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Ballettikka Internettikka Insecttikka
(Internet Ballet)
http://www.intima.org/bi/ins
by Igor Stromajer and Brane Zorman

Saturday, 29 May 2010 at 22:00 (Amsterdam/Berlin/Paris Local Time)
Netherlands Media Art Institute, Amsterdam
Live Internet Broadcast

- authors and performers: Igor Stromajer & Brane Zorman
- theoretical adviser: Bojana Kunst
- live music (composed and performed) by MC Brane Vs BeitThron
- live video edited by Igor Stromajer

Co-produced by the Netherlands Media Art Institute (Nederlands
Instituut Voor Mediakunst), Amsterdam (www.nimk.nl), Intima Virtual
Base – Institute for Contemporary Arts (www.intima.org) and Cona
Institute,
Ljubljana, Slovenia (www.cona.si), May 2010.

Ballettikka Internettikka is a series of tactical art projects which
began in 2001. It explores wireless Internet ballet performances
combined with guerrilla tactics and mobile live Internet broadcasting
strategies. After invading the Bolshoi Theatre in Moscow (2002), La
Scala in Milan (2004), the National Theatre in Belgrade (2005),
Volksbühne in Berlin (2006), the City Hall and Lippo Centre in Hong
Kong (2007), a construction site in Seoul (2008), the Norwegian island
Svalbard in the Arctic Ocean (2008), the Japanese island Minami
Torishima in the Pacific Ocean (2009) and other institutions, places
and their concepts. Stromajer and Zorman are now preparing a new
Internet ballet – Ballettikka Internettikka Insecttikka, performing
and broadcasting live from the coded location C3K44XE in Hamburg. The
live event will be broadcast to the public at the Netherlands Media
Art Institute, Amsterdam, and on the Internet at:
http://www.intima.org/bi/ins

[]

In the Port of Hamburg, at the micro location C3K44XE, Stromajer and
Zorman will release two micro robotic bugs: two artificial autonomous
robotic toy insects (based on the HexBug Alpha and HexBug Bravo
platforms), equipped with mechanical and electronic sensors and with
two wireless waterproof night vision micro spy-cameras, let loose to
commit a parallel suicide (the third, invisible micro robotic bug,
equipped with the same camera, will observe the situation from the
distance).

Both of the robotic bugs are programmed only to commit suicide – at
the same time (with up to +/- 5 seconds time tolerance) – but not how
to do it. Their intelligent decision-making electronic system will
allow them to select the method of their simultaneous death.

Visitors of the Performmikka Internettikka event in Amsterdam and
visitors on-line will be able to monitor the robotic bugs’ path to
death, and their final decision.

How will the robotic insects decide? Autonomously or politically?

"We shall fight them on the beaches. We shall fight them on the
landing grounds. We shall fight in the fields and in the streets, we
shall fight in the hills. We shall never surrender." (W. Churchill)

[]

Ballettikka Internettikka Insecttikka is a part of the event
Performmikka Internettikka, curated by Petra Heck.
http://nimk.nl/eng/calendar/performmikka-internettikka
Performmikka Internettikka is an evening with
Internet/teleperformances by Annie Abrahams, Christophe Bruno,
Constant Dullaart and Igor Stromajer & Brane Zorman, focused on the
relations between
contemporary performance practices and the Internet.
Petra Heck, curator
(Nederlands Instituut voor Mediakunst, NIMk)
E-mail: petra [at] nimk.nl
Tel.: +31 20 6237101
Fax: +31 20 6244423

[]

Additional information about Ballettikka Internettikka Insecttikka:
Intima Facebook: http://www.facebook.com/intima
Intima Twitter: http://twitter.com/intima
Intima Facebook Group: http://bit.ly/20Hhj1
Flickr: http://bit.ly/b1EFJL

[] [] []

Intima Virtual Base
intima.org [at] gmail.com, skype: intima.org
Mobile: +49 162 634 3285 (Germany)
http://www.intima.org

Cona
http://www.cona.si

[] [] []

* intimate news: Ballettikka Internettikka

The newsletter is produced by the Intima Virtual Base – Institute for
Contemporary Arts and Cona Institute, Slovenia.
This e-mail message was sent to you because the authors and the
producers wished to invite you to join the on-line artistic event or
you have provided your e-mail address to Intima Virtual Base or/and
Cona
Institute.
If you do not wish to receive future e-mail messages from Intima
Virtual Base or/and Cona Institute, you may unsubscribe now by sending
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Read more…
Sonia Cillari work "As an artist, I need to rest': has been nominated for the File Prix Lux 2010.

