Margarida Troguet, directora del Teatre L'Escorxador de Lleida nos habla, en esta primera entrevista, de los temas que considera relevantes para la discusión en MOV-S 2012 si hablamos de futuro del sector. Empoderamiento del espectador y crowfunding creativo son algunas de las ideas que lanza. También pone de relieve su propuesta de trabajo en el marco del encuentro de Cádiz.
All Posts (2050)
Sort by
Os presentamos el primer documento de trabajo de MOV-S. En él, os contamos cómo se va a trabajar en esta cuarta edición de MOV-S.
Proponemos un modelo colaborativo, de manera que el programa del encuentro refleje las líneas de pensamiento que tiene el sector de la danza en Iberoamérica. Una de las claves son las cincuenta entrevistas que hemos realizado a profesionales del mundo de la danza y también de otros ámbitos artísticos para preguntarles sobre los temas que les preocupan a la hora de hablar del futuro de las artes del movimiento.
Para descargar este primer documento de trabajo en pdf, haz clic aquí.
La cuarta edición de MOV-S tendrá lugar en Cádiz entre el 14 y el 17 de junio. Proceso y colaboración son las palabras clave de este nuevo encuentro.
MOV-S 2012 ha comenzado con la apertura de un proceso participativo. El objetivo es proponer el encuentro de Cádiz desde una mirada más amplia en relación a los temas que preocupan al sector en este momento.
En la web www.mov-s.org se irán presentando una serie de documentos que incluyan pensamientos o experiencias interesantes en el terreno de la danza. También se compartirán fragmentos en vídeo de una serie de entrevistas que se están realizando a cincuenta profesionales españoles, portugueses y latinoamericanos de las comunidades de la danza. Tanto documentos como entrevistas incluirán claves para iniciar una discusión abierta sobre otras maneras de operar en danza. Queremos generar pensamiento, sugerir preguntas y reflexiones que animen el debate abierto en las redes sociales, muy especialmente en Facebook. La finalidad última es llegar al encuentro con temas específicos para discutir en comunidad.
El proceso de discusión en las redes sociales está abierto a cualquier persona, colectivo u organización que desee compartir pensamiento y experiencia. También os podéis poner en contacto con MOV-S aquí.
REMINDER!
ONLINE SCREENDANCE COMPETITION 2012
ONE MONTH LEFT!
UPLOAD YOUR ENTRY BY 01 March
60secondsdance.dk online screendance competition is a co-production of Dansens Dag and Screen Moves, Copenhagen, Denmark. Hosted on http://www.60secondsdance.dk and funded by Dansens Dag and Nordea-fonden, it aims to give screendance makers the opportunity to produce, through their lens, a one-minute online screendance video.
The winner and runner up as well as the final top ten videos, will have their work screened at the prize-winning event at Cinemateque - Danish Film Institute and the DFI’s Asta Bar Wall Screen. The videos will also be online at: Dansens Dag website, 60secondsdance.dk YouTube Channel, ScreenMoves Facebook page and the ScreenMoves Installation site in the Dansehallerne Foyer. Jeannette Ginslov, associate producer of www.dance-tech.net will interview the winner and runner up via skype, for MoveStream, an online channel dedicated to screendance.
For 2012, the theme is based on the notion of “time” or “tid”. Screendance makers are invited to choreograph, shoot and edit what “time” or “tid” means to them, what pace, rhythm, timing is, whether it be found in movement, the emotional, the physical, the body…
Prizes
First Prize is €1500 and the runner up €500
NO ENTRY FEE!
Deadlines
Competition opens: 01 December 2011
Closing Date for uploading video and forms: 01 March 2012 midnight
Top 30 announced online: 15 March
Top 10 announced: 30 March
High quality videos sent in by: 15 April
Top 10 screened at Cinemateket, winner and runner up announced: 29 April
Upload your video to YouTube and apply online: http://www.60secondsdance.dk
Email Release Forms to: Co-ordinator Jeannette Ginslov info@60secondsdance.dk
GLOW Dance Festival is a large-scale outdoor dance event taking place over one day and one night on Castle Green, Hereford, as part of the London 2012 Cultural Olympiad on Saturday 30 June 2012. Lead managed by 2Faced Dance Company in partnership with Dancefest and Herefordshire Council, GLOW features professional and community dance performances and workshops, from b-boy battles to ballroom, and a spectacular torch-lit evening dance performance. For more information on GLOW, see hr1.2faceddance.co.uk.
