My two films The Ulitmate Video Dance EVER and Nordic Visuals will be screening at the First Annual UMove Online Videodance Festival with an opening launch party and screening at the Tank in New York City on October 4th.
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Artist Daan Roosegaarde and V2_Lab are looking for a fashion designer (M/F) to help realise “Intimacy”, a next step in wearable technology.Artist Daan Roosegaarde, known for his interactive artworks such as ‘Dune’ and ‘Sustainable Dance Floor’, is expanding his artistic and innovative horizon to include fashion. In close collaboration with V2_ Lab he will be developing electronic fashion that becomes visually transparent according to the amount of personal intimacy involved.The dress ‘Intimacy’ is made out of smart foil that becomes transparent when electrified. The distance to the dress determines the level of transparency; creating a sensual play of shared control.Daan Roosegaarde says: ‘Technology is used here not merely functional but also as a tool to create intimacy as well as privacy on a direct, personal level ... which in our contemporary tech society is becoming increasingly important.’In order to take this step from prototype to haute couture V2_Lab and Daan Roosegaarde are looking for:- a recently graduated or senior year fashion designer (M/F) with an affinity for hairstyling;- he or she must be able to participate in thought process along the lines set out by V2_Lab and Studio Roosegaarde in the preliminary stages and therefore must be a good team player;- the project starts on 1 November 2009; it is a full-time position for a period of 4 to 6 weeks.What we offer:- access to functioning new technology, an existing prototype and an artist's impression of the intended final product;- a workplace at V2_Lab, Rotterdam;- a trainee allowance;- exhibition of the end result;- name credit.Please send your resume/portfolio and motivation before 1 October, preferably by e-mail, to:piem@v2.nlV2_Instituut voor de instabiele mediaAttn. Piem WirtzEendrachtsstraat 103012 XL RotterdamEligible designers will be invited for an interview mid-October.
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Posted by Emelie Bardon on August 31, 2009 at 12:29pm
Oh dear, I'm so late. It's already been a month since the festival, which was a very good one on the whole. I wasn't very happy about the rain but I could cope. When it came to CCTV music, it was all quite messy. There was a misunderstanding already at the booking, I think, because we thought that the installation was supposed to be running throughout the entire festival. We arrived already on Wednesday (festival starts on Thursday) to hang our stuff, and we did. When it was all done, it turned out that it could run for no more than two hours on Saturday afternoon. Quite disappointing. On Thursday, we got the offer to have the installation running in a different part of the festival, the Pirate Tent, so on Friday morning we moved all our stuff there. It didn't turn out too good either. The pirates needed to prepare their own stuff, and CCTV music was turned on for maximum 15 mins at a take. I was annoyed. On Saturday morning, we moved camera, computer, and cables back to the 8 bit room for the scheduled installation. Unfortunately, the technicians didn't show up which delayed the whole thing even more. Further more, it was interupted by an unexpected wedding in Mimer!Anyway, the short hours we had the installation running, it was very appreciated by the few people who found their way there - as always. It makes me as happy every time to see people play and dance and enjoy themselves in the installation which is partly my creation. And we've already got plans for next year's festival. Hopefully, they'll work out better then. :)
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In an effort to promote public interest in dance performance in the city of San Diego, Mina Communications will be producing an ongoing series of dance films with live dance pre-shows. To make these events possible, financial support from sponsors is necessary. Anyone who is interested in helping to generate sponsors will receive a commission for their efforts.Sponsors who support this campaign will receive ample media exposure through PR and the Advocacy Advertising campaign that will be produced to promote the events and professional dance performance in San Diego. To learn more visit: http://www.minacommunications.com/id18.htm
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Just had to comment on this moving experience. As a grant writer, community and arts activist for several decades, Senator Kennedy was a reliable and tireless advocate for arts and MANY social causes. He helped with my Community Foundation project while I was in grad school - part of which was to fund arts education. I shall not forget - and hope that none of you do, either. Maybe our prayers for universal healthcare will manifest.
