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Find more videos like this on DNA World
Dance New Amsterdam, where I work as a web/new media specialist launched DNA World, a social network open to everybody. This is from the home page: Dance New Amsterdam, downtown New York's home for contemporary dance invites you to be a part of DNA World. To see members pages and any content beyond the home page, you need to join, complete your profile and login using your password. DNA World is a forum for discussion about dance; a place to talk about what you are doing in the dance world, and a network of dancers, dance teachers choreographers, bloggers, critics and dance administrators. I also had the amazing opportunity of interviewing Lois Greenfield for DNA World. Yes, she is the one that created those iconic images of flying dancers. She talks about the show opened yesterday at DNA called Celestial Bodies and some cool anecdotes about her 20 years of taking photographing the downtown dance in New York City.
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Find more videos like this on dance-tech.net
Interview with Karen Bernard director of new dance alliance and producer of the Performance Mix Festival in NYC http://www.newdancealliance.org/about-pmix.htm She also shred with us a video with excerpts of performances in the festival from 1992. There are performances of many NY downtown now well known dance, performance artist and choreographers. I will upload it later today. About the NDA: Formed in 1979, New Dance Alliance (NDA) is a non-profit tax exempt arts service organization whose mission is to actively promote emerging forms of innovative dance, video, music, and interdisciplinary performance work. NDA was founded to support an artistic community with limited institutional resources, and to provide this community with increased opportunities to share experimental works with the public. Today NDA remains dedicated to its founding principals and has expanded its programming to include services that enable artists’ career advancement.
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Freedom + Creativity

Three words: Benefit Benefit Benefit!

Ever use craigslist? Here’s your chance to thank the man behind the site! May 6 Eyebeam will honor Craig Newmark and party to raise money for Eyebeam’s public programs, residencies and fellowships .

Other good news: Interactivos? deadline has been extended to Friday, May 2; two new intern opportunities to work with resident artist JooYoun Paek; Dirt Party testing for the Futuresonic conference; and Eyebeam’s star appearance at the Chelsea Block Party.

Online: videos of Eyebeam artists Friedrich Kirschner, Taeyoon Choi, and Stephanie Rothenburg at the Synthetic Times reception, and an in-depth interview with Eyebeam senior fellow Steve Lambert on National Public Radio.

We would also like to welcome, Sarah Cook, our curatorial fellow from acroass the pond. For curators interested in studio visits with Eyebeam artists—stop by during open office hours on Tuesdays between 2PM and 4PM, and Sarah will be happy to facilitate your visit!


This Week at Eyebeam:

May 3: A guided tour with Charlie The Magical Image-Digesting Robotic Duck

May 6: Eyebeam Benefit Celebrating Freedom and Creativity

May 17: Teen Mashup Remix: Creative Youth Workshops

New from our Labs:

May 1: Eyebeam at Futuresonic Conference 2008

May 1: Results of the iraqimemorial.org First Juror’s Review are in!

May 4: Friedrich Kirschner presents Eine Kleines Puppenspiel

May 9: Call for proposals Artist as Startup: Web Application as Cultural Intervention

Anti-Advertising Agency announces “Foundation For Freedom”, featured on NPR

Community:

May 4: GRL: The Complete First Season at the MoMA

May 9: Eyebeam at the Chelsea Block Party!


Camerautomata: Taeyoon Choi

May 3: A guided tour with Charlie The Magical Image-Digesting Robotic Duck

A guided tour with Charlie The Magical Image-Digesting Robotic Duck
Date: May 3, 2 – 4PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free. RSVP taeyoon AT eyebeam DOT org
www.camerautomata.org
www.tyshow.org

This guided tour is the first in a two month series exploring how images are produced and consumed in public spaces. Taeyoon Choi, recipient of Eyebeam’s 2008 Commission for Resident Artists and inventor of Charlie, will lead a walking tour from Eyebeam in Chelsea. After an introductory presentation of the project, participants will accompany Charlie on a photo-taking tour of the neighborhood. Participants are encouraged to bring their own cameras to help in document the experience.

