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Anatomía de un sueño nace de la necesidad de reflexionar sobre el hecho creativo.
Una directora de escena es atacada por un sueño. Cuando se recupera de las heridas se dedica a analizar la anatomía de los sueños con el objetivo secreto de que la próxima vez en que uno de ellos venga a atacarle ella sabrá defenderse y ponerlo contra las cuerdas.

Una pieza sobre dramaturgia y coreografía en la escritura escénica contemporánea.

La pieza parte de una investigación sobre dramaturgia y coreografía en la escritura escénica contemporánea. Sobre el proceso de creación y composición de un espectáculo en el que se funden la danza, el teatro, las imágenes, la música….Y busca respuesta a preguntas como
¿Es una pieza el fruto de un sueño?
¿Es posible diseccionar ese sueño?
¿Es posible ofrecer al público en un espectáculo el íntimo proceso de creación de ese espectáculo?

Una conferencia escenificada, en la que se analizan diversos aspectos de la creación "You Gonna Dance".

____________
Al informe 003 de Anatomía de un sueño le han dado el premio al espectáculo más original e innovador en el Festival Intenacional de Teatro TAC de Valladolid.
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This publication presents operations taking place in 2010 within the EU or in relation to outside countries. The goal is to help these sectors identify current networks and projects, to promote the opportunities available to (future) professional of the circus and street arts and to emphasize different community-related grants. The diversity of the projects supported proves the vitality of our sectors and its needs, while also accentuating their commitment in contributing to the objectives set by the European Union.

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Wifibody Independent Contemporary Dance Festival 2010 will start on June 25 atthe Greenbelt Ayala Malls in Makati City and will migrate to twoother venues.


The Wifibody festival has been organized annually by Contemporary DanceNetwork Philippines (CDNP), currently chaired by AngelLawenko-Baguilat, since 2006, and features dance shows in variousvenues as well as photo and video exhibitions, plenaries andworkshops that all focus on contemporary dance.


CDNP is the group behind the recent "Moving Dance @ The LRT DanceExpress," where more than 20 dancers staged contemporary dancepieces at the stations and inside the trains of the Light RailTransit (LRT) 2 for International Dance Day.


Festival director Myra Beltran says, "Wifibody is distinguished by itsinnovative use of traditional spaces and its exploration ofnon-traditional spaces." After opening in Makati City, thefestival continues at Dance Forum Space in Quezon City and concludesat the Cultural Center of the Philippines (CCP) in Pasay City.


"Wifibody aims to engage the public by allowing everyone to access contemporarydance," she adds. As part of this year's theme, "Body andMemory," there will be a photo exhibit with video portraitsfeaturing ten choreographers who have been influential in thecrafting and direction of the festival.


"It is when the body remembers that one proceeds to create. When thebody remembers, there is dance," notes Beltran. "Thisfestival allows those involved in contemporary dance to 'remember'how we grew, how we got to where we are, and trace where we aregoing."


In IndepenDance, one of the major shows featuring new choreographicwork, participating groups include Ava Maureen Villanueva and RhosamPrudenciado Jr. of Airdance, Gerardo Francisco of Ballet Manila,Herbert Alvarez of U.P. Dance Company, and Christine Crame of SevenContemporary Dance Company.


As part of the festival's objectives to encourage new talent, the NewChoreographers Competition allows up-and-coming regionalchoreographers and dancers who have not yet created any majorfull-length work to premier solos or duets.


Emerging Talent Showcase gives performing opportunities to young talents fromvarious independent groups and school-based groups. The festivalalso features Dance-on-Site, performances choreographed specificallyfor unusual venues, such as the driveway in front of the CCP MainTheater lobby.


The Uncensored Bodies Dance Video Competition will showcase entries thatuse dance in film or films created specifically for dance. Entrieswill be posted on Youtube.com and online voting will be conducted.


Wifibody 5 runs on June 25-27 at Greenbelt Ayala Malls, June 26-27 at DanceForum Space and culminates at the Cultural Center of the Philippineson July 2-4, 2010. Dance Forum Space is at 36e West Avenue, WestTriangle, Quezon City. For details, visitwww.contempodancenetphil.org or call 0917-576-0212.


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Presentation MOVS 10, Madrid

Tell me how did you die?