Beside the Jury prizes, there is an on-line popular vote, If you like my piece, you can vote it at:
www.fileprixlux.org/vote-interactive-art.aspx

This is her page in dance-tech.net
http://www.dance-tech.net/profile/SoniaCillari

Watch Interview with Sonia.

Read more…
Original post for Mac USER ...
Sorry for Windows Users ...
I Suggest you buy a ROPE ... :))))

Let's go :
* = R0X1NG Tools : mean save our life during the processing.

SCREENSHOOT
* SKITCH : SCREENSHOOT and annoting

CONVERT VIDEO :
* SQUARED 5 : VIDEO CONVERT FOR CONVERTING .MOD TO .MOV
http://www.squared5.com/


PERIAN : http://perian.org/
VLC : VIEW & CONVERT : http://www.videolan.org/vlc/
FLIP 4 MAC : http://www.telestream.net/telestream-products/desktop-products.htm
HANDRAKE : http://handbrake.fr/

QUICKLY MANAGE DATA:

1.png

NORTON COMMANDER / NC COMMANDER CLONE MAC :
http://www.mucommander.com/index.php#download


MASTERING
BOINXTV :TVSTUDIO MASTERING : http://www.boinx.com/boinxtv/overview/
MODUL8 : VD JING (THE ONE) http://www.modul8.ch/


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DEAR CHOREOGRAPHERS, DANCERS & FILMMAKERS,

This will be Ellen Bromberg's last year as mentor for DFTC in Victoria, BC, Canada.
Under Ellen's direction DFTC Victoria has had 4 very successful years and created over 50 short dance videos by participants of this unique program - some of which have gone on to being screened nationally and internationally.

This is your last chance to apply for DFTC 2010 program with Ellen Bromberg and we have extended our deadline to June 10th, 2010. Visit our website for more detailed information at:

www.danceforthecamera.org

If you would like to apply as "dancer only" please visit website above for detailed info.

DFTC Victoria will miss Ellen's huge talent and energy. Ellen has helped develop DFTC Victoria into a sound program that will continue into the future and for that, we at DFTC Victoria, will be forever grateful to Ellen.

Wishing the dance community a wonderful summer!
Thank you dance-tech.net,

Grace Salez
Program Director
DFTC 2010
gsalez@island.net






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My robots are dancing

My work deals with a usage of artificial intelligent techniques in humanoid robotics. The focus is on social robotics and how to use the interactive evolution for robotic dance system. In this work the definition, principles and basic features of Interactive Evolutionary Computation are described and followed by an overview of their research and applications. This technique optimizes systems based on subjective human evaluation. Th algorithm is applied to a system of design of robotic dance, in which the evolutionary algorithm helps user to create choreography of the robotic dance. The experiments with several human subjects show that the interactive genetic algorithm approach to robotic dance choreography design aid system is promising.



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Hello dance-techers,

Here are some highlights about some upcoming events relevant for our community:



-Works Grid Lab at the EXTRA 10 Festival, Annecy, France.
Stay tuned for interviews are LIVE streaming of performances and seminars.
Watch video and trailer
http://www.dance-tech.net/video/trailer-festival-10



-“PONG” – net-linked, interactive installation | European Tele-Plateaus

- FRAMEWOKS Screendance Video Series at Dance New Amsterdam, NYC, USA

- dance-tech.net and movimiento.org present at MOV-S 2010: Space for International Exchange for Dance and movement Arts, Madrid, Spain.

- Natacha Melo, mastermind of the Southamerican Network of Dance, speaks at Dance/USA Dance Beyong Borders, Washington DC, USA

- Call for Collaborators | INTERACTIVOS?'10: Neighborhood Science Workshop, Madrid, Spain.

