Desde MOM-El Vivero, Marta Oliveres también reflexionó para MOV-S 2012. Una de sus principales ideas para la reflexión en el marco del encuentro es partir de una hoja en blanco para construir de cero el discurso del sector. También incide en la idea de la formación y del legado que se deja a las generaciones futuras.
All Posts (2056)
Sort by
En los anteriores posts os hemos explicado cómo se van a establecer los contenidos de MOV-S 2012. También hemos compartido con vosotros un listado de las personas a las que hemos entrevistado y los temas que han planteado para debatir durante el encuentro que se celebrará en Cádiz entre los días 14 y 17 de junio.
Una de las preguntas que se realizaron fue la siguiente:
¿Qué proyectos relacionados con la danza y el arte en general, que esten llevando a cabo prácticas o provocando reflexiones sobre otros modos de operar en danza dentro del contexto actual, deberían presentarse dentro del marco de MOV-S?
El proyecto brasileño 1000 Casas, el Centro de Artes de Maré de Río de Janeiro, la compañía de Lia Rodrigues, la Red de festivales de Danza Contemporánea de México, El Graner de Barcelona, el Laboratorio del procomún, la Escuela Nacional de Danza de Perú y los proyectos en red Dance.tech, Dance Europe Movement o la Fundación de los Comunes son algunas de las iniciativas sugeridas.
Aquí podéis descargar en pdf el listado completo.
En la entrevista que hoy compartimos con vosotros, Cristina Alonso, responsable d'El Graner de Barcelona hace algunas interesantes reflexiones. Sugiere cambiar las preguntas que se hacen para hacer posible la reinvención del sector. Cree interesante hablar de políticas de lo concreto y trabajar en un entorno en red dónde los roles de los participantes sean transversales y a partir del cual se pueda construir un nuevo paradigma de metodología y contenido.
Jesús Carrillo, Jefe de Programas Culturales del Museo Nacional Centro de Arte Reina Sofía, es el segundo entrevistado por MOV-S 2012. Propone el repensamiento de la relación con los públicos, el repensamiento de la formación del coreógrafo y bailarín y que la danza participe en los debates generales de la cultura poniendo de relieve temas propios y que hasta ahora habían pasado desapercibidos por otros productores culturales. En cuanto a la metodología a emplear en el marco del encuentro en Cádiz, habla de trabajar en mesas de trabajo dinámicas. Para el futuro de MOV-S sugiere establecer una red propia de trabajo continuo que a su vez establezca vínculos con otros procesos similares en el marco de la cultura.
En el marco del proceso de investigación colaborativo que estamos desarrollando en MOV-S hemos entrevistado a 73 profesionales de la danza y la creación contemporánea de España, Portugal y Latinoamérica.
Ponemos a vuestra disposición el listado de personas entrevistadas así cómo un un resumen de temas comunes que nos servirá en el contexto de un proyecto en proceso como es MOV-S para ampliar nuestra mirada y lograr acercarnos más a las preocupaciones y necesidades de los distintos agentes implicados, ayudándonos a perfilar el encuentro a partir de nuestra estructura inicial.
Teniendo en cuenta que estamos ante un profundo cambio de paradigma en la sociedad en general y en los modelos culturales en particular, todos y todas tenemos líneas de pensamiento comunes cuando pensamos en lo que debemos re-formular y re-pensar para, de forma colectiva, trabajar en los modos bajo los que queremos o debemos operar en los contextos actuales y futuros en el territorio Iberoamericano.
Os animamos a discutir estos temas en nuestra página de Facebook.
Para descargar este documento en pdf, haz clic aquí.
presents
BLEU REMIX (2007) by Swiss Choreographer Yann Marussich
as part of
Choreography or ELSE.
ARS ELECTRONICA 2008 – CATEGORY HYBRID ART
In his spectacle-instalation Bleu remix, Yann Marussich returns to the theme already explored in 2001, in the Bleu Provisoire spectacle when he let a mysterious blue liquid ooze as blood would, through the layers of his skin, as though it was a final effect or a by-product of his body’s inner processes. This way, Marussich opened the paths between the inside and the outside world – secret passages from the unconscious, straight to the conscious.
Choreography or ELSE, is an online series on dance-techTV featuring complete performances from international choreographers, dance artist or directors that continue to challenge traditional and contextual notions of choreography, dance and performance. They problematize the performance of movement and the body experimenting with compositional and aesthetic strategies, dramaturgic approaches, non conventional spaces, appropriating uses of the new technologies, crossing disciplinary boundaries and cultural hybridity.
All pieces are presented with educational purposes and by courtesy of the artists.
