lectures (6)

MIT program in art, culture and technology (act) Spring 2012 Lecture Series Experiments in Thinking, Action, and Form  School of Architecture & Planning Massachusetts Institute of Technology  Mondays 7–9 PM ACT Cube, Wiener Building (E15-001) 20 Ames Street, Cambridge, MA, USA Free and open to the public.  act@mit.edu +1-617-253-5229  act.mit.edu visualarts.mit.edu/about/lecture.html Share this: Facebook | Twitter EXPERIMENTS IN THINKING, ACTION, AND FORM Art, culture and technology. What is the potential of such an intersection in the present? Being cognizant of historical and unusual crossings while exploring more profound investigations and productions suggest experiments in thinking, action and form. Questions raised by pursuing this matrix lead to a variety of histories of the present, the combination of official and unofficial versions throughout the world; animated by examination and reflection these histories may be transformed by creation. It is easily possible to feel indifference toward the "merely interesting." In response to what can appear as a perpetual state of "interesting" spectacles and data flow, the invited speakers address these paradoxes of living. Their presentations and discussions will serve as opportunities to grapple with productions, conditions, and perspectives that can stimulate other kinds of responses. The speakers will not invite smooth or easy receptions of the aural, visual, or spatial operations with which they are engaged, but will, in contrast, raise questions from the perspective of producers and analysts about present and past forms of being and production. Renée Green Acting Director and Associate Professor MIT Program in Art, Culture and Technology   SPRING 2012 LECTURE SERIES SCHEDULE February 13                What Do Artists Know? Contemporary Responses to the Deskilling of Art Michael Corris, Professor/Chair of Studio Art, Southern Methodist University, Dallas  March 5 Re-representations and Simulations Bruce Yonemoto, Professor of Studio Art in Video, Experimental Media, and Film Theory, University of California, Irvine In conversation with Stephen Prina, Professor of Visual and Environmental Studies, Harvard University  March 12 Archipelago Logic: Towards Sustainable Futures Taru Elfving, Artistic Director, Contemporary Art Archipelago (CAA), Finland In conversation with: Renée Green, Associate Professor, MIT Program in Art, Culture and Technology Gediminas Urbonas, Associate Professor, MIT Program in Art, Culture and Technology Nomeda Urbonas, ACT Fellow, MIT Program in Art, Culture and Technology  April 2 Playback: Broadcast Experiments 1970 and Now Gloria Sutton, Assistant Professor, Northeastern University, Boston Respondent: João Ribas, Curator, MIT List Visual Art Center  April 9 Projects and Protocols: Conventions on Art and Technology Muntadas, Professor of the Practice, MIT Program in Art, Culture and Technology  April 23 Sound and Semiocapitalism: Affective Labor and the Metaphysics of the Real Michael Eng, Assistant Professor of Philosophy, John Carroll University, University Heights, Ohio   CURRENTLY ON VIEW Disobedience Archive Exhibition extended through April 15, 2012. disobedience.mit.edu  For further information, contact ACT Public Programs Coordinator Laura Anca Chichisan at clauraa@mit.edu or 617-253-4415. MIT program in art, culture and technology Massachusetts Institute of Technology 77 Massachusetts Avenue, E15-212 Cambridge MA 02139-4307  act.mit.edu 617-253-5229
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BRUNEL Performance Research Series

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Brunel University's Center for Contemporary and Digital Performance in London regularly
organizes an annual series of Performance Research Seminars. Since 2009, the Performance Research Seminar Series  has cooperated with dance tech net  to produce live broadcasts selected from seminars or workshops live from Brunel's Drama Studio - making them available to anyone in the world interested in the subject. The public is invited to participate in this series of encounters, lectures, screenings, physical and new media workshops and discussions, focussed on new thinking in performance practices,
interactivity, technologies, digital/scientific creativity, and cultural production.

Sue Broadhurst

 

Johannes Birringer, director of the Research Center at Brunel University, joined dancetechTVlive as associate producer, and more than a dozen of the the one hour talks and discussions
are now also archived on the site.

This partnership between the Center and dance-techTV also supports experiments in collaborative video broadcasting and research;  the channel is dedicated to interdisciplinary explorations of the performance of movement and media.
The channel allows worldwide 24/7 linear broadcasting of selected programs, LIVE streaming and Video On-demand.

On-line lectures

2011 Lectures

2010 Lectures

2009 Lectures

 

Questions or feedback to Johannes Birringer

Co-producer Marlon Barrios Solano

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dance-techTV @ UStream broadcasting from Utrecht Camillo 2.0 Conference May 25th to 29th 2011!