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May 6: Eyebeam Benefit Celebrating Freedom and Creativity

Freedom + Creativity

Freedom and Creativity: Eyebeam 2008 Benefit
Date: Tuesday, May 6
6:30PM Cocktails | 7:30PM Dinner/Show | 9:30PM After-Party
Location: Eyebeam, 540 W. 21st St., NYC
Tickets: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

HONORING: Craig Newmark, craigslist founder and the Internet’s best known customer service representative.

Join us in honoring craigslist founder Craig Newmark for his commitment to public service and a free Internet! Support Eyebeam’s residencies, fellowships and public programs! Comedy Central’s John Mulaney will cue the night’s laugh track, NYC’s Misshapes will supply the after-party and much, much more!

Featuring:
Drawn & Magical A/V Performance: Zach Lieberman, Eyebeam fellow
Kinetic Shadow: Addie Wagenknecht, Eyebeam fellow
Excerpts from The Nebulous Object-Image Archive: Joe Winter, Eyebeam resident
Fame Game—social network re-invents fame
The Little Death
Hanging Space: Geraldine Juárez, Eyebeam senior fellow
Live visuals: Benton-C Bainbridge, Eyebeam alum
Plus: Special Guests, DJs, VJs, and more

EVENT CHAIRS: John S. Johnson | Jazz J. Merton

COMMITTEE CHAIRS: Tatiana Platt | Bryce Wolkowitz

BENEFIT COMMITTEE: Jed Alpert | Marc + Caryn Becker | Laura Dawn | Ze Frank | Andrea Harner | Garrett + Maureen Heher | Arianna Huffington | Jaime Johnson | Jonah Peretti | Lily Johnson Whitall | Marc Schiller

EXECUTIVE DIRECTOR: Amanda McDonald Crowley

MEDIA SPONSOR: GOOD Magazine
GOOD

Proceeds from the evening will help underwrite Eyebeam’s international fellowship and residency programs for artists and creative technologists, more than 300 of whom have benefited since 1997.

Tickets and information online: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

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May 17: Teen Mashup Remix: Creative Youth Workshops

Public Workshop + Presentations
Date: Saturday, May 17, 1–7PM. Presentations: 8PM
Location: The Change You Want to See, 84 Havemeyer St. (storefront), Williamsburg, Brooklyn
http://www.notanalternative.net/

Workshop for student residents
In continuation of Eyebeam resident Andrew Paterson’s Seeders ’N’ Leechers ’R’ Us project, Eyebeam student residents will take part in workshops at Eyebeam May 12 and 16 to remix audio-visual material found online and develop “fair-use” guidelines for fellow students and laymen.

Public Workshop + Presentations
A dozen participants selected from Eyebeam’s educational partners are invited to bring at least three clips to add to a pool of footage. During the workshop, they will learn to remix clips from the pool into short narrative sequences. The session will close with a screening of the finished pieces.
Workshops by:
Dan Winckler: http://danwinckler.com/vid/
Not An Alternative: http://thechangeyouwanttosee.org/
Jeff Crouse and David Jimison: http://www.digitalsituations.com/awbh/

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New from our Labs

May 1: Eyebeam at Futuresonic Conference 2008

Futuresonic Conference 2008: The Social Technology Summit
Date: May 1 – 2
Location: Contact Theatre, Manchester, UK
http://www.futuresonic.com/08/2008conf.html

May 1, 2–3:30PM: Collective Media
Spanning user-generated content, collaborative authoring and collectively owned media, this panel will feature case studies of initiatives from India to Germany. Panelists include: Platoniq (Olivier Schulbaum, Susana Noguero), Ravikant Shama (Sarai), Jennie Savage (STAR Radio), Eyebeam senior fellow Geraldine Juárez, Christine Hanson and Michael Schafae.

May 1, 5:30–11PM | May 2, 2 – 6PM: Dirt Party
Eyebeam senior fellow Jeff Crouse and Production Lab fellow David Jimison will present Dirt Party. Dirt Party is a performance in which salacious information about party attendees is gathered from sources including the web and presented to the entire audience.
Help dig up “Dirt” on the Futuresonic participants by logging on to http://futuresonic.dirtparty.org/, and view some examples here: http://futuresonic.dirtparty.org/thumbs.