Margarida Troguet, directora del Teatre L'Escorxador de Lleida nos habla, en esta primera entrevista, de los temas que considera relevantes para la discusión en MOV-S 2012 si hablamos de futuro del sector. Empoderamiento del espectador y crowfunding creativo son algunas de las ideas que lanza. También pone de relieve su propuesta de trabajo en el marco del encuentro de Cádiz.
Os presentamos el primer documento de trabajo de MOV-S. En él, os contamos cómo se va a trabajar en esta cuarta edición de MOV-S.
Proponemos un modelo colaborativo, de manera que el programa del encuentro refleje las líneas de pensamiento que tiene el sector de la danza en Iberoamérica. Una de las claves son las cincuenta entrevistas que hemos realizado a profesionales del mundo de la danza y también de otros ámbitos artísticos para preguntarles sobre los temas que les preocupan a la hora de hablar del futuro de las artes del movimiento.
Para descargar este primer documento de trabajo en pdf, haz clic aquí.
La cuarta edición de MOV-S tendrá lugar en Cádiz entre el 14 y el 17 de junio. Proceso y colaboración son las palabras clave de este nuevo encuentro.
MOV-S 2012 ha comenzado con la apertura de un proceso participativo. El objetivo es proponer el encuentro de Cádiz desde una mirada más amplia en relación a los temas que preocupan al sector en este momento.
En la web www.mov-s.org se irán presentando una serie de documentos que incluyan pensamientos o experiencias interesantes en el terreno de la danza. También se compartirán fragmentos en vídeo de una serie de entrevistas que se están realizando a cincuenta profesionales españoles, portugueses y latinoamericanos de las comunidades de la danza. Tanto documentos como entrevistas incluirán claves para iniciar una discusión abierta sobre otras maneras de operar en danza. Queremos generar pensamiento, sugerir preguntas y reflexiones que animen el debate abierto en las redes sociales, muy especialmente en Facebook. La finalidad última es llegar al encuentro con temas específicos para discutir en comunidad.
El proceso de discusión en las redes sociales está abierto a cualquier persona, colectivo u organización que desee compartir pensamiento y experiencia. También os podéis poner en contacto con MOV-S aquí.
REMINDER!
ONLINE SCREENDANCE COMPETITION 2012
ONE MONTH LEFT!
UPLOAD YOUR ENTRY BY 01 March
60secondsdance.dk online screendance competition is a co-production of Dansens Dag and Screen Moves, Copenhagen, Denmark. Hosted on http://www.60secondsdance.dk and funded by Dansens Dag and Nordea-fonden, it aims to give screendance makers the opportunity to produce, through their lens, a one-minute online screendance video.
The winner and runner up as well as the final top ten videos, will have their work screened at the prize-winning event at Cinemateque - Danish Film Institute and the DFI’s Asta Bar Wall Screen. The videos will also be online at: Dansens Dag website, 60secondsdance.dk YouTube Channel, ScreenMoves Facebook page and the ScreenMoves Installation site in the Dansehallerne Foyer. Jeannette Ginslov, associate producer of www.dance-tech.net will interview the winner and runner up via skype, for MoveStream, an online channel dedicated to screendance.
For 2012, the theme is based on the notion of “time” or “tid”. Screendance makers are invited to choreograph, shoot and edit what “time” or “tid” means to them, what pace, rhythm, timing is, whether it be found in movement, the emotional, the physical, the body…
Prizes
First Prize is €1500 and the runner up €500
NO ENTRY FEE!
Deadlines
Competition opens: 01 December 2011
Closing Date for uploading video and forms: 01 March 2012 midnight
Top 30 announced online: 15 March
Top 10 announced: 30 March
High quality videos sent in by: 15 April
Top 10 screened at Cinemateket, winner and runner up announced: 29 April
Upload your video to YouTube and apply online: http://www.60secondsdance.dk
Email Release Forms to: Co-ordinator Jeannette Ginslov info@60secondsdance.dk
GLOW Dance Festival is a large-scale outdoor dance event taking place over one day and one night on Castle Green, Hereford, as part of the London 2012 Cultural Olympiad on Saturday 30 June 2012. Lead managed by 2Faced Dance Company in partnership with Dancefest and Herefordshire Council, GLOW features professional and community dance performances and workshops, from b-boy battles to ballroom, and a spectacular torch-lit evening dance performance. For more information on GLOW, see hr1.2faceddance.co.uk.
As part of GLOW, we are looking for short dance films to feature in GLOW’s dance film screening area. 3,000 people are expected to attend GLOW over the course of the day and evening and this is a fantastic opportunity to gain exposure for your dance film, group, project or company.
