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MOVE OUT LOUD en Castellano

“MOVE OUT LOUD” es un proyecto que tiene por finalidad promover la comunicación global a través de la danza y del movimiento. Una coreografía mundial que traspasa fronteras, lenguas, culturas, religiones y diferencias económicas.Funciona utilizando Internet como la herramienta que permite compartir información de una forma rápida y global.http://www.rhiz.eu/artefact-32244-en.html
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Review of Laura Peterson's "Forever"

Laura Peterson's "Forever" was a warm and welcome aural, visual movement collage.ELLE CHYUNLaura Peterson's quartet "Forever," a co-presentation of Dixon Place and DNA at DNA (February 18 to 22), started off like a well-designed commercial for a high quality printer, depicting additive color mixing in the round. Playful, crafted, and nerdy, Peterson's work suppresses technique to highlight the beauty of oddness in a formalist world.Peterson typically sculpts or otherwise delineates the performance space.In her last work at DNA, "Electrolux," a thick white square rug had demarcated the zone of movement. For the more sentimental "Forever," a white circle of floor covering surrounded three of the space's pillars, which were also painted white. The audience was seated on three sides, the fourth side open to the mirror. Dressed in duo tones of cyan, magenta, yellow, blue, and green, Peterson and fellow dancers Kate Martel, Stephanie Miracle, and Christopher Hutchings combined to form a rainbow of possibility in the warmth of Mandy Ringger's subtractive color mixing - a whimsical light show of saturated reds, greens, blues, and yellows.The dancers moved in various formations, adhering to the general structures of the awesome eclectic score - 24 strange and funny and alluring "mono events" by Lumberob (Rob Erickson), with electronic ambience by Dat Politics at the start and finish. With each event, it was if the dancers were avatars, resetting to the next task. Often, the four would run around the perimeter of the circle, in unison, but with an odd, twisted carriage, or hunched shoulders with arms extended.A chicken rap song inspires them to march while waving a finger, then to prance, plié, and jump forward. Rhythmic gulping brings the four to center, contracting their spines toward each other. Each sequence builds, adding details; some repeat in reverse. Individual moments also emerge, as when Peterson leaps like a dart, long limbs contrasting a landing in deep plié, or when Hutchings convulses, punching with his entire body.It is as if, in these moments, technique asserts itself. Peterson's body celebrates it. Even as her limbs seem to stiffen, her energy leaps outs. Hutchings resists the urge, fighting the conditioning instead. He twitches, limbs snapping outward, joints contradicting training, but the underlying sketches can never be fully erased.Looped and layered, Peterson's "Forever" was a warm and welcome aural, visual, movement collage. Reflected like a dream in its entirety in the mirror, it was, as promised, kaleidoscopic - with just the right amount of human imperfection....Read entire review:http://gaycitynews.com/site/index.cfmnewsid=20275303&BRD=2729&PAG=461&dept_id=568864&rfi=8
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Zis Landmass Zat Loov

