FIAF AND THE KITCHEN PRESENT U.S. PREMIERE OF
DD DORVILLIER’S DANZA PERMANENTE
AS PART OF THE 2012 CROSSING THE LINE FESTIVAL
Performed in Near Silence, New Work Transposes the Score of a
Beethoven String Quartet Into Movement for Four Dancers
Danza Permanente
DD Dorvillier/human future dance corps
Co-presented by The Kitchen and
The French Institute Alliance Française (FIAF)’s 2012 Crossing the Line festival
The Kitchen (512 West 19th Street, NYC)
Wednesday – Sunday, September 26 – 30 at 8:00 P.M.
Tickets: $15, www.thekitchen.org, 212.255.5793 x11
“Ms. Dorvillier has a gift for creating a kind of irrational theater that is held together by the strength of a
single imaginative vision.” — The New York Times
New York, New York, August 29, 2012—The Kitchen and the French Institute Alliance Française (FIAF),
New York’s premiere French cultural center, present the U.S. premiere of Danza Permanente, from DD Dorvillier and her human future dance corps, as part of the 2012 Crossing the Line festival. Danza Permanente transposes the score of a Beethoven string quartet into movement for four dancers, each of whom takes the part of a single instrument. The work is performed in near silence with bursts of recorded sound by Zeena Parkins, who also serves as music director.
Performances of Danza Permanente will take place Wednesday through Sunday, September 26–30 at 8:00 P.M. at The Kitchen, which is located at 512 West 19th Street, NYC.
Tickets, which are $15, are available
online at www.thekitchen.org and by phone at 212.255.5793 x11.
In Danza Permanente, the performers embody the musical structure and dynamics of the string quartet, behaving as sound, in silence. The transposition of the score is by choreographer DD Dorvillier and composer/music director Zeena Parkins, with dancers Fabian Barba, Nuno Bizarro, Walter Dundervill, Naiara Mendioroz, and rehearsal assistant Heather Kravas. The lighting design by Thomas Dunn and the acoustic environment by Parkins follow the score, framing the silence and the dance.Of creating Danza Permanente, Dorvillier has said, “I chose to work with the score of Ludwig Van Beethoven's String Quartet #15, in A Minor, Op. 132, not so much for the man Beethoven himself, but for the music, which is at once moving, demanding, rigorous, and extreme in contrasts, colors, and mood changes.
This infamous and beloved music has an intellectual and affective power that is akin to literature. It is thinking
music. Danza Permanente originates from a curiosity about how, without words, music, through its unique properties, induces thought and feeling.
DD Dorvillier (choreographer) Puerto Rico, 1967. Choreographer, dancer, and teacher in New York City since 1989. Bessie Awards for choreography (Dressed for Floating, 2003) and performance (Parades & Changes, replays, 2010). In 1991, Dorvillier and dancer/choreographer Jennifer Monson created the Matzoh Factory. For over a decade, the studio was a grassroots site for wild experimentation where choreographers and artists congregated for low-tech/low-cost shows, rehearsals, parties, and readings. Dorvillier has worked with and been deeply influenced by Jennifer Monson, Zeena Parkins, Jennifer Lacey, Yvonne Meier, Sarah Michelson, and Karen Finley, among others. She has been an MR Artist in Residence, curator of the MR
Festival, and co-editor the MR Performance Journals “Release” and her awards include NYFA Choreography Fellowship (2000), Foundation for Contemporary Arts Fellowship (2007), and Guggenheim Fellowship
(2011). Her work has been presented in NYC at The Kitchen, Dance Theater Workshop, Danspace Project, and PS 122, and others. Internationally she has presented her work at ImPulsTanz, Vienna; DeSingel, Antwerp, STUK, Leuven; Hau/Hebel am Ufer, Berlin; Frascati, Amsterdam; Zagreb Dance Weeks, Zagreb; Springdance Dialogues/TSEH Festival, Moscow; and many others.
Zeena Parkins (composer, musical director) multi-instrumentalist, composer, improviser, sound artist, wellknown as a pioneer of the electric harp, has also extended the language of the acoustic harp with the inventive use of unusual playing techniques, preparations, and layers of digital and analog processing. Parkins has received commissions to provide scores for film, video, chamber orchestras, theater and dance. She has longterm creative relationships with Neil Greenberg, John Jasperse, Jennifer Monson, Jennifer Lacey, DD Dorvillier, and Emmanuelle Vo-Dinh, and has also appeared with the Merce Cunningham Dance Company, who commissioned a new work for Experiments in the Studio. She has appeared in festivals worldwide and on countless recordings. Some collaborators include: Kim Gordon, John Zorn, Bjork, Yoko Ono, Christian Marclay, Fred Frith, Elliott Sharp, Thurston Moore and filmmakers Cynthia Madansky, Mandy McIntosh and
Daria Martin. Zeena has received three Bessies for her extraordinary work in music within the dance and performance field in the United States and abroad for over two decades.