If you’d like your film to be considered for screening at GLOW, please read the requirements below and download an application form from http://www.hr1.2faceddance.co.uk/glowfilm.html
DEADLINE FOR SUBMISSIONS: 5pm, Friday 30 March 2012
- Films must be 15 minutes long or less
- Films can feature any dance style or mix of styles
- Films could include dance made for the camera, dance with the camera, performance footage or mini-documentaries.
- Films can feature professional or non-professional dancers. We would like to feature a diverse range of dancers across the films.
- Films must be family friendly and suitable for viewing by all age groups.
- Please ensure the applicant has clearance/permission from all parties as required for the film to be shown at GLOW.
dance-tech.tv presents THE MOEBIUS STRIP (2001) by Swiss Choreographer Gilles Jobin as part of Choreography or ELSE.
A sensual, fluid, hypnotic exploration of a “human sculpture”: the bodies of five dancers pass, cross, follow, intertwine with each other. A video of dance, adaptation of choreographer Gilles Jobin’s “The Moebius Strip”. The Moebius Strip, created at the Théâtre de la Ville in Paris during the spring of 2001 became one of his most emblematic pieces. “On the stage, viewed as a white painting, bodies are thrown like splashes of colors, mixed as tint areas and given rhythm by the shades of the clothes” (Rosita Boisseau). This creation evokes his father’s paintings, Arthur Jobin, which alternate between geometrical rigor and intensive vibration of juxtaposed colors.
Watch THE MOEBIUS STRIP
Choreography or ELSE, is an online series on dance-techTV featuring complete performances from international choreographers, dance artist or directors that continue to challenge traditional and contextual notions of choreography, dance and performance. They problematize the performance of movement and the body experimenting with compositional and aesthetic strategies, dramaturgic approaches, non conventional spaces, appropriating uses of the new technologies, crossing disciplinary boundaries and cultural hybridity.
All pieces are presented with educational purposes and by courtesy of the artists.
Support dance-tech.tv and .net
BAX / Brooklyn Arts Exchange is very excited to introduce the
Parent/Choreographer Space Grant Program
This pilot program is an initiative by BAX/Brooklyn Arts Exchange, funded in part by The Andrew W. Mellon Foundation, that has been developed to address some of the needs of choreographers who are trying to meet the challenges of being an artist and a parent to newborn through pre-school age (0-4) children. As an organization that has entered its third decade, BAX is intimately familiar with the joys and the difficulties of raising a family and creating and producing work.
For more information, including applicaton details, visit http://bax.org/parentchoreographer-space-grant/.
Applications MUST BE COMPLETED by Monday, February 13, 2012 no later than 5:00 PM.
Applicants will be notified on or before Monday, February 27, 2012.
Please call (718) 832-0018 or e-mail ArtistServices@bax.org with any questions.
Dance on Camera Festival (2010) Winner Cinética - now on iTunes!
Watch and rate!
http://itunes.apple.com/us/movie/cinetica/id498158938
Goethe Institut New York
3D Alignment Forms. Animation of dancer’s traceforms in One Flat Thing, reproduced mapped to 3D space.
Synchronous Objects Project, The Ohio State University and The Forsythe Company .
Objects in Performance
As the object has become a central issue in both theory and the arts, the Goethe-Institut New York dedicates a weekend to intensive theoretical exchange and spatial experience to the object in performance. An installation, a symposium and a performance are the starting point of long-term engagement with the object and related matters in the fields of theory and the arts alike.
Synchronous Objects: Degrees of Unison
Installation by Norah Zuniga Shaw
February 2–26, 2012
Wed–Sun 2–7pm
Opening:
February 2, from 6–8 pm
Goethe-Institut Wyoming Building
5 East 3rd Street (at Bowery)
New York, NY 10003
Synchronous Objects: Degrees of Unison is a multipart sound and video installation focusing on “One Flat Thing, reproduced,” an ensemble dance by William Forsythe.
Focusing on the choreographic visualization online project Synchronous Objects created by Norah Zuniga Shaw, Maria Palazzi and William Forsythe, the installation brings viewers into an encounter with the deep structures of a dance and the generative ideas contained within. A series of visual objects—animations, computer graphics, interactive tools—enact a parallel performance of Forsythe’s choreographic ideas. The work was first launched online in 2009 and is still available in this form. In the installation, Norah Zuniga Shaw stays close to the conceptual foundations of the online original while extending them into the architectural and experiential possibilities of the Goethe-Institut Wyoming Building. In addition to interacting with the site and viewing HD animations from the project, visitors can spend time within a circle of synchronized visualizations unfolding from dance to data to objects over the 15-minute time span of the piece. William Forsythe’s voice calls out timing to the dancers and the sounds of the dancers’ actions move in multi-channel choreography around the space. Finally, a paper proliferation of creative processes can be found to read, leave behind, sort, or carry home.
