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This week in Toronto: Soundstreams

This week, I am presenting at Soundstreams' conference, New Models of Distribution: Getting the Music OutI'll be focusing on developing Presenter Partnerships, and creating opportunities for engagement online and offline.When: Thursday May 22, 2008 to Saturday May 24, 2008Where: U of T Faculty of Music, Edward Johnson Building (80 Queen's Park)For great reference materials, research and insight - download this pdfLet me know if you'll be here, or if you know of any Toronto art I should check out.
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In my latest post in The Kinetic Interface blog, I write about Wayne McGregor's Random Dance and their explorations into neuroscience and artificial intelligence. The primary focus of this post is on "Entity," which premiered at Sadler's Wells on April 10, 2008. I include video interviews with McGregor and excerpts from Entity.I'd like to learn about other dance projects that deal with neuroscience-related topics -- Thanks.
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In Brazil

Hello,here in Brazil (Florianopolis) we did a Performance of Under-score our peace for interactive real time generative software score generator for dance improvisation. It was very well received and new performacens are scheduled in other countries...
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Benefit auction item: Keith Harring Tank Top (May 16, 1984 Paradise Garage invite)

Benefit auction item: Keith Harring Tank Top found on Craigslist (May 16, 1984. Paradise Garage Invite)
Photo: Christine Taylor.
Model: Kimberly Drummond.

Long live freedom and creativity!

We'd like to extend a great big thank you to all who came out to Eyebeam's benefit honoring Craig Newmark last week! We raised an unprecedented sum for Eyebeam's labs and educational programming, and John Mulaney is a funny man indeed. For pictures from the night see:
http://www.manhattan.smugmug.com/gallery/4884218_YDs6s#291347691_i5GsN
http://www.gettyimages.com/Search/Search.aspx?EventId=80976315#

The next few weeks promise to be exciting: We're thrilled to have the Critical Art Ensemble's Dr. Steven Kurtz join us for the next Upgrade! at Eyebeam on May 29, to speak on a panel co-organized by the World Science Festival and the Berkeley Center for New Media. This will be Dr. Kurtz's first public appearance since the US government's controversial case against him was dropped on April 21, 2008. For more on the case, see: http://www.caedefensefund.org/

In the meantime, May 22 we present an evening on wearable technologies, on the occasion of Sabine Seymour's recent book: Fashionable Technology: The Intersection of Design, Fashion, Science, and Technology and the culmination of the Spring 2008 Girls Eye View Project Walkway program. The night's programming will include a runway show of student projects, short presentation and reception. Join us!


This Week at Eyebeam:

May 17: Teen Mashup Remix: Creative Youth Workshops

May 19: Interactivos? Call for Collaborators

May 22: Girls Eye View: Project Walkway

May 29: The Upgrade! Partners with the 2008 World Science Festival

Job Opportunity: Part Time Technical Assistant

Call for Interns: PR Assistant

New from our Labs:

May 22: Rhizome 2008 Commission Presentations: Rafael Rozendaal, Evan Roth, eteam + Steve Lambert

Open Source CUBIT Toolkit

Community:

May19: LoVid Performance and Screening: Wirefull

May 29 + 31: Graffiti Research Lab at the Brooklyn Academy of Music


May 17: Teen Mashup Remix: Creative Youth Workshops

Public Workshop + Presentations
Date: Saturday, May 17, 1 – 7PM | Performative party: 8 – 12PM
Location: The Change You Want to See, 84 Havemeyer St. (storefront), Williamsburg, Brooklyn
http://www.notanalternative.net/

The Change You Want To See gallery will host a collaborative workshop exploring the mashup and remix of audio-visual, social and architectural elements onsite, with local borough-based teenage participants and Eyebeam's educational partners. Each workshop participant will be invited to bring at least three clips to add to a pool of source material. We will consider site-specific “give and take”, and aim to develop “fair-use” guidelines for fellow participants and laymen.

VJ-ing, event-design and space-modification workshops will mix and remix the resources, talents, perspectives of all present, to create a performative party with live audio-visual manipulation, a juice-bar and dancing. As a public party for the Seeders 'N' Leechers 'R' Us outgoing process, endeavors to seed the imagination of possible futures.