- MUSE 010 - International Summerworkshop by Tanzplan Dresden (Germany) for professional and advanced dancers

- Interactive Performance Design Seminar DCE 494/598 Class # 46420, Arizona State University, USA

- EMPAC LIVE.MEDIA + PERFORMANCE.LAB, Troy, NYC, USA

- SEEDS Festival: NOURISHMENT, Earthdance, MA, USA

Watch Video about SEEDS

- Salon NOTEBOOK: Dance + Technology: What is Happening NOW? By Zachary Whittenburg

- Research Associate position available in movement, computation and digital media in the School of Arts, Media and Engineering at Arizona State University, USA


If you find value in dance-tech.net please consider the different levels of membership!


Advertise in dance-tech.net and reach the world!










Download SUPA 2010 brochure

Advertise in dance-tech.net and reach the world!
Read more…
Please distribute to anyone you might think is interested.

Research Associate position available in movement, computation and digital media in the School of Arts, Media and Engineering [http://ame.asu.edu/] at Arizona State University.

Research focus themes: embodied interaction for rehabilitation and cultural networks.


Qualifications include:

• Computational background in programming, interest in movement and/or theory of new media systems and art practices

• excellent research and scholarly writing skills in the domains of new technology art and digital culture as well as an ability to do research in realms of scientific literature, health and education.

• Creative movement practice, background or critical interest for use in research, scholarly writing and development for system building for experiential media systems [see AME website for further details]

• Ability to work with transdisciplinary teams as well as produce individual work that crosses traditional disciplinary boundaries in the arts and sciences.

• Familiarity with studies and practices of embodiment [e.g. somatic practices and/or knowledge of kinetic, physiological, philosophical texts]

Specific duties and responsibilities:

⁃ research and write for publication in scholarly journals in arts, media and science.

⁃ coordinate in the computational design and implementation of an overarching, hybrid approach to integrating systems building for arts practice [see echo::system project www.echo-system.org]

⁃ assume a leadership role in the design and implementation of an overarching, hybrid approach to the development of movement schema [physical and computational] and evaluation of Parkinson's' rehabilitation System and related programs.

⁃ coordinate and extend ongoing efforts that assess patients, tools and programs that integrate the arts, sciences and engineering

⁃ design new evaluation instruments that integrate computational models with both qualitative and quantitative measures


Appointment period: Academic year appointment beginning in August 2010; 9 month, full-time post-grad appointment.

Minimum degree requirements and specialty area:
Minimum Master's degree in any of following disciplines; Computer Science, Media Studies, Critical theory. Specialty area or background in movement; Creative Practice, Embodiment studies, Somatic Movement, Physical therapy, Neuroscience.

Application:
⁃ Please provide CV and two work samples of your choice for application to this position.

Email to testcase@asu.ed
Todd Ingals
Read more…

12249476097?profile=original

12249476677?profile=original

NATACHA MELO

Break-Out Session Speaker (MANAGEMENT: Networking the Next Generation of Leaders Around the World)
Natacha Melo is a contemporary dance performer and cultural promoter in
Uruguay and Europe, where she works with several dance companies from
Belgium, Germany, France and The Netherlands. In 2001, she launched the
South American Dance Network to promote integration and collaboration
among the various protagonists of the regional contemporary dance scene.
Partnering with Brazil's Idança.net, the Network created the social
network movimiento.org, with a focus on promoting dialog about dance,
reaching more than 2,800 members in less than two years. Natacha has
been co-producer for eight South American Dance Meetings and has
participated in numerous regional events, linking and integrating the
network’s platform with topics such as cultural policy, creation,
production and management, international communication technologies,
arts education and art and social change.

More here


Read more…

Two conversations merged at the Chicago Cultural Center May 4. Since January, the Chicago Artists Resource/Department of Cultural Affairs series of At Work Forums have included four dedicated to dance, panel discussions on outside-of-the-studio issues like audience development and critical dialogue. Meanwhile, as you know, Chicago Dancemakers Forum has assessed the relationship between dance and technology since February, through Silverspace Salons with Grisha Coleman, Mark Jeffery, Judd Morrissey and Allison Peters Quinn. Expanding the conversation even further was an excellent run of tech-related events and performances presented by the Dance Center of Columbia College during the same three-month period. How dance is changing--and being changed by--our webbed world is on many Chicagoans' minds; the panel did fine work both prompting new questions on the subject, and putting this unofficial summit in perspective.