Synchronous Objects: Degrees of Unison (2010)
A video installation by Norah Zuniga Shaw based on original material from
Synchronous Objects for One Flat Thing, reproduced (2009)
By William Forsythe, Norah Zuniga Shaw, Maria Palazzi
Objects in Performance
Symposium curated by André Lepecki, Performance Studies, NYU
February 3–4, 2012
NYU’s Tisch School of the Arts, Performance Studies
721 Broadway, 6th floor
New York, NY 10003
The recent phenomenon of object-invested experimental dance and performance echoes the resurgence of the object in recent philosophy, critical theory, literary and cultural studies; as well as in the renewed interest in the concept of the object in the visual arts. This resurgence of the object also has implications for studies on subjectivity. If, as Deleuze once said, “the status of the object is changed, so is the subject’s,” it is crucial to investigate the contemporary nature of this phenomenon. The Objects in Performance Symposium will gather a group of renowned American, German, and international scholars and artists, from a variety of fields and perspectives, to present their most recent research on the matter. The environment will be such as to stimulate exchange and conversation between disciplines, and between artists and scholars.
With Barbara Browning, Franz Anton Cramer, Eleonora Fabião, George Ferrandi, Jenn Joy, Heather Kravas, Thomas Lehmen, André Lepecki, Eva Meyer-Keller, Sarah Michelson, Ann Pellegrini, Allen S. Weiss, Norah Zuniga Shaw.
Death is Certain
Performance by Eva Meyer-Keller
February 5, 2012, 2 performances at 6:00 pm and 07:30 pm
MINI/Goethe-Institut Curatorial Residencies Ludlow 38
38 Ludlow Street (btw. Grand & Hester)
New York, NY 10002
Cherries have tender skin, meat and a kind of bone inside them. Their juice is red like blood. When you treat them like humans sometimes treat other humans, then they become human themselves or at least animated objects, which invite you to identify yourself with them. In the performance Death is Certain, Eva Meyer-Keller has installed sweet cherries as her protagonists.
The viewer is reminded of deaths from films, but also the reality of executions, how they really happen: associations from individual and collective experience in face of the sweet death at the kitchen table.
The Goethe-Institut New York is a branch of the Federal Republic of Germany’s global cultural institute, established to promote the study of German language and culture abroad, encourage international cultural exchange, and provide information on Germany’s culture, society, and politics.
ICK | Accademia
(Dance) Notation Series- Research Encounters
Reading/writing dance
Feb 4th
This event will be streamed LIVE in dance-tech.tv
watch the stream and chat with us here!
Three different speakers will present their projects and perspectives in relation to the reading and writing of dance. Kerstin Evert dance teacher and researcher will present the research project IDOCDE an online databse for dance education, choreographer Emilie Gallier will talk about her new work Synchronicity a reading dance performance and Carla Fernandes cognitive linguistic researcher will introduce the development and status of the Transmedia Knowledge Base for contemporary Dance project.
Kerstin Evert; coordinator of the IDODEC project, a network of twelve European dance educators around the development of an online database that will develop and document best practices of contemporary dance education, to improve networking among contemporary dance educators and to increase visibility of this vibrant art form. IN order to do so an online platform is being designed where tagging, defining groups and developing writen documents on dance education are main goals. Evert will introduce the project and expose some of the challanges in relation to writing dance.
Carla Fernandes is assistant Professor at IPLeiria and Senior Researcher at the New University of Lisbon. Her current research focus is in the intersection of cognitive linguistics and the performing arts, particularly concerning the creation of multimodal corpora, digital archives and new documentation models. She coordinates the state-funded international research project TKB: “A Transmedia Knowledge Base for contemporary dance”, a research project in the interstices between cognitive linguistics and contemporary dance studies. TKB is an extensive and transdisciplinay project aiming at the design and construction of an open-ended multimodal knowledge base to document, annotate and support the creation of contemporary dance piece. Fernandes will present the project focusing on the process of annotations and descriptions of movements.
Emilie Gallier; is choreographer, researcher, director of the PØST Cie. Gallier will present her project Synchronicity a performance, book publication of a poem, and the choreography on paper (score), together with an essay written by Daniel Rovers (writer). This publication is a platform for the choreographer to probe the writing of movements of thoughts, and to turn to the spectator as reader, observer, and performer.
you can register for for encounter on the 4th, by sending an email with your name, email address and telephone number to francieneppens@ickamsterdam.nl
watch the stream and chat with us here!