BATESON

Can the computers think like humans?
-That reminds me of a story!

WE FEEL FINE

Storytelling

Context/domain of interactions

Relations




Word Cloud made with all the words of the descriptions of the plenaries and work sessions from MOVS10


SEE in wordle


body

context

text

connections

relational

communication

exchange

sharing

information

life

art

time

space

process

product

research

real

virtual

memory

storage

imagination

creativity

center

periphery

up

bottom

power

politics

person

structure

organization

strategy

local

global

biology

culture

borders

architecture

freedom

free

access

democracy

horizontal

interaction

place



user

player

gamer

patient

client

spectator

amateur

participant

consumer

viewer

visitor

actor

subject

receptor

member

public

student

performer

apprentice

disciple

aficionado

enthusiast

citizen

professional



Models of mind/body/life/environment


Systems?


Designed experiences?

Engineered exchanges?

Infrastructures of Generosity?

Socially Augmented?


SITUATED ACTIONS: performances




CHANGES


BOUNDARY


INTERFACE


STATE/Behaviors


RULES (open relationship)


WHAT IS CHANGING??


CHANGE



VARIABLES IN A SYSTEM:

CONTROL

AGENCY

AUTONOMY


EMERGENCE OF


PATTERNS:

ACCUMULATION IN TIME = PACE

ACCUMULATION IN SPACE = PLACE


hubs, nodes and relations


INTENSITY/FLOWS/


SYNCHRONOUS AND ASYNCHRONOUS




KNOWLEDGE: MEMORY AND IMAGINATION/IS ALWAYS SHARED/ALWAYS EMBODIED



COMMUNITY/COLLECTIVE/crowds (artists, community and institutions)


INNOVATION: ALWAYS COLLABORATIVE AND LINEAGE BASED


SOCIAL AUGMENTATION OF THE COGNITIVE PROCESSES


COGNITIVE AUGMENTATION OF THE SOCIAL




Individuals/community


communication Infrastructure


Dynamics


Knowledge


Articulation




Metabolic

Evolutionary

Adaptive

Re-designable

Re-engineered









META and self



ECOSYSTEMS...


HYBRID SYSTEMS:


TECHNOLOGIES OF TRANSMISSION AND CHANGE


PERFORMANCE TECHNE



AUGMENTED STORYTELLING


distributed...performance


















































































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La Ribot Distinguida

Watch on dance-techTV page on channel

La Ribot page in dance-tech.net


ribotdistinguida03.jpg


Buy video here


Watch live streaming video from dancetechtv at livestream.com


For the past 10 years, the flame haired artist La Ribot has toured the world with performances that straddle the world of dance, visual arts and performance. La Ribot’s humorous and provocative performances
make use of the body’s endless expressive possibilities – political,
neutral, minimalist, simple, complex, sexual. In between performances at
the Tate Modern in London, La Ribot talks candidly about her working
methods and of her passion for dance and art. Peter’s film captures La
Ribot’s highly individualistic personality and is an intimate portrait
of one of the most vibrant and important artists of recent years.

Piezas Distinguidas shown:

  • 01 Oh! Compositione No. 22, 1997
  • 02 Outsized Baggage, No. 28, 2000
  • 03 Another Bloody Mary, No. 27, 2000
  • 04 Capricho Mio, No. 8, 1994
  • 05 Manuel de uso, No. 20, 1997
  • 06 No. 14, No. 14, 1996
  • 07 !Ya me gusteria a mi ser pez!, No. 6, 1993
  • 08 de la Mancha, No. 31, 2000
  • 09 Eufemia, No. 5, 1993
  • 10 Zurrutada, No. 32, 2000
  • 11 No. 26, No. 26, 1997
  • 12 Chair 2000, No. 29, 2000
  • 13 Narcisa, No. 16, 1996

Luc Peter

Born in 1963. 1986 Degree in Political Science from University of Geneva. 1989 Research into communication during political campaigns, University of Geneva. 1994 Diploma in directing from DAVI (Département
d'Audiovisuel de l'École Cantonale d'Art de Lausanne, Bussigny). 1991-98
Assistant director for various films, artistic director at the UNHCR
visitor centre in Geneva, producer of a video installation at the
Galeries Lafayettes and cameraman for German Swiss Broadcasting Service
(SF DRS). 1995 Founded the Belle Journée association for producing and
directing his own films. Since 2001 associated with Intermezzo Films SA.



