This a call for a 2 months paid residency for collectives (existing or newly established on the occasion of this call, ideally 5 persons). The period of 2 months can be spread over a maximum of 5 months. Read more about the practical details further below.First we would like to give you more info about the context and the framework of this call.
Technology, the Body, and Choreography
Free residency at Lake Studios Berlin sponsored by TroikaTronix – Mark Coniglio
We invite dance makers invested in the field of technology to apply for this special 4 - 6 week residency hosted at Lake Studios Berlin between July 1 – August 15 2018
We are searching for artists who consciously use elements of technology to affect the choreographic process and performance. We look for work that uses technology to expand or intervene in the body’s performative and choreographic possibilities while keeping the human body in the foreground of the work. The role of the technology should be integral to the choreographic expression: it should connect, organize or disrupt the body or bodies aesthetically, socially, or politically.
To apply please submit the following (please use the provided application form provided if possible!):
- An artist statement (no more than 200 words) about how you define, perceive and work with the element of technology in your
performance work.
- A description (no more than 500 words) of what you would like research and develop during the residency
- Supporting video and documentation material of current and/or past work
- Your CV and the CVs of any collaborating artists
We will provide:
a private room and access to a shared kitchen, and bathroom in the Lake Studios Complex for one person. A second bed is available in the room.
100 hours of studio space divided between our small and large studios
Technical equipment: 2 beamers, selected stage lights/light board, sound system and mixer, microphones, sound recorder, video camera to record rehearsals, etc.
A presentation of the first stage of the work for feedback in our performance series Unfinished Fridays on July 27
2 hours of coaching by Mark Coniglio (creator of the media programming software Isadora)
50€/ week stipend
The selected resident must provide his/her own transportation and meals.
Lake Studios would like to thank TroikaTronix, maker of Isadora, for their generous financial support of this residency.
Please submit your application with the subject line “Dance/Tech Residency 2018”
by March 15, 2018 to lakestudiosberlin@gmail.com
We will notify all artists of the selection results by March 22, 2018.
Live and create this Autumn in the beautiful Lake Studios Berlin.
dance-tech artist in residency in Berlin offers to international interdisciplinary movement and media artists the possibility to live and make art in a peaceful artist run working, living and performance space in Berlin, Germany.
The artists will enjoy the Lake Studios Berlin, a unique living and creative working space with fast connection into the exciting creative center of Berlin and with the advantage of the quiet beauty of Müggelsee lake and a forest at only 5 minute walk for in depth concentration on research and creative process. The resident artist will enjoy a private room or apartment and access to a dance space with sprung wooden floors. Lake Studios Berlin is primarily a working space for 6 diverse movement artists with the need to go deeper into their work and practice. It is an experience of collaborative living and creation, and the resident will have the opportunity of artistic exchange as well as access to inside information about the dance scene in Berlin.
This is a self generated residency and it is is conceived as an independent collaboration between dance-tech and Lake Studios Berlin as a way to facilitate alternative and affordable spaces for independent artists and creative researchers.
The applicants must be a dance-tech.net member The selected artists will pay his/her transportation expenses and will pay 580/660 Euros (depending on the type of accomodation) per month to cover costs.
Residency includes:
The resident artist will have access to 100 hours of studio space per month, divided between the large and small Studios.
The residency includes 2 hours of remote online coaching with Marlon Barrios Solano.
Possibility to teach classes, workshops and / or organize a performance or work-in-progress showing at the end of the residency period.
The artists will be featured and should blog about their process on dance-tech.net for the months of the residency.
The artist also may decide to use dance-tech.tvLIVE video channels to share the process of exchange with the community.
An extra person may be accomodated for additional fee of 140 Euros)
NOTE: There is one large projector, an electric keyboard, a sound recorder, a mixer, as well as sound equipment available in both studios. Further equipment is not provided.
Please write to lakestudiosberlin@gmail.com if you are interested or would like more information.
