Blogs

Hello all, here is the link to the Soma Session Thursday, September 8. Reyna J. Perdomo is inviting you to a scheduled Zoom meeting.
Topic; Soma Session 3 with Reyna
Description; GYROKINESIS® Method and Embodied-Balanced-Flow Body/Mind Training with Reyna.
Time: Sep 8, 2022 01:00 PM Caracas, 1 PM EST., 7 PM CET.

Join Zoom Meeting
https://us02web.zoom.us/j/81041596974?pwd=bFB1MHdlSHlnczQ1Zi9UVmw3UUhIUT09

Meeting ID: 810 4159 6974
Passcode: 369443

Hello all, 

MotionDAO, an artists collective exploring the affordances of the blockchain for  movement and inter-disciplinary artists.

We have been  meeting, thinking and creating experiments and we have now the opportunity to meet and share our experience in Kassel  Germany during Documenta 15th.

This is the MotionDAO group on dance-tech.net

MotionDAO is a Dance-tech.net project

Claim you special NFT. Scan the QR code and you will be prompted to create a Near wallet to collect the NFT. The daily NFT are gifts for you from MotionDAO artists. #artist #collaboration #motiondao #artblockchain #blockchain #nearprotocol #near #dancetech

Here is the recoding of the meditation session of today uploaded in the Internet Archives ... (supported by MotionDAO/Near Protocol)

https://archive.org/details/sati_07_27_22

Hello all,

I will be offering a a weekly online meditation sessions every Wednesday at 12pm. EST.

The sessions are  led in English and are offered for free to dance-tech.net and movimiento.org members.

These sessions are supported by MotionDAO/Near protocol and are part of the MotionDAO Somatic Care Intiative.

All levels of experience are welcome.

To receive the zoom link please leave a comment in this post!

Session Description:

Sati: The Practice of Mindful Awareness 

We will explore the potency of embodied awareness: ‘bodyfulness’ as a reframing of the four foundations of Mindfulness (Satipathana) as presented by early buddhism. We will practice Sati in combination with contemporary practices influenced by embodied cognition and somatics. The sessions start with guided mindfulness practice, silence and unfolds to a council/dialogue practice.

My Bio:

Marlon Barrios Solano is a Venezuelan-American interdisciplinary artist, educator and researcher based between the US  and Europe. With a hybrid background in movement arts, performance/dance studies, software engineering and psychology, he investigates the intersections of socio-technical systems, embodied cognition, choreography, computation, networks, somatic awareness and social innovation in art, pedagogy and healing.  He is fascinated by software, complexity and culture.

He is a Certified Vipassana/Mindfulness Meditation Teacher by Spirit Rock Meditation Center (USA) and practices under the mentorship of Stephen Batchelor. He is a student of the Somatic Experiencing Certification Program (NYC) and he is an  Embodyoga® 200 Hour Teacher (RYT200). From 2016 to 2021, he worked and lived  at Insight Meditation Society in Barre, MA in the US.He teachers mindfulness meditation to artists, technologists  and creative professionals.

Marlon was a research associate at the Inter-University of Dance/University of The Arts (UDK/HZT) in Berlin (Germany) from 2013 to 2016 and a collaborator of Lake Studios Berlin. He was a 2017 Hombroich Fellow (Germany) and has been artist/researcher  in residency at ICK Amsterdam 2013-14 and at the Gilles Jobin Company in Geneva (Switzerland) 2009-2012. He has taught and developed projects in the US, Europe, North Africa, the Middle East and South America.

As a dancer  in NYC, he collaborated with New York choreographers Lynn Shapiro, Merian Soto, Dean Moss and Susan Marshall and with musicians Philip Glass, John Zorn and Erik Friedlander. He holds an MFA in Dance and Technology 2004 intersecting networked environments,  performance of improvisation and embodied cognition from The Ohio State University, USA. 

He is the creator and curator of the social networks dance-tech.net and movimiento.org and the producer of the dance-tech interviews.

He is one of the leaders of  MotionDAO: Artists Exploring the Blockchain.

https://marlonbarrios.github.io/

Buddha design byIgor Stromajer

To receive the zoom link please leave a comment in this post!

I have been hosting an Embodied Writing Session along with Lauren Tietz. We would like to invite any dancer/embodied practitioners who are interested in embodied writing practices to join us.
The sessions are led by whoever wants to share their practice or experiment with practice. Sessions are held via Zoom.

I will share zoom links on here. The dates and times are not "consistent", but we have been meeting Mondays sometimes around 10am CST or 2pm CST.

You can message me or reply here if you are interested.