2007 MAGIC RADIO
2004 LA RIBOT DISTINGUIDA

2002 GILLES JOBIN - LE VOYAGE DE MOEBIUS

2001 BRAINDANCE
2001 VOILA - MINIBAR, ASTRID REGARD
2001 VOILA - VOYAGE LAUSANNE-EVIAN
2001 VOILA - ELVIS
2000 RECORD PLAYER - CHRISTIAN MARCLAY

2000 A L'EST DES REVES
1996 DANIEL, CHRISTOPHE ET LES AUTRES
1993 COMME UN NUAGE FLOTTANT
1993 PORTRAIT DE NATACHA



Internet

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Abrons Art Center
2 Nights Only!!
June 11 and 12 at 8:00 pm

Direct link for tickets: https://www.ovationtix.com/trs/pr/738516

Gun-toting Tea Party Patriots... the Gulf oil spill... escalation of the war in Afghanistan... It wasn't supposed to be like this, was it? As the longed for "HOPE" Obama so successfully cultivated gives way to cynicism and despair, we return to "Weimar New York," the theatrical cabaret that uses the rubric of Weimar Germany to draw uneasy parallels between Germany then and the United States today.

The show began during the dog days of the Bush administration at Joe's Pub and played 2 seasons of the Spiegeltent at South Street Seaport. It has since gone on play sold out engagements at SFMOMA and LA Art Weekend.

"Weimar New York" returns home for 2 performances at Abrons Arts Center on the Lower East Side co-hosted by 2 bona fide New York City legends: Penny Arcade and Joey Arias. These shows also see the US debut of Sven Ratzke, a cabaret star in The Netherlands and Germany and the return of the Pixie Harlots in a brand new number choreographed by Julie Atlas Muz!

Confirmed performers include: Mike Albo, Russell Brown, Adam Dugas, John, Kelly, Phoebe Leger, Libby Shapiro and Tigger! (Performers vary from night to night.)

More performers TBA!
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For those of you with whom I haven't had the opportunity to speak - allow me to introduce myself: My name is Marc Kirschner and I am the General Manager of TenduTV, a digital distributor of dance programming.

On July 6th, we're going to be releasing the first edition of our "Essential Dance Film" (EDF) series on iTunes in the US and Canada. This collection will be released in the UK as well as on other platforms - we simply haven't been able to lock down a formal date yet. We are also working on releasing the title in other territories, including France, Germany, Australia and New Zealand.

We have two main goals for the series:

1.) To provide audiences with easy access to a wide-variety of high quality dance film.
2.) To generate earned income for filmmakers.

The films in the first EDF collection are as follows:

Shake Off (Hans Beenhakker)
Flying Lesson (Chamecki/Lerner/Harder)
Little Ease [outside the box] (Matt Tarr & Ami Ipapo)
Babel (Peter Sparling)
The Fantastic Flowershop (Pawel Partyka)
The Duchess (Eric Koziol and Shinichi Iova-Koga)
Helioscape (Jacob Niedzweicki)
Kino-Eye (Joby Emmons & Elena Demyanenko)
Moment (Katrina McPherson & Simon Fildes)

Some of these films you probably know quite well, others you don't (in fact, one has yet to premiere). Pricing will be inline with standard definition downloads in the appropriate territory, which in the US is $3.99 for a rental, $14.99 for purchase (this compilation will not be available in HD, however HD pricing is $4.99 for a rental, $19.99 for purchase).

We are also seeking submissions for our second and future compilations, which we hope to release on a fairly regular basis (at least 2 per year). We are also actively seeking longer and full-length programs. If you are interested in having one of your films included, please send the following information to my attention at mkirschner@tendu.tv:

Name of film:
Director:
Choreographer:
Format:
Master format available:
Length:
Screening history and awards:
Website:
Link to clip (if available):

Also, please confirm that you have all subsidiary rights (eg. music) or can obtain subsidiary rights to all of the elements included within the film.

We also have a facebook page for the series at http://www.facebook.com/dancefilm

In the meantime, if you have any questions, please do not hesitate to email me.