As part of GLOW, we are looking for short dance films to feature in GLOW’s dance film screening area. 3,000 people are expected to attend GLOW over the course of the day and evening and this is a fantastic opportunity to gain exposure for your dance film, group, project or company.
If you’d like your film to be considered for screening at GLOW, please read the requirements below and download an application form from http://www.hr1.2faceddance.co.uk/glowfilm.html
DEADLINE FOR SUBMISSIONS: 5pm, Friday 30 March 2012
- Films must be 15 minutes long or less
- Films can feature any dance style or mix of styles
- Films could include dance made for the camera, dance with the camera, performance footage or mini-documentaries.
- Films can feature professional or non-professional dancers. We would like to feature a diverse range of dancers across the films.
- Films must be family friendly and suitable for viewing by all age groups.
- Please ensure the applicant has clearance/permission from all parties as required for the film to be shown at GLOW.
dance-tech.tv presents THE MOEBIUS STRIP (2001) by Swiss Choreographer Gilles Jobin as part of Choreography or ELSE.
A sensual, fluid, hypnotic exploration of a “human sculpture”: the bodies of five dancers pass, cross, follow, intertwine with each other. A video of dance, adaptation of choreographer Gilles Jobin’s “The Moebius Strip”. The Moebius Strip, created at the Théâtre de la Ville in Paris during the spring of 2001 became one of his most emblematic pieces. “On the stage, viewed as a white painting, bodies are thrown like splashes of colors, mixed as tint areas and given rhythm by the shades of the clothes” (Rosita Boisseau). This creation evokes his father’s paintings, Arthur Jobin, which alternate between geometrical rigor and intensive vibration of juxtaposed colors.
Watch THE MOEBIUS STRIP
Choreography or ELSE, is an online series on dance-techTV featuring complete performances from international choreographers, dance artist or directors that continue to challenge traditional and contextual notions of choreography, dance and performance. They problematize the performance of movement and the body experimenting with compositional and aesthetic strategies, dramaturgic approaches, non conventional spaces, appropriating uses of the new technologies, crossing disciplinary boundaries and cultural hybridity.
All pieces are presented with educational purposes and by courtesy of the artists.
Support dance-tech.tv and .net
BAX / Brooklyn Arts Exchange is very excited to introduce the
Parent/Choreographer Space Grant Program
This pilot program is an initiative by BAX/Brooklyn Arts Exchange, funded in part by The Andrew W. Mellon Foundation, that has been developed to address some of the needs of choreographers who are trying to meet the challenges of being an artist and a parent to newborn through pre-school age (0-4) children. As an organization that has entered its third decade, BAX is intimately familiar with the joys and the difficulties of raising a family and creating and producing work.
For more information, including applicaton details, visit http://bax.org/parentchoreographer-space-grant/.
Applications MUST BE COMPLETED by Monday, February 13, 2012 no later than 5:00 PM.
Applicants will be notified on or before Monday, February 27, 2012.
Please call (718) 832-0018 or e-mail ArtistServices@bax.org with any questions.
Dance on Camera Festival (2010) Winner Cinética - now on iTunes!
Watch and rate!
http://itunes.apple.com/us/movie/cinetica/id498158938
Goethe Institut New York
3D Alignment Forms. Animation of dancer’s traceforms in One Flat Thing, reproduced mapped to 3D space.
Synchronous Objects Project, The Ohio State University and The Forsythe Company .
Objects in Performance
As the object has become a central issue in both theory and the arts, the Goethe-Institut New York dedicates a weekend to intensive theoretical exchange and spatial experience to the object in performance. An installation, a symposium and a performance are the starting point of long-term engagement with the object and related matters in the fields of theory and the arts alike.
Synchronous Objects: Degrees of Unison
Installation by Norah Zuniga Shaw
February 2–26, 2012
Wed–Sun 2–7pm
Opening:
February 2, from 6–8 pm
Goethe-Institut Wyoming Building
5 East 3rd Street (at Bowery)
New York, NY 10003
Synchronous Objects: Degrees of Unison is a multipart sound and video installation focusing on “One Flat Thing, reproduced,” an ensemble dance by William Forsythe.