We are also gathering a knowledge bank and a writing archives for some kind of publication (live, hard copy, digital, NFT).

These sessions are supported by MotionDAO

 I am so happy that our project #MotionDAO was included in the current #gitcoin grants rounds for quadratic funding. 

The GitCoin organization  matches  your donation using an algorithm that favors the amount of donations/supporters instead of the amount of $ donated. So real crowd funding.

You may donate just a dollar in ETH , DAI, USDC  or Matic and it gets algorithmically augmented based in the number of supporters.

This round is until March 24th.

Support MotionDAO.

We are an international think-tank of artists, researchers, creative technologists and token engineers paving the way of creative innovation in the web3 for/with movement artists/embodied perspective.

To donate you need to use your Metamask wallet and you may use ETH or Matic. Please share and...thank you!

Cool opportunity  to get you wallet and etc! Follow videos!

Ask us questions and join the conversation in our super active Telegram Channel.

#innovation #project #funding #engineers #creative #ethereum #polygon #matic #kernel #motiondao

DONATE HERE

BIONICA AUDIOVISUAL IS A PROJECT BY BIONICA WOMEN, ART, TECHNOLOGY AND SOCIETY FROM BARCELONA-SPAIN. 

BIONICA purpose of bionica is to vindicate thinking, production and and the artistic and technological practices carried out by women. 

In this first version of BIÒNICA are interested in exhibiting a diversity of audiovisual proposals from all over the world. 

The call extends to all artists regardless of their gender who deal with issues related to women and enthusiasts of film, dance film, video or documentary.

Biònica Audiovisual will be held online, based on the website www.bionicas.net as well as an online presentation in the context of Biònica women, art, technology and society found remotely from the city of Barcelona between 27 and December 30, 2021.

DEADLINE :  D-2Oth 

SUBMIT HERE

So happy to serve as a guide during this two-week process at the Lake Studios Berlin, as we attempt to reconsider media and performance, to name the potentials and pitfalls as we seek to see our practice anew.

Digital Body Workshop Journal: Day 1 - Abandoning Preconceived Notions: What are our expectations about performance and media? What are the prejudices and stereotypes we carry inside, our points of excitement and our irritations? We spent several hours exploring these questions during the first day of the workshop. It is our attempt to see the digital materials with fresh eyes so we might put them to use in new and unexpected ways.

Digital Body Workshop Journal: Days 2 + 3: What is an Image? The word slips easily from the tongue, but what do we really mean? We dug in to that topic as Benjamin Krieg shared from his vast body of work with groups like She She Pop and others, as Marlon Barrios Solano pushed us inward and outward with several poetic provocations, and Armando Menicacci led us through a rigorous, analytic examination of the structural implications of the word itself. We responded to all of this by having each participant create and share rapidly improvised scenarios comprised only of a projector connected to a video camera in relation to the performer and audience – each of which led to long, rich discussions of the implications and possible meanings they portrayed. When thinking about performance, what does the word image conjure for you?

Foto: Benjamin Krie

Digital Body Workshop Journal, Week 1 – "What is it?": For the last six days, we have attempted to (re)encounter the image: to imagine it, to read it, to wrangle the hardware and software required to record and render it. We did this within the frame of our overarching goal: to abandon preconceived notions and see these materials in a new way. As we start week 2, I ask myself, "how did we do?"

In the end, it is impossible to ignore or deny thousands of years of seeing and making images, from cave paintings to virtual reality. It's in our bones. Yet, we managed to keep ourselves in a constant state of questioning. As Bebe Miller wisely advised us to do last night, we kept stepping back and asking ourself one question, over, and over, and over again.

"What is it?"

For me, embracing that question was the great success of this first week. Now we will see if we can do the same with "data."

Foto: Benjamin Krieg

Digital Body Workshop Journal, Days 7 & 8– Big Data: As we did with the word "technology" in the first week, we started the second week by asking "what is data?" This question could be debated ad infinitum, but here I will mention three crucial points: "data is interpretation and representation", "data is a reduction", and perhaps most importantly "data has value". But how does this apply to using data, from a performer or from the world, in a performance?

Our guest speakers Ruth Gibson + Bruno Martelli (https://gibsonmartelli.com), and Bebe Miller (https://bebemillercompany.org) helped us dig in to those points with presentations that touched on technologies ranging from virtual reality to motion capture, though they continuously kept their focus on aesthetics and expression.

With this in mind, we began to navigate "the gear": this is a sensor, this is the kind of data it measures and represents, this is how we get it into the computer, and this is what we can do with it – practical realities that can often seem at odds with the artistry.