Read complete article here

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Come join us at Dance New Amsterdam (280 Broadway, on Chambers) for this spring's dance film screening, next Thursday!FRAMEWORKS is a dance film series presenting innovative works of choreography for the camera. Hi-tech or lo-fi, the short films each forge new territory in the field, capturing the power of human motion through the camera’s eye. The submission process is free, and films are selected solely based on their excellence regardless of budget. Screenings are held three times a year, now finding their home at the downtown dance hub, DNA.Produced by Michael Bodel.Tickets:$5 online at www.dnadance.org$10 at the doorFeaturing work by: Fred Hatt & Jung Woong Kim, Kathleen Hahn, Ninja Miori, Kimmo Alakunnas, and more...Call 212.227.9856 for more information
Read more…

Art.On.Wires Festival Oslo 2010 - day 4

May 13th

After an AMAZING evening with 3 professors playing music for us, a handsome live act by Jacob Korn, amongst others, and a very cosy atmosphere, the next day started relatively relaxed and a bit late. For me at least.
Jacob Korn gave his Abelton live/MAX MSP workshop.

Here and there was still some working, talking, tinkering around going on.


Within the festival there was a small scholarship given for two projects.

Veronika Mayerböck, Jordi Puig & Wendy Ann Mansilla presented us their work-in-progress results from the last 4 days of researching. Veronika was hunting for a way to let music response to light changes.

Jordi Puig and Wendy Ann Mansilla were working on light changes in 3D environments.

But in general we had to dismantle everything.
We (the Dresden crew) left around 5pm.

It's not the easiest to make a synopsis on the last 4 days.
We all had a very good time. We met new people, were listening to interesting keynotes and workshops, we had good food and good music all the time. We learned new things or immersed deeper into topics, software or conversations.
We were part of a great birth of new and promising festival for media art on wires.
For the next year we all just hope for more audience. This festival needs to be seen!

People missed out something very special.


A BIG thank you to Alexander Eichhorn and all the hands and good souls behind the scene! Great work, well done!


Thanks for reading,
Johanna
Read more…


The CO-OS community - www.co-os.org - has commissioned artists from Austria, Brazil, Greece/Spain and UK to
develop new work. These artists have just posted their ideas on the
CO-OS online platform www.co-os.org.
Would you like to collaborate with them in developing their ideas?

Until the 20 May you can 'bid' some of your 'time' to work with them and get
'time credit' to get others to work with you.

Just register on the website and get started. You can also pitch your own ideas and see
what the community thinks. If they like it, you can find people with
whom you can collaborate and develop your ideas.


ABOUT
CO-OS - www.co-os.org -
is a growing online community of creators and do-ers, all coming
together to collaborate and exchange creative ideas, skills and
resources in a cashless system based on the concept of timebanking. Here
ideas can be shared, evaluated and developed collaboratively through
trading units of time in exchange for skills and resources.

The project is part of 'Creative Collaboration', www.britishcouncil.org/creativecollaboration, a British Council arts initiative that builds networks for dialogue and
debate across the arts communities of South East Europe and the UK. The
programme aims to enrich the cultural life of Europe and its
surrounding countries, as well as fostering understanding, skills
development, trust and respect across borders.


The artists commissioned for CO-OS Ignite are:

AMMEBA: PABLO BERZAL & DAVID PASTOR (Greece/Spain)
TIM KNOWLES (UK)
CADU COSTA (Brazil)
EDUARDO BERLINER (Brazil)
FELIPE NORKUS (Brazil)
PAULO VIVACQUA (Brazil)
tat-ort: WOLFGANG FIEL (Austria)


The CO-OS Ignite commissions are developed in partnership with:

AMORPHY, Greece - www.amorphy.org
GALERIA VERMELHO, Brazil - www.galeriavermelho.com.br
i-DAT, UK - www.i-dat.org
PLYMOUTH ARTS CENTRE, UK - www.plymouthartscentre.org
SCAN, UK - www.scansite.org
tat ort, Austria - www.tat-ort.net