Website: www.lakestudiosberlin.com
Technology, the Body, and Choreography
Free residency at Lake Studios Berlin sponsored by TroikaTronix – Mark Coniglio
We would like to invite dance makers invested in the field of technology to apply for this special residency hosted at Lake Studios Berlin in July 2016.
We are searching for artists who consciously use elements of technology to expand and deepen the choreographic process. We look for work that uses technology to push and transform the body’s performative and choreographic possibilities yet still place the performing body into the foreground of the work. The technological components can, but must not be visible in the finished work.
To apply please submit the following:
- A short artist statement (no more than 200 words) about how you define, perceive and work with the element of technology in your performance work.
- A description (no more than 500 words) of what you would like research and develop during the residency
- Your CV and the CVs of any collaborating artists
- Supporting video and documentation material of current and/or past work
- artists must become members of www.dance-tech.net. (free registration)
We will provide free of charge:
- a private room and access to a shared kitchen, and bathroom in the Lake Studios Complex for one person. A second bed is available in the room.
- 100 hours of Studios space divided between our small and large studios
- Technical equipment: 1 beamer, selected stage lights/light board, sound system and mixer, microphone, sound recorder, video camera to record rehearsals, el. piano.
- the possibility to present first stage of the work for feedback in our performance series Unfinished Fridays on July 15
- a performance opportunity July 29/30 at Uferstudios in Berlin’s city center in the frame of a dance/technology festival organized by Mark Coniglio/TroikaTronix
- 2hrs of coaching by Mark Coniglio (creator of the video programming software Isadora)
- 2hrs of remote online coaching by Marlon Barrios Solano (founder of dance-tech.net)
- The artist will be featured on dance tech.net and have the possibility to blog and post about the work and/or make use of dance-tech live TV channels
The selected resident must provide his/her own transportation and meals.
Lake Studios would like to thank TroikaTronix, maker of Isadora, for their generous financial support of this residency.
Please submit your applications with the subject line “Dance/Tech Residency 2016” by February 25, 2016 to lakestudiosberlin@gmail.com
We will notify all artists of the selection results by March 1, 2016.
The Summer Program provides a unique opportunity to observe the development and performance methodologies of Robert Wilson and his collaborators; to work with established professionals in the international performing arts world; to forge relationships with artists from a broad range of experience levels and disciplines; to develop networks of US and international professional contacts; and to investigate what it means to be a “global artist.”
Summer Program participants receive access to an extensive collection of resources central to the Watermill experience: daily meetings with Robert Wilson; lectures on subjects including theater and opera innovation, installation, design, and science led by international cultural luminaries, established artists and scientists; opportunities to propose and develop new work for public presentation during the annual Watermill Summer Benefit and Discover Watermill Day; 20,000 square feet of rehearsal/design spaces and outdoor stages; a theater production archive; an extensive physical and digital library; the Watermill Art Collection; and the Center's landscaped grounds. Additionally, participants have an opportunity to audition for Robert Wilson's summer staging rehearsals and to take part in workshops with his collaborators.
Application Deadline
Wednesday, March 4, 2015 at 5pm EST
Program Dates
The Watermill Center 2015 International Summer Program will run from:
July 13 to August 16, 2015.
A worldwide call for projects made via Ars Electronica’s online submission tool will be open from mid of December till 9th of February, 2015. The submitting artists have the chance to win a residency at the European Southern Observatory (ESO) in Chile. There is free access to the application process by all interested artists.
Interdisciplinarity, digital creativity and intercultural exchange are the three key criteria for artists submitting to the open call.
We are looking for digital artists who will be truly inspired by ESO, showing their wish to engage with the ideas and with ESO as places of scientific collaboration, using them as springboards of the imagination which dare to go beyond the paradigm.
You might be a choreographer, performer, visual artist, film maker or a composer – what you all have in common is that you use the digital as the means of making your work and/or the way of presenting it.
