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TenduTV announces the launch of the digital Dance on Camera Festival on Hulu, at www.hulu.com/network/tendutv. The digital Dance on Camera Festival is an extension of the Dance Films Association's Dance on Camera Festival (DOCF), which it has produced annually for the last 38 years, the last 14 of which have been co-presented with the Film Society of Lincoln Center.


"This new venture presents an exciting opportunity for dance film artists to expand their audience. The bulk of today's viewers consume their media digitally. Our partnership with TenduTV widens our distribution while offering an excellent, new venue for our participating artists," said Deirdre Towers, artistic director of Dance Films Association.


"We're excited to take this first step forward towards meeting the needs of the dance field. Finally, dance audiences can begin to get the access they eagerly desire. The Dance Films Association is a great partner and we're looking forward to doing all we can to help them fulfill their mission," said Marc Kirschner, General Manager of TenduTV.


TenduTV will be adding new films on a regular basis, providing viewers with a diverse range of dance on screen. While the initial films primarily represent contemporary works from prior editions of the festival, the Dance Films Association and TenduTV will also curate focused collections of dance films. Planned themes include "Past Masters," "Africa" and "Animation."


The first six films are available now, and feature dancers from some of thedance world's most renowned companies, including Tanztheater Wuppertal, Frankfurt Ballet, the Metropolitan Opera Ballet and Armitage Gone! Dance.


These films are:

Arcus, a jury prize nominee, DOCF 2004
directed by Alla Kovgan and Jeff Silva

Arising,from DOCF 2009
directed and choreographed by Ben Dolphin

FoliesD'Espagne, a jury prize nominee, DOCF 2008
directed by PhilipBusier
choreographed by Austin McCormick

Madrugada,from DOCF 2005
directed by William Morrison
choreographed byDeborah Greenfield

Vanishing Point, DOCF 2009
directedby Patrick Lovejoy

Wiped, Jury Winner, DOCF 2002
directedand choreographed by Hans Beenhakker

TenduTV also announced the addition of Cory Greenberg to its advisory board. Ms. Greenberg is Director of Operations & Special Projects for Alvin Ailey American Dance Theater, as well as Ailey's in-house counsel. She received her undergraduate degree cum laude in Art History from Duke University and her law degree from New York University School of Law, where she was an Arthur Garfield Hays Civil Liberties Fellow and a recipient of the Vanderbilt Medal for Public Service.


About TenduTV

Founded in 2008, TenduTV seeks to deliver dance to audiences through the highest quality digital distribution network available to the art form today. Through TenduTV's platform partners, dance artists and organizations will be able to transport their vision beyond the physical theater and engage audiences through computers and 200 million digital devices including internet-enabled televisions, portable video players and mobile devices. By empowering artists to connect with audiences on a global scale, TenduTV believes that the dance field can be as strong financially as it is creatively.


About Dance Films Association, Inc.

Dance Films Association, Inc. (DFA) is dedicated to furthering the art of dance film. Connecting artists and organizations, fostering new works for new audiences, and sharing essential resources,
DFA seeks to be a catalyst for innovation in and preservation of dance on camera. DFA was founded by Susan Braun in 1956, and included Ted Shawn, the founder of Jacob's Pillow, as its charter member, as well as modern dance pioneer Jose Limon and ballerina Alicia Markova as members of its first Board of Directors. A tireless advocate, Ms. Braun devoted her life to finding, showcasing, preserving dance films and videos until her death in 1995. Today, DFA seeks to carry on her spirit of creativity and collaboration in a time of extraordinary transformation.


For more information, visit www.dancefilmsassn.org and www.tendu.tv.

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At the 6th international internet dance festival SideBySide-net 2010, artists get the unique opportunity to present their work on an interdisciplinary and intercultural platform and to a broad international audience for a longer period of time. The audience’s favourite artists (watch&vote-principle from August to November 2010) receive prizes summing up to 3.000 Euro. Crucial criteria for nominations are the quality of dance, an individual style, and an innovative realisation of an interesting topic.

Application forms can be downloaded at www.side-by-side.org/en/festival/2010
Application deadline: June 15th 2010. The postmark’s date is relevant.
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Hi there!


From La Marato de L’espectacle (www.marato.com) we are working in a new European Commission Grant Application

for Cultural projects in Egypt,
Cairo.