Performance Studies International Conference # 17th

Camillo 2.0

Technology, Memory and Experience

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http://www.psi17.org/

Watch   the stream the following pages:

http://dance-tech.tv/videos/dance-techtv-live/

http://www.ustream.tv/channel/dance-techtv


Streaming Porgram Thursday May 26th CET

Panels:

9:30 Dance and New Media: New technologies
11:00  Performance of Science and technology:UU Drift 21, Room 109
13:00 Technologies of the Self: Body Modification. Memory and Melancholia

(only selected panels with be broadcast and will be announced everyday but we will follow the same blocks)

Download schedule

Stay tuned for later afternoon and evening!

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Lectures, consulting and labs

on-line producer/curator/researcher/workshop leader

dance and new media/networked media production/collaborative technologies

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I offer consulting, lectures and facilitation of workshop as participatory platforms for knowledge sharing and change with an embodied improvisational approach.
 

I like to share my experience on:

  • On-online/off-line collaborative technologies/methods
  • Social media and hyper-media for artists and cultural managers
  • Movement arts and new media (dance and technology).
  • Networked/collaborative creativity and interactive tools for knowledge production, generation  and distribution
  • Open Space technologies and interactive learning for collaboration and innovation
  • Performance, communication and sustainability
  • Post-pc technologies for collaboration and creation
  • Collaborative spaces and networks for/in the performing arts

I facilitate the materialization of social dynamics that augment dialogue and increase the possibilities of  collaboration for social innovation.

 

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Labs and workshops*:

With a hybrid background on dance, cognitive science, new media and organizational development, I combine improvisational arts, collaborative methodologies, on-line  collaborative technologies, eco-systemic approaches and mindfulness training to facilitate the necessary environment and collaborative architectures to augment participation, engagement and innovation.

I focus on embodiment, collaborative creativity and the potential of the new internet for the development of alternative and self-organizing  strategies for knowledge production  and learning.

I use interactive learning strategies, games and open space technologies as relational interventions questioning traditional approach for knowledge sharing between bodies, countries, disciplines and organizations.

I have lectured and facilitated workshops in more than 20 countries within professional events (conferences, symposiums, festivals) and educational institutions.

* All workshops are adaptable in their formats and may be modified based on needs and local conditions. 

Open Space Technology is the main format  for all workshops.

Mobile lab equipment is provided.

 

meta_creation lab

Inter-actors, attractors and the aesthetics of complexity

An embodied collaborative workshop interfacing movement art practices, digital arts, computational networks and social systems oriented to movement and interdisciplinary artists (music, new media, theater, etc)


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This workshop is a collaborative lab to creatively explore the contemporary performing approaches of real-time composition considering them practices of an aesthetics of self organization and of complex systems.

An embodied/distributed cognition approach is used to generate physical activities and games (scores), guided discussions/conversations about relevant artists works and concepts exploring the aesthetic of embodied complex systems  their emergent properties for spaces activated by human and computational actions.

meta-creation are  real-time composition games/scores, that explore the dynamic couplings of mind, body and information/data flows as a hybrid meta-design that allows for emergent and self-organized "dramaturgies"  and/or performance experience.

This workshop is an open space for experimentation and inquiry about  bottom-up architectures as compositional prototyping strategies and processes.

The participants explore interactivity plus generativity:  use of rule systems, computational and hybrid (human/machine) algorithms as "scores" conceiving the performance space as a cognitive system.

More about meta_creation lab

mobile_lab is provided

 

meta_media lab
social media production and internet presence in art festivals and events
Open Studio/Installation/Workshop

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meta_media lab sustainable collaborative format to produce and distribute networked digital content in the arts. It is geared to collaborate with artistic venues and festivals on leveraging the viral power of social media platforms and the new Internet (Web 2.0) augmenting presence, developing audiences and facilitating the generation and distribution of knowledge. These strategies benefit from an engaged international community of more than 5000 members including individual artists and organizations.


mobile_lab is provided

More about meta_media lab

 

MOTION in the Cloud

social media dynamics for art administrators and stubborn artists

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The new internet is social, locative, multimedia rich and open.  It offers many possibilities to  artists and art managers (organizations) to augment their presence, produce and distribute knowledge and develop collaborative artistic experiments. The participants are introduced to the basic principles of the new internet and its fundamental technological characteristics and platforms. Strategies are developed and  prototyped.


mobile_lab is provided


DIY=DIWO

Do It Your Self with Others

Embodied /Distributed Creativity Lab

Open Space  for creative collaboration

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A collaborative space is facilitated with open format methodologies combining  improvisational embodied activities, games and exchange.