Deadline: 9th February, 2015
Announcing a 3 Month Residency June - August in Berlin, Germany!
Enjoy the beautiful Studio, private flat, swimming, festival in the city (Tanz im August) during the vibrant summer in Berlin.
3 room apartment (75 sqm) next to the Lake Studios Complex.
Perfect for 2 people/ small family. Completely furnished, Two seperate bedrooms, one living room, one kitchen and bathroom. Waschingmachine available for use. Included with the apartment is the possiblity to use the beautiful Studios.
Up to 100 hours per month for creation, movement research, workshops, etc. Beautiful large garden in the back. 5 minute walk from beautiful lake and forest. Easy access to S-bahn connection quick to the center of Berlin. Shops and all necessities close by.
Cost: 980 Euros/month all inclusive (warm) for two people. 3rd Person - 120 Euros extra.
Preferred is a 3 month rental, but shorter may also be a possibility.
Application Deadline March 30th.Please check www.lakestudiosberlin.com for more information on the space.
All inquiries to : lakestudiosberlin@gmail.com
dance-tech Space@ Lake Studios Berlin
www.lakestudiosberlin.com
Since January 2014, dance-tech Space@ Lake Studios Berlin is offering to international interdisciplinary movement and media artists the possibility to live and make art for a month in a peaceful artist run working, living and performance space in Berlin, Germany.
The artists will enjoy the recently opened Lake Studios Berlin, a unique living and creative working space with fast connection into the exciting creative center of Berlin and with the advantage of the quiet beauty of Mueggelsee lake and a forest at only 5 minute walk for depth concentration on research, creative process and swim in summer months.
Lake Studios Berlin is primarily a working space for 8 diverse movement artists with the need to go deeper into their work and practice. It is an experience of collaborative living and creation, and the resident will have the opportunity of artistic exchange as well as access to inside information about the dance scene in Berlin.
The artist will enjoy a private apartment and access to a dance space with sprung wooden floors.
The spaced is allotted per month.
The space is offered selected first-come, first-served (FCFS) and a lottery when more than one.
Interested artists must be dance-tech.net members, and send a brief description of your project or how do you envision to use the space.
Write an email to marlon@dance-tech.net with dance-tech Space@Lake Studios Berlin in the subject line.
Months available will be announced on this page and via email to the network members.
VERY IMPORTANT:
This is a self generated residency and it is is conceived as an independent (not funded) collaboration between dance-tech and Lake Studios Berlin as a way to facilitate alternative and affordable spaces for independent artists and creative researchers.
The selected artist will pay his/her transportation expenses and will pay 600 Euros per month to cover costs.
Residency includes:
NOTE: The residency does not provide any equipment.
There is one projector available in the big space.
Artists to date:
July-August 2014 | Jeannette Ginslov
Note: artists for September, October and November 2014 have been selected.
Stay tuned for new for upcoming months available!
Artists, scholars and practitioners can apply for the residency. Their practice and research should relate to the topical themes (not exclusive):
New media and performance
Movement practices and economy
Improvisation and real time systems
Screen-dance and movement based installation
Choreographic scores and new media tools (generative tools)
Movement, somatics and technology
Mobile devices, locative media and choreography
Social media and trans-local collaborations
Contemplative practices and movement
Decisions will be communicated one week after deadline of each residency.
This residency is planned for a single artist but space can accommodate a couple. There is a fee of 150 Euros extra for additional person.
The artists will live in a small, minimal yet comfortable one bedroom apartment in the Lake Studios Complex.
Questions?
marlon@dance-tech.net
The Paris based interdisciplinary artist and sustainability specialist Jeanne Bloch was awarded the dance-tech AIR Berlin for the month of FEBRUARY 2014.
Congratulations!