Lead Partner contact UK:

i-DAT
Institute of Digital Art and Technology
School of Computing, Communications and Electronics,
University of Plymouth,
Drake Circus, Plymouth, PL4 8AA, Devon, UK
Website: www.i-dat.org

Lead partner contact person
Birgitte (B) Aga, Creative Producer
Telephone: ++44-(0)1752 586201
E-mail: baga@plymouth.ac.uk



Ash Bulayev/amorphy.org
Co-Artistic Director


mobile: +31 627 59 48 02 (Amsterdam)
mobile: +30 6937 20 33 00 (Athens)
Read more…
Por Adina Bar-On (Israel)



Dia 17 e 18 de Maio 2010, das 10h às 19h
com apresentação pública do workshop Domingo 16 as
20H

O workshop consta
de:
De 4 sessões de
3/4 horas cada.
75% de prática 25% de teoria.

Objectivo:

a) Como projectar o indivíduo como
identidade e o seu pensamento num movimento minimal e ao mesmo tempo
cheio de expressão.


b) Como mediar uma transformação, visualmente ou através de
sugestão, em diferentes espaços.


c) Como descrever, ou ser protagonista de um dado contexto existente, social
dinâmico.


Materiais requeridos:

5 objectos à escolha, de diferente ou igual caracter (de qualquer
tamanho), que tenham um forte significado para o participante. (por
exemplo: Objectos a que se tenha uma ligação sentimental, ícones
religiosos ou um ícone nacional, um objecto de caracter sexual)
http://www.polishinstitute.org.il/en/events-blog/events-visual-arts/details/100-Aesthetics-and-Bias.html?short=1


About the artistst:

Adina Bar-On, Israel, 1951. Adina Bar-On is a pioneer performance artist in
Israel. She toured around Asia, including Hong Kong, last year with
Seiji Shimoda, the award winning Japanese
performance artist. In the past 30 years, Bar-On has produced more than 20 performance pieces. An
exhibition of her video works and photographic documentation of her
works will be held in Para/Site Art Space from July to August. Bar-On
will perform her new work «Disposition» outdoor.
Since 1973, Bar-On started to experiment with performance. She makes use of her body
movement and voice to communicate with the audience. Her work
emphasizes interaction and connection. Audience’s emotion follows
Bar-On’s behaviour. She breathes, blinks, quivers, swallows. The
charged moments excite the audience internally and externally.
Adina Bar-On was born in Kibbutz Kfar Blum, Israel in 1951. She stayed with
her family in the United States at the age of thirteen. She went back
to Israel at 18 and in the next year joined the Bezalel Academy in
Jerusalem majoring in painting. In 1973 she had her first performance
in the Academy. The Academy’s psychologists were asked to watch the
performance in order to give opinion. Bar-On received a warning letter
from the directors of the Academy informing her that she had to go back
to traditional media in order to graduate. On one hand, Bar-On went
back to painting, on the other, she performed in the places outside the
Academy such as gallery, museum, cultural centre and art space. She
even extended it to non-art establishments such as youth club, shopping
arcade and private home. Last year Bar-On toured to Budapest, Japan,
Macau, Hong Kong, Russia and Poland.
http://www.ccca.ca/performance_artists/f/fado/adina/adina_perf1/index.html

Adina Bar-On
is widely recognized to be Israel’s first performance artist,
creating work since the 1970s. Her performances are remarkable for
their sensitivity, emotional depth, and for Bar-On’s
willingness to tackle difficult and controversial subjects. Bar-On lives and works in
Tel-Aviv, dividing her time between teaching (performance and visual
communication) and her art practice, which
includes performance art and video. In the past several years she has toured extensively in
Europe and Asia. This is her first trip to Canada. A book about her work in
English and
Hebrew was published in 2001 with the support of the Herzliya Museum of Art in Israel.

oficina epipiderme
Local: Fábrica Braço de Prata, Lisboa
Investimento: 50€ e 35€ ( preço com desconto a estudantes e desempregados, com justificação)
N.º máximo de participantes: 20
Inscrição: epipiderme@gmail.com
TM: 91 7093674


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1. She is ...

