ETHNOGRAPHY/ BOTTOM-UP
PROCESSPPROCESSPROCESS....
GIDEON OBARZANEK
IVANA MULLER
BEBE MILLER
LISA NELSON/TUNNING SCORES
ALVA NOE/PHILOSOPHY OF MIND
IVANA MULLER/CONCEPTUAL DANCE
European Tele-Plateaus Phase 2/Madrid
ANDREW SCHNEIDER/PERFORMANCE AND WEARABLE interfaces
JOSEPHINE DORADO/MIXED REALITY PERFORMANCES
ANGELO VERMEULEN/BIO ARTS
SABINE SEYMOUR/WEARABLE FASHION
TRISTAN PERICH/NOISE AND CIRCUIT BENDING PERFORMER
Knowledge Lineages?
AN EXAMPLE...