To assimilate and balance the theory, the "how to", and the desire to express and share our artistic vision, remains the goal of this second week.

Benjamin Krieg

Digital Body No. 1 Journal - Day 9 - Data Invasion: Today's pictures feature only the participants of the lab, because we spent nearly two hours today vigorously responding to the works presented by our guest speaker Christopher Kondek. (https://doubleluckyproductions.org)

I cannot reproduce the incredibly well articulated points that so many of our intrepid explorers offered in a Facebook post. Suffice to say, thanks to Chris' presentation and the ensuing discussion, we could no longer pretend that data was just a stream of numbers captured from a performer's body. Losing control of your data, especially for those who live under authoritarian regimes, is not a game. It is a matter of life and death – a notion that will weigh strong on our minds as we continue through this week.

https://vimeo.com/576478142?fbclid=IwAR1ZsEsR9mwef_ZvG3cL97NzeJWcmc5LtBkURixz0DO5tpoin_aU9RHBxEw

The one-year project series “OUR DANCE – What is your dance?”, funded by the Berlin Senate Department for Culture and Europe, since spring 2020 has been based on a setting that is concerned about our work and our constellations. In this setting we wanted to use the potentiality of the local to bring together different neighbors or non-neighbors and emerge from unlikely encounters with a shared or individual experience, with mixed or unambiguous feelings, energies, affects, anger and insight. We ask: How can a public space be curated through the collaboration of a group? How can different audiences be mixed through unexpected gatherings in this process?
Largely under the unexpected auspices of the pandemic caused by Covid-19, we have been searching for constellations of shared learning and unlearning for more than a year now. Instead of giving and taking, instead of outreach and receiving, we set up our work as an exchange of expertise of various kinds. This tangents to some, but not all. It opens to these, but not to those. Only in the overall view of the fluctuations and confusions did small tectonic shifts become apparent. Beyond a paternalistic ethos of gratification, which accompanies many activities in the intermediate area between art and cultural education, we asked what we ourselves want to know and what points of contact arise from this. How do we proceed, how does this world proceed through and as an embodiment of changeable structures? Therefore, seventeen months ago by now, we consciously started with a very simple question that is close to us, that takes the subjective extremely personally, but at the same time offers the possibility to be examined in its social, historical and cultural complexity. In this respect, the central question of OUR DANCE is: What is YOUR dance? And, even further, how do we then dance together?
The durational online event that concludes our project, “OUR DANCE - The living room edition”, inquires into biographical elements whilst exploring the hybridity of cultures and cultural techniques. It approaches embodiment as a shared memory space and offers connections to a biographical as well as socio-political and (inter)cultural exploration. Dancing is practiced here as a special case of what Stefano Harney and Fred Moten describe in “The Undercommons” (2013): They conceive learning at all levels as a collective act of knowledge exchange and knowledge production. For them, this collective learning means a practice against general disinterest or the hyper-individualized interest of individuals. Un/learning is about an interest beyond the individual search for self-interest. It crosses identities and generates new communities.
Given the abundance of dance happening in and around Uferstudios, we want to conclude with “OUR DANCE - The living room edition” together with our guests with a program series that examines dance in its various forms, as a practice that is in each case its own – biographically determined, acquired, deformed or found – along the following questions:
* What is the history, what are the cultures, politics, structures and preconditions of YOUR dance?
* How is YOUR dance embedded in the politics of its history and origins, what are the collectivizing and what are the individualizing forces that can be found in it? How and what does it embody and how does it produce a particular knowledge that cannot be found anywhere else?
* What is YOUR dance at all, how does it work and how can I – the other – dance it?
Different strategies and methods of investigation apply to different types of dance – be it street dance, dance history(s), Madonna videos, Irish social dances, theoretical practices or workshops. Whether as affirmation, as critical embodiment, or as techniques of individualization or communization: the various researches and an international conference which have been realized within the framework of our series questioned 'their dance' with their own methods and by drawing on different inputs from experts in other fields. In each case, specific decisions were made about what kinds of collaborations and what kinds of openings were needed.

PSR is a collective of Berlin-based artists and cultural workers (Lea Martini, Sheena McGrandles, Modjgan Hashemian, Stefan Hölscher, Mila Pavićević, Juli Reinartz and Simone Willeit) who have been collaborating since the 25h event “Househeating” at the Heizhaus of Uferstudios in October 2019. Most of the PSR artists are also active as cultural workers, mentors and teachers in addition to their artistic projects.
Production management: Monica Ferrari and Francesca Spisto. Technical support: Hanna Kritten Tangsoo.
Graphic design: Matrose Mantober.