Co-related workshops by:
Dan Winckler: Live video mixing and production
http://danwinckler.com
Not An Alternative: Build your own projection screen out of found materials
http://thechangeyouwanttosee.org/
Jeff Crouse and David Jimison: Building experience
http://www.digitalsituations.com/awbh/

Coordinated by Liz Slagus, Eyebeam resident Andrew Paterson and Not An Alternative. For more information, or to take part in workshop contact: agryfp AT gmail DOT com.

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May 19: Interactivos? Call for Collaborators

We're pleased to announce that we (Eyebeam fellows, residents and staff) have selected ten projects—form the 60-plus submitted applications—to be realized during a two-week workshop in late June.

But we need help, and that's where you come in. We are now recruiting collaborators—artists, engineers, musicians, programmers, designers, and hackers—to help bring these projects to life. This is an opportunity to work with international artists including current Eyebeamers Zachary Lieberman, Taeyoon Choi, Jeff Crouse, Friedrich Kirschner, and others. Collaborators will participate in skill-based workshops, and attend public lectures and associated events, and be an integral part of the production of exciting new interactive projects. The completed projects will be included in Eyebeam's Summer 2008 exhibition.

To be considered, send us a letter outlining your skill set and what you think you could contribute to the workshops, with a CV (word documents or pdfs only please, no image attachments) to interactivosinfo AT eyebeam DOT org by May 26. Selected collaborators will be notified May 29.

Interactivos? was initiated two years ago by the Medialab-Prado program and the Madrid City Council. This is the first time it has taken place outside Spain.

The full list of projects, and further detail on the kind of collaborative help we are looking for, will be announced next week. See: http://www.eyebeam.org/engage/engage.php?page=exhibitions&id=169

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May 22: Girls Eye View: Project Walkway

Runway show and book launch of Sabine Seymour's Fashionable Technology
Date: Thursday, May 22, Reception + book signing 6PM | Runway show 7PM | Talk 7:30PM
Location: Eyebeam, 540 W. 21st St., NYC
http://www.eyebeam.org/engage/engage.php?page=unique&id=171

During Project Walkway eight female participants from local high school Bayard Rustin Academy for Art and Music have been learning the fundamentals of electronics and wearable technologies. The program will end with a runway show and book launch of Sabine Seymour's Fashionable Technology: The Intersection of Design, Fashion, Science and Technology, on May 22.

Project Walkway, this year's Girls Eye View program, was be taught by former Eyebeam resident Norene Leddy with current R&D OpenLab fellows Ayah Bdeir and Jessica Banks.

http://projectwalkway.com/blog/

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May 29: The Upgrade! Partners with the 2008 World Science Festival

Date: May 29, 7PM
Location: Eyebeam, 540 W. 21st St., NYC
http://www.eyebeam.org/engage/engage.php?page=series&id=173

Join Dr. Steven Kurtz, the artist accused by the US Department of Justice of “bioterrorism” stemming from his use of scientific materials in his award-winning art practice, and science writer Carl Zimmer for a panel discussion on the ethics of scientific and creative research and freedom of speech.

Kurtz, a University at Buffalo professor and founding member of the Critical Art Ensemble, uses biological materials in educational exhibits and performances designed to inspire debate about political and social issues, including those surrounding new biotechnologies. In May of 2004, he was detained on suspicion of "bioterrorism" for his possession of a small laboratory and petri dishes containing bacteria cultures used in several of Critical Art Ensemble's projects. When these accusations proved groundless, he was then charged with mail and wire fraud—charges which carried a possible sentence of 20 years in jail under the USA PATRIOT Act. Earlier this month, a federal judge dismissed those charges; however, the US Department of Justice may still appeal the dismissal.

This month's Upgrade! New York is a collaboration between Eyebeam and the World Science Festival, with additional support from the Berkeley Center for New Media.

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Job Opportunity: Part Time Technical Assistant

Eyebeam is accepting applications for the position of Part Time Technical Assistant. The successful candidate will be resourceful and well-versed in the technological requirements of administering hardware and software for new media art and creative technology projects. S/he will have experience maintaining a broad range of servers, personal computers, networks and should be an adept linux systems administrator. This is a part time position for the months of July through September 2008.

