reblog (3)

Entre la danza posmoderna y el performance. El próximo 29 de abril se celebra el Día Mundial de la Danza. Con este motivo presentamos unas reflexiones sobre las nuevas rutas que ha tomado este arte, cada vez más libre de antiguos convencionalismos. Leer articulo en El Comercio del Peru Nuevas “ideas y formas que se movían” empezaron a ser recurrentes dentro del trabajo de algunos coreógrafos (as), bailarines (as). Esta nueva forma de trabajar con el movimiento llevaría el nombre de “nouvelle danse” o danza nueva en los años sesenta. Estos trabajos fueron (y son) catalogados como danza conceptual o danza minimal, pero aún estaban considerados dentro de los parámetros de la danza. Después de esto, entre los ochenta y noventa, la danza ingresa a una etapa de “vale todo”, luchas en escena, malabarismo, bailarines que recitan poesía, cuentacuentos, etc., pero todavía dentro de los límites estructurados de la técnica coreográfica y dancística. Es a mediados de los noventa, cuando algunos coreógrafos (as), bailarines (as) insatisfechos con el trabajo convencional dancístico (ballet clásico, danza moderna, contemporánea y posmoderna) dan un paso más adelante alejándose definitivamente de todo tipo de danza occidental conocida e ingresan de lleno al arte en acción o no acción en muchos casos. Los críticos tradicionales de la danza los acusaron —y los acusan— violentamente, como “traidores del movimiento”, pues no poseían un género definido. En los últimos quince años, artistas como la española La Ribot y el francés Jerome Bel hacen honor a este título. El crossover Estas nuevas “ideas y formas que se movían” de los precursores del performance acercaron a los “traidores del movimiento”, como La Ribot y Jerome Bel, a artistas de otros campos, lo que generó un intercambio interdisciplinario. Hoy Marina Abramovic, Ron Athey, Franko B, Bobby Baker, Lucy Baldwyn, Michele Barrett, Romeo Castellucci, Brian Catling, Oron Catts, Julie Clarke, Ricardo Domínguez, Tim Etchells, Jean Fisher, Torced Entertainment, Goat Island, Guillermo Gómes-Pena, Matthew Goulish, Lin Hixson, Amelia Jones, Joe Kelleher, Yu Yeon Kim, Oleg Kulik, Alastair MacLennan, Hayley Newman, Peggy Phelan, La Pocha Nostra, William Pope.L, Andrew Quick, Alan Read, Henry M.Sayre y Stelarc, son solo algunos de los cientos de “varados” que, en su relación con las artes plásticas, el teatro, la danza, la tecnología, han llegado (unos antes, otros después), a orillas de una tierra desconocida llena de posibilidades y han creado una nueva forma de hacer arte, que tiene las siguientes características: a) crear un arte de shock, b) destruir la pretensión, c) Separar la tradición de la representación, d) Poner en primer plano la experimentación, e) captar diferentes posibilidades de dar significados, y f) activar la inclusión de la audiencia. Así, el arte convencional se quiebra como un enorme huevo de dinosaurio y da vida al “life art” o arte en acción (o no acción). De Isadora a La Ribot Desde aproximadamente tres décadas, filósofos y críticos del arte plástico y escénico han tratado de definirlo y ubicarlo en un tiempo y lugar histórico. Para la curadora e historiadora de arte Rose Lee Goldberg, el performance art tiene una vigencia de cien años, con personajes como el poeta futurista F.T. Marinetti, quien estaba obsesionado con las máquinas de la era moderna (autos de carrera, aviones, locomotoras, etc.). Si para Marinetti el nuevo arte debería ser tan explosivo como el sonido de estas máquinas, para Isadora Duncan, gestora de la danza libre, debería romper con una tradición secular que hacía de la mujer un ser sometido. Ella se negó a aprender danza clásica porque no aceptaba someterse a reglas estrictas. Liberar al ser humano mediante la danza implica también liberar la danza de todas sus trabas. En primer lugar, de la indumentaria que oculta el cuerpo y da una falsa apariencia de formas y líneas. Isadora se rebeló contra la costumbre de usar mallas y bailar vestida con túnicas ligeras y pies descalzos. Con ella la danza se convierte en objeto de culto. Dota a la expresión corporal de un cierto valor estético aceptado por toda la intelligentsia de su tiempo. Casi un siglo después La Ribot dirá que ya no existe la representación sino solo la presentación. Para ella no hay magia, solamente realidad. No hay sorpresas, solo percepciones que varían. No hay declaraciones, solamente ambigüedad. No hay más estabilidad, solo inestabilidad. No hay más teatralidad, solo plasticidad. El espacio, carente de jerarquías, le pertenece al espectador y a ella. Y ella no es lo más importante. Algunas veces lo son sus objetos, sus bolsas o casacas; otras veces los comentarios del público y el sonido de sus acciones. Todo y todos están tirados en el piso, en una superficie infinita, donde se mueven, silenciosamente, sin ninguna dirección precisa y sin ningún orden definido. La Ribot no trata de desarrollar un personaje. Es por esta razón que ella trabaja desnuda para descargar su cuerpo de todo drama. * Bailarina y codirectora de Danza Viva
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Feedback tadpoles