Funded by the Berliner Senatsverwaltung für Kultur und Europa and the Bezirksamt Mitte. Supported by the Creative Europe Program of the EU, Life Long Burning and the Uferstudios.

Recordings are available via dance-tech on Vimeo: https://vimeo.com/showcase/8476725

Organized by the Fritz Thyssen project “Collective Realization – The Workshop as an Artistic-Political Format” (Institute for Theatre Studies, Ruhr University, Bochum) in collaboration with the ICI Berlin and the PSR project “Our Dance” (Heizhaus/Uferstudios GmbH) in Berlin. Funded by the Fritz Thyssen Foundation and the Berliner Senatsverwaltung für Kultur und Europa.

Concept and Organization: Kai van Eikels and Stefan Hölscher.

Speakers: Zahra Ali Baba, Julia Bee, Sabeth Buchmann, Alice Chauchat, Bojana Cvejić, Diedrich Diederichsen, Gerko Egert, Konstantina Georgelou, Aernout Mik, Wadzanai Motsi-Khatai, Mila Pavićević, Hanna Poddig, Yvonne Rainer, Juli Reinartz, Xavier Le Roy, Heike Roms, Anne Schuh, and Sebastian Voigt.

Workshops and artistic presentations by: Jeanne-Jens Eschert, Bella Hager, Anne Mahlow, Lea Martini, Nana Melling, Aernout Mik, Marta Popivoda, and Doris Uhlich.

Assistant: Miedya Mahmod.
Graphic Design: Zahra Rashid.

Facebook: fb.me/e/ctZHBnxrp

Recordings are available via dance-tech on Vimeo: https://vimeo.com/showcase/8476725

Are you an artist and interested in the blockchain? Curious about the potential of the blockchain for socio-economic design and financial innovation for your communities of practice? Would you like to explore the NFTs and decentralized finances DeFi as a creative space? Are you interested in joining a group of artists researchers exploring these questions and tools? 

If you answer yes to any of these question or you are strongly curious about Crypto, we invite you to apply to participate  in a series of 4 Online workshops/labs for artists and makers offered by MotionDAO

These lab/workshop sessions will offer foundational concepts and tools to access the blockchain economic ecosystem and explore its potential for social and financial innovation. Creative explorations of the affordances of the blockchain will be  encouraged.

The four 90 minutes sessions will introduce the participants to the fundamentals concepts and practices of Web3: blockchain, smart contracts, crypto wallets, token economies, remittances, design and emergence of value, non-fungible tokens, DeFi and DAOs.

Each session will be divided in three parts: conceptual framework, a hands on practicum and a Q&A.

We will be using the  Near Protocol.

Six hours of online mentoring will be offered by appointment.

All levels of experience with crypto and the blockchain are welcome.

Lab will be facilitated in English by Marlon Barrios Solano

DATES:

September 19th and 26th

October 17h and 24th

1:00 PM EST

Important:

• Limited to 10 participant. Leave a brief replay to this post stating your interest and motivation.
• Participants must commit to attend all sessions.
• Participants will receive 10 Near Token (NEAR protocol utility token) as incentive for attending and participation. Check current Near Token Value.
• The last session culminates with the formal invitation to join the MotionDAO and to apply for the MotionDAO/Near Creative Grants 2022(TBA).

  The labs will use Zoom, dance-tech.net and Telegram messenger app as communication tools.

Interested?

1. Join www.dance-tech.net if you are not member.
2. Leave a brief replay to this post stating your interest and motivation.

Questions and more information: marlon(at)dance-tech.net

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The purchase price advertisements and compare are our sole source of revenue to maintain the site running.

LUCHA is a AI research and creation project by Brisa MP human artist. Lucha is a machine for the performing arts. The project explores the notion of body-data and the collaboration between machines and humans, displacing  of the  choreographer category to the machine and activating a peaceful audience as representation of our controlled society.

LUCHA suggest the role of matters  are not, in the present day, and will ever be in future, only means of human expression and human creation, but they may one day enter into a de-hierarchical or even superior dialogue with the human race. LUCHA 1.0 is my first exploration into artificial intelligence that was created upon the performing art s and technology piece titled HERE.

LUCHA 1.0 with the support:

Creation Grant  Generalitat of Catalonia Culture Department .

Residence at MediaLab L´Estruch Creation Factory. HANGAR. Barcelona. 2020.