Focusing on the choreographic visualization online project Synchronous Objects created by Norah Zuniga Shaw, Maria Palazzi and William Forsythe, the installation brings viewers into an encounter with the deep structures of a dance and the generative ideas contained within. A series of visual objects—animations, computer graphics, interactive tools—enact a parallel performance of Forsythe’s choreographic ideas. The work was first launched online in 2009 and is still available in this form. In the installation, Norah Zuniga Shaw stays close to the conceptual foundations of the online original while extending them into the architectural and experiential possibilities of the Goethe-Institut Wyoming Building. In addition to interacting with the site and viewing HD animations from the project, visitors can spend time within a circle of synchronized visualizations unfolding from dance to data to objects over the 15-minute time span of the piece. William Forsythe’s voice calls out timing to the dancers and the sounds of the dancers’ actions move in multi-channel choreography around the space. Finally, a paper proliferation of creative processes can be found to read, leave behind, sort, or carry home.
Synchronous Objects: Degrees of Unison (2010)
A video installation by Norah Zuniga Shaw based on original material from
Synchronous Objects for One Flat Thing, reproduced (2009)
By William Forsythe, Norah Zuniga Shaw, Maria Palazzi
Objects in Performance
Symposium curated by André Lepecki, Performance Studies, NYU
February 3–4, 2012
NYU’s Tisch School of the Arts, Performance Studies
721 Broadway, 6th floor
New York, NY 10003
The recent phenomenon of object-invested experimental dance and performance echoes the resurgence of the object in recent philosophy, critical theory, literary and cultural studies; as well as in the renewed interest in the concept of the object in the visual arts. This resurgence of the object also has implications for studies on subjectivity. If, as Deleuze once said, “the status of the object is changed, so is the subject’s,” it is crucial to investigate the contemporary nature of this phenomenon. The Objects in Performance Symposium will gather a group of renowned American, German, and international scholars and artists, from a variety of fields and perspectives, to present their most recent research on the matter. The environment will be such as to stimulate exchange and conversation between disciplines, and between artists and scholars.
With Barbara Browning, Franz Anton Cramer, Eleonora Fabião, George Ferrandi, Jenn Joy, Heather Kravas, Thomas Lehmen, André Lepecki, Eva Meyer-Keller, Sarah Michelson, Ann Pellegrini, Allen S. Weiss, Norah Zuniga Shaw.
Death is Certain
Performance by Eva Meyer-Keller
February 5, 2012, 2 performances at 6:00 pm and 07:30 pm
MINI/Goethe-Institut Curatorial Residencies Ludlow 38
38 Ludlow Street (btw. Grand & Hester)
New York, NY 10002
Cherries have tender skin, meat and a kind of bone inside them. Their juice is red like blood. When you treat them like humans sometimes treat other humans, then they become human themselves or at least animated objects, which invite you to identify yourself with them. In the performance Death is Certain, Eva Meyer-Keller has installed sweet cherries as her protagonists.
The viewer is reminded of deaths from films, but also the reality of executions, how they really happen: associations from individual and collective experience in face of the sweet death at the kitchen table.
The Goethe-Institut New York is a branch of the Federal Republic of Germany’s global cultural institute, established to promote the study of German language and culture abroad, encourage international cultural exchange, and provide information on Germany’s culture, society, and politics.
ICK | Accademia
(Dance) Notation Series- Research Encounters
Reading/writing dance
Feb 4th
This event will be streamed LIVE in dance-tech.tv
watch the stream and chat with us here!
Three different speakers will present their projects and perspectives in relation to the reading and writing of dance. Kerstin Evert dance teacher and researcher will present the research project IDOCDE an online databse for dance education, choreographer Emilie Gallier will talk about her new work Synchronicity a reading dance performance and Carla Fernandes cognitive linguistic researcher will introduce the development and status of the Transmedia Knowledge Base for contemporary Dance project.
Kerstin Evert; coordinator of the IDODEC project, a network of twelve European dance educators around the development of an online database that will develop and document best practices of contemporary dance education, to improve networking among contemporary dance educators and to increase visibility of this vibrant art form. IN order to do so an online platform is being designed where tagging, defining groups and developing writen documents on dance education are main goals. Evert will introduce the project and expose some of the challanges in relation to writing dance.