To be able to develop our project, we are looking for a local partner, to be able to work with. We are seeking for a

Dance Company, a Cultural association…based in Cairo.


If you know any institution or someone that could be interesting for us to get in touch with, replying to this post.



Thanks!


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Hello dance-techers,
Have your written some books, made movies or music that is available in amazon.com?
what books and movies do you recommended for our community...?

As you might have noticed we have an online-bookstore tab in the
menu.The Idea is to provide our member who are writers and film makers
the possibility of increase the sales of their authored material.

http://astore.amazon.com/dancetechnet-20

This on-line store is created in association with Amazon.com and
provides you with the same shopping experience you would receive
through the normal Amazon.com (soon to develop to serve the UK and
later for Germany)

If you buy products in our page, dance-tech.net will receive a
commission on all sales through our store. So, this is a way to help
the network and its projects (well we will have to sale a lot..!
Your items cost exactly the same and the range and features are no
different. In this store, when you are ready to finalize your purchase you will be
taken to Amazon.com to complete your transaction safely and securely.


I have created the on-line store and the idea is allow our community to purchase:

-Books and DVD's written by our members. I have created the initial pages with some books from members that I knew.
-Books and DVDs that are relevant and recommended by the community.
-Other items that are relevant for our community: game controllers, sensor systems, software, etc.

I would like to ask you send me your recommendations of your own books
(authored or published by you), books and DVD that you consider
necessary reading and inspiring, and of course other articles. The they
have to be available in amazon US and the UK.

Please, write a comment in this post with your recommendations or questions (name of the item and authors)

Marlon

PS: more information soon about how to help dance-tech.net
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"Snack Time!" at ACDFA!

Our class will be presenting "Snack Time!" at the Central Region Conference of the American College Dance Festival Association (http://www.acdfa.org) on Saturday, March 20th, 12:30-2:30pm, in the Krannert Cetner for the Performing Arts (KCPA), on the campus of the University of Illinois Urbana-Champaign.

Our presentation will be a introduction and participatory experience in telematic dance performance and will include a performance featuring real-time exchange between dancers in Illinois and musicians at the Sonic Arts Research Centre (SARC) in Belfast, Northern Ireland (http://www.sarc.qub.ac.uk/main.php). The collaboration with SARC will happen via video feeds from each venue to the other, and via low-latency, high quality (16bit, 44.1kHz) 4-channel audio from SARC to KCPA. The scores for this dance and for the audience participation portion of the class are currently being developed by the students.

This promises to be a unique, interesting experience for the students and participants alike - Hopefully one that will inspire further creativity in spatially-displaced artistic collaboration!

Hope to see you there!
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Hello colleagues and friends on dance tech,

I am glad to announce that EMPAC's DANCE MOViES Commission is open for another round.

Forward and distribute the announcement below as you see fit. Please note that the deadline is only a month away!

Wishing you a happy and productive spring (northern hemisphere) or fall (southern hemisphere),

Helene Lesterlin
Curator, EMPAC





FOR IMMEDIATE RELEASE
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EMPAC DANCE MOVIES COMMSSION 2010-2011
OPEN CALL FOR PROPOSALS
deadline APRIL 15th

- General inquiries: 518.276.3921 / dancemovies@rpi.edu (please publish)

- Emily Zimmerman (Curatorial Assistant, EMPAC): 518.276.4547 / zimmee3@rpi.edu (do not publish)
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Troy, NY – In April, while artists propose new works to be made for this round of the DANCE MOViES Commission, the five projects currently in progress will be finishing up post-production for a premiere at EMPAC in the fall. Projects from past years continue to tour to festivals and film venues around the world.

EMPAC (the Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute) is now accepting proposals for its 2010-2011 DANCE MOViES Commissions. The deadline for the proposals is April 15, 2010. This year, selected artists will receive awards ranging up to $30,000.

In addition to the funding, artists can also apply to create their works in conjunction with the Artist-in-Residence program at EMPAC. Works commissioned may take advantage of EMPAC’s spaces and technology, using infrastructure such as computer-controlled rigging or large-scale immersive studio environments.

As the first major US-based commissioning program available to dance-film artists in the Americas, the DANCE MOViES Commission represents an important opportunity for those working at the intersection of the moving body and the moving image. The commission has funded thirteen projects in the last four years, with four of them also winning residencies at EMPAC.

