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Jessica Meuninck-Ganger and Nathaniel Stern approach both old and new media as form. In their Distill Life works, the artists permanently mount translucent prints and drawings directly on top of video screens, creating moving images on paper. They incorporate technologies and aesthetics from traditional printmaking - including woodblock, silk screen, etching, lithography, photogravure etc with the technologies and aesthetics of contemporary digital, video and networked art, to explore images as multidimensional.
Meuninck-Ganger and Stern hack and tweak, shoot and print, appropriate and remix, edit and draw. Their juxtaposition of anachronistic and disparate methods, materials and content - print and video, paper and electronics, real and virtual - enables novel approaches to understanding each. The artists engage with subject matter ranging from historical portraiture to current events, from hyperreal landscapes to socially awkward moments. The works are surprising, wistful, enchanting, and seriously playful.
Episode #103: Beryl Korot describes the impetus behind the innovative 1970s publication "Radical Software," elucidating the history of video in art and the impact of mass media on society. Emerging from an independent video community that included media visionaries such as Marshall McLuhan and groups such as Televisionaries, Videofreex, People's Video Theater, and Global Village, the first issue of "Radical Software" debuted in Spring of 1970 as a publication by the Raindance Corporation. Beryl Korot and Phyllis Segura (Gershuny) acted as Editors, while Michael Shamburg served as Publisher with Ira Schneider as co-Originator. Early contributors included Nam June Paik, Buckminster Fuller, Ant Farm, Frank Gillette, and Paul Ryan, among others. After eleven issues, "Radical Software" ceased publication in the Spring of 1974 and is now an invaluable time capsule of an era.
An early video-art pioneer and an internationally exhibited artist, Beryl Korots multiple-channel (and multiple-monitor) video installation works explored the relationship between programming tools as diverse as the technology of the loom and multiple-channel video. For most of the 1980s, Korot concentrated on a series of paintings that were based on a language she created that was an analogue to the Latin alphabet. Drawing on her earlier interest in weaving and video as related technologies, she made most of these paintings on hand-woven and traditional linen canvas. More recently, she has collaborated with her husband, the composer Steve Reich, on "Three Tales," a documentary digital video opera in three acts that explores the way technology creates and frames our experience.
Learn more about Beryl Korot: http://www.art21.org/artists/beryl-korot
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Wesley Miller. Camera & Sound: Nick Ravich. Editor: Joaquin Perez. Archival Material Courtesy: Beryl Korot & the Daniel Langlois Foundation of Montreal. Special Thanks: Davidson Gigliotti & Ira Schneider.
An early video-art pioneer and an internationally exhibited artist, Beryl Korots multiple-channel (and multiple-monitor) video installation works explored the relationship between programming tools as diverse as the technology of the loom and multiple-channel video. For most of the 1980s, Korot concentrated on a series of paintings that were based on a language she created that was an analogue to the Latin alphabet. Drawing on her earlier interest in weaving and video as related technologies, she made most of these paintings on hand-woven and traditional linen canvas. More recently, she has collaborated with her husband, the composer Steve Reich, on "Three Tales," a documentary digital video opera in three acts that explores the way technology creates and frames our experience.
Learn more about Beryl Korot: http://www.art21.org/artists/beryl-korot
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Wesley Miller. Camera & Sound: Nick Ravich. Editor: Joaquin Perez. Archival Material Courtesy: Beryl Korot & the Daniel Langlois Foundation of Montreal. Special Thanks: Davidson Gigliotti & Ira Schneider.
Nits Salvatges (Wild Nights) proposes a frame to experiment with what is uncertain and circumstantial in theideas, regardless its evolution, materialization or development.
An event that brings together eight new and specific actions by artistsfrom different areas, territories and generations.
A two-daysproject, curated by La Porta, that invites us to sharethe ephemeral reality, the luxurious act, unpredictable stimuli betweenthe body and the word, between the anecdote and the reflection, betweenthe essay and the romantic illusion.
You can follow both sessions here on STREAMING with the collaboration of minipimer.tv.