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Posted by Gilles Jobin on August 28, 2009 at 5:05pm
http://www.videoart.chAlexander Hahn, Anina Schenker, Annelies Štrba, Christoph Draeger, Christoph Oertli, Christoph Rütimann, COM & COM, Elodie Pong, Eric Hattan, Herbert Distel / Peter Guyer, Ingeborg Lüscher, Ingrid Wildi, John Stotzer, Katja Schenker, Lutz & Guggisberg, Marie José Burki, Mathis / Zwick / Mädorin, Max Philipp Schmid, Pauline Boudry, Renate Lorenz, Brigitta Kuster, Pipilotti Rist, Roman Signer, Rudolf Steiner, Susanne Hofer, Till Velten, Una Szeemann, Ursula Hodel, Ursula Palla, Yan Duyvendak, Yves Netzhammer, Zilla Leutenegger.
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The Global Dance Contest is now closed. Our team of judges has selected the best 10 videos from all the entries. The 10 finalists will be online soon. Public voting starts at the 1st of September.Check out the videos and vote for your favorite at http://www.globaldancecontest.comBest your Global Dance Contest team x
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The Tec-Art-Eco Project art and technology for the environment calls for proposal.Supported by INTERREG IIIA PROGRAM and promoted by the cultural Associations Ariella Vidach - A.i.E.P. (Milan) and Avventure in Elicottero Prodotti (Lugano), Tec-Art-Eco proposes a three-year program of interdisciplinary festivals (shows, exhibitions, concerts, performances, workshops and conferences) dedicated to the relationship art - interactivity and oriented at the development of a pilot - methodology of an eco-sustainable cultural event.Call for proposal targets performers, dancers, actors, musicians, visual artists, designers, computer operators, directors, video-makers, not older than 35, interested in attending a multidisciplinary didactic project. Selected artists will take part to laboratories and workshops held by international artists invited during the three years, with the aim to produce an installation or a performance that uses new technologies. These projects will be shown during the Tec-Art-Eco festivals in Lugano (CH), Como (I) and Gallarate (I) between 2010 and 2011.PURPOSESThis proposal aims at educating groups of artists who, through exchange of knowledge and experimentation with new interactive media, are able to produce artistic projects with attention to eco-sustainability. The participants will be supported by well-qualified teachers (choreographers, artists, composers, researchers) who will supply the specific know-how and skills necessary to the production of a multimedia project.TERMS OF PARTICIPATION►The project must be presented sending by mail to: Ass. Ariella Vidach – AiEP / DiDstudio, Fabbrica del Vapore, via Procaccini 4, 20154 Milan. ITALY the following documentation:- letter of presentation with the reason why the applier desires to participate to the project- application form duly filled (downloadable on www.aiep.org or www.tecrteco.net)- paper documentation and DVD about previous works as required in the application form►A copy of application form, letter and dossier must be sent also via email to info@aiep.org►The documentation will not be given back and will be included in the archive of Tec-Art-Eco Project►Participation is open to artists (or groups of artists) of any nationalities, born after January 1st 1974.► Projects relating art, technology and environment will be particularly appreciated.DEADLINE► Submissions end on September 18th, 2009. Submissions with incomplete documentation, sent after the deadline or sent only via mail will not be considered.► the Organization will answer via email before October 10th 2009 and selected ones will have to confirm their participation before October 15th 2009.INFORMATIONAssociation Ariella Vidach - A.I.E.P.via Procaccini, 4 - 20154 Milan ITALYtel. - fax +39 (0)2 3450996e-mail: info@aiep.org;web: www.aiep.org; www.tecarteco.net (online in a few days)
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Another late night as "movement" from Abene Festival in Vermont to dancing for independent film in Boston keeps us all "on our toes." Versatility in a dancer's life is status quo, as a few pics here demonstrate (hot off the set). Director: Danny Marshall. Location: Jamaica Plain, MA.
