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For those of you with whom I haven't had the opportunity to speak - allow me to introduce myself: My name is Marc Kirschner and I am the General Manager of TenduTV, a digital distributor of dance programming.

On July 6th, we're going to be releasing the first edition of our "Essential Dance Film" (EDF) series on iTunes in the US and Canada. This collection will be released in the UK as well as on other platforms - we simply haven't been able to lock down a formal date yet. We are also working on releasing the title in other territories, including France, Germany, Australia and New Zealand.

We have two main goals for the series:

1.) To provide audiences with easy access to a wide-variety of high quality dance film.
2.) To generate earned income for filmmakers.

The films in the first EDF collection are as follows:

Shake Off (Hans Beenhakker)
Flying Lesson (Chamecki/Lerner/Harder)
Little Ease [outside the box] (Matt Tarr & Ami Ipapo)
Babel (Peter Sparling)
The Fantastic Flowershop (Pawel Partyka)
The Duchess (Eric Koziol and Shinichi Iova-Koga)
Helioscape (Jacob Niedzweicki)
Kino-Eye (Joby Emmons & Elena Demyanenko)
Moment (Katrina McPherson & Simon Fildes)

Some of these films you probably know quite well, others you don't (in fact, one has yet to premiere). Pricing will be inline with standard definition downloads in the appropriate territory, which in the US is $3.99 for a rental, $14.99 for purchase (this compilation will not be available in HD, however HD pricing is $4.99 for a rental, $19.99 for purchase).

We are also seeking submissions for our second and future compilations, which we hope to release on a fairly regular basis (at least 2 per year). We are also actively seeking longer and full-length programs. If you are interested in having one of your films included, please send the following information to my attention at mkirschner@tendu.tv:

Name of film:
Director:
Choreographer:
Format:
Master format available:
Length:
Screening history and awards:
Website:
Link to clip (if available):

Also, please confirm that you have all subsidiary rights (eg. music) or can obtain subsidiary rights to all of the elements included within the film.

We also have a facebook page for the series at http://www.facebook.com/dancefilm

In the meantime, if you have any questions, please do not hesitate to email me.

Sincerely,

Marc
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"Reality is overrated" – this slogan by Eva and Franco Mattes contains central aspects of the Italian artist couple's work: Their interest in reality in the age of digital forgery, the blending of fact and fiction – and their appetite for provocative statements.


The artists provide evidence of the latter yet again in their most recent work No Fun: Franco Mattes simulated his suicide in the popular webcam-based chat room Chatroulette. Thousands of random people watched while he was hanging from the ceiling, swinging slowly for hours. The video documentation of the performance presents an unbelievable, at times very disturbing, sequence of reactions: some laugh, some are completely unmoved, some insult the supposed corpse, some take pictures with their mobiles. Notably, only one out of several thousand people called the police. Moving beyond the aspects of shock and provocation, this touches on a basic question: What does "reality" mean in the digital age?

Eva and Franco Mattes are the artist-provocateurs behind the infamous website 0100101110101101.ORG. Belonging among the pioneers of the net.art movement, they have manipulated video games, Internet technologies, feature films and street advertising.

AD/HD is Eva and Franco Mattes' first institutional solo exhibition in Switzerland, featuring their most recent net-based interventions and videogame performances. The works refer to the history of performance art with its notions of body, space, emotion, social interaction and communication – notions that are then experimentally renegotiated by interlinking physical and digital space, physical body and avatar.

A series of Synthetic Performances took place in the online environment Second Life, performed by Eva and Franco Mattes through their avatars, which were based on their real-life physical features. People could attend and interact with the live performances connecting to the online game from all over the world. The series started in January 2007 with reenactments of historical performances by Marina Abramovic, Vito Acconci, Chris Burden and others, and was continued by Eva and Franco Mattes' own Synthetic Performances.

In Freedom (2010) we are faced with a live performance set within the popular first-person shooter videogame "Counter Strike". Here, the artist, Eva Mattes, is refusing to accomplish the basic goal of the game, to kill the enemy. She instead tries to convince the other players to save her life because she is "trying to make an artwork". The result is the performer being endlessly and brutally killed and abused by the other players.

