Toynbee Studios, London
13 Nov - 14 Nov 2010, 11am -
5pm
Venue Information:
BOOK ONLINE
Simon Vincenzi’s Weekender will explore the “act of translation” as part of his ongoing research project Operation
Infinity. This will be through an investigation into how the performer
can act as a body of translation and how different states of being
‘held’ can happen whilst translating.
The lab will focus on physical acts of seeing, speaking and listening and how different texts can inhabit the body of a performer. Questions
that might arise during the Weekender include “how can the body be
abandoned to the physicality of understanding?” and “what might physical
ventriloquism be?”
This Weekender is intended for all practicing artists from any discipline, from emerging artists at the beginning of their career to
those more highly experienced.
SIMON VINCENZI’S PRACTICE
Simon Vincenzi’s work pushes the boundaries of expectations of
theatre and the audience’s relationship to the act of presentation. His
work is about producing a threshold of uncertainty:
between what has already happened and what is happening now
between what has been perceived and what has been stimulated
between what is seen and what can’t be seen
between what is heard and what might be heard
Memory, communication, time, the divided self, consciousness, death and disappearance are recurring themes that develop uncanny, evocative
and intensely visceral stage worlds. He frequently develops work through
rigorous and intensive periods of research in which the context plays
an important role in shaping what is generated. This lab weekend is a
unique opportunity to develop your own practice using methods
facilitated by Simon, whilst joining him in his own practice-based
research.
Simon Vincenzi is… a radical theatre visionary.
Time Out
OPERATION INFINITY
Operation Infinity is the title of a body of work that has
stemmed from a previous Bock & Vincenzi piece The Infinite Pleasures
of the Great Unknown, where six performers played the parts of
thousands as the fictional “Troupe Mabuse”. Inspired by two fictional
characters – Fritz Lang’s Dr. Mabuse and Shakespeare’s King Lear – the
piece follows a never-ending choreography of chaos, possibility and
prophecy. Operation Infinity draws on these themes and aims to
reconfigure different performances in the same physical space, allowing
an audience to use different forms of theatrical interpretation. With
the Artsadmin Weekender Simon wishes to explore how the act of
translation can affect such relationships with the audience also.
BIOGRAPHY
Simon Vincenzi is a London-based theatre director,
choreographer and designer who has created a huge body of work over the
past 15 years. Prior to Bock & Vincezi he created the ensemble
performance piece Heartless. Then, in 1995 he joined Frank Bock to form
Bock & Vincenzi. During their 13-year partnership the duo made works
for both adult and children audiences that include Three Forest Dances In A Room Of Wood, Being Barely There I Saw You Too and Breathtaking. In 1999 Bock & Vincenzi began a seven-year research period culminating in The Invisible Dances
(2004-2006); a theatre work in three acts presented over three years.
During this collaboration Bock & Vincenzi worked with over 50
specialists including both sighted and visually impaired performers,
dancers and actors; artists with physical disabilities, sound and video
artists, computer programmers, philosophers, poets, writers, a
phenomenologist and a spirit medium.
Works made for Simon’s evolving project Operation Infinity include: The Infinite Pleasures of the Great Unknown, Club Extinction and Luxuriant.
As the piece ends in roaring darkness, it’s as if we finally join [the performers]. And you’d be amazed at just what a blast that is.
The Observer, on As If They Hadn’t Been, As If they Had Not (2005)
Image by Bock & Vincenzi, Venice Theatre Biennale 2005, photo by Andy McGregor.
More Info:
SIMON VINCENZI
Artsadmin Weekenders: Simon Vincenzi