Friday April 23rd
- Oscar Abril Ascaso:Acción Ibérica nº 1: Acto fundacional de Acción Iberista (FundationalAct of Acción Iberista)
- Colectivo 96º: FINGIR#1 (To Fake #1)
- Amalia Fernández:Enconstrucción (Under Construction)
- EstherFerrer: ¿Es estouna performance? (Is This a Performance?)
Saturday April 24th
- Abraham Hurtado: Collective Unconsciousness
- Elena Córdoba - Cristóbal Pera:El amory la herida (Love and Wound)
- GéraldKurdian: My firstclub song ever
- Davis Freeman: Onenight only
Where: CCCB - C/ Montalegre, 5 - 08001 Barcelona
When: at 9pm
Price:5 euros / Reduced: 3 euros - Friends of the CCCB,students, retired, unemployed persons, members of professionalperforming arts associations, Libraries identification card, CarnetJove. Tickets on sale at the ticket offices of the CCCB on April 23rdand 24th from 11am. Discount tickets at ATRAPALO
See the 3rd editionand the 4thedition of Nits Salvatges.
Watch live streaming video from dancetechtv at livestream.com
ManuelBürgin, Verena Weiss, Anne Rosset, Robert Alexander,
Angelika Ächter, Götz Dihlmann, Christian Glaus, Jean-Pierre Hoby, Greta Gratos
Love Is A Battle Field
Call for artists/collaborators
Les Manouches theater company is looking for artists [visual,music,dance,performance], scholars and cultural workers based in NewYork who
-are originally from the Mediterranean
-who belong to the Mediterranean diaspora,
-whose work is informed by or interested in contemporary Mediterranean identity and culture
-who have a keen professional interest in Mediterranean culture
to join us for the creation of the MedInitiative. The MedInitiative will be a network and database that will provide information on the participating artists and their work andwill serve as a platform for the exchange of ideas, information and interests.Through the MedInitiative we seek to find artists and collaborators for theorganization of Between The Seas, a festival of Mediterranean performing artsin NYC. For more information and if you are interested in the project pleasesend your resume, and a letter expressing your interest and background to: lesmanouchestheatre@gmail.com. Forinformation on Les Manouches please visit www.lesmanouches.wordpress.com
Palucca Schule
July 28th 2010
Using the most advanced social software platforms and rich multimedia
internet applications, dance-tech.net provides movement and new media
artists, theorist, thinkers and technologists an on-line space for
accessing and sharing ideas, work, research and collaborative projects.
Barrios Solano introduces dance-tech.net and dance-techTV as a
sustainable model of production and exchange of knowledge within a
community of movement and mew media artits, theorists, technologists and
organizations. The new internet or Web 2.0 architectures helps us to
see Networks as the materialization of social dynamics, as sites of
action, translocal presence and social innovation and sampling. They
have become the most important emergent repositories of social and
cognitive capital of a given community. dance-tech.net registers
conversations, dialogues, performances, ideas and lives using the WWW as
a site for a relational intervention on the boundaries of bodies,
countries, disciplines and organizations.
TRACES:
DANCE/IMPROVISATION/NEW MEDIA/COGNITION
SAMPLES OF MY WORK
RESEARCH
COMPOSITION/BODY/EMBODIMENT/COGNITION/REAL-TIME/SYSTEMS/DESIGN/INTERACTIONS/DISTRIBUTED/ECOLOGICAL/NETWORK
EMERGENCE
BOTTOM-UP
BATESON QUESTION?
WHAT IS A HAND?
_____________________________________
Can the computers think like humans?
-That reminds me of a story!
WE FEEL FINE
Storytelling
Context/domain of interactions
Relations
1.-COMMUNITY
DANCE AND TECHNOLOGY
FROM A LIST SERV TO A SOCIAL NETWORK
WEB 2.0
OPEN PLATFORM
DANCE-TECH.NET
FROM DANCE AND TECHNOLOGY TO DANCE TO MOVEMENT TO MOTION:
INTERNATIONAL/TRANS-LOCAL
TRANS-DISCIPLINARY
GROUNDED ON THE DYNAMICS OF PEOPLE AND ORGANIZATIONS
KNOWLEDGE SHARING STRATEGIES/SHARING ALL RESOURCES.