For our guest booth at LISTE – The Young Art Fair, Eva and Franco Mattes developed the performance The Rude Dude: "The Rude Dude welcomes audience, critics and fans into the obscure under-the-stairs-corner of art, where the most secret, unpleasant, potentially scary conversations take place. Ask him what you never dared to ask about art, because he knows and will tell it out loud.
The Rude Dude offers something slightly different than the regular art fair stroll. A live performance, a Net Art piece, a liberating experience, at least for him..."
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“Internalizing Music” Using African & Indian rhythm, movement, and recitation

Jerry Leake, Director and Drummer; 
Lisa Leake, Dancer, Vocalist

Sunday, July 18 – Saturday, July 24, 2010
Schedule: Saturdays and Sundays 9am-3:30pm
Weeknights 6pm-9pm

NEC Jazz percussionist Jerry Leake and dancer/vocalist Lisa Leake, present their original 3-tiered method of reciting African and Indian drum compositions against a background of stick patterns and basic movement. Musicians and non-musicians will find this a challenging but accessible entry into African and Indian music & dance practices. In this intensive workshop, rhythm theory and practice merge through intensive practice and application that aurally and kinesthetically grounds one’s time.

Classes are demanding, but prior experience with drumming is not expected or required. Participants include college music faculty, K-12 teachers, committed amateurs, professional performers, students of all ages, jazz, world and rock musicians and composers. Sticks, CDs and detailed handouts provided at a minimal cost. On the final evening of the workshop, students will participate in an informal public performance.

Summer Session Registration Form: http://necmusic.edu/pdf/ce/CE_Summer_Session_2010_Registration_Form_b.pdf

Tuition:
2 SCE Credits: $1050
Early-bird discount SCE credit tuition: $960
(registered/paid in full by June 7; call office)
Non-credit: $685
Early-bird discount non-credit tuition: $595
(registered/paid in full by June 7; call office)
Weekend pass (Saturday & Sunday): $95
All the above require $35 registration fee.
Evening passes (Monday-Friday): $75 per day (maximum: 3) No registration fee.

http://necmusic.edu/continuing-education/summer-session/intercultural-institute

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Monitoring :

Monitoring :

META-MONITORING TWITTER ACCOUNT
http://www.business-commando.com/business_commando/2010/06/03/braquage-de-veille-recuperer-la-veille-dun-twittos-par-un-de-nos-honorables-corespondants-ave/

TWITTER + FACEBOOK MONITORING 2 RSS
http://www.business-commando.com/business_commando/2010/06/03/braquage-de-veille-recuperer-la-veille-dun-twittos-par-un-de-nos-honorables-corespondants-ave/#respond
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Perform at The Glastonbury Festival

This rocks!!!! Check it out:One of 2010’s most talked about musicians, Kirsty Almeida has developed an extraordinary opportunity with Talenthouse, to select a talented musician to join her on stage at the Glastonbury festival on Sunday 27th June 2010. The Glastonbury festival is one of the world’s largest and most prestigious music festivals and the chosen musician will perform the song "If You Can't Make Me Happy" with Kirsty and her band.Flights and accommodation will be provided for the selected musician as well as an opportunity to rehearse with Kirsty prior to the event. In addition, the top 20 voted artists will have an opportunity to receive a portion of $2,000 (USD) (see 'Details' for more info).How to participate:1. Click here first: http://bit.ly/9sy5cw2. Then click 'Participate' and download Kirsty’s song.3. Make a video of yourself playing along with the track. You are more than welcome to submit a video of a previously recorded performance, if you prefer (solo performers only, no bands please). Unique instruments are encouraged but all instruments are welcome.4. Lastly, once you have made your video, upload your submission and begin spreading the word to your people.Wherever you are in the world and what ever instrument you play, get creative and submit your work.
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Fashion Internship with Julia Clancey