There are up to 150 submissions per year, with four to five winning proposals. Artists selected can be from North or South America: a majority of recipients have been from the US, some working in international teams, with other winners also coming from Mexico, Brazil, Argentina and Canada.

Backed by the Jaffe Fund for Experimental Media and Performing Arts, the DANCE MOViES Commission supports works for the screen including film, video, installation and other audio-visual formats. The works may be narrative in nature or abstract; they may range in length (up to 20 minutes); they certainly vary in style, technique and expressive intent.

The DANCE MOViES Commissions encompass a wide range of projects. They may take advantage of a variety of tools, such as computer processing, motion capture, simulation, animation, image processing and post-production technologies. Some may not portray “dance,” per se, at all. All will, however, reflect or refer to the power of movement unfurling in time.

DMC APPLICATION PROCESS

The EMPAC DANCE MOViES Commission is a competitive open proposal process, in which eligible artists or groups from North or South America submit a project proposal. The initial proposals are reviewed and a small number of artists are invited to submit a detailed proposal to an international panel. The panel assesses the quality and feasibility of the proposed project and submits its recommendations to EMPAC. The commissions are awarded by EMPAC after review.

Upon awarding of the commission, the artist or collaborative team has one year to complete the project, at which point the work is premiered at EMPAC, and shown at dance film festivals around the world.

The deadline for the proposals is April 15, 2010.

For more information on the DANCE MOViES Commission, including new guidelines and how to apply, please visit http://www.empac.rpi.edu/commissions/DMC/. Guidelines and information also available in Spanish.

About EMPAC

The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) opened its doors in 2008 and was hailed by the New York Times as a “technological pleasure dome for the mind and senses… dedicated to the marriage of art and science as it has never been done before.”
Founded by Rensselaer Polytechnic Institute, EMPAC offers artists, scholars, researchers, engineers, designers, and audiences opportunities for creative exploration that are available nowhere else under a single roof. EMPAC operates nationally and internationally, attracting creative individuals from around the world and sending new artworks and innovative ideas onto the global stage.
EMPAC’s building is a showcase work of architecture and a unique technological facility that boasts unrivaled presentation and production capabilities for art and science spanning the physical and virtual worlds and the spaces in between.
About Rensselaer Polytechnic University

Rensselaer Polytechnic Institute, founded in 1824, is the nation’s oldest technological university. The school offers degrees in engineering, the sciences, information technology, architecture, management, and the social sciences and humanities. For over thirty years, the Institute has been a leader in interdisciplinary creative research, especially in the electronic arts. In addition to its MFA and Ph.D. programs in Electronic Arts, Rensselaer offers Bachelor degrees in Electronic Arts, and in Electronic Media, Arts, and Communication – one of the first undergraduate programs of its kind in the United States. The Center for Biotechnology and Interdisciplinary Studies and EMPAC are two major research platforms that Rensselaer has established at the beginning of the 21st century.

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DRHA 2010 Conference: Digital Resources for the Humanities and Arts
Sunday 5th September - Wednesday 8th September 2010
Brunel University, West London
www.drha2010.org.uk


CONFERENCE THEME: Sensual Technologies: Collaborative Practices of Interdisciplinarity

The conference’s overall theme will be the exploration of the
collaborative relationship between the body and sensual/sensing
technologies across various disciplines. In this respect it will offer
an interrogation of practices that are indebted to the innovative
exchange between the sensual, visceral and new technologies.
At the same time, the aim is to look to new approaches offered by
various emerging fields and practices that incorporate new and existing
technologies. Specific examples of areas for discussion could include:

• Delineation of new collaborative practices and the interchange of knowledge
• Collaborative interdisciplinary practices of embodiment and technology
• Integration/deployment of digital resources in new contexts
• Connections and tensions that exist between the Arts, Humanities and Science
• Notions of the ‘solitary’ and the ‘collaborative’ across the Arts, Humanities, and Sciences
• eScience in the Arts and Humanities
• Use of digital resources in collaborative creative work, teaching, learning and scholarship
• Open source and second generation Web infrastructure
• Digital media in time and space
• Music and technology: composition and performance
• Dance and interactive technologies
• Taking inspiration from SET: imaging, GPS and mobile technologies
• Evaluating the experience among providers and users / performers and audiences
• Interface Design and HCI
• Performative Practices in SecondLife or other virtual platforms
• New critical paradigms for the conference’s theme