Carla Fernandes is assistant Professor at IPLeiria and Senior Researcher at the New University of Lisbon. Her current research focus is in the intersection of cognitive linguistics and the performing arts, particularly concerning the creation of multimodal corpora, digital archives and new documentation models. She coordinates the state-funded international research project TKB: “A Transmedia Knowledge Base for contemporary dance”, a research project in the interstices between cognitive linguistics and contemporary dance studies. TKB is an extensive and transdisciplinay project aiming at the design and construction of an open-ended multimodal knowledge base to document, annotate and support the creation of contemporary dance piece. Fernandes will present the project focusing on the process of annotations and descriptions of movements.
Emilie Gallier; is choreographer, researcher, director of the PØST Cie. Gallier will present her project Synchronicity a performance, book publication of a poem, and the choreography on paper (score), together with an essay written by Daniel Rovers (writer). This publication is a platform for the choreographer to probe the writing of movements of thoughts, and to turn to the spectator as reader, observer, and performer.
you can register for for encounter on the 4th, by sending an email with your name, email address and telephone number to francieneppens@ickamsterdam.nl
watch the stream and chat with us here!
11h00-15h00 Central Europe Time
ReelDance is currently inviting submissions of Australian and international screen dance work in the following categories*:
+ single channel (looped for installation)
+ multi-channel (looped for installation)
+ screen dance short – under 10mins (single screening)
+ mid-length screen dance – 10-60mins (single screening)
+ dance documentary (single screening)
+ online and/or mobile environments
*Entries must fall within the following definition: the work must contain within its main concerns dance and/or dynamic expressions of movement created specifically for the screen, be it human movement, the dance-like movement of inanimate objects, dance effects achieved through filming or post-production, or abstract motion studies. NOTE: Recordings of live dance performance will not be considered (unless as part of dance documentary).
*Only works created after 1 January 2010 will be considered.
*Closing date for submissions: 29 February 2012, AEDT 17:00 hrs
For more information and to submit online application form go to: http://reeldance.org.au/reeldance-2012-submission-form
About ReelDance
ReelDance is an internationally recognised arts organisation supporting innovative collaborative practice across dance, film and new media art. We provide a forum for dance screen culture, developing and defining this artistic field of practice in Australia and New Zealand, and promoting local work both nationally and internationally.
ReelDance curates, presents and consults on programs of single and multi-screen works for exhibitions, broadcast and festivals. Other activities include professional development for those working in the field of dance screen through workshops and forums, creating distribution opportunities for Australian dance filmmakers. Also, ReelDance has established the Moving Image Collection, a significant archive of Australian and New Zealand dance screen works.
CC MAD Madrid Creative Commons Film Festival 2012
19.01.2012 - 22.01.2012
Place: Medialab-Prado (Plaza de las Letras, C/ Alameda, 15. 28014 Madrid) y La Casa Encendida (Ronda de Valencia, 2. 28012 Madrid)
First Creative Commons Film Festival of the region of Madrid. The program includes lectues, screenings and workshops. In Medialab-Prado (January 19 and 20) and La Casa Encendida (January 21 and 22). [live streaming]
Free admission. Limited seating.
@cc_madfestival y #ccmad
For four days we will talk about new way of making movies thanks to the potential of the Internet. Creative Commons licenses allow to connect the author with the audience, foster co-creation and co-production and also allow the work to be shared with everybody so they can reach a larger number of spectators.
Medialab-Prado hosts lectures, screenings and workshops on January 19 and 20, 2012.
Program in Medialab-Prado
January 19
6:45 pm: Presentation of the Festival.
7 pm: #redada CC MAD: Cinema in the Era of the Internet. With Guillermo Zapata, Pieter de Vos, Alberto Tognazzi and Stephane Grueso. Moderated by Antonio Delgado. [+info]
9 pm: Screening of short films*. Creative Commons short film selection:
* Sikitiko (Pietr de Vos).
* La Mancha (Samuel M. Delgado, Helena Girón).
* Prebloc (Guiles Guerraz).
* La mirada circular (Iván Sáinz-Pardo, Dirk Soldner i Jim-Box)
* Legacy (Grzegorz Jonkajtys)
* Ocaso (Ignacio F. Rodó)
* Thirst (Keith Rivers)
* Spot (Guillermo Zapata)
January 20
7 pm: Master Class with Luis Román. Producing and distributing your work on the internet. Workshop.