Sincerely,

Marc
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"Reality is overrated" – this slogan by Eva and Franco Mattes contains central aspects of the Italian artist couple's work: Their interest in reality in the age of digital forgery, the blending of fact and fiction – and their appetite for provocative statements.


The artists provide evidence of the latter yet again in their most recent work No Fun: Franco Mattes simulated his suicide in the popular webcam-based chat room Chatroulette. Thousands of random people watched while he was hanging from the ceiling, swinging slowly for hours. The video documentation of the performance presents an unbelievable, at times very disturbing, sequence of reactions: some laugh, some are completely unmoved, some insult the supposed corpse, some take pictures with their mobiles. Notably, only one out of several thousand people called the police. Moving beyond the aspects of shock and provocation, this touches on a basic question: What does "reality" mean in the digital age?

Eva and Franco Mattes are the artist-provocateurs behind the infamous website 0100101110101101.ORG. Belonging among the pioneers of the net.art movement, they have manipulated video games, Internet technologies, feature films and street advertising.

AD/HD is Eva and Franco Mattes' first institutional solo exhibition in Switzerland, featuring their most recent net-based interventions and videogame performances. The works refer to the history of performance art with its notions of body, space, emotion, social interaction and communication – notions that are then experimentally renegotiated by interlinking physical and digital space, physical body and avatar.

A series of Synthetic Performances took place in the online environment Second Life, performed by Eva and Franco Mattes through their avatars, which were based on their real-life physical features. People could attend and interact with the live performances connecting to the online game from all over the world. The series started in January 2007 with reenactments of historical performances by Marina Abramovic, Vito Acconci, Chris Burden and others, and was continued by Eva and Franco Mattes' own Synthetic Performances.

In Freedom (2010) we are faced with a live performance set within the popular first-person shooter videogame "Counter Strike". Here, the artist, Eva Mattes, is refusing to accomplish the basic goal of the game, to kill the enemy. She instead tries to convince the other players to save her life because she is "trying to make an artwork". The result is the performer being endlessly and brutally killed and abused by the other players.

For our guest booth at LISTE – The Young Art Fair, Eva and Franco Mattes developed the performance The Rude Dude: "The Rude Dude welcomes audience, critics and fans into the obscure under-the-stairs-corner of art, where the most secret, unpleasant, potentially scary conversations take place. Ask him what you never dared to ask about art, because he knows and will tell it out loud.
The Rude Dude offers something slightly different than the regular art fair stroll. A live performance, a Net Art piece, a liberating experience, at least for him..."
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“Internalizing Music” Using African & Indian rhythm, movement, and recitation

Jerry Leake, Director and Drummer; 
Lisa Leake, Dancer, Vocalist

Sunday, July 18 – Saturday, July 24, 2010
Schedule: Saturdays and Sundays 9am-3:30pm
Weeknights 6pm-9pm

NEC Jazz percussionist Jerry Leake and dancer/vocalist Lisa Leake, present their original 3-tiered method of reciting African and Indian drum compositions against a background of stick patterns and basic movement. Musicians and non-musicians will find this a challenging but accessible entry into African and Indian music & dance practices. In this intensive workshop, rhythm theory and practice merge through intensive practice and application that aurally and kinesthetically grounds one’s time.

Classes are demanding, but prior experience with drumming is not expected or required. Participants include college music faculty, K-12 teachers, committed amateurs, professional performers, students of all ages, jazz, world and rock musicians and composers. Sticks, CDs and detailed handouts provided at a minimal cost. On the final evening of the workshop, students will participate in an informal public performance.

Summer Session Registration Form: http://necmusic.edu/pdf/ce/CE_Summer_Session_2010_Registration_Form_b.pdf

Tuition:
2 SCE Credits: $1050
Early-bird discount SCE credit tuition: $960
(registered/paid in full by June 7; call office)
Non-credit: $685
Early-bird discount non-credit tuition: $595
(registered/paid in full by June 7; call office)
Weekend pass (Saturday & Sunday): $95
All the above require $35 registration fee.
Evening passes (Monday-Friday): $75 per day (maximum: 3) No registration fee.

http://necmusic.edu/continuing-education/summer-session/intercultural-institute

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Monitoring :

Monitoring :

META-MONITORING TWITTER ACCOUNT
http://www.business-commando.com/business_commando/2010/06/03/braquage-de-veille-recuperer-la-veille-dun-twittos-par-un-de-nos-honorables-corespondants-ave/