Pretty cool internship opportunity:Win an internship with Julia Clancey to work on her collection for NYC Fashion week and be featured on handbag.comJulia Clancey is partnering with handbag.com andTalenthouse to find anintern to work with her on her accessory collection, which will launchat New York fashion week in February 2011. Submit 2 images of accessorypieces you have designed by JULY 14, 2010 to be considered. The winnerwill be also beshowcased on handbag.comSUBMIT YOUR IMAGES HERE:http://tlnt.at/976eQeUnapologetic about her point-of-view, Julia Clancey's style is indulgent and empowering to female dressing. Julia debuted her firstcollection during London Fashion Week in 2004. Her design credits arefound within the prestigious pages of Vogue, Elle, Tatler and many othermajor publications as she shares with them her mutual affection forbeautifully imaginative and valiant women of today. Over time, her workbecame noticed by celebrity clients, including Estelle, Megan Fox,Juliette Lewis and Keira Knightley.
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Best Online Collaboration Tools 2010 - Robin Good's
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N'Dongo D and Faada Freddy found themselves in Paris, unable to board
the Eurostar to London, because they had been refused entry to the UK by
the UK Border Agency

Source : http://www.guardian.co.uk/music/2010/may/27/visa-border-agency-world-music

Via http://twitter.com/artintag

Serenpity path : RT @manhack: Denombreux artistes refoulés aux portes de l'Europe: #visa #passeport #biométrique#orwell + #kafka http://j.mp/9n34rX
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http://graphisme.tv/

Créé pour les designers, graphistes, artistes et autrescurieux, Graphisme.tv
regroupe un ensemble non exhaustif deconférences, interviews, reportages sur des acteurs du monde du design,du graphisme, de l'art.

Le but est de trouver résonnance dans certains mots, certaines phrases, certains designers et, pourquoi pas, s'en inspirer:)

avatar.pngCe site est réalisé par Geoffrey Dorne, designer, chercheur& blogueur surGraphism.fr.

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"La première étape consiste donc à sélectionner des personnesintéressantes à suivre (sur un sujet donné). Tous les comptesn’offrent pas le même intérêt, il est donc conseillé de bien définirquelle veille on veut faire au préalable. Christophe Deschamps proposaitpour le site Outils Froids en octobre 2008 des conseils pour faire de la veille avec Twitter. Lesréférences sont surement à actualiser, mais les sites comme Twellow (sembletrès lent) ou Justtweetitpeuvent permettre de trouver des personnes à suivre. Un site françaispropose la même chose avec des personnes (ou institutions) françaises : quitwitte. Ces annuaires sont très limités et ne sauraient donner des listesexhaustives. Ils permettent de commencer à repérer les personnesinfluentes et pertinentes, mais il faut ensuite faire un peu de prospective sur Twitter directement."
la suite sur :
http://www.inrp.fr/vst/blog/2010/05/28/utiliser-twitter-pour-faire-de-la-veille/#more-2472
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PRISM #4

JEREMY NARBY & FRANZ TREICHLER

Jeremy Narby, an anthropologist, author of The Cosmic Serpent, and Franz Treichler, a musician, leader of the Swiss industrial band The Young Gods, who recently joined forces for a live performance on Amazonian forest and its native Indians.

MARIO VARVOGLIS

A doctor in experimental psychology. He experimented on states of altered consciousness at the Maimonides Hospital Dream Laboratory in New York and at the Psychological Research Laboratories in Princeton.

MOEBIUS

A cult French cartoonist, a mystic and esoteric artist known for his highly detailed and fine line artwork, often incorporating surreal landspaces.

ELIANE RADIGUE

A composer. She studied electroacoustic music techniques with Pierre Schaeffer and Pierre Henry. Since 1971, she works almost exclusively on an ARP-synthetizer.

WILLIAM BENETT

Founder of Whitehouse, seminal band of the power-electronics music genre that first surfaced in England at the beginning of the 1980s.
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PRISM #3

TONY BASSETT

An incomparable electronic engineer, who creates Theremins and Brain Machines - which can be used to reach altered states of consciousness.

JEAN-LOUIS COSTES

An artist who doesn’t like taking detours, and evenless, making concessions, he aim at putting under the spotlights the false taboos and uneasiness that exist throughout our society in order to better destroy them in public.

BRUCE BENDERSON

Bruce Benderson describes the reality of what he calls the underclass and gives us the description of a world being in the process of standardization, progressively emptying itself from its libido load.

SAVAGE PENCIL

Edwin Pouncey has been working for more than twenty-five years under the pseudonym Savage Pencil, his peculiar style making him the ultimate rock’n’roll and underground cartoonist.

DEBAT

Selected extracts from a conference with Maurice G. Dantec, Richard Pinhas and José Da Silva.