What do tadpoles and toilets have in common?

Hint: Feedback. That’s right, Feedback, our show on sustainability closes this Saturday, so you only have a few days left to see the “mind-blowing” work on display. Added incentive: a day of workshops followed by a closing reception—perhaps this preview will pique your interest? There’s a wealth of new material online: podcasts, guest reBlogger Andrew Price from GOOD Magazine, and, of course, information on how to get tickets for our May 6 benefit celebrating freedom and creativity. The fun’s just around the corner … .


This Week at Eyebeam:

April 19: FEEDBACK Closing: Sustainability Action Day: Toxic Tours + Urban Gardening

April 25: Interactivos? Application Deadline

May 6: Eyebeam Benefit Celebrating Freedom and Creativity

New from our Labs:

April 19 + 22: Zach Lieberman at See Conference + FITC

April 21: Médecins Sans Frontières Visualization

April 24: Non-Motivational Speaker Series

April 26: Art Wiki Marathon 2

May 1 – 2: Futuresonic Conference 2008

Community:

April 12 – May 30: 1800 Frames | Take 4

April 25: Opening Reception: Main Space: The New Normal

Colbert Discovers the Darkside

Coworking at The Change You Want To See


April 19: FEEDBACK Closing: Sustainability Action Day: Toxic Tours + Urban Gardening

Sow-In, Leah Gauthier

Sustainability Action Day: Toxic Tours + Urban Gardening
Date: April 19, 3 – 6PM
FEEDBACK Closing Reception: 6PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Join Feedback artists Natalie Jeremijenko, Leah Gauthier, and Brooke Singer for a day of workshops.

Natalie Jeremijenko will lead a surface-level noPARK action on a plot of pavement in Chelsea (within a short walk of Eyebeam, exact location TBA the day of the event).

noPARK is a public art project to create “no parking zones" of micro-engineered green spaces to prevent storm water runoff, use foliage to stabilize the soil, and provide a durable low maintenance surface cover.

In order to help raise funds for the noPARK project that the artist plans to implement throughout the city, limited-edition potted plants will be sold as "shares" of the project (complete with certificates) at Eyebeam for $10. (A single noPARK zone is estimated to cost approximately $6000 to implement.) Shareholders will be encouraged to take their plants to the site of the April 19 noPARK for the 3-6PM action.

Leah Gauthier will lead Sow-In, in which participants will distribute hundreds of seed pots to community gardeners across the city for transplant, care, harvest, and seed saving.

Brooke Singer with Michael Heimbinder and Emily Gallagher will conduct a virtual toxic tour followed by a hands-on workshop. The virtual tour will focus on a site in Greenpoint, Brooklyn that is currently undergoing contamination evaluation by the New York State Department of Environmental Conservation and the Department of Health. Together they will explore the region’s historic and current industries, detail the contaminants of concern and discuss potential remedies. In the second part of the workshop, the artists will provide resources for participants to identify toxic exposures in their own neighborhoods. The workshop will end with a group discussion of effective organizing strategies and ways to develop activist networks .

Brooke Singer is a New York Foundation for the Arts (NYFA) 2007 Artist Fellowship recipient. This presentation is co-sponsored by Artists & Audiences Exchange, a NYFA public program.

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April 25: Interactivos? Application Deadline

Entramado, Plaza de Luz. Installation by Pablo Valbuena. Photo: Pablo Valbuena

Entramado, Plaza de Luz, installation and photo by Pablo Valbuena.

Interactivos? @ Eyebeam
Call for Participation online
April 25: Application deadline | May 15: Notification of acceptance
May 26: Call for Collaborators | May 29: Notification of acceptance

This summer, Eyebeam will produce Interactivos?—the Medialab-Prado and Madrid City Council program initiated in 2006—as part of our workshop-based programming. Invited projects will creatively explore the theme of “real versus fake” in an intensely collaborative and interdisciplinary two-week project development cycle, resulting in a public exhibition in our Chelsea gallery. In May, Eyebeam will open a second call for individuals interested in collaborating on the selected projects.