8:30 pm. Presentation of the meta-documentary El Cine en la Era Digital. Mi experiencia crowdfunding*, by Beatriz Cebas.
9 pm: Made in Mad New Filmmakers*. Screening of selected shorts. Audience Award. Final selection:
* Empanadas Argentinas, Federico Untermann
* Error numérico en árbol antena, Ana Ugarte
* Estúpida Historia, Ana Lambarri
* Persecución #1: La Fille, Marine de Contes
* Bendita Masacre, Jota Aronak
* #Admirables, Paula Girart
* A N G E L, Diego Uceda
* Disculpen las molestias, Nuria Gil/ Baltazar Rodes
El ganador del premio se eligirá por voto del público, con papeletas, con un voto por persona asistente.
En la fiesta en La boca del lobo se anunciará el ganador y las meciones de BccN
*These session will not be streamed.
sneodanza.com
Homenaje a Tomás Segovia (in memorian). Pieza de jmacGarin realizada a partir de los visuales del espectáculo de danza multimedia "El dios oscuro".
Poemas y voz: Tomás Segovia
Performers: Verónica Garzón y Francisco Villalta
Coreógrafo: Stéphane Boko
A big hurrah to you!!!!! We’ve won for now -- SOPA and PIPA were dropped by Congress today -- the votes we’ve been scrambling to mobilize against have been cancelled.
The largest online protest in history has fundamentally changed the game. You were heard.
On January 18th, 13 million of us took the time to tell Congress to protect free speech rights on the internet. Hundreds of millions, maybe a billion, people all around the world saw what we did on Wednesday. See the amazing numbers here and tell everyone what you did.
This was unprecedented. Your activism may have changed the way people fight for the public interest and basic rights forever.
The MPAA (the lobby for big movie studios which created these terrible bills) was shocked and seemingly humbled. “‘This was a whole new different game all of a sudden,’ MPAA Chairman and former Senator Chris Dodd told the New York Times. ‘[PIPA and SOPA were] considered by many to be a slam dunk.’”
“'This is altogether a new effect,' Mr. Dodd said, comparing the online movement to the Arab Spring. He could not remember seeing 'an effort that was moving with this degree of support change this dramatically' in the last four decades, he added."
Tweet with us, shout on the internet with us, let's celebrate: Round of applause to the 13 million people who stood up - #PIPA and #SOPA are tabled 4 now. #13millionapplause
P.S. China's internet censorship system reminds us why the fight for democratic principles is so important:
In the New Yorker: "Fittingly, perhaps, the discussion has unfolded on Weibo, the Twitter-like micro-blogging site that has a team of censors on staff to trim posts with sensitive political content. That is the arrangement that opponents of the bill have suggested would be required of American sites if they are compelled to police their users’ content for copyright violations. On Weibo, joking about SOPA’s similarities to Chinese censorship was sensitive enough that some posts on the subject were almost certainly deleted (though it can be hard to know).
...
After Chinese Web users got over the strangeness of hearing Americans debate the merits of screening the Web for objectionable content, they marvelled at the American response. Commentator Liu Qingyan wrote:
‘We should learn something from the way these American Internet companies protested against SOPA and PIPA. A free and democratic society depends on every one of us caring about politics and fighting for our rights. We will not achieve it by avoiding talk about politics.’"
#######
(press release is here: https://fightfortheftr.wordpress.com/press-releases/)
¿UN MUNDO SIN DANZA?
Entrevistas grabadas durante la celebración del 25 Certamen Coreográfico de Madrid, los días 1 y 2 de diciembre de 2011.
Teatro Fernán Gómez. Centro de Arte. Madrid
Intervienen (por orden de aparición):
- Avatâra Ayuso, Alejandra Baño y Miriam Remírez
- Amparo Urieta y Rocco Vermijs
- Satoko Kojima y Julio César Terrazas
- Marié Shimada y Marcos Marco
- Zaida Ballesteros, Claudia Voigt, Exequiel Barreras y Yannick Badier
- Candelaria Antelo y Arthur Bernard Bazin
- Martin Blazek, Daniel Corrales, Samuel Delvaux, Virginia Gimeno, Reija Heinonen, Ingrid Magriña, Agurtzane Pérez, Amélie Ségarra y Elia López
- Alejandra Agudo y Javier Guerrero
- Rosana Barra y Celeste Ayus
- Jessie Brett y Carlota Mantecón
- Mickael Marso y Jordi Vilaseca
- Dasha Lavrennikov, Inma Marín, Sara Caneva y Silvia Balvín
- Marcos Morau
sneodanza.com
Producción:Mayda Álvarez
Cámara: Miguel Estévez
Edición: jmacGarin
PROTECT IP / SOPA Breaks The Internet from Fight for the Future on Vimeo.