This is her page in dance-tech.net
http://www.dance-tech.net/profile/JeanneBloch
During her residency she will work at the beautiful Lake Studios Berlin next February she will work on her project Augmented Dance by light: A research on e-textile and dance
During her Dance-Tech/Lake Studio Residency, she will continue her research on e-textile and dance with the help of Pauline Vierne,http://www.dance-tech.net/profile/PAULINEVIERNE.
By using different techniques to light the body space, she creates a material that is neither light neither movement but can exist only by the combination of both.
"Work at the Lake Studios will help me create a vocabulary based on movement and light. As an outcome of this work, I will design a framework for a 4D dance/light class!!".
This research is part of TAFO#2 - The Temple Had Oblique Window. A dance performance that discuss today's role of climate change discourse.
http://jeannebloch.com/work-in-progress
Jeanne Bloch is an interdisciplinary artist using her mixed background as a choreographer-artist and sustainability specialist. Jeanne worked on issues such as fair trade, child labor, sustainable consumption and global warming…Issues that drive her artistic work as well.
In December 2009, she started at the occasion of the Copenhagen Summit an ongoing artistic project: “The Man with a Dove” and was also a member of the Climate Sustainability Platform at COP15. In the same time, she initiated Twice Out of Paradise, a research program integrating ecological experimentation and choreographic creation, which benefited from a residency “d’essai” at the Paris based cultural center,104. In 2012, she organized in collaboration with the artist Prue Lang a workshop on ecological experimentation in dance performance hosted by Théâtre de la Ville in Paris. In 2013, she was selected to present her approach at FASTE#1 professional day on Arts and Sciences @ La Faïencerie, Théâtre de Creil.
She was an invited artist to Imagine 2020 (Art & Climate Change) Summer Lab #2 in Portugal. Jeanne isIRCASE (International Research Chair in Art and Sustainable Enterprise) associate artist and a member of the AACORN Art & Business Network. She enjoyed being a student at Stanford Practice Based Research in the Arts MOOC/course from Leslie Hill, Associate Professor, Performance Making and Helen Paris, Associate Professor, Performance Making.
Jeanne lives in Paris and worked in Europe, the United States, South Korea, Republic of the Congo, Israel and El Salvador.
Call for Applications for Residency
dance-techAIR@Lake Studios Berlin
www.lakestudiosberlin.com
January 2014
(1 month period)
1st dance-tech artist in residency in Berlin offers to international interdisciplinary movement and media artists the possibility to live and make art in a peaceful artist run working, living and performance space in Berlin, Germany.
The artists will enjoy the recently opened Lake Studios Berlin, a unique living and creative working space with fast connection into the exciting creative center of Berlin and with the advantage of the quiet and beauty of Mueggelsee lake and a forest at only 5 minute walk for depth concentration on research and creative process.
The resident artist will enjoy a private apartment and access to a dance space with sprung wooden floors. Lake Studios Berlin is primarily a working space for 8 diverse movement artists with the need to go deeper into their work and practice. It is an experience of collaborative living and creation, and the resident will have the opportunity of artistic exchange as well as access to inside information about the dance scene in Berlin.
INCLUDES:
NOTE: the selected artist brings his/her own equipment. The residency does not provide any equipment.
There is one projector available in the big space.
The selected artists will pay his/her transportation expenses and will pay 500 Euros per month.
Artists, scholars and practitioners can apply for the residency. Their practice and research should relate to the topical themes (not exclusive):
New media and performance
Movement practices and economy
Improvisation and real time systems
Screen-dance and movement based installation
Choreographic scores and new media tools (generative tools)
Movement, somatics and technology
Mobile devices, locative media and choreography
Social media and trans-local collaborations
Contemplative practices and movement
Application Process:
The applicants must be a dance-tech member where you write you bio and profile.
Please send an email including:
1.-Your research goals
2.-What would you like to work on and if you would like to offer master classes, workshops, etc.