... a dance experiment. As part of The Place's 40th Anniversary weekend called Something Happening, I'm asking audiences (4 people
at a time) to say what they are thinking as they are thinking it ... or
just a bit afterwards. The material will be performed by Paea Leach and
Elisabetta d'Aloia, and we'll be recording the audio as will as
videoing the dancing (up close). I don't know what it will be like, or
what I'll end up doing with the audio/video material, but it should be
good fun. If you are in London this Sunday 16 May, stop by The Place and have
a look. We are in session 5 starting at 4pm. www.skellis.net/sheis

2. Improvisation workshop & research

Marika Rizzi and I are sharing a bit of practice each morning between 10am and 12pm from 14–18 June at Roehampton University (all welcome -
just drop me a line). This is part of a week of improvisation research
with Kirstie Simson, Le Quan Ninh, Henry Montes, Marika Rizzi, Darrell
Jones, Kenso Kusuda and me. It'll be a dense period of working, thinking
and reflecting and will include a couple of performances: one at 19:30
on Wednesday 16th June at Roehampton University, and the other at 19:30
on Friday 18th June at Siobhan Davies Studio. Kirstie is also going to
be teaching in the mornings out at Siobhan Davies Studio through Independent Dance.
There are more details at http://june2010.posterous.com, and we'll be keeping a
pretty active online presence there during the week.

3. Recovery

After a few sessions in March in Melbourne, Natalie Cursio, Shannon Bott and I are going into another stage of development and testing with
Ben Cobham, Ben Cisterns, Pete Brundle, Paula Levis and Vanessa Chapple.
We'll be working at Arts House in Melbourne in July, and you can follow
a bit of chatter online at recovery.posterous.com as we work towards a hopeful
premiere around February/March 2011 in Melbourne.

4. Desire Lines

This project has been commissioned for the latest incarnation of The Place Prize and I'm currently in full pre-production (reading, scheduling, wondering
how it can possibly work) mode before work begins in the studio in
June. skellis.net/desirelines
with inevitable research blog somewhere around there.

5. Polar Twin

NZ choreographer/film-maker Daniel Belton and I are in the very early stages of developing some ideas for a trans-hemisphere adventure
scheduled for 2011-2012. We've been thinking about the nature of
'interpretation' in relation to imagined and actual experiences of the
North and South Poles and probably heading towards some screen-based
outcomes. We may be some time.

Just a reminder, you can't respond directly to this email. If you'd like to drop me a line, try se@skellis.net. Lastly, occasional blog at skellis.posterous.com,
and cooking news and short ramblings via twitter on @simonkellis!

All the very best, Simon

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Our movement-interactive video projection installation Canvas will be set up in the Queen Elizabeth Hall Foyer at Southbank Centre, London, during Shadoworks, a concert by the London Sinfonietta curated by the London Sinfonietta Collective, on Thursday 03 June at 7:30 p.m. The concert consists of works by Hans Abrahamsen, Aldo Clementi, Dai Fujikura, Larry Goves, and György Ligeti. The context for the concert additionally includes an electronic music piece by Alex Cook and Daniel Harle using the software Music Mouse on an old Atari 1040ST, a dance animation film by Katie Keeble and Ni Wen, synesthetic sound-interactive video by Sion Fletcher, post-concert musical miniatures by Howard Skempton, and our own dance-installation Just Hanging Around. This promises to be a fascinating multimedia art and technology evening!

Read more…

Dear friends,

this week we will feature a free workshops by Axel Mulder, the maker of the iCube-X, and synthmaking / piezomaking / circuitmaking workshops that will make your neighbors hate you when you apply the results to their ears. BTW, these workshops are at discounted prices.

If you're in the Baltimore area this weekend, come to the Megapolis Festival, and see & hear Harvestworks' staff giving workshops and a performance. If you are in NYC on Saturday, however, you may attend the American Festival of Microtonal Music to enjoy - among others - piano master Joshua Pierce's performance on the TERPSTRA, a microtonal keyboard we have helped with on the software side.

If you have questions regarding our classes call Hans Tammen at 212-431-1130 ext 2. Membership is $75/yr, and you can pay for the membership when you sign up for the class.