Baywood, CABaywood, CAMontaña de Oro, CA (Spooner's Cove)Bishop's Peak, San Luis Obispo, CAMorro Bay (Morro Rock), CASan Luis Obispo, CA1.4.2009Wow, I can’t believe I have not written. Life really does fly by. I have been the laziest son well… daughter of a bitch. (That sounds bad... sorry mom.) I mean I’ve been doing a lot… a lot of hanging out. A lot of exercising and be in my optimum dancer body, sans studio and indoor rehearsals... A lot of buying things that I don’t need, then going through my storage unit and keeping everything. I am trying to get rid of some nick-knacks and sentimentalities, but it’s not working. I look at the things I own and think… “Someday, when I have a house, I will put this in it somewhere and use it.” I don’t want to bring anything back to NY because my roommate will just throw it away. I can’t trust him around objects. But I can’t keep all of my things in a vault.Everything has been in storage for almost four years. That’s a long time to be separated from a life that was not quite right--without a thorough visitation. Graduate school was such a dream. Things were set-up and people just did a lot of thinking and made art and worked on papers. It was really hard, I don’t want to make it sound simple or easy… I honestly thought it would lead me to something, like a job. I’m still trying to understand what I gained from my experience there, besides debt. I know. I remember now. One of my crucial decisions in going to school there was because it was close to my grandparents.......I keep asking myself what’s wrong with me? The past 8 months on the road those questions surface… what’s wrong with me? For many years it is easy to blame others for personal or professional misfires, but when one spends so much time alone that question is both surprising and inevitable amidst the bliss of such a trip. The travel. The life. The past 8 months have been the best of my life, which states much. I have traveled in Nepal and hiked in the Himalayas. I have spent three-months living in London and a month in Vienna at a fantastic dance festival. And many other events which could lead to a full anthology of Berkeley, Olympia, Seattle, Portland, Columbus, San Luis Obispo and now New York/Brooklyn/Dominicahassidica.The past months brought me something that I have been missing my whole life, a true connection with this landmass. I was able to see such amazing natural beauty, ponder the people of this land, spend time with Isadora, go wherever I wanted when I wanted, and figure my artistic body and expand my choreographic voice. The independence was exhilarating. In NY I am depressed roughly fifty-probably-sixty percent of the time, while traveling, toward the end, when I was used to seeing new things all the time and could anticipate my encounters, then my depression entered the van. That’s when I stopped blaming anyone else but myself. The depression changed into a puzzle. What did I do? How could I change it? Could I change anything? Do I care? I like the way I am, why would I want to change? I am still pondering these things and wondering if the energy I put into thinking about other people is a personal barrier. Or is it just the way I look? I’ve wondered that too. I’m not pretty, I’m not ugly; although, I know can be beautiful in the right light. My body is not great. Perhaps I’m just so averagewowmid-sentence I fell asleep for 45 minutes. Not very interested in non-existent issues. Many other things to think about, or just sleep. Sleeping is an entirely acceptable place to go when pondering one’s own looks.Onward and outwardMorro Bay (Morro Rock), CAAvila Beach, CASan Luis Obispo, CA... Sunrise... with Isadora
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FRAMEWORKS is an on-going series in New York, that presents innovative works of choreography for the camera. Submission is rolling and the works are selected by panel based on creative merit and independent of production budget. The next screening will be at:Galapagos Art SpaceDUMBO, BrooklynApril 10th | 8pmTix: $10 (at the door)For more details including submission instructions and program information, please visitframeworksdance.orgThanks,Michael Bodel
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I just wrote post on my Great Dance blog:"A New Internet and Social Media Strategy for Dance Companies."I look forward to thoughts and feedback. And I'd also like to know if there are dancers and dance companies who are more or less pursuing the strategy that I describe in my post.Thanks!Doug FoxGreat Dance
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Interactivity Participation Smartmobs Dancers and dance companies and PROCESS:
25: Details from Caleb Custer on Vimeo. DNA-world http://www.dna-world.net/video/preview-of-rache WHAT IS GOING ON? What is web 2.0 Application Programing Interface API IMPROV? PROCESS SIDE LOADING HORIZONTAL FLOW PRESENCE/TRACES/MEMORY? REAL-TIME/TELE-PRESENCE/CO-PRESENCE/ HOW ARE STORIES TOLD NOW? WHAT IS YOUR STORY? STORY AND BRANDING? KNOWLEDGE BASED MARKETING? NAME AND RECOGNITION? CONVERSATION? PLURAL? TOO MUCH? CHAOS? DANCING IN THE CROWD! TAGS. AGGREGATION. SUGGESTION SYSTEMS ATTENTION TARGETS/AUDIENCE/FRIENDS CHANGES: SOCIAL BOTTOM-UP/USER GENERATED CONTENT DISTRIBUTED PLATFORM/CONVERGENT AVAILABLE/AFFORDABLE OPEN/SHARING!!!!!!!! DEMOCRATIC CREATIVE COMMONS INTERNET ARCHIVES STEAL THIS FILM MARKETING VS OPEN PROCESS/JOURNALS/SKETCHES CREATIVE ENGAGEMENT Clytemnestra ReMash Challenge 1rs fans Brooklyn Museum LEAN FORWARD VS LEAN BACK FORMS AND PLATFORMS: Blogs? RSS Social networks Facebook My Space Topical social networks dance-tech.net /modern_guest_new.html Microblogging: what are you doing right now? organizations as body Knowledge based marketing or just knowledge to engage? Beyond the gadgets? What do you think? REALY Openness and transparency SHARE IT! SOCIAL NETWORK BENEFITS GIVEN BY ORGANIZATIONS MEMBERS Individuals and Organizations Bottom up/Common Social Innovation Knowledge Backbone/Interviews Collaborative Broadcasting dance-techTV
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