This approach is the frame for any kind of collaborative gathering and creative laboratory in the cultural industries or organizations.

 

CLIENTS AND COLLABORATORS


Interested?


 marlon@dance-tech.net


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KNOWHOW

marlon barrios solano
Lectures, workshops and consulting
Vlogger/social media specialist/on-line producer
dance and new media/networked media production/collaborative technologies


Marlon Barrios Solano is the creator and producer of dance-tech.net, dance-techTV, DANCE TECH@, a series of online interviews and several projects of participatory journalism in the arts. He shares his experience with these platforms and sustainable models of production,
exchange and distribution of knowledge within communities of artists of movement, digital media and organizations. His interventions are always bodily grounded and systemically approached based on his hybrid background of dance, new media/real-time technologies and cognitive science.

He researches the many changes and necessary strategies implied by the new horizontal Internet architectures that facilitate participation, collaboration and its potential for the development of audiences and collaborative creativity.

He understands on-line participatory platforms as spaces for action, for the materialization of open social dynamics that augment dialogue and increase the possibilities of social innovation.

He approaches digital social networks as an alternative repository of cognitive/social capital and the locus of relational interventions questioning limits between bodies, countries, disciplines and organizations.

Marlon has researched, lectured and lead workshops in many international professional events and for educational institutions in the following topics:


Performance of movement and new media

Digital social networks

Networked Media Production and sustainability

New Internet dynamics

Internet technologies and audience development

Vlogging, Podcasting and production for the new Internet

Social media, knowledge production and innovation

New media and collaborative creativity

Interactive technologies for movement artists

Cognitive systems, dance and interactivity

Networked Methodologies and technologies

Digital Networks and Artists Communities

Participatory Arts Journalism

Performance of Improvisation, technologies of real-time composition and embodied

cognition



Marlon Barrios Solano has been social media advisor of the South American Network of Dance (Brazil, Uruguay, Colombia, Venezuela, Argentina), RUMOS Danca Itau Cultural (Brazil), Panorama de Danca (Brazil), Gilles Jobin Company (Switzerland), Bonlieu Scène Nationale (France), Dance New Amsterdam (USA), Dance Companies Association from Catalunya (Spain)
among others.


Lectures, workshops and consulting can be done in English and Spanish

Download pdf with more information

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What is dance-tech.net

Using the most advanced social software platforms and rich multimedia internet applications, dance-tech.net provides movement and new media artists, theorist, thinkers and technologists an on-line space for accessing and sharing ideas, work, research and collaborative projects.

Barrios Solano introduces dance-tech.net and dance-techTV as a sustainable model of production and exchange of knowledge within a community of movement and mew media artits, theorists, technologists and organizations. The new internet or Web 2.0 architectures helps us to see Networks as the materialization of social dynamics, as sites of action, translocal presence and social innovation and sampling. They have become the most important emergent repositories of social and cognitive capital of a given community. dance-tech.net registers conversations, dialogues, performances, ideas and lives using the WWW as a site for a relational intervention on the boundaries of bodies, countries, disciplines and organizations.





TRACES
:



DANCE/IMPROVISATION/NEW MEDIA/COGNITION

SAMPLES OF MY WORK


BATESON QUESTION?


WHAT IS A HAND?



RESEARCH
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK

EMERGENCE

BOTTOM-UP

1.-COMMUNITY Connecting People
DANCE AND TECHNOLOGY
FROM A LIST SERV TO A SOCIAL NETWORK
WEB 2.0


OPEN PLATFORM


DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION:
INTERNATIONAL/TRANS-LOCAL
TRANS-DISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS

KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, STEIM, TMA The Hellerau, Reverso, THE WAAG

TANGIBLE BENEFITS??
DANCE THEATHER WORKSHOP
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74

2.-KNOWLEDGE

What is dance anyway?

RELEVANCE
DANCE IS RELEVANT

INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT

RE-FRAME IT

KNOWLEDGE BACKBONE/ENGAGEMENT:

MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS
> 100

INTERVIEWS:
KNOWLEDGE BACKBONE...

AS KNOWLEDGE AND AS A SUBJECT
ETHNOGRAPHY/ BOTTOM-UP

PROCESSPPROCESSPROCESS....