The DRHA (Digital Resources for the Humanities and Arts) conference is
held annually at various academic venues throughout the UK. This year’s
conference is hosted by Brunel University, West London. It will take
place from Sunday 5th September to Wednesday 8th September 2010. It
will be held across various innovative spaces, including the newly
expanded Boiler House laboratory facilities, housed in the Antonin
Artaud Building, and state of the art conference facilities plus high
standard accommodation.

Confirmed Keynote Speakers
- Richard Coyne - Professor of Architectural Computing at the University of Edinburgh.
- Christopher Pressler: Director of Research and Learning Resources and
Director of the Centre for Research Communications, University of
Nottingham.
- Thecla Schiphorst: Media Artist/Designer and Faculty Member in the
School of Interactive Arts and Technology. Simon Fraser University,
Vancouver, Canada.
- STELARC, Chair in Performance Art at Brunel University and Senior
Research, Fellow in the MARCS Labs at the University of Western Sydney.

We invite original papers, panels, installations, performances,
workshop sessions and other events that address the conference theme,
with particular attention to the ‘Sensual Technologies’ focus. We
encourage proposals for innovative and non-traditional session formats.

DRHA 2010 will include a SecondLife roundtable/discussion event, led by
performance artist Stelarc, which will enable international
participants to present performative work via Second Life. For this
event, we particular encourage submission of Machinima works that can
be screened as part of this panel.
Short presentations, for example work-in-progress, are invited for poster presentations.
Anyone wishing to submit a performance or installation should visit http://www.drha2010.org.uk for information about the spaces and technical equipment and support available.
All proposals - whether papers, performance or other - should reflect the critical engagement at the heart of DRHA 2010.
The deadline for submissions will be 31 March 2010. Abstracts should be between 600 - 1000 words.
Letters of acceptance will be sent by 15th of May 2010, when the conference registration will be opened.
Please see http://www.drha2010.org.uk more information and a link for online submission.

Franziska Schroeder
DRHA 2010 Programme Chair
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On Wednesday, March 3rd, 2010, our class had a Skype session with Prof. Ellen Bromberg of the University of Utah. Prof. Bromberg raised many challenging questions and interesting ideas regarding telematic performance (TP) which I think will be very helpful in guiding our future collaborations with SARC and others.

Ideas and thoughts:
-Delay, Distance, Decay - Elements of TP to be overcome, or embraced(?)
-Sound and alternative sense of space are results of telematic experiences
-Simplify - Complex dance can muddy the overall intention of a TP
-Camera choreography as critical part of TP experience (including specific ideas for artistic use of camera in TP)

Challenges:
-WHAT - Is TP a screen dance?
-WHERE does TP take place? On the screen? In the spaces?
-WHERE is the audience?
-WHO is the audience? IS THERE AN AUDIENCE?
-Discovering the "plie" of telematic dance - Will there be such a thing?
-WHY does any of this matter? Couldn't we just dance to a recorded video and have the same experience?

...are we feeling the "Telematic Embrace" yet?

-Jeff Z.
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Today I post a first report of how our telematic collaborations are going. Our class is trying to collaborate on networked performance with musicians from SARC in Belfast and RPI in Troy, NY. The technologies we have decided to use for now are, with SARC, SKYPE for video with JackTrip for audio, and Max/MSP for sending data to affect the sound. So far we've been taking small steps each week, one week getting JackTrip to work, the next week getting it to work better, and finally this week achieving a short improv between us. Next week we will hopefully get the four-channel audio from SARC properly spatialized in the room so we can respond to that in our movement choices, and to get video of the musicians from SARC on the screen in addition to our video. It is a bit frustrating to have the setup take so much time, but I hope and believe that we will get faster and more fluent with it so that we can make art rather then deal with the technology for so much of the class period. It is GREAT to have partners willing to work with us on a weekly basis to get this going...and by the end of the semester I know we'll have something wonderful to show for it. We need next also to develop scores for dances over the Internet that will make some artistic sense.


John Toenjes, instructor of 362 Networking & Performance
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