TWITTER + FACEBOOK MONITORING 2 RSS
http://www.business-commando.com/business_commando/2010/06/03/braquage-de-veille-recuperer-la-veille-dun-twittos-par-un-de-nos-honorables-corespondants-ave/#respond
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Perform at The Glastonbury Festival

This rocks!!!! Check it out:One of 2010’s most talked about musicians, Kirsty Almeida has developed an extraordinary opportunity with Talenthouse, to select a talented musician to join her on stage at the Glastonbury festival on Sunday 27th June 2010. The Glastonbury festival is one of the world’s largest and most prestigious music festivals and the chosen musician will perform the song "If You Can't Make Me Happy" with Kirsty and her band.Flights and accommodation will be provided for the selected musician as well as an opportunity to rehearse with Kirsty prior to the event. In addition, the top 20 voted artists will have an opportunity to receive a portion of $2,000 (USD) (see 'Details' for more info).How to participate:1. Click here first: http://bit.ly/9sy5cw2. Then click 'Participate' and download Kirsty’s song.3. Make a video of yourself playing along with the track. You are more than welcome to submit a video of a previously recorded performance, if you prefer (solo performers only, no bands please). Unique instruments are encouraged but all instruments are welcome.4. Lastly, once you have made your video, upload your submission and begin spreading the word to your people.Wherever you are in the world and what ever instrument you play, get creative and submit your work.
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Fashion Internship with Julia Clancey

Pretty cool internship opportunity:Win an internship with Julia Clancey to work on her collection for NYC Fashion week and be featured on handbag.comJulia Clancey is partnering with handbag.com andTalenthouse to find anintern to work with her on her accessory collection, which will launchat New York fashion week in February 2011. Submit 2 images of accessorypieces you have designed by JULY 14, 2010 to be considered. The winnerwill be also beshowcased on handbag.comSUBMIT YOUR IMAGES HERE:http://tlnt.at/976eQeUnapologetic about her point-of-view, Julia Clancey's style is indulgent and empowering to female dressing. Julia debuted her firstcollection during London Fashion Week in 2004. Her design credits arefound within the prestigious pages of Vogue, Elle, Tatler and many othermajor publications as she shares with them her mutual affection forbeautifully imaginative and valiant women of today. Over time, her workbecame noticed by celebrity clients, including Estelle, Megan Fox,Juliette Lewis and Keira Knightley.
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Best Online Collaboration Tools 2010 - Robin Good's
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N'Dongo D and Faada Freddy found themselves in Paris, unable to board
the Eurostar to London, because they had been refused entry to the UK by
the UK Border Agency

Source : http://www.guardian.co.uk/music/2010/may/27/visa-border-agency-world-music

Via http://twitter.com/artintag

Serenpity path : RT @manhack: Denombreux artistes refoulés aux portes de l'Europe: #visa #passeport #biométrique#orwell + #kafka http://j.mp/9n34rX
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http://graphisme.tv/

Créé pour les designers, graphistes, artistes et autrescurieux, Graphisme.tv
regroupe un ensemble non exhaustif deconférences, interviews, reportages sur des acteurs du monde du design,du graphisme, de l'art.

Le but est de trouver résonnance dans certains mots, certaines phrases, certains designers et, pourquoi pas, s'en inspirer:)

avatar.pngCe site est réalisé par Geoffrey Dorne, designer, chercheur& blogueur surGraphism.fr.

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"La première étape consiste donc à sélectionner des personnesintéressantes à suivre (sur un sujet donné). Tous les comptesn’offrent pas le même intérêt, il est donc conseillé de bien définirquelle veille on veut faire au préalable. Christophe Deschamps proposaitpour le site Outils Froids en octobre 2008 des conseils pour faire de la veille avec Twitter. Lesréférences sont surement à actualiser, mais les sites comme Twellow (sembletrès lent) ou Justtweetitpeuvent permettre de trouver des personnes à suivre. Un site françaispropose la même chose avec des personnes (ou institutions) françaises : quitwitte. Ces annuaires sont très limités et ne sauraient donner des listesexhaustives. Ils permettent de commencer à repérer les personnesinfluentes et pertinentes, mais il faut ensuite faire un peu de prospective sur Twitter directement."
la suite sur :
http://www.inrp.fr/vst/blog/2010/05/28/utiliser-twitter-pour-faire-de-la-veille/#more-2472
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PRISM #4

JEREMY NARBY & FRANZ TREICHLER

Jeremy Narby, an anthropologist, author of The Cosmic Serpent, and Franz Treichler, a musician, leader of the Swiss industrial band The Young Gods, who recently joined forces for a live performance on Amazonian forest and its native Indians.