May 2, 10–11:30AM: Musical Interfaces
This panel will consider the mobile phone user as micro-DJ, a Toronto-wide open source musical interface and more. Panelists include: Florian Hollerweger, Gauti Sigthorsson, Steve Daniels, and Eyebeam resident Jamie Allen.

Additional Events:
Freeware: The Manchester Collection
May 3, time TBD (check the Futuresonic website for schedule) | Fashion show: May 4
Zion Art Center | Free
A workshop about Manchester, its people and the stuff they give away. This session will be dedicated to creating fashion items from freecycled materials collected around the city. The clothes will be presented in a community fashion show at the end of the workshop.

Finally, members of CRUMB (Curatorial Resource for Upstart Media Bliss) will be curating couples and setting up blind dates for gun-shy curators and artists. Find your soulmate—stop by the mezzanine at the Contact Theatre on Friday, May 2, 2–5PM.

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May 1: The results of the iraqimemorial.org First Juror’s Review are in!

A recipient of Eyebeam’s 2008 commission for Resident Artists, Joseph DeLappe’s, iraqimemorial.org has garnered 125 proposals from 30 nations. On May 1, the results of the First Juror’s Review of memorial proposals will be posted to the site. Jurors for the project were invited to create individual rankings of their top ten proposals. The jurors for the project are:
Yaelle Amir, curator and writer, New York City
Dr Bernadette Buckley, Goldsmiths University of London
Monica Narula & Shuddhabrata Sengupta, The Raqs Media Collective, New Delhi, India
Dr. David Simpson, University of California, Davis
John David Spiak, curator, Arizona State University Art Museum, Tempe
Dr. Marjorie Vecchio, Director, Sheppard Fine Arts Gallery, University of Nevada, Reno

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Puppet play beta

May 4: Friedrich Kirschner presents Eine Kleines Puppenspiel

Ein Kleines Puppenspiel
Date: May 4 – 6
Location: Trickfilm Festival, Stuttgart, Germany

Friedrich Kirschner, a fellow in the Eyebeam Production Lab, will perform his piece Ein Kleines Puppenspiel on May 4 as part of the International Trickfilm Festival in Stuttgart, Germany. Kirschner will also lead workshops on machinima and moviesandbox on May 5 and 6.

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May 9: Call for proposals: Artist as Startup: Web Application as Cultural Intervention

Deadline for proposals: May 9
Date: February 25 – 28, 2009
Location: College Art Association Conference, Los Angeles
Submission Details: http://www.collegeart.org/pdf/CallforParticipation2009.pdf.

Senior fellow Michael Mandiberg will chair a panel at the 2009 College Art Association Conference in LA, and is accepting proposals for papers on the topic of web artists making cultural interventions through “life- like” functioning tools and applications. Artists, theorists and historians are all welcome to submit an abstract.

Send applications to Michael Mandiberg, Michael AT Mandiberg DOT com (email applications preferred), or at College of Staten Island, City University of New York, Dept. of Media Culture, 2800 Victory Blvd., Staten Island, NY 10314.

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Anti-Advertising Agency announces “Foundation For Freedom”, featured on NPR

The most creative and forward-thinking professionals of our time work in marketing. The Anti-Advertising Agency Foundation For Freedom wants them to quit. And they’re offering cash.

Read about Eyebeam senior fellow Steve Lambert and Anne Elizabeth Moore’s new project on the Anti-Advertising Agency site:
http://antiadvertisingagency.com/projects/foundation-for-freedom
or on Gawker:
http://gawker.com/381161/get-paid-to-quit-the-advertising-industry

Plus: Check out recent interviews with Steve Lambert on National Public Radio , and in Gelf Magazine.