The Technical Assistant reports to the Director of Technology and is responsible for the daily operation and support inclusive of:
Servers, workstations, desktops, laptops, printers (hardware and software);
Security, system backups and network infrastructure (network security, operating system upgrades, firewalls and routers);
Electronic communication (email, phone system);
Lab and other specialized equipment.

Current projects include archiving of past projects produced at Eyebeam, rewiring the network room and installing new switches, creating an internal file server for staff with quotas, and centralizing print management.

Qualifications:
Academic qualification in a field related to the position (e.g. IT, Computer Science) or equivalent combination of education and work experience;
Proven practical experience in linux system administration and network administration;
Experience with mysql, apache, samba and cisco routers;
Experience working with artists, technologists and volunteers;
Experience working independently and as an effective team member;
Highly motivated, creative, flexible and innovative thinker;
Willing to work flexible hours;
Excellent multi-tasking skills, highly organized.

Compensation commensurate with experience.

For more information or to apply, email: emma AT eyebeam DOT org

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Call for Interns: PR Assistant

Eyebeam is currently accepting applications for a Public Relations Assistant. This is a non-paid, part-time position/internship for a minimum of three months. The intern will be responsible for compiling and maintaining digital and hard copies of Eyebeam press and publicity materials; creating specialized press kits and developing customized publicity packages; researching media outlets and maintaining detailed files on local and national press contacts and assisting with Eyebeam guests and visitors. We will also work with the assistant to identify projects based on their individual areas of interest.

We are looking for a very thorough, detail-oriented, methodical, motivated and creative individual with an interest in the arts, new technology, media studies or communications. Applicants should feel comfortable working with Photoshop, databases and conducting online research.

To apply please submit a resume and cover letter to interninfo AT eyebeam DOT org, with “PR Assistant” in the subject line.

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New from our Labs

May 22: Rhizome 2008 Commissions Presentations: Rafael Rozendaal, Evan Roth, eteam + Steve Lambert

Date: Thursday, May 22, 7:30PM
Location: The New Museum, 235 Bowery, NYC
Cost: $8
http://www.rhizome.org/commissions/2008/

On May 22 at the New Museum, several of the artists who received support in the 2008 cycle will present their finished projects and other work. Artists showing their work include Eyebeam alumni Evan Roth and eteam (Hajoe Moderegger and Franziska Lamprecht), Eyebeam senior fellow Steve Lambert and Rafael Rozendaal.

The Rhizome Commissions Program was founded in 2001 to provide support to emerging artists working with new technologies. The 44 works commissioned to date represent some of the most innovative, pioneering efforts in the field.

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Open Source CUBIT Toolkit

The media's abuzz about Nor_/D's (Stefan Hechenberger and Eyebeam Production Lab fellow Addie Wagenknecht) CUBIT multitouch toolkit, and organizations, scientists, hobbyists and corporations are getting busy building their own interactive touch surface gadgets.

Read some of the coverage at : Economist, MIT Technology Review, Deutsche Netzwelt, and Engadget China.

Designed with OpenFrameworks and produced with the support of Eyebeam, CUBIT is an interactive surface for multitouch interactions. It was designed with the intention of redefining visual computing and departing from the mouse-pointer paradigm. On CUBIT, fingers are seen as points of location, areas of contact, and vectors. Based on these sensory inputs the interface generates graphical widgets that behave along preconceived notions of physical objects.

More information on the kit can be found at http://www.nortd.com/touchkit and http://www.nortd.com/cubit.

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Community

May 19: LoVid Performance and Screening: Wirefull

Date: Monday, May 19, 7PM
Location: MoMA Theater 2, 11 W. 53rd St., NYC
Cost: $10 for adults (other rates and discounts on museum admission available)

This evening will feature LoVid video screenings and performances with homemade synthesizers, including the world premier of a new Wirefull composition: Video Fingerprints, produced with support from Lower Manhattan Cultural Center. Video Fingerprints eight New York-based art makers and facilitators will provide fingertips and their bodies' electrical signals to control and create live video and sound.