GIDEON OBARZANEK
IVANA MULLER
BEBE MILLER
LISA NELSON/TUNNING SCORES
ALVA NOE/PHILOSOPHY OF MIND
IVANA MULLER/CONCEPTUAL DANCE
European Tele-Plateaus Phase 2/Madrid

ANDREW SCHNEIDER/PERFORMANCE AND WEARABLE interfaces
JOSEPHINE DORADO/MIXED REALITY PERFORMANCES
ANGELO VERMEULEN/BIO ARTS
SABINE SEYMOUR/WEARABLE FASHION
TRISTAN PERICH/NOISE AND CIRCUIT BENDING PERFORMER

Knowledge Lineages?
AN EXAMPLE...

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SYNDICATION/ VIRAL DISTRIBUTION


PARTICIPATORY CREATION OF KNOWLEDGE:
loose network of correspondents
INTERVIEWS/NEWS REPORTAGE
PARTICIPATORY JOURNALISM

EXAMPLES OF COLLABORATION:

WITH CRITICAL CORRESPONDENCE (NYC)

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SABINE KLAUS (SCOTLAND)

CODA KEDJA Opening Event Oslo Norway from Creation Editor on Vimeo.


DEBORAH HUSTIC (CROATIA)

USE OF INTERNET NATIVE TECHNOLOGY


EMBEDDED IN FESTIVALS/OPEN LAB IN FESTIVALS

WORLD GRID LAB



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3.-DANCE-TECHTV

COLLABORATIVE BROADCASTING/LINEAR...BROADCASTING...VIDEO ON DEMAND
CURATED

LIVE:Turkey, London, Venezuela, Switzerland, NYC.
Content donated by more than forty artist: all continents
Academia and independent broadcasters
ASSOCIATE PRODUCERS (any member of the networks)
LIVE BROADCASTING/LECTURES, PERFORMANCES, experimental art projects (Movement Research Festival and Broadcasting station/workshops GRID LAB/Lebanon, France and Geneva)
INTERACTIVE BROADCASTING...

VIRAL DISTRIBUTION


SPONSORED SPACE


MORE:

SIBLING NETWORKS

MOVIMIENTO.ORG (SPANISH AND PORTUGUESE) 3000 members

USE IN CLASSROOMS:
Wesleyan University
University of Utah
Allow students a dialogue with the community/experts and novices
PEERS


NEW WWW AFFORDS:

LEAN FORWARD APPROACH
PRODUCTION OF SPACES FOR KNOWLEDGE GENERATION AND OPEN ACCESS
INTERVENTION OF THE INTERNET WITH KNOWLEDGE NETWORKS
CREATIVE ENGAGEMENT AS EXCHANGE/GENEROSITY
DIY
DIWO
DISTRIBUTED
CONVERSATIONS/DIALOGUE
EVERYTHING NEXT TO EVERYTHING

AGGREGATION
MATCHING
MASH-UP


COMMUNICATION IS NOT A BOND

THE BOND IS CREATED BY DOING IT TOGETHER


PARTICIPATION MAKES THE SITE



CREATION OF AN INFRASTRUCTURE OF TRUST AND TRUST IN THE INFRASTRUCTURE


SOCIAL


COMMUNITIES=COMMONS=ECOLOGICAL

REFLECT THE LOGIC OF THE SOCIAL LIFE

CULTURE IS SOCIAL



CONTESTING BOUNDARIES:
BODIES, DANCE, DISCIPLINES, MINDS, INFORMATION, KNOWLEDGE, ORGANIZATIONS, COUNTRIES, MACHINES, LEARNING

FOOD FOR THOUGHT



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RADIO HEALER














++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
LIVE
PROCESS
PRODUCT
ART
RESEARCH
KNOWLEDGE
COLLABORATION
CREATIVITY
ORGANIZATION
COMPLEXITY
RELATIONAL
CONNECTION
PRESENCE
ECOLOGICAL
MOBILITY
REAL-TIME
SOCIAL
NETWORKS
COMMUNITY
PARTICIPATION
DEMOCRACY


NEW INTERNET:
CONVERGENCE
API____APPLICATION PROGRAM INTERFACE: CONNECTIONS BETWEEN APPLICATIONS
RSS____FLOW OF CONTENT ....
MASSIVE DATA BASES/DB DRIVEN SITES
ON-LINE VIDEO

OPEN PLATFORMS
BOTTOM-UP ARCHITECTURES
GENEROSITY PRINCIPLES (PROSUMER/ LEAN FORWARD) UGC
COLLABORATIVE CREATIVITY
EMERGENT CLUSTERS OF KNOWLEDGE


SYNCHRONOUS/ ASYNCHRONOUS
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