3.-Two samples of you work posted on your dance-tech account (urls)
Send it via email to Marlon Barrios Solano @ <marlon@dance-tech.net>
IMPORTANT:
write in the email subject: dance-tech Berlin
Deadline for application: November 25, 2013. We will let you know by December 3 about the decision.
Note: this residency is conceived as an independent collaboration between dance-tech and Lake Studios Berlin as a way to generate alternative and affordable spaces for independent artists and creative researchers.
Highlights of Berlin (not officially related to the residency):
From January 4 - 14, there is a well known Berlin Dance Festival taking place in Sophiensaele called Tanztage. (www.tanztage.de)
From Wed 29 Jan - Sun 2 Feb 2014 the new media festival and conference Transmediale 2014
From January 24 – February 2, 2014 the fun electronic music festival CTM – Festival for Adventurous Music and Arts
Questions?
marlon@dance-tech.net
The israeli dancer and choreographer Shai Faran, was awarded the first dance-tech AIR Berlin for the month of January 2014. Congratulations!
Visit her page on dance-tech.net
During her residency she will work at the beautiful Lake Studios Berlin on her new creation WE (working title) where she explores with a group of 6 dancers ...
The subtle changes in the way that we position ourselves, in space and in time, the forms and the relations between different body parts, changes in the way that we use the space and the location where we decide to do things, the relations between different bodies and different kinds of interactions, the relation to music, the way that we touch someone and where, where do we look, how do we breath. Those changes have a huge affect on the EXPRESSION of the body and on the way that the spectator perceive things. It can take us from the small detail back to the whole body image and more then this- the image of the whole space.
How much of the way that we perceive and translate things is decided by the way that we are used to see things around us, and how much can we actually stay open and let ourselves see new things in what we think that is obvious. (text from proposal)
Shai Faran is an Israeli dancer, teacher and choreographer, based in Europe.
After studying in the dance department at the Misgav High School, she continued her studies at the Haifa dance workshop for dancers and choreographers. She danced for the Kibbutz Contemporary Dance Company II, the Sigma Ensemble, the Dafi Altabab Dance Group and then moved to Europe, where she has worked with different choreographers such as Matej Kejzer, Maya M.Caroll, Zoe Knights, Michael Miler, Yuval Pick, Shumpei Nemoto, Maura Morales Alessandro Sciarroni and more, and performed around Europe.
She created several works which won scholarships from the America- Israel Cultural Foundation and the foundation named after Ehud Manor.
For two years she went through the teachers’ training for GAGA - the movement language developed by Ohad Naharin at the Batsheva Dance Company.
In the last few years she has been teaching contemporary dance and improvisation classes and workshops around Europe while developing her own work and working as a free lance dancer, teacher and choreographer.
Due to an unexpected big number of applications we decided to separate residencies per month and give opportunities to more artists.
February 2014 Artist in residency will be announced no later than December 8th
Image by Bart Grietens
Kyung Lee is a movement, performance, and video artist. She enjoys nicknames and things like nicknames. She will be in residency at the Lake Studios in Berlin the whole month of June 2014.
She will be focusing on her inquiry on “performance.” She would like to expand her research on performance through interactions with artists in Berlin. She will meet/interview each artist individually and ask her/him to do a minute of performance, whatever “performing” means to the artist in her/his current artistic research and interest. She will accumulate all the performances into a video art on the theme of performance.
Along with the video project, she will engage in daily research (inside and outside the studio) on what performance is to her.
In her proposal she states:
"At the end of this seemingly unattainable inquiry – for I believe that the seductiveness of performance lies in its ever-changing nature – I will present a performance piece. This work will be shaped by my research and physical practice as well as by the interactions/collaborations with other artists. I would like to meet you if you are an artist currently in Berlin. Please email me to: dkenlno@gmail.com "
Beyond our experience with respect to this European programme itself, which could be summed up by exclaiming “Fantastic! Encore! Encore!” in connection with the residencies, the welcome and meeting the different partners, here we would like to look at our experience from the standpoint of having had the chance to “get away from our own territory”.
