internet (5)

DANCERS! online

The project DANCERS! is officially online at www.dancersproject.comvisit the site and browse among 130 2-minute solos of professional dancers all filmed in full HDWe have filmed in Brussels and Paris and are looking to come to other cities throughout the world during this five-year project. Register online for future shootings and as a potential dancer-partner-organizer-sponsor-installation presenter!Bud Blumenthaldirection@dancersproject.com
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SideBySide art center defines its main purpose in supporting and cultivating art and culture, stage-play and dance. In general, the association wants to help talented artists of any genre. In detail, SideBySide art center especially wants to give social support to young people in the areas of art, culture, training and education. Thus, the association exclusively and immediately serves public welfare purposes.SideBySide art center offers artists of all kinds a new cultural platform. Always on behalf of their urges - communication, exchange and public images - the association tries to bring artists of different genres together and paves the way for their artistic development (side by side). Young talents as well as renowned artists can use this platform to get into contact with each other, to participate in a project or to find a new and individual way of presenting themselves effectively to the public.FESTIVALChoreographers who take part in the fifth international internet dance festival SideBySide-net 2009 get the unique opportunity to present themselves and their art online to a broad international audience over a longer period of time.The videos of the recent four festivals’ participants have in sum been watched and voted by almost 100.000 viewers from all over the world.The audience’s favourite artists receive prizes summing up to 3.000 Euro.» Download application form here http://www.side-by-side.org/en/festival/2009Application deadline is July 31st 2009.
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I just wrote post on my Great Dance blog:"A New Internet and Social Media Strategy for Dance Companies."I look forward to thoughts and feedback. And I'd also like to know if there are dancers and dance companies who are more or less pursuing the strategy that I describe in my post.Thanks!Doug FoxGreat Dance
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GOOD NEWS: DANCE+TECH @ Tendu.TV

Hello dance-techers, I would like to announce that dance-tech.net will be producing a DANCE+TECH program for TenduTV (www.tendu.tv) starting this fall. I am very happy and proud about the opportunity of bringing the visions and performances of our field to a broader audience. DANCE+TECH will show the depth of the research, the complexity of the topics, the engagement of the practitioners and the relevance of embodied practices. An of course the fun of working with dance and new media. dance-tech.net is a community focused on innovation, creativity, generosity and self-discipline. DANCE+TECH/the program will amplify its pulse. This is my commitment! DANCE+TECH/The program adds value to your participation in the network and bigger exposure because it will bring more visitors to our site. It is in our dialog that these and new programs will emerge! Thank you Marlon Barrios Solano PS: we also have new logo! Press release: TENDUTV REINVENTS THE STAGE WITH DANCE-TECH FIRST ADAPTATION OF A SOCIAL NETWORK INTO LONG FORM PROGRAM NEW YORK, July 28, 2008 - TenduTV (www.tendu.tv), the first broadband channel focused on dance video, announced today an agreement with online community Dance-Tech (www.dance-tech.net) to adapt the social network into a self-titled monthly, long-form program. Dance-Tech will feature in-depth interviews with leaders, scholars and innovators in the performance art world who are taking advantage of new technologies in creating their work. The Dance-Tech program and related content will be made available through TenduTV's distribution, syndication and advertising partners beginning in the fall of 2008. "The technologies enabling both the art and science of movement have entered into an amazing and significant growth phase" said Marc Kirschner, General Manager of TenduTV, "in the last few years, movement and technology have combined to form the Segway, the Nintendo Wii and Oscar Pistorius, the double-amputee sprinter who nearly qualified for the Beijing Olympics. Dance-Tech will showcase a combination of technology and artistry that will educate and amaze." "We're thrilled to have the opportunity to invite more people to participate in our discussion," said Marlon Barrios Solano, founder of Dance-Tech and host of the Dance-Tech program. "With the larger reach of the TenduTV network, Dance-Tech will be able to share our community's passion and accomplishments with a much wider audience." Dance-Tech will be co-executive produced by Marlon Barrios Solano, Marc Kirschner, and Kevin Harkins. Early featured guests will include choreographer Gideon Obarzanek, of Australia's Chunky Move, who combines real-time motion tracking, generative animation and lasers to create unique dramatic landscapes, and Amsterdam-based choreographer Emio Greco, whose Capturing Intention research project has revolutionized the field of dance notation and documentation with its findings on computer based gesture analysis. ABOUT TENDUTV TenduTV (www.tendu.tv) is a broadband television channel featuring staged and filmed modern and contemporary dance and ballet performances from both established and emerging choreographers. The TenduTV channel will be launching in the Summer of 2008 on select video platforms, including TidalTV (www.tidaltv.com) ABOUT DANCE-TECH Dance-Tech (http://www.dance-tech.net) is a Ning-based social network catering to an international community of artists, scholars, technologists and organizations working within the disciplines of performance, science and new media. Members of Dance-Tech showcase their work, share ideas and opinions, and find collaborators for future works. Dance-Tech was created by former dancer Marlon Barrios Solano, who serves as Social Media Specialist for Dance New Amsterdam and is the Online Festival Coordinator for the Dance Films Association.
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