COLLABORATIONS, PARTNERSHIPS AND BARTERING:
INDIVIDUALS
VENUES
DTW, Eyebeam, Dance New Amsterdam, STEIM, TMA The Hellerau, Reverso,THE
WAAG)
TANGIBLE BENEFITS??
DANCE THEATHER WORKSHOP
HARDWARE: LEMURPLEX/MIDITRON
SOFTWARE: CYCLING74
TANZPLAN Scholarship for dance-tech.neT ABD movimiento.org members
Gabriel Esteban Cunich (Chile)
process/experience
2.-KNOWLEDGE
What is dance anyway?
RELEVANCE DANCE IS RELEVANT
INNOVATION???
HOW WE IDENTIFY IT
SUPPORT IT
RE-FRAME IT
KNOWLEDGE BACKBONE/ENGAGEMENT:
MODELING SUSTAINABLE PRODUCTION OF INTERVIEWS
> 100
YES YOU CAN...
INTERVIEWS:
KNOWLEDGE BACKBONE...
Watch live streaming video from dancetechtv at livestream.com
DANCE DESIGNER is a powerful new software program for Choreographers. The intent was tocreate software that would save choreographers time and help with all steps ofthe creative process, including supporting choreographers in documenting theirIntellectual Property. This new technology offers a completechoreography package that assists with the creation, pre-visualization,documentation, communication and rehearsal process for all styles of dance. Ithas the ability to save and organize elaborate, multi-layeredproductions in a single digital file and allowschoreographers to share creative information easily with their dancers andproduction teams.
Please contact me for more information or go to http://www.ChoreoPro.comand sign up for a Free Trial. I can also arrange a special online demo foryou. We are in the process of spreading the word about this unique newtechnology. I hope you will share this information with yourfriends and colleagues.
Thank you,
Carri Burbank
Choreo Technology, LLC
Watch live streaming video from dancetechtv at livestream.com
Marcel-lí Antúnez Roca Page in dance-tech.net
Marcel-lí Antúnez Roca Page in dance-tech.net
Marcel-lí Antúnez Roca website
The Draughtsman is an immersion in Marcel·lí's work, life, creative processes and artistic obsessions. The drawing of a large mural and a series of animations build up the fabric of the film, which, narrated in the first person, shows us this artist's own private universe.
The Draughtsman takes a look at contemporary art, from the beginning of the eighties until today, through Marcel·lí's performances and installations.
credits
EL DIBUIXANT 2005
Format DVcam; 60 minutes
Direction: Marcel.lí Antúnez Roca, Miguel Rubio
Delegated Producer of BNC: Núria Botellé
Delegated Producer of TVC: Jordi Ambrós
Executive producers: Xavier Atance, M. Antúnez
Participants: Maria Roca, M. Antúnez, Rolan Olbeter, Toni Aguilar,
Alain
Wergifosse, Sergi Jordà, Christian Konn, Ramón Rey, Piero Steiner,
J.M.