[Sat/Sun May 15/16] DIY Musical Electronics and the Drone Lab

Through this workshop/classroom formatted seminar, attendees will learn how to design, adapt and build sound circuits of their own while building a complete Drone Lab by CasperElectronics (a 4 voice analog drone synth, rhythm generator and FX processor) to take home, experiment with and develop further.
See more information here: http://tinyurl.com/dronelab-at-hw

Peter Edwards - http://www.casperelectronics.com/
Sat/Sun, May 15 - 16, noon to 6pm
Cost: $350 (includes Drone Lab kit)

[Sat, May 15] The Artist's Guide to Useful Technology / Baltimore

If you're in the Baltimore area, come this weekend to the Megapolis Festival, with performances, installations and workshops: http://megapolisfestival.org. Harvestworks' own Adam Rokhsar & Hans Tammen will give a workshop in their "Artists Guide To Useful technology Series during the day, and perform an audio/visual set later that afternoon. The "Artist's Guide to Useful Technology" events, which are free and open to the public, will give participants hands-on knowledge and instruction, and instructors will be tailoring the event to the needs of the audience and thus students from all skill levels are encouraged to attend. See more information here:
Workshop 1pm: http://megapolisfestival.org/blogalogadingdong/?page_id=1367#artists
Performance 3:45pm: http://megapolisfestival.org/blogalogadingdong/?page_id=1367#hans
Artist Guide: http://tinyurl.com/artistguide

[Mon, May 17] Sensor Technology with the i-CubeX

In this free workshop, participants will learn how to apply sensor technology (with special attention to capturing human movements) to develop their own concepts of electronic media control (with special attention to controlling sound and music media), without needing to become a hardware engineer.
See more information here: http://tinyurl.com/icube-at-hw

Sensor Technology with the i-CubeX
Axel Mulder / Infusion Systems - http://infusionsystems.com/
Monday, May 17, 7 - 10pm
FREE - Space is limited, please RSVP to hanst@harvestworks.org

On Tuesday, Axel Mulder will give a free lecture about the philosophy behind the i-CubeX at Electronic Music Foundation: http://www.emfproductions.org/crc/schedule.html


[Thu, May 20] Contact Mic Making - Piezo Workshop

Attendees will learn how to wire up their very own contact mic and discuss various methods of using it. No previous soldering experience required! In addition to theory and practice, we will also have the chance to discuss the history of piezoelectric materials, and share ideas on how to use these fascinating tools; perhaps you’d like to amplify your doorspring, record the sound of snow crunching under your boots, or listen to the mammoth subharmonies of cocktail stirrers and rubber bands. This is an experiment-friendly course.
See more information here: http://tinyurl.com/piezo-at-hw

Daniel Fishkin & Ed Baer
Thursday, May 20, 6:30 - 9:30pm
$50 + $10 materials fee


[Sat/Sun, May 22/23] Circuit Bending - From Start to Finish

In this course we will explore every step of the process of creating a circuit bent instrument from removing the first screws to applying labels on the finished piece. It is our goal that every student leaving this class will take away a finished, well made circuit bent instrument.
See more information here: http://tinyurl.com/circuit-at-hw

Peter Edwards http://www.casperelectronics.com/
May 22 - 23, 2010
Noon - 6pm
cost: $270 [one price, includes $20 materials fee]




[May 15] American Festival Of Microtonal Music (AFMM)

...under the direction of Johnny Reinhard, presents a concert in New York on Saturday May 15th at 8 PM in the Church of St. Luke in the Fields (located at 487 Hudson Street). Admission is $12 at the door, $10 for students.

Spotlights: Madeleine Shapiro‘s performance of Ge Gan-Ru’s YI-SENG (Lost Style) for solo amplified cello scordatura (Shanghai, 1968). 10-year old twin Gayageum players Sarah and Stephanie Yoon present the traditional Korean standard known as SANJO on their 12-string instruments in an ancient microtonal tuning (think “whammy-bar” zithers). Also, 25-string Gayageum virtuoso Rami Seo introduces her NEXUS in confluence with bassoon (Johnny Reinhard), cello (Madeleine Shapiro), and Terpstra synthesizer (Joshua Pierce). The Terpstra synthesizer, a honeycomb keyboard design of 55 tones per octave over 5 octaves designed by Siemen Terpstra (Amsterdam), is heard publicly in its debut this evening with support from Harvestworks. Pianist Joshua Pierce plays in a 53-tone equal temperament subset for DREI KLAVIERSTÜCKE, as imagined by composer Arnold Schönberg.
See more information here: http://www.afmm.org/spring10.htm
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Art.On.Wires Festival Oslo 2010 - day 3