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Dear all,how are you ?May I tell you the schedule of my direction performance work "true/本当のこと" today.It will do EU tour from end of next September to October.If you have a chance come to see "true" !Also let me know before you come to see the show.2009September25 (Fri) Stadsschouwburg(SSBA) / Amsterdam #126 (Sat) Stadsschouwburg(SSBA) / Amsterdam #229 (Tue) Parktheater / EindhovenOctober03 (Sat) Tanzhaus NRW / Dusseldorf #104 (Sun) Tanzhaus NRW / Dusseldorf #209 (Fri) Mousonturm / Frankfurt #110 (Sat) Mousonturm / Frankfurt #115 (Thu) Maison de la culture du JAPON à Paris / Paris #116 (Fri) Maison de la culture du JAPON à Paris / Paris #217 (Sat) Maison de la culture du JAPON à Paris / Paris #3You can see more detail of the tour schedule on the Japan foundation web sit.Also the English version of interview report about me published on the web too.http://www.jpf.go.jp/e/culture/new/0907/07_01.htmlhttp://www.performingarts.jp/E/art_interview/1.htmlI wish see you soon !very bestTakayuki Fujimoto / kinsei
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F.I.A – 2009/2010 From October 12th 2009 till March 26th 2010 A transdisciplinary artistic investigation deeply rooted in the Studies of the Body.
A period of 6 months dedicated to a practical daily work which promotes the arising of essential questions brought by each individual in her/his own investigation. This daily work includes reflexion and discussion. Through it the proposals developed by each creator will come to form allowing a growing understanding and a profound knowledge of the matter under investigation.
F.I.A is organized in blocs of 3 weeks of practical work focusing on the Body (sensation, perception, movement, relation) tangled with short term proposals from two days to one week long.
All the work is guided by professionals from different artistic and scientific backgrounds (dance, writing, video, sound art, philosophy, anthropology, biology, body theory). At the same time each person is individually coached, having regular dialogues with the tutors and producing weekly papers that are presented to the collective for feedback. During these six months of practical work each creator should find the ways that better suit him in the process of sharing with others the questions of his current investigation. The final public communication will assume the form that each creator considers adequate as an exercise fitted to the matter of study.
Applications till September 6th 2009.
The applications must contain name, address, email, telephone number, date of birth, images of work, text biographies, curriculum vitae, writing in areas of interest and investment at the moment (artistic, scientific, social ...) , text to enter the area or areas to be developed through this program.
And in case you want to join the last stages of artistic research - monitoring of the individual creative journeys - which take place between April and June 2010, you must attach a synopses of the work you may develop.
More information & how to apply
NOTE TO APPLICANTS: info received from Paula Petreca - a member of Rede Sudamericana de Danza who says: "We´re looking forward to improve the European influx among our students/research because the intercultural exchange we've already established with Spain and Latin American has been motivating us to spread our relationships."
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Posted by Gilles Jobin on August 20, 2009 at 1:20pm
DANSCAMDANSE 2009III International Dance Film Festival25-26-27 november 2009 - Art Cinema OFFoff - Ghent - Belgium.DANSCAMDANSE is an international film festival focusing on the interactionbetween dance and visual media: the different ways dance is a formal subjectof film, or a source of inspiration. The festival aims to be the voice of acontinuously growing number of choreographers and visual artists‹a focusedopportunity for exposing new dancefilms creations and a platform forreflection on these themes.DANSCAMDANSE festival deals with the special relationship between dance andthe moving image, between the physical aspect of dance and the pure qualityof projected light. This relationship can flourish from both directions‹inone way as a presentation of mainly choreographic works recorded/producedfor the camera or, on the other hand, as an interpretation of dance,translated into a film.The festival is a chance to join cross borders between dance and film,creating a stage for different ideas and visions to reach one another.This 3th edition focuses on uncompromising, unconformistic ExperimentalDancefilmsin a broad perspective (only single screenformat).DANSCAMDANSE is interested in new, original and personal ideas that canarouse interest and exchange. The festival is not a competition but,instead, a meeting for promotion, inspiration and new discoveries.DANSCAMDANSE is an initiative of the MahaWorksOrganisation in collaboration with Art Cinema OFFoff and FlandersInternational Film Festival-Ghent-Belgium.MahaWorksDANSCAMDANSEZandberg 19000 GhentBelgiummore infowebsite: www.danscamdanse.beemail: info@danscamdanse.betel: +32 (0) 9 330.03.72!Deadline September 25th!Please forward the news!