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Community

May 4: GRL: The Complete First Season at the MoMA

GRL: The First Season
Date: May 4, 8–11PM
Location MoMa Titus Theatre, 11 W 53rd St., NYC
Tickets: http://www.moma.org/calendar/ev_tickets.php?id=8571&tid=VS0000195&dept=VS

Info about the screening: http://graffitiresearchlab.com/?p=140

PopRally invites you to a screening of Graffiti Research Lab: The Complete First Season, a film documenting the adventures of an architect and an engineer who quit their day jobs to develop high-tech tools for the art underground. Featuring insightful and humorous commentary by GRL founders James Powderly and Evan Roth, The Complete First Season argues for free speech in public, open source in pop culture, the hacker spirit in graffiti, and not asking permission in general. The film premiered at the 2008 Sundance Film Festival.

The screening will be followed by a panel discussion with Graffiti Research Lab members and surprise guests. Stay for the party afterwards, featuring music by Javelin and a final chance to see MoMA’s Design and the Elastic Mind exhibition, which includes the work of the GRL.

Watch the trailer for GRL: The Complete First Season: http://graffitiresearchlab.com/?page_id=142#video

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Chelsea Block Party

May 9: Eyebeam at the Chelsea Block Party!

Citizens Committee for New York City Block Party
Date: May 9, 4–8PM
Location: Hudson Guild Place, 26th St., NYC (btw. 9th and 10th Aves.)

Eyebeam artist Taeyoon Choi’s infamous picture-taking duck will be making an appearance at the local block party organized by the Citizens Committee for New York City. Learn about other Eyebeam projects, meet your neighbors or just come by and hang out! Other groups at the block party include: Pantomonium Productions Theater Group; Chelsea Community Supported Agriculture; Transportation Alternatives; Just Food; Chelsea Tenant Action Committee; Hudson Guild.

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Founded in 1997, Eyebeam is an art and technology center that provides a fertile context and state-of-the-art tools for digital experimentation. It is a lively incubator of creativity and thought, where artists and technologists actively engage with the larger culture, addressing the issues and concerns of our time. Eyebeam challenges convention, celebrates the hack, educates the next generation, encourages collaboration, freely offers its output to the community, and invites the public to share in a spirit of openness: open source, open content and open distribution.

Eyebeam’s current programs are made possible through the generous support of The Atlantic Foundation, The Pacific Foundation, the Johnson Art and Education Foundation, the John D. and Catherine T. MacArthur Foundation, the Jerome Foundation, Dewar’s, Deep Green Living, ConEdison, Datagram, Electric Artists Inc.; public funds from New York City Council Speaker Christine C. Quinn, the New York City Department of Cultural Affairs, the National Endowment for the Arts, and the New York State Council on the Arts, a state agency; and many generous individuals. For a complete list of Eyebeam supporters, please visit http://www.eyebeam.org/donate.


If you would like to subscribe or unsubscribe from the Eyebeam email list please visit:
http://www.eyebeam.org/about/about.php?page=contact


Subscribe to rss feeds: Eyebeam News Eyebeam Journal Eyebeam reBlog


EYEBEAM

Tues-Sat, 12 - 6PM
540W. 21st Street, New York, NY 10011
www.eyebeam.org

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Find more videos like this on dance-tech.net This is video in which I ask for a reflexion on the tone of comments and opinion in each others work. Is related to commens from Matt to Johannes posts: http://www.dance-tech.net/profiles/blog/show?id=1462368%3ABlogPost%3A1260 Johannes continued the discussion in the dance-tech email list. Please watch and comment, thank you, marlon
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The Golden Viral: Leslie and Ly's