May 12th
First some pictures:
http://www.flickr.com/photos/art-on-wires/

This day we started the interactive environment workshop with introducing the software VVVV (V4). Two rows of laptops (which have to run windows for using V4) were set in front of a screen to show each single step on it. Valerie Vogt and Marko Ritter were conducting the workshop and walking around to help out with any problem the participants might have.
It was an short and very basic introduction of how to use it and what is possible beside making 3D generated graphics.

One of the most beautiful things here at the festival is the feeling of equality with every person. Two luminaries of the media art section were holding a keynote and afterwards they just hang out, talk to who ever is having a question. There is no privileging going on. Just Sharing knowledge, interest and going for ones curiosities.
Lars Graugaard, Anders Friberg both from the Stockholm university, Alexander Refus Jensenius (Olso university) and Aki Asgeirsson from Iceland hold a keynote on „systematic understanding of music“ by presenting several projects.
Music and emotion and creating new instruments were the trigger point of their lecture.
Coming from the fact that there is a level of emotional content inside every musical piece, they disassemble the vocabulary in order to categorize it into parameters like sad, happy, angry, tenderness/love etc.
Knowing that an expert listener is able to distinguish different moods easily but not an untrained ear, every research issue comes across psychology.
Emotion perception – listeners' perception of emotional expression.
Lars Grauggard and Anders Friberg presented then a software based on MAX/MSP which works with these parameters to analyze music and/or create new music pieces.
http://www.graugaard-music.dk/
Alexander Refus Jensenius gave us a brief glimpse on his, still in germinal, SUM sensor device. A gadget like tool to measure emotions. Using the information of blood preasure (via infrared), skin conduction and movement, the small sensor device in your hand gives a lot of parameters to scale your sensitivities.
It is still under construction but could be used in performances to navigate other out/input for instance.
http://art-on-wires.org/workshops/sum
Aki Asgeirsson presented us some of his new instruments he invented. One is an impossible one but still quite impressive. He would use the tunnels of Iceland. Tunnels such as for cars, wires, water. On one side he would place a violin snail on the other end a horn looking like amplifier. For every tunnel the same set up. The audience would be sitting in the center of Icland and receive all tones from all tunnels. BUT – the tunnels have to be empty. So that is the impossible part of it.
http://slatur.is/aki/about.html


After a short break Atau Tanaka was holding his keynot about various projects he has done.
He was working on using networks as a performance space, network music and many different music-related projects and research fields.
I really recommend to read his papers or watch the recorded lecture (online soon on www.art-on-wires.org)
http://www.ataut.net/site/spip.php?page=plan
http://www.ncl.ac.uk/culturelab/people/profile/atau.tanaka


Before lunch time Alexander Eichhorn announced the open laboratory space – so who ever is interested in collaborating with one, two, three of the others at this festival, should go for it and maybe we have something to show at the end.
It is meant to be an option of crossing boarders, of overcoming the idea of this or that could never funktion together but just trying it out and having fun within it and maybe have some outcome.

There is some not so well recognized stuff going on as well. Beside two always very tasty meals (lunch and dinner (German chefs)), the crew FEM ( www.fem.tu-ilmenau.de ) is, beside managing all sound and light happenings, recording and live-streaming the whole festival all the time. All lectures, keynotes, workshops are streamed and most of them will be online soon – if you missed something.

The evening concert series is about to start. All the musicians, producers and Vj's in the hall are going to have some great fun together.
At first all is a live act and then the Dj's will finish us up..
Pierre Proske (music), Arturo Castro (visuals), Jacob Korn (music), Marko Ritter (visuals), Lars Graugraad (music), Aki Asgeirsson (music), Atau Tanaka (music) and then the two Dj's Rainer Wachtelborn and Dj Subway.
www.jacobkorn.de
www.residentadvisor.net/dj/rainerwachtelborn
www.myspace.com/_subway
www.digitalstar.net/about/

http://arturocastro.net/index.html



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