Aixalà, Alvar Antúnez, Adelaida Antúnez
Director of photography: Alex Gaultier
Music: Alain Wergifosse
Animation: Liliana Fortuny
Head of production: Cecilia Miguel
Script and plot: M. Antúnez in collaboration with Luis Angel Abad
Recording MONDO ANTUNEZ: Jordi Call
Recording Making of AFASIA: Isaac Pierre Racine
Camera: Robert Roig
VTR: Nacho Saladrigas, Ferran Figols
Sound technicians: Marc Soldevila, Albert Royo, Aleix Cuaresma
Voice recording (studio): Flight Studio, Josep Gimenez
Editing Flash: Volker Scarpatetti
Graphic assistants: Merlí Borrel, Yaiza Nicholás
Stage technicians: Oriol Ibañez, Guille Sánchez Blanco, Martí
Jassaneda
Make-up: Esmeralda Molero
Titles: Jose Manuel Urós “Aibo”
Online editing: David Sagarra
Online editing supervisor: Olga Vilanova
Accounting: Milos de Lacalle, Antonia Santos
Image Postproduction: Panspermia, Mons SL
Sound MIxer: Redback
Appearance: Tomic Fajdetic, Pamela Martinez, Josepa Olivart, Nuria
Legarda,
Enric Celaya, Sergio Arrospide, Gloria Bueno, Isabel Elorriaga, Raül
Sàez,
Sonia Estevez, Raquel Jimenez, Jordi Creus, Pedro Gutierrez
Produced by Panspermia, Benece Produccions
In co-production with TVC
In collaboration with ICIC -Institut català de les Industries
Culturals- and
Programa Media
This special broadcast is part of the event
The Art of Transformation (Symposium)
EN CASTELLANO
El Dibuixant es una inmersión en la obra, la vida y las obsesiones artísticas de Marcel•lí. La realización de un gran mural y una serie de dibujos animados crean el tejido del film que narrado en primera persona, nos muestra el particular universo de este autor.
El Dibuixant supone una mirada al arte contemporáneo desde principios de los años ochenta hasta hoy a través de las performances y las instalaciones de Marcel•lí
Créditos
EL DIBUIXANT 2005
Formato Original DVcamp; duración 60 minutos
Dirección: Marcel•lí Antúnez Roca, Miguel Rubio
Producción delegada BNC: Nuria Botellé
Producción delegada TVC: Jordi Ambrós
Producción ejecutiva: Xavier Atance, M.
Participantes: Maria Roca, M. Antúnez, Rolan Olbeter, Toni Aguilar,
Alain
Wergifosse, Sergi Jordà, Christian Konn, Ramón Rey, Piero Steiner, J.M.
Aixalà,
Alvar Antúnez, Adelaida Antúnez
Director de Fotografía: Alex Gaultier
Música: Alain Wergifosse
Animación: Liliana Fortuny
Guión y argumento: M. Antúnez con la colaboración de Luis Angel Abad
Registro video MONDO ANTUNEZ: Jordi Call
Registro video Making of AFASIA: Isaac Pierre Racine
Jefe de Producción: Cecilia Miguel
Operador de Camera: Robert Roig
VTR: Nacho Saladrigas, Ferran Figols
Técnico de sonido: Marc Soldevila, Albert Royo, Aleix Cuaresma
Grabación Locuciones: Flight Studio, Josep Gimenez
Editor de Flash: Volker Scarpatetti
Asientes Gráficos: Merlí Borrell, Yaiza Nicolás
Maquinistas: Oriol Ibañez, Guille Sánchez Blanco, Martí Jessaneda
Maquillaje: Esmeralda Molero
Titulación: José Manuel Urós “Aibó”
Montaje online: David Sagarra
Supervisor Montaje online: Olga Vilanova
Contabilidad: Milos de Lacalle, Antonia Santos
Postproducción Imagen: Panspermia, Mons SL
Mezcla de Sonido: Redback
Foto Fija: Carles Rodriguez
Figuración: Tomic Fajdetic, Pamela Martínez, Josepa Olivart, Nuria
Legarda,
Enric Celaya, Sergio Arrospide, Gloria Bueno, Isabel Elorriaga, Raül
Sàez,
Sonia Estévez, Raquel Jiménez, Jordi Creus, Pedro Gutierrez, Jon Elorza,
Amets
Etxebeste
Producción por Panspermia, BNC produccions
En coproducción TVC
Colaboración de ICIC -Institut català d’Industries Culturals- y Programa
Media
On-the-Move presents its exploration of virtual mobility in the contemporary performing arts 'Excited Atoms' by Judith Staines.
Excited Atoms outlines a history of virtual mobility in performance, presents the main types of work with inspiring current examples and traces some of the most critical issues and motivations for artists, cultural producers and promoters to collaborate, share, make, question, present and innovate using virtual mobility.