Getting away from one’s “territory” does not only mean travelling.
In our case, leaving our territory entailed some big changes:
- In our creative habits, since our creation process usually unfolds in a single quintessentially French context – whereas with modul-dance the separation, the distance, allowed us to return home invigorated and lighter in weight.
- In our time-management habits: we usually stay longer in each place. In this project, however, between the discovery of the venues and of the working hours, which were always different, we had to constantly adapt ourselves.
That allowed us, from the beginning to the end of the creation of our piece, to remain in a state of continuous questioning, in a condition in which nothing was immovably established with urgency, thanks especially to the chance we had to present our work in distinct stages in three different places (Ljubljana, Barcelona and Dublin).
In some cases we felt we would have needed to stay longer on a residency, to anchor our work in a place and to feel secure before changing venues and questioning everything all over again. As things were, however, we went from a 15m x 20m stage under a glass roof to an 8m x 8m dance studio with mirrors and barres to a fully-equipped theatre stage and then back to a white studio… That affected the project’s aesthetic dimension and made its stabilization difficult.
A hybridization of aesthetics
In our discussions with the people in charge of the venues that welcomed us, we were also able to size up the aesthetics advocated by each one and, more broadly, we were able to take the measure of their territory.
The diverse expectations and the various ways of approaching the stage and of putting the body into play sketched, in a certain sense, a national choreographic outlook. This multiplicity helped us in some way to refocus ourselves on our work since it was impossible to meet all the demands posed by these many differences.
Consequently, our vision of our work became calmer.
In hindsight, it may be said that this phenomenon had a positive influence on our confidence in the project and in the method of dealing with it. We sought to make a statement on stage even if it differed from everything we had done before.
The economy
The economy of each country and each venue influences these sites’ relationship to the artist and has an effect on the artist’s way of creating. Indeed, the context affects the creation, scenography, number of performers and many other aspects. It is perhaps a gauge of the “national choreographic signature” that we all bear.
One can only pose the question, however, of whether this signature is actually something that is chosen by artists or whether it is above all imposed by the economy itself?
Even though we felt this financial pressure, we didn’t suffer from it very much since ours was a solo number and our scenography could fit in a suitcase. Nevertheless, if Spekies had needed a more elaborate scenography, more performers or more time to create the lighting, what would have become of it?
The making of acquaintances
By its very nature, this programme threw us directly into the “paws” of the directors of the venues concerned, with whom we couldn’t have imagined that we would be dealing since we are little accustomed to international commitments. This was an aspect that was absolutely wonderful (there is no other way to put it). One thing nagged us all the same: modul-dance comes to an end in 2014.
What will become of these opportunities to make new acquaintances without the European subsidies? Will we be falling back on the long lists of unanswered e-mails or will our future projects receive special attention? In other words, are these lasting relationships once outside the modul-dance framework?
Just as we said at the beginning, “getting away from one’s own territory” does not just mean packing one’s bags and departing. It’s true that we are nomadic by nature and that we enjoy meeting people. We couldn’t have been luckier: we found this dynamic, this movement to be exhilarating, like something indispensable to our way of creating.
It has reorganized and posed a new space of reflection for us. It has drawn us out of the “paralysis” that we may sometimes have felt. It has already projected us on what is to come... because we want to continue along these lines.
How can this be achieved? Everything remains to be invented.
Artistically speaking, we are at the end of a cycle and we can feel how another cycle is beginning.
This European experience allows us to ask ourselves the right questions about our artistic and structural future, including:
- Our relationship to the stage and to language.
- Our relationship to an economy that is steadily more insistently demanding “extra-light” forms. How can this constraint be linked to a performing dimension that will uphold each artist’s intimate personal universe?
- Our relationship to places: how can an increased mobility be combined with continued ties to the dance structures in our own territory?