On the day of love, I stood on an old dirty couch and watched a Midwest diva rap about the powers of her shoulder pads and sweater appliqué. The low-budget big-impact show was all flash with projections, heavy electro beats complete with backup singers. It was the Leslie and Lys show at the Mercury Lounge in New York City, and it was sold-out: people dancing, laughing, singing along to her not-so-underground hits, and getting the chance to touch her red rouge cheeks. CDs, t-shirts and other crap were being sold near the front door. How did this happen? In a city of million dollar rat holes, how does an underground phenomenon emerge? Simple: she unleashed her shtick via the internet, exploiting her talent for visual art, music making, dance and performance. Well, the dancing is not going to make her a star, but her moves are fierce and funny.Her entrance that night:In front of skewed videos of chubby aerobic classes, dog grooming, and other weird 80s cultural ephemera, I felt like I was watching a genius. There were low tech effects, like a giant black sock to disguise her dramatic entrance, and the music was courtesy of her laptop, which sat right to the side of the stage. It was technological full disclosure, low and hi-tech. And she shakes and strokes her full-figure beauty/booty in a tight gold-lame confection…a space suit for her alien glamour. Again: nothing to hide. Nobody laughs at her, they dance with her. There were fans with gem-sweaters, called up on stage to get letters of gem-sweater authenticity and then dance: performance pop art without the pomp.It’s Americana from hell. But so lovely are Leslie’s talents that what could be simple kitsch becomes a sophisticated commentary on body-image, whiteness, celebrity and DIY technologies and culture: she didn’t name her CD ceWEBrity for nothing. And, it’s a shit load of fun.See this article about her formative gemness: http://www.boston.com/yourlife/fashion/articles/2005/05/24/bedazzled/ http://www.lesliehall.com/#
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http://www.ted.com - In a wide-ranging talk, Vilayanur Ramachandran explores how brain damage can reveal the connection between the internal structures of the brain and the corresponding functions of the mind. He talks about phantom limb pain, synesthesia (when people hear color or smell sounds), and the Capgras delusion, when brain-damaged people believe their closest friends and family have been replaced with imposters.
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This workshop is for dance, theater, film, video-ists, conceptual artists, sound artists who are interested in learning about the collaborative process between sound designer and "other." It is for those who want to interface their medium with sound or want to learn about sound making process process.In this interactive workshop, participants will go "out into the streets" to record sound that will later be contributed to a short score. Prior to the field trip portion of the class, we will discuss collaboration, the formulas and limits for sound collection and the meaning and relevance of intention and limits in the creative process. We will especially look at how we can infuse the theme, which is "productivity," every step of the way. Upon collection of sound, we will return to engage in the interactive compositional portion of the day concluding with a real live useable score that will (in some form) be a part of The Movement Movement's full length evening contemporary dance piece premiering at the Joyce SoHo in June 2008.Sunday April 6, 10 AM to 4 PM - $50 (12 person limit) PRE-REGISTRATION IS REQUIREDPlease visit Harvestworks to register596 Broadway, Suite 602 (btwn Houston and Prince)Pre-payment required, space is limited to 12 participants. Please register at www.harvestworks.org under classes/audioFor questions about content please email Martha Williams info@themovementmovement.org or call 917-531-1171Facilitated by sound designer Norm Scott and director/choreographer Martha Williams**Funded in part through the Meet the Composer's MetLife Creative Connections program.**
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This is a very good example of two things: the power of diffusion of the internet for a good idea and alternate ways of finding funds. Congratulation to Misnomer Dance Theater! IdeaBlob announced Misnomer as the winners of their $10,000 prize. Over 1,000 of you voted for them in December! Their idea included building several features to help the performing arts online. You can read about it in the Wall Street Journal. Thank you! Your involvement keeps us creating and is deeply appreciated!
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Conference March 6-7 New York University Radars and fences, satellites and walls, networks and bunkers. Two different sets of technologies confront us: the former epitomize the selective and flexible character of what Gilles Deleuze termed the “societies of control”; the latter embody the “old” disciplinary paradigm based on separation, physical mass containment, and restriction of the freedom of movement. Most of the times control and discipline coexist ad reinforce each other; sometimes they seem to collide. This is due to a variety of far-reaching factors and transformations occurring in the productive sphere. As a matter of fact, it is the very structure of the network society, with its decentralization of tasks and constant multiplication of electronic eyes that threatens the opacity of physical and immaterial bunkers. By looking at the grey areas where control and discipline, transparency and secrecy, democracy and the state of exception overlap and collide, Radars and Fences provide a cross-disciplinary platform whereby researcherstists, journalists, filmmakers, and activists can negotiate new and critical p, arositions. Go to conference site
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