For more information see: http://www.moma.org/calendar/films.php?id=8545&ref=calendar or email: lovidlovid AT gmail DOT com.

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May 29 + 31: Graffiti Research Lab at the Brooklyn Academy of Music

The Graffiti Research Lab will be tagging the side of the Brooklyn Academy of Music's Peter J. Sharp Building May 29 and 31 to coincide with two midnight screenings of the documentary Graffiti Research Lab: The First Season on May 31. The GRL events are part of the Sundance Series at BAM from May 29 to June 8.

For more scheduling details see: http://bam.org/sundance/frontier_2008_LASER.aspx.

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What's the Worst Dance Film Ever?

At the next Kinetic Cinema on June 2nd, choreographer Kriota Willberg will be presenting a hilarious program of the worst dance films in history. To help her compile her list, she is seeking input from the community. Please comment here with your top picks of the worst dance films, and come out to Kinetic Cinema to see what makes the cut!From Kriota:1. WHAT, IN YOUR OPINION, IS THE WORST DANCE FILM OF ALL TIME, EVER? It can be a full film or just an excerpt, and any style or type of dance at all, but it has to be on film.2. WHY?Please submit your answers in the comments section below by Friday May 16th.The reason I'm asking is that I'm putting together an evening of "Bad" dance film clips. As many of you know, I've been studying bad and mediocre dance for a number of years. As I put the program together, I am organizing examples of different categories of Bad (offensive, inept, confusing, etc.) from the early 1900's to the present. As an acknowledgment to the highly personal perception of bad dance, I'd love to get your input. Below is the description and particulars of the night.Thanks for your time!Best,Kriota WillbergOn June 2, Kinetic Cinema will feature dance films selected by choreographer Kriota Willberg. The theme of the evening is The Worst of the Best, a tour of inspiringly bad dance films from the early 1900's to the present. Truly awful dance is powerful art. We react strongly to it as an audience, we relate our horrible experiences to our friends and warn them away from it, we laugh, we seethe, we remember it far longer than "good" dance, and possibly longer than "great" dance. Join us for film and discussion as we chase that ethereal muse, Badness, through the work of generations of dance film artists.KINETIC CINEMAMonday June 2, 7:30pm (and the first Monday of every month)$5 Admission (buy tix at the door)@ Collective:Unconscious279 Church Street (just south of White Street)New York, NY 10013Trains: 1 to Franklin; A, C, E to Canalhttp://weird.org/films.htm212.254.5277Kinetic Cinema at Collective:Unconscious explores the intersection of dance and the moving image both on screen and stage. Each month curator Anna Brady Nuse invites a special guest from the dance community to share the films and videos that have inspired or moved them. These could be films that feature dance, are kinetic-based, or have been influential on their work in some way. The guest curators come from a range of backgrounds as performers, choreographers, critics, and filmmakers.
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In my new blog, The Kinetic Interface, I'm covering many topics that I think are related to explorations and work of members of dance-tech.net.In a nutshell, I'm covering the intersection of dance with movement and body-centric developments taking place in many fields (science, technology, architecture, design, gaming, medicine, etc.).Here are a handful of posts I've written for which I'd very much appreciate feedback. In addition, it would be great if you know of online dance videos that relate to these posts. I very much want to show dance examples along with the architectural, robotic and other videos I include.- Flare, a Breathable Kinetic Building Facade: What are examples of dancers who have created works that deal with responsive architecture?- The Sources of Vertical Movement: I'd like to find examples of dancers who have worked with robotics with a particular focus on the possibilities and limitations of robotic motion and propulsion.- Swarm Intelligence and Self-Replicating Systems: I find research into swam intelligence fascinating. Which choreographers/dancers have experimented with these ideas?- Gesture Patents Point Way to Full-Body Interfaces: I wasn't serious when I suggested that an Ohad Naharin performance (I include video) was a response to gesture-based patents filed by computer companies to control new interfaces. But I would like to know what this network's members think about new gesture-based interfaces and what dancers can contribute to new ways of thinking about how our bodies can control new generations of mobile, gaming and computer devices.I figured I'd just include four posts. I'd be delighted if you read my other posts and offered your feedback.Also, as I mentioned in my profile, I'm going to