In depth interviews with twenty-one key practitioners, cultural managers and critical observers present informed points of view from around the world. A specially commissioned essay from Ghislaine Boddington (body>data>space) traces a personal pathway through creative collaborations in performance telematics. A Glossary explains some of the terms and helps demystify technologies and areas of creative practice. A research section Explore More presents over 150 links to artists, projects, platforms, reading and other references to extend the exploration of virtual mobility.
Learn more about networked performance … enlarging the action radius … participatory strategies … one-way, two-way and third spaces in interactive performance … virtual stages … avatars … live streaming of work in progress … transdisciplinarity … and so much more
The study was funded by the Fundacion Autor.
Download pdf
Courtesy of Paul Kaiser and Shelley Eshkar
June 20, 2010 - January 2, 2011 - After Ghostcatching will be on exhibit at SITE Santa Fe’s Eighth International Biennial, entitled The Dissolve. Curated by Sarah Lewis and Daniel Belasco, the 2010 biennial brings together artists working in many visual mediums who have mined techniques of early animation and moving image technologies to create a hybrid practice where the homespun meets the high-tech. As a part of this international exhibit where the old-fashioned melds with the futuristic, OpenEnded Group (Paul Kaiser, Shelley Eshkar, and Marc Downie) creates a new edition of the original virtual dance installation, likened to “calligraphy twisting in space” by The Village Voice. After Ghostcatching augments the 1999 version with 3D graphics and cutting-edge technology to further play with perceptions of Jones’ moving figure. This time, as viewers don their glasses, they experience the virtual movement in real depth.
Says Paul Kaiser, “These advances will contribute to a far more immersive and beautiful version of Ghostcatching. And the one advance that will draw the most attention is the stereoscopic illusion (3D). This will put Bill’s ghostly figure in a space that seems at times to hover within hand's reach of the viewers; indeed, viewers may even feel lines of the drawing brushing against their foreheads.” For more information about the biennial, visit thedissolve.net.
Madrid 12-15 de abril 2010
Organizado por:
Master en Práctica Escénica y Cultura Visual
Medialab Prado
Este taller es una introduccion teórico-práctica a nuevas herramientas
tecnológicas y conceptuales orientadas a potenciar el intercambio de
conocimiento y la collaboracion creativa con el uso del internet. Se
explorará el video en la/el internet y plataformas de transmisión en
vivo como nuevo espacio performático, y su potencial creativo y
estético para artistas del movimiento y el performance. Se ofrecerán
ejemplos de aplicaciones innovadoras del nuevo internet y los medios
sociales en los procesos creativos y el mercadeo viral. Se revisara la
interacción con otras plataformas mediáticas de producción y difusión.
Se le dará especial atención al uso de herramientas multimedia
integradas y portátiles a nivel de equipo (hardware) y plataformas
gratuitas disponibles en el internet (software).
Marlon Barrios Solano (Venezuela – EEUU) investigador y especialista en tecnologías interactivas para performance, nuevas
medias sociales y colaboración creativa. Master en danza y nuevas
tecnologías por la Universidad de Ohio (EEUU). Productor de plataformas
interactivas para colaboración y conocimiento abierto. Creador de la
red social dance-tech.net
y productor del canal colaborativo de vídeo dance-techTV. Desde 2007
colabora con la Red Sudamericana de Danza, entre otras organizaciones
internacionales como consultor e instructor.
dance-tech.net
dance-techTV
Interviews
movimiento.org (La Red Sudamericana de Danza)
Troika Ranch
dancetechtv on livestream.com. Broadcast Live Free
Alejandra Ceriani
Bebe Miller and Company
dancetechtv on livestream.com. Broadcast Live Free
Chunky Move
Watch live streaming video from dancetechtv at livestream.com
We Live in Public
Cena11
Human Browser
Can you see me now? Blast Theory
Can You See Me Now? Tokyo from Blast Theory on Vimeo.
Uncle Roy All Around You/Blast Theory
Uncle Roy All Around You from Blast Theory on Vimeo.
Dance a day
Boris Willis
Here is a panorama of the space before we started work