11h00-15h00 Central Europe Time
ReelDance is currently inviting submissions of Australian and international screen dance work in the following categories*:
+ single channel (looped for installation)
+ multi-channel (looped for installation)
+ screen dance short – under 10mins (single screening)
+ mid-length screen dance – 10-60mins (single screening)
+ dance documentary (single screening)
+ online and/or mobile environments
*Entries must fall within the following definition: the work must contain within its main concerns dance and/or dynamic expressions of movement created specifically for the screen, be it human movement, the dance-like movement of inanimate objects, dance effects achieved through filming or post-production, or abstract motion studies. NOTE: Recordings of live dance performance will not be considered (unless as part of dance documentary).
*Only works created after 1 January 2010 will be considered.
*Closing date for submissions: 29 February 2012, AEDT 17:00 hrs
For more information and to submit online application form go to: http://reeldance.org.au/reeldance-2012-submission-form
About ReelDance
ReelDance is an internationally recognised arts organisation supporting innovative collaborative practice across dance, film and new media art. We provide a forum for dance screen culture, developing and defining this artistic field of practice in Australia and New Zealand, and promoting local work both nationally and internationally.
ReelDance curates, presents and consults on programs of single and multi-screen works for exhibitions, broadcast and festivals. Other activities include professional development for those working in the field of dance screen through workshops and forums, creating distribution opportunities for Australian dance filmmakers. Also, ReelDance has established the Moving Image Collection, a significant archive of Australian and New Zealand dance screen works.
CC MAD Madrid Creative Commons Film Festival 2012
19.01.2012 - 22.01.2012
Place: Medialab-Prado (Plaza de las Letras, C/ Alameda, 15. 28014 Madrid) y La Casa Encendida (Ronda de Valencia, 2. 28012 Madrid)
First Creative Commons Film Festival of the region of Madrid. The program includes lectues, screenings and workshops. In Medialab-Prado (January 19 and 20) and La Casa Encendida (January 21 and 22). [live streaming]
Free admission. Limited seating.
@cc_madfestival y #ccmad
For four days we will talk about new way of making movies thanks to the potential of the Internet. Creative Commons licenses allow to connect the author with the audience, foster co-creation and co-production and also allow the work to be shared with everybody so they can reach a larger number of spectators.
Medialab-Prado hosts lectures, screenings and workshops on January 19 and 20, 2012.
Program in Medialab-Prado
January 19
6:45 pm: Presentation of the Festival.
7 pm: #redada CC MAD: Cinema in the Era of the Internet. With Guillermo Zapata, Pieter de Vos, Alberto Tognazzi and Stephane Grueso. Moderated by Antonio Delgado. [+info]
9 pm: Screening of short films*. Creative Commons short film selection:
* Sikitiko (Pietr de Vos).
* La Mancha (Samuel M. Delgado, Helena Girón).
* Prebloc (Guiles Guerraz).
* La mirada circular (Iván Sáinz-Pardo, Dirk Soldner i Jim-Box)
* Legacy (Grzegorz Jonkajtys)
* Ocaso (Ignacio F. Rodó)
* Thirst (Keith Rivers)
* Spot (Guillermo Zapata)
January 20
7 pm: Master Class with Luis Román. Producing and distributing your work on the internet. Workshop.
8:30 pm. Presentation of the meta-documentary El Cine en la Era Digital. Mi experiencia crowdfunding*, by Beatriz Cebas.
9 pm: Made in Mad New Filmmakers*. Screening of selected shorts. Audience Award. Final selection:
* Empanadas Argentinas, Federico Untermann
* Error numérico en árbol antena, Ana Ugarte
* Estúpida Historia, Ana Lambarri
* Persecución #1: La Fille, Marine de Contes
* Bendita Masacre, Jota Aronak
* #Admirables, Paula Girart
* A N G E L, Diego Uceda
* Disculpen las molestias, Nuria Gil/ Baltazar Rodes
El ganador del premio se eligirá por voto del público, con papeletas, con un voto por persona asistente.
En la fiesta en La boca del lobo se anunciará el ganador y las meciones de BccN
*These session will not be streamed.
sneodanza.com
Homenaje a Tomás Segovia (in memorian). Pieza de jmacGarin realizada a partir de los visuales del espectáculo de danza multimedia "El dios oscuro".
Poemas y voz: Tomás Segovia
Performers: Verónica Garzón y Francisco Villalta
Coreógrafo: Stéphane Boko