Submit you project proposal now to be a part of this two-week workshop, exhibit, and seminar.

The program will be produced by Eyebeam staff, fellows and residents. Please see the Call for Participation for details: http://eyebeam.org/production/onlineapp/join_detail.php?program_id=472096

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May 6: Eyebeam Benefit Celebrating Freedom and Creativity

Freedom + Creativity

Eyebeam 2008 Freedom and Creativity Benefit
Date: May 6 | 6:30PM Cocktails | 7:30PM Dinner/Show | 9:30PM After-Party
Location: Eyebeam, 540 W. 21st St., NYC

Honoring Craig Newmark, Craigslist founder and the Internet’s best known customer service representative.

Proceeds from the evening will help underwrite Eyebeam’s international fellowship and residency programs for artists and creative technologists, more than 300 of whom have benefited since 1997.

Featuring:
Drawn and Magical, an A/V performance by Eyebeam R&D OpenLab fellow Zach Leiberman
Kinetic Shadow, by Eyebeam Production Lab fellow Addie Wagenecht
Consellational Models from the Nebulous Object Archive, by Eyebeam resident Joe Winter
Fame Game, a social network that re-invents fame
Little Death, featuring Laura Dawn, Daron Murphy, and Aaron Brooks
The Hanging Out Station, by Eyebeam senior fellow Geraldine Juárez
Plus: Special Guests, DJs, VJs, and more!

Tickets and information online: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

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New from our Labs

April 19 + 22: Zach Lieberman at See Conference + FITC

See Conference
Date: April 19
Location: Wiesbaden, Germany
http://see-conference.com/

Flash In The Can Festival
Date: April 22
Location: Toronto
http://fitc.ca/

Eyebeam fellow Zach Lieberman will be presenting and perfoming his work at See Conference in Wiesbaden, Germany on April 19, and at Flash In The Can Festival in Toronto, Canada on April 22. Zach will show recent projects and talk about the work underway at the Eyebeam R&D OpenLab, including the upcoming Interactivos? workshop.

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April 21: Médecins Sans Frontières Visualization (MSF)

Ars Electonica Futurelab
Date: April 21
Location: Vienna
http://www.msf.org/
http://www.aec.at/en/futurelab/

Eyebeam fellows Jessica Banks, Ayah Bdeir, Friedrich Kirschner, Zach Lieberman, and Addie Wagenknecht have teamed up with MSF and the Ars Electonica Futurelab to craft an interactive visualization for a live concert and fundraiser in Vienna on April 21. The visualization will track and display in real-time the the SMS donations of audience members.

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April 24: Non-Motivational Speaker Series

Gelf Magazine’s Non-Motivational Speaker Series
Date: April 24, 7:30PM
Location: Happy Ending Lounge, 302 Broome St., NYC
Cost: Free

Culture jammers and pranksters are the topic of this month’s Non-Motivational Speaker Series organized by Gelf Magazine. The evening’s featured speakers will be Alan Abel founder of The Society for the Indecency to Naked Animals and Citizens Against Breastfeeding and subject of the recent award-winning documentary Abel Raises Cain; Eyebeam senior fellow Steve Lambert, guerrilla artist, founder of The Anti-Advertising Agency; and Ron English, patriarch of the agit-pop art movement, corporate branding vigilante, and subject of the documentary POPaganda: The Art and Crimes of Ron English.

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April 26: Art Wiki Marathon 2

Art Wiki Marathon 2
Date: April 26, 12 – 8PM EST (9AM – 5PM PST)
Location: Wherever you want to gather. At the library (for books you can reference), at mini house parties, a local art center, or at home online at: IRC: irc://irc.gimp.org/#artwikimarathon | AIM: join chat artwikimarathon

Following on the success of the last wikimarathon, we present the Great Wikimarthon 2. Participating artists will include: Eyebeam senior fellow Steve Lambert, R&D OpenLab fellow Michael Mandiberg, and alums Bennett Williamson, Jamie Wilkinson, Marisa Olson, and Joe DelPesco aka Mr. Collective Foundation.