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As you might know is currently the Edinburgh Festival on and so Dancebase put together an eclectic and exciting selection of performing artists and companies.More info of the upcoming shows can be found onhttp://www.dancebase.co.uk/and-then-some/View-all-products.htmlThe first show I went to see was Appel by Decalage. The performers Mickael Marso Riviere and Navala Chaudhari showed a sensual and exotic mix of bboying and capoeira accompanied by live music by Jason Kalidas using Bansuri and Tabla. As a viewer you feel like you are in a dessert with the sun rising revealing Chaudhari in an elegant contortionist position before she starts gently moving like a snake across the sand. Then Riviere comes in with a powerful solo of break dancing moves before both performers break into a well-tuned duet.More about Decalage can be found onhttp://www.companydecalage.co.uk/and excerpt of the piece:http://www.dance-tech.net/video/company-decalage-appel-atMore than a year ago I produced the 3 minutes video TRENCH with Company Chameleon while they were still in development of their final piece Rites. Thus, it was very exciting to see the full 42 minutes performance of the complete piece Rites of which Trench is a section. Rites is a breath taking dance work that demands everything from its performers Anthony Missen and Kevin Turner. Drawn from personal experiences of what it means to be a man through showing the different stages that shape us: family, friends, happy moments and extreme situations. Company Chameleon really gives the audience something they can relate to and to take away with them.More about Company Chameleon onhttp://www.companychameleon.com/and excerpt of the piecehttp://www.dance-tech.net/video/rites-introduction-by-companyThe third piece I would like to mention is The Simplicity of Grasping Air by Lindsay John. A large floor and back wall projection of slowed down water footage by Jane McInally reminds of a moving Van Gogh's painting and works well with John's Butoh movements. The notes I took along the piece say that it is too slow for my awareness which I mean in a positive way because I feel I am there in every single bit of the moment. My mind is not rushing anywhere...it is just here. I have to really look how things evolve...Another article about Lindsay John's The Simplicity of Grasping Air can be found onhttp://www.theskinny.co.uk/article/46527-the-simplicity-of-grasping-air
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I am artistic director and choreographer for Ballet Pixelle (balletpixelle.org) and am working to explore the intersection of physical and virtual dance. I welcome any and all discussions. We are looking at avatars interacting with real dancers. We are "dancing into the digital future..." Does anyone have any experience with this?
Also, does anyone have/use a low-cost motion capture system?
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Posted by karla kracht on August 12, 2009 at 11:39am
Workshop Dance and New Media‘Performance on the Edges: Physical / Digitial Media Environments’ke∂ja: dance encounters, involving a number of invited artists and art students from performing and media/design disciplines. The workshop aims at developing and experiencing contemporary methods of collaboration on composition and choreography with multi-media methods of mise-en-scène.The workshop will demonstrate composition-processes and design/directing for digital performance combining various techniques and concepts of visual, scored or improvisational interactive performance, the use of camera and digital projections, movement, sound, and design with real-time processing synthesis. The participants explore “physical camera” techniques and the use of projection and lighting in performance using live and prerecorded manipulated images and interactive programming.Birringer will share his experience and knowledge of working in different cultural andcollaborative professional settings as well as research contexts. The workshop includes examples and references to international stage works, choreographic systems, installations and site-specific performances.Johannes Birringer is a choreographer and media artist. As artistic director of the Houstonbased Alien Nation Co. (http://www.aliennationcompany.com), he has created numerous dance-theatre works, video installations and digital projects in collaboration with artists in Europe, the Americas, and China. His most recent production, the digital oratorio “Corpo, Carne e Espírito”, premiered in Brasil in 2008. He is founder of Interaktionslabor Göttelborn in Germany (http://interaktionslabor.de) and director of DAP-Lab at Brunel University, West London, where he is a Professor of Performance Technologies in the School of Arts. His new book, “Performance, Technology and Science”, was released by PAJ Publications in 2008.Dates: 5 - 9 OctoberPlace: Atelier Nord and ScenehusetHosted by: Danseinformasjonen in collaboration with Atelier NordTime: 14 - 22, included dinner breakSkill Requirements: Performance experience and intermediary/advanced skills in performing with audio visual technologies and/or programming.This workshop is offered specifically for those already are working with technology, but wishing to improve their skills and get new perspectives. Submit CV or portfolio to office@ateliernord.noDeadline: 1st September.The lab is free, and a warm meal is included every day.It is recommended that each participant bring rehearsal clothes and their own laptop and other electronic tools (camera, recorder, music instruments, etc) if availablehttp://anart.no/Read more…