STEFAN JAWORZYN

Stefan Jaworzyn was either at the origin or played an active part in several singular adventures of the London Underground : Shock Xpress, Whitehouse, Skullflower,...
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PRISM #2

RICHARD PINHAS

Richard Pinhas is a radical thinker, a "3rd generation libertarian". He’s also an artist who uses his guitar, his synthesizers and his computer as what they are - instruments of warfare.

THE NON-A FILES

Two interviews about the concrete applications of the non-A trend of thought, which influenced William S. Burroughs, Henri Laborit or Gregory Bateson.

JIM G. THIRLWELL

Jim Thirlwell is a musician and a graphic designer, a mutant and elusive character. He is considered as one of the fathers of industrial music.

NORMAN SPINRAD

Norman Spinrad is a "trans-genre" writer. Themes of manipulation, sciences, politics, media, sex, music & drugs melt into some 20 dangerous books that led him to exile himself to Paris in 1988.

JEAN-PIERRE PETIT

Jean-Pierre Petit is an astrophysicist and a research director at the National French Center for Scientific Research. He provides us with a deeper insight into the main outlines of today’s military and civilian research programs.

MAURICE G. DANTEC

What will be the metaphysical questions of the 21st century ? Maurice G. Dantec arms his acidic visions with theology, (bio)physics, military strategy, realogenes, literature, data processing...
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PRISM #1

ALEXANDRO JODOROWSKY

"You are excrement. You can change yourself into gold ", Jodorowsky explains in The Holy Mountain. The initiation is made up of films, of comics, of books and of the Tarot.

PIERRE LA POLICE

An esoteric cartoonist, a poet, a visionary and an animal lover, Pierre La Police anonymously shines forth on the French-speaking cultural landscape.

ORLAN

Orlan has been working on the status of women and of the body since 1964. She is opposed to the prestige of pain and to the formatting of beauty, sports or religion.

DAMIEN BANCAL

Chief editor of ZATAZ, a magazine which sheds a different light on cyber crime, current news and police action.

GILLES-ERIC SERALINI

Gilles-Eric Seralini is a university lecturer and a researcher in molecular biology. He was one of the first scientists to warn the public opinion against the dangers linked to Genetically Modified Organisms (GMOs).
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Source : As-map.com
Le premier film à avoir présenté au public une idée d'interface de GESTUELc'est dans : Johnny Mnemonic en 1994
non MINORITY REPORT ...Minority report pousse plus loin le concept mais je penses qu'il est important de rapeleraux lecteurs l'antérioté de l'idée présentée dans Johnny Mnemonic

Minority Report UI designer John Underkoffler talks about the future of gestures il nous parle du projet Luminous Room mais ausi de Perceptive Pixels

Rappel : je vous parlait de G-STALT, (voir InSitu, INRIA Saclay & LRI ,)
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Original post : AS-MAP.COM French
A google traduction French 2 English


Pour ceux qui me suivent depuis un momment je vous ai déjà parler de la borne innovanews developpé par Digimind & Pikko dans le cadre de l’Observatoire des Innovations et du projet innovanews à la Cité des Sciences
Rajouter à cela une micro veille sur les instruments du futurs et plus particulierement leurs interfaces ...
J'étais aux anges pendant la conference sur la realitée augmentée organisée en collaboration avec Demain la lune et Future-instruments durant le jamais assez recomandé MAPPING FESTIVAL
Je reprends ici les pistes d'outil de processing évoquée au début de la conférence par DEMAIN LA LUNE

Le processing KEZAKO?

Processing :
Langage de programmation & environnement de dév "multimédia" de Design by numbers. prolongement "multimédia" de Design by
numbers
l'environnement de prog graphique développé par John Maeda du le Media Lab du Massachusetts Institute of Technology.

Le logiciel processing à pour vocation la création plastique
et graphique interactive. (MAC, WINDOWS, LINUX) Source: WIKIPEDIA


NDLR :A ce que j'ai compris le terme est devenu générique pour definir les outils de création interactives
Les outils de réalitée augementée présenteé par Demainlalune.ch

ARToolKit http://www.hitl.washington.edu/artoolkit/

is a software library for building Augmented Reality (AR) applications. These are applications that involve the overlay of virtual imagery on the real world. For example, in the image to the right a three-dimensional virtual character appears standing on a real card. It can be seen by the user in the head set display they are wearing. When the user moves the card, the virtual character moves with it and appears attached to the real object.
DECOUVERTE DE L'ARTOOLKIT Via http://deptinfo.unice.fr/~renevier/nmi/
Arduino
open-source electronics prototyping platform based on flexible, easy-to-use hardware and software. It's intended for artists, designers, hobbyists, and anyone interested in creating interactive objects or environments.
Processing
T-Shirt Image pen source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool.