Magali Milian and Romuald Luydlin – La Zampa – France
BAX / Brooklyn Arts Exchange is very excited to introduce the
Parent/Choreographer Space Grant Program
This pilot program is an initiative by BAX/Brooklyn Arts Exchange, funded in part by The Andrew W. Mellon Foundation, that has been developed to address some of the needs of choreographers who are trying to meet the challenges of being an artist and a parent to newborn through pre-school age (0-4) children. As an organization that has entered its third decade, BAX is intimately familiar with the joys and the difficulties of raising a family and creating and producing work.
For more information, including applicaton details, visit http://bax.org/parentchoreographer-space-grant/.
Applications MUST BE COMPLETED by Monday, February 13, 2012 no later than 5:00 PM.
Applicants will be notified on or before Monday, February 27, 2012.
Please call (718) 832-0018 or e-mail ArtistServices@bax.org with any questions.
IMERA, the Mediterranean Institute for Advanced Studies
(www.imera.fr), has issued a call for proposals for art science residencies with a
deadline of Jan 31 2011.
They seek residencies by either artists ( all disciplines) or scientists (all disciplines, soft and hard) who wish to engage in collaborative art-science projects that result in joint outcomes ( publications,
artworks, Exhibitions, patents) that address ‘the human conditions of the sciences”.
For the international year of chemistry ( http://www.chemistry2011.org/)
They are particularly interested:
In art science projects involving chemistry and nanoscience.
Current residents include nano scientist Jim Gimzewski
http://artsci.ucla.edu/?q=people/james_gimzewskico director of the UCLA Art-Sci Lab.
IMERA advisors include nano
scientist Guy Lelay (http://sysweb.cinam.univ-mrs.fr/cinam/spip.php?rubrique35)
and chemist Denis Bertin (http://www.lc-provence.fr/)
CALL FOR ENTRIES RESIDENCIES 1/2011 FROM JANUARY TO JUNE 2011
From January to June 2011 PACT Zollverein is offering a residency programme for the development and realisation of projects and productions, which is open to professional artists from both Germany and abroad working in the fields of dance, performance, media art or music. Residencies are planned individually and include a working space and local accommodation as well as financial support in the form of a weekly grant allowance and travel costs. By arrangement and subject to requirement, PACT Zollverein also offers its residents technical support and advisory assistance with press and public relations and dramaturgy.
A residency CAN incorporate the following:
> Studio space (from 63 to 173 sq.m.)
> Local accommodation (maximum 6 people)
> Weekly grant allowance for all of the residency project participants (maximum group of 6 people)
> Travel costs covering one journey only per participant to and from PACT Zollverein (subject to prior agreement)
> Technical equipment (by arrangement and subject to availability)
> Stage rehearsals with professional technical supervision and support (by arrangement and subject to availability)
> Daily professional open class
> Professional advice in: Project funding, project management, press and public relations
Your applications should include:
> the completed application form (to be found at: www.pact-zollverein.de --> Working fields --> Residencies)
> a short letter of motivation
> a project description
> a 10 line summary of your project description
> curriculum vitae for everyone involved in the project
> only 1 DVD / CD-RoM of your own work
Closing date for applications: June 30th 2010 (post-marked) Please do not send the material by registered post or by email !
All complete applications received by this date will be considered and replied to in writing. Residents are selected by a panel. Please note that we can unfortunately not return your application material to you.
Please send the Application to us by post:
PACT Zollverein Residencies 1 / 2011 Katharina Charpey Bullmannaue 20 a D-45327 Essen
For further information contact:
Katharina Charpey Fon: +49 (0)201.2894712 Fax: +49 (0)201.2894701 katharina.charpey @ pact-zollverein.de www.pact-zollverein.de
PACT Zollverein / Choreographisches Zentrum NRW and its residency programme are supported by the Minister President of the state of North Rhine-Westphalia and the City of Essen. Tanzlandschaft Ruhr is supported by the Kultur Ruhr GmbH.