MARIO VARVOGLIS

A doctor in experimental psychology. He experimented on states of altered consciousness at the Maimonides Hospital Dream Laboratory in New York and at the Psychological Research Laboratories in Princeton.

MOEBIUS

A cult French cartoonist, a mystic and esoteric artist known for his highly detailed and fine line artwork, often incorporating surreal landspaces.

ELIANE RADIGUE

A composer. She studied electroacoustic music techniques with Pierre Schaeffer and Pierre Henry. Since 1971, she works almost exclusively on an ARP-synthetizer.

WILLIAM BENETT

Founder of Whitehouse, seminal band of the power-electronics music genre that first surfaced in England at the beginning of the 1980s.
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PRISM #3

TONY BASSETT

An incomparable electronic engineer, who creates Theremins and Brain Machines - which can be used to reach altered states of consciousness.

JEAN-LOUIS COSTES

An artist who doesn’t like taking detours, and evenless, making concessions, he aim at putting under the spotlights the false taboos and uneasiness that exist throughout our society in order to better destroy them in public.

BRUCE BENDERSON

Bruce Benderson describes the reality of what he calls the underclass and gives us the description of a world being in the process of standardization, progressively emptying itself from its libido load.

SAVAGE PENCIL

Edwin Pouncey has been working for more than twenty-five years under the pseudonym Savage Pencil, his peculiar style making him the ultimate rock’n’roll and underground cartoonist.

DEBAT

Selected extracts from a conference with Maurice G. Dantec, Richard Pinhas and José Da Silva.

STEFAN JAWORZYN

Stefan Jaworzyn was either at the origin or played an active part in several singular adventures of the London Underground : Shock Xpress, Whitehouse, Skullflower,...
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PRISM #2

RICHARD PINHAS

Richard Pinhas is a radical thinker, a "3rd generation libertarian". He’s also an artist who uses his guitar, his synthesizers and his computer as what they are - instruments of warfare.

THE NON-A FILES

Two interviews about the concrete applications of the non-A trend of thought, which influenced William S. Burroughs, Henri Laborit or Gregory Bateson.

JIM G. THIRLWELL

Jim Thirlwell is a musician and a graphic designer, a mutant and elusive character. He is considered as one of the fathers of industrial music.

NORMAN SPINRAD

Norman Spinrad is a "trans-genre" writer. Themes of manipulation, sciences, politics, media, sex, music & drugs melt into some 20 dangerous books that led him to exile himself to Paris in 1988.

JEAN-PIERRE PETIT

Jean-Pierre Petit is an astrophysicist and a research director at the National French Center for Scientific Research. He provides us with a deeper insight into the main outlines of today’s military and civilian research programs.

MAURICE G. DANTEC

What will be the metaphysical questions of the 21st century ? Maurice G. Dantec arms his acidic visions with theology, (bio)physics, military strategy, realogenes, literature, data processing...
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PRISM #1

ALEXANDRO JODOROWSKY

"You are excrement. You can change yourself into gold ", Jodorowsky explains in The Holy Mountain. The initiation is made up of films, of comics, of books and of the Tarot.

PIERRE LA POLICE

An esoteric cartoonist, a poet, a visionary and an animal lover, Pierre La Police anonymously shines forth on the French-speaking cultural landscape.

ORLAN

Orlan has been working on the status of women and of the body since 1964. She is opposed to the prestige of pain and to the formatting of beauty, sports or religion.

DAMIEN BANCAL

Chief editor of ZATAZ, a magazine which sheds a different light on cyber crime, current news and police action.

GILLES-ERIC SERALINI

Gilles-Eric Seralini is a university lecturer and a researcher in molecular biology. He was one of the first scientists to warn the public opinion against the dangers linked to Genetically Modified Organisms (GMOs).
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