+ more 

https://caidalibre.cl

https://caidalibre.cl/lucha/

LUCHA PROJECT EXHIBITION

OPENING July 17th 2021 

DY3COPIA BODY AND TECHNOLOGY

VIRTUAL GALLERY

SECOND FLOOR GALLERIES - ROOM F: Mary Neubauer, Brisa MP

Dy3corpia

The Museum of Wild and Newfangled Art

Call for Submissions | Online Biennial 2021

https://www.mowna.org/submit/2021-biennial

a selection of 100 artists will be curated

artists selected receive 70% split of ticket sales

all media and all mediums of art made from 2019 to 2021

deadline march 2nd 2021

this may include:

interactive

experiences

movement

abstract

play

sound

street

fashion

animations

live performance

photography

illusions

nature

software

videoart

memes

writing

bots

gifs

vr

ar

xr

painting

sculpture

sketches

theater

poetry

opera

cinema

other creative things only you can dream up

we are wild & newfangled

are you?

SUBMIT

The 21st Century Dancer: The Multidisciplinary Kinesthetic Body- History, Lineage and Futures

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VRYSTAAT ARTS FESTIVAL – JULY 2020 ONLINE - Bloemfontein, South Africa

SCREENDANCE: DIVERSITY & REPRESENTATION MATTERS

https://www.facebook.com/vrystaatkunstefees

An online panel discussion via Zoom 02 July 2020

South Africa: 14-15:30 SAST 

UK: 13:00 - 14:30 BST

USA: 08-09:30 EST

VIDEO LINK: https://www.facebook.com/202113399825664/videos/294524148583739  

Hosted by Georgina Thomson and Jeannette Ginslov

Introduction

This is an online Screendance panel event that presents and discusses the art form, Screendance.  Screendance artists from diverse backgrounds have been asked to present their work, revealing what Screendance is, how they create it, and why it matters. It is also a panel discussion about the form of Screendance, the representation of bodies on screen, cultural diversity and the body’s representation at International Screendance festivals.

Given the current socio-political climate we can no longer skirt around the issues of bodies race, diversity and their representation on screen. To date, this topic has never been fully discussed on a Screendance panel. Being highly contentious these issues are often difficult to talk about and overlooked in favour of other discussions on funding and networking, for example. These are also important issues, but the representation of dancing bodies cannot and should not be a discussion held by academics behind closed doors. Yes, it may be uncomfortable to talk about race and representation, but this discomfort needs to be discussed as we cannot get away from bodies, their representation and context. They are the very medium of Screendance, entangled with the medium of cinema. So how do we overcome something that we cannot and should not ignore? How do we ask these questions in and with our work and how is this represented on screens internationally? There may be no answers, but at least let us try to talk about these issues. We have work to do.

Hosts

Jeannette Ginslov: Screendance and embodied technologies practitioner & PhD Candidate London South Bank University: UK

Georgina Thomson: Dance Programme Coordinator: Vrystaat Arts Festival South Africa

Presenters:

Omari Carter: Associate Lecturer and Screendance Practitioner: UK

Gabri Christa: Dance filmmaker, Assistant Professor of Professional Dance Practice Barnard College and Curator-Director of Moving Body-Moving Image Festival: NYC USA

Simon Fildes: Screendance practitioner, producer, curator and teacher: Scotland

Robin Gee: Screendance practitioner, Associate Professor of Dance, University of North Carolina, Greensboro

Smangaliso Siphesihle Ngwenya: Screendance practitioner, writer, choreographer and performer: South Africa

Participating in the discussion:

Dominique Jossie: Filmmaker/Producer and Screendance practitioner: South Africa

Tania Lea Vossgatter: Dance teacher, choreographer and aspirant Screendance practitioner: South Africa

Here is a list of the screendance that the artists are referring to:

SCREENDANCE PANEL 02 JULY 2020: Playlist on You Tube https://www.youtube.com/playlist?list=PL-byKtwPMjA5oLMeMlD9zHL6farkpUqds

Omari Carter: Associate Lecturer and Screendance Practitioner: UK

Ease on Down: https://youtu.be/MHw2LyTBWKo

Gabri Christa: Dance filmmaker, Associate Professor of Professional Dance Practice Barnard College and Curator-Director of Moving Body-Moving Image Festival: NYC USA

Quarantine: https://youtu.be/9iZH1BP6KvE

Simon Fildes: Screendance practitioner, producer, curator and teacher: Scotland

Trio for a Quartet: https://youtu.be/kFzKJORI2H0

Robin Gee: Screendance practitioner, Associate Professor of Dance, University of North Carolina, Greensboro: USA

Wanting https://youtu.be/oSSu_W2I3Ho

Smangaliso Siphesihle Ngwenya: Screendance practitioner, writer, choreographer and performer: South Africa https://youtu.be/K9xO88y7qk4

https://www.behance.net/gallery/99405945/Take-my-breath-performance