<<strong>NO TO DARKNESS!
Protect the internet!
OPOSSE SOPA!
On January we are 18 joining hundreds of sites around the Internet to oppose SOPA and PIPA!
but I decided not GOING DARK but using knowledge about the insanity of the copyright laws and what is at stake.
I selected important references that are relevant to understand the complexity of the changes and the impact of the legislation.
USA legislation is bending under the pressure of five Hollywood studios, four multinational record labels, and six global publishers to maximize their profits with absurd medieval repressive tactics not even caring about the implications for freedom and the cultural impact of the new internet and open culture and its importance for a more democratic ways of knowledge distribution. Information need to FREE!!!
These laws pretend to create a punishing Internet censorship regime and exports it to the rest of the world. Oppose it!
dance-tech.net and dance-tech.tv and their platforms would not be able to exist in this SOPA world.
The open internet and its huge cultural impact on innovation and change would be doomed.
We will be back to a cable TV and the hegemony of a centralized information and knowledge sharing would be limited to just talking about your favorite shows…and celbrity
From Cory Doctorow: "I don't think that any amount of "piracy" justifies this kind of depraved indifference to the consequences of one's actions. Big Content haven't just declared war on Boing Boing and Reddit and the rest of the "fun" Internet: they've declared war on every person who uses the net to publicize police brutality, every oppressed person in the Arab Spring who used the net to organize protests and publicize the blood spilled by their oppressors, every abused kid who used the net to reveal her father as a brutalizer of children, every gay kid who used the net to discover that life is worth living despite the torment she's experiencing, every grassroots political campaigner who uses the net to make her community a better place -- as well as the scientists who collaborate online, the rescue workers who coordinate online, the makers who trade tips online, the people with rare diseases who support each other online, and the independent creators who use the Internet to earn their livings." read whole article: http://boingboing.net/2012/01/14/boing-boing-will-go-dark-on-ja.html
Great essay:
no copyright and no cultural conglomorates
Read here to know more about the implications of SOPA
Read the article from the New York Times
Stop the Great Firewall of America
On of the many YouTube Videos about this: (Playlist with 4 important references)
I am also making available more texts, and BTW, they are all for free and have Creative Commons license.
So, please share!!!
Hello!
I'm an artist working in the fields of dance, video and performance. I'm creating my new piece and we will start with a residency in PACT Zollverain, Essen from 21st February to 12 March.
I'm looking for someone who can code and build flexible systems where we can play with video delays, multi-camera switching, real-time to recorded-video switching, etc. I'm not interested in motion capture or VJ or mapping. More the "analog" side of video: record, reproduce, in its infinite ways.
I'm looking for someone with a deep artistic vision, who is not only into technology but who can reflect on the concepts of the piece we will be working in, with experience in group artistic research.
I can offer travel from Europe, accommodation and 200 € per week during the three weeks residency in Essen.
You can check out my work in my site:
Let's have a talk, thank you!!
The CHOREOGRAPHIC CAPTURES project website has been newly designed and expanded into an interactive portal. Now you can register at www.choreooo.org as a member of the online community, upload your own art films, watch and evaluate other people’s clips or watch a bunch of high-qual dancefilms from our four competitions (shorts no longer than 60 seconds). The portal is meant to support the interaction between choreography, media art and film, and motivate people to creatively work with a medium of art. So make the jump with us, and check us out at www.choreooo.org
For a multitude of reasons, we need to need each other.
"Today, increasingly, we yearn instead for community. We don't want to live in a commodity world, where everything we have exists for the primary goal of profit. We want things created for love and beauty, things that connect us more deeply to the people around us. We desire to be interdependent, not independent. The gift circle, and the many new forms of gift economy that are emerging on the Internet, are ways of reclaiming human relationships from the market."