Cours en ligne de l'École d'Art d'Aix-en-Provence
Cours en ligne de l'Université Paris 8
Openframeworks.cc
The library is designed to work as a general purpose glue, and wraps together several commonly used libraries under a tidy interface: openGL for graphics, rtAudio for audio input and output, freeType for fonts,freeImage for image input and output, quicktime for video playing and sequence grabbing.

The code is written to be both cross platform (PC, Mac, Linux, iPhone) and cross compiler. The API is
designed to be minimal and easy to grasp. There are very few classes, and inside of those classes, there are very few functions. The code has been implemented so that within the classes there are minimal cross-referening, making it quite easy to rip out and reuse, if you need, or to extend.
GAMUZA

A specific tool designed for non-professional or absolute beginners programmers working on art/interaction/design field, and to
provide an easy-to-use fast-approaching tool to cover computer vision interaction design teaching needs(otras).
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CALL FOR ENTRIES RESIDENCIES

CALL FOR ENTRIES RESIDENCIES 1/2011 FROM JANUARY TO JUNE 2011


From January to June 2011 PACT Zollverein is offering a residency programme for the development and realisation of projects and productions, which is open to professional artists from both Germany and abroad working in the fields of dance, performance, media art or music. Residencies are planned individually and include a working space and local accommodation as well as financial support in the form of a weekly grant allowance and travel costs. By arrangement and subject to requirement, PACT Zollverein also offers its residents technical support and advisory assistance with press and public relations and dramaturgy.


A residency CAN incorporate the following:

> Studio space (from 63 to 173 sq.m.)

> Local accommodation (maximum 6 people)

> Weekly grant allowance for all of the residency project participants (maximum group of 6 people)

> Travel costs covering one journey only per participant to and from PACT Zollverein (subject to prior agreement)

> Technical equipment (by arrangement and subject to availability)

> Stage rehearsals with professional technical supervision and support (by arrangement and subject to availability)

> Daily professional open class

> Professional advice in: Project funding, project management, press and public relations


Your applications should include:

> the completed application form (to be found at: www.pact-zollverein.de --> Working fields --> Residencies)

> a short letter of motivation

> a project description

> a 10 line summary of your project description

> curriculum vitae for everyone involved in the project

> only 1 DVD / CD-RoM of your own work



Closing date for applications: June 30th 2010 (post-marked) Please do not send the material by registered post or by email !

All complete applications received by this date will be considered and replied to in writing. Residents are selected by a panel. Please note that we can unfortunately not return your application material to you.



Please send the Application to us by post:

PACT Zollverein Residencies 1 / 2011 Katharina Charpey Bullmannaue 20 a D-45327 Essen


For further information contact:

Katharina Charpey Fon: +49 (0)201.2894712 Fax: +49 (0)201.2894701 katharina.charpey @ pact-zollverein.de www.pact-zollverein.de


PACT Zollverein / Choreographisches Zentrum NRW and its residency programme are supported by the Minister President of the state of North Rhine-Westphalia and the City of Essen. Tanzlandschaft Ruhr is supported by the Kultur Ruhr GmbH.

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LIVE on dance-techTV Today:


"le voyageur de nulle part" from Reza Daneshvar/Iran 18h CET Saturday 29th of May
http://www.festival-extra.com/menu0.htm

WATCH THEM HERE
http://www.dance-tech.net/profile/dancetechTV




"where were you on January 8th?" from Amir Reza Koohestani/Iran 20h30 CET Saturday 29th Of May
http://www.festival-extra.com/menu0.htm

WATCH THEM HERE
http://www.dance-tech.net/profile/dancetechTV



World Premiere
Amy Seiwert / im'ij-re with Frieder Weiss (U.S.A. & Germany): White Noise
http://www.dance-tech.net/xn/detail/1462368:Event:72875


Watch interviews and performance experpts from EXTRA 10, Annecy,
France








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