For more information on how to participate, visit: http://thegreatinter.net/wikimarathon/

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May 1 – 2: Futuresonic Conference 2008

Freewear at Futuresonic

Futuresonic Conference 2008: The Social Technology Summit
Date: May 1 – 2
Location: Contact Theatre, Manchester, UK
http://www.futuresonic.com/08/2008conf.html

May 1, 2PM – 3:30PM: Collective Media
Spanning user-generated content, collaborative authoring and collectively owned media, this panel will feature case studies of initiatives from India to Germany. Featuring: Platoniq (Olivier Schulbaum, Susana Noguero), Ravikant Shama (Sarai), Jennie Savage (STAR Radio), Eyebeam senior fellow Geraldine Juárez, Christine Hanson and Michael Schafae.

May 2, 10AM – 11:30AM: Musical Interfaces
Featuring: Florian Hollerweger, Gauti Sigthorsson, Steve Daniels, and Eyebeam resident Jamie Allen. This panel will consider the mobile phone user as micro-DJ, a Toronto-wide open source musical interface and more.

Additional Events:
Freeware: The Manchester Collection
May 3, time TBD (check website schedule) | Fashion show: May 4
Zion Art Center | Free

A workshop about Manchester, its people and the stuff they give away. This session will be dedicated to creating fashion items out of freecycled materials collected around the city. The clothes will be presented in a community fashion show at the end of the workshop.

Also presenting (TBA) is Eyebeam senior fellow Jeff Crouse and Production Lab fellow David Jimison’s Dirt Party project. Dirt Party is a performance where salacious information about each party attendee is gathered from the web and other means and presented to the entire audience.

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Community

April 12 – May 30: 1800 Frames | Take 4

1800 Frames Take 4

1800 Frames | Take 4: The Video State of the Global Union
Date: April 12 – May 30
Location: cWOW Gallery, 6 Crawford St., Newark, NJ
Cost: Free
http://www.cwow.org

1800FRAMES | Take 4: The Video State of the Global Union, curated by Eyebeam alum Norene Leddy and Eyebeam’s director of education and public programs Liz Slagus, City Without Walls’ fourth annual one-minute video exhibition. The exhibition continues through May 30. The show is free and open to the public, Wednesday through Friday 12 – 6PM and Saturday 1 – 6PM. Artists on display include Eyebeam program coordinator Paul Amital, and alum Benton-C Bainbridge.

The video show is online at http://www.cwow.org, and DVDs are on sale at Eyebeam’s bookstore.

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April 25: Opening Reception: Main Space: The New Normal

Main Space: The New Normal
Date: April 26 – June 21
Location: Artists Space, 38 Greene St. 3rd Fl., NYC
Cost: Free
http://www.artistsspace.org/exhibitions/future.html

Curated by Michael Connor, co-organized with Independent Curators International, with works by Eyebeam alums Jonah Peretti, Michael Frumin, Jill Magid, Trevor Paglen and Jennifer and Kevin McCoy; along with Sophie Calle, Mohamed Camara, Hasan Elahi, Kota Ezawa, Miranda July and Harrell Fletcher, Guthrie Lonergan, Corinna Schnitt, Thomson and Craighead and Sharif Waked.

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Colbert Discovers the Darkside

Trevor Paglen on The Colbert Report

Eyebeam alum Trevor Paglen promoted his new book, I Could Tell You But Then You Would Have to be Destroyed by Me: Emblems from the Pentagon’s Black World, on the April 7 broadcast of The Colbert Report. For a taste of the black humor visit: http://www.comedycentral.com/colbertreport/videos.jhtml?episodeId=164897

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Coworking at The Change You Want To See

The Change You Want To See
Location: 84 Havemeyer St. (storefront), Williamsburg, Brooklyn
http://www.notanalternative.net/

Tired of complaining to your cat about broken code or a bad client? Wondering what the next wave of social software will be? Looking for an invigorating environment to call your office? Join Williamsburg Coworking! Break free from hourly coffee runs and grab a slice of Williamsburg’s alternative working community by coworking at The Change You Want to See—a café-like community and collaboration space for developers, writers and freelancers. Bring a laptop, snack, manuscript, screenplay, or killer app and leave the cats behind!

For more information on coworking opportunities at The Change You Want to See, visit: http://thechangeyouwanttosee.org/coworking, or email: info@thechangeyouwanttosee.org

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Read more…
This is a very interesting post by Doug Fox and very relevant comment thread: Danciti and Article19 are discouraging dancers and dance companies from using YouTube. And both are critical of New York City Ballet for creating a new video channel on YouTube. I believe that both Danciti and Article19 are way off the mark. YouTube is one of the most popular websites and their traffic far exceeds sites such as Vimeo and Blip.tv, which the two publications reference. Go to post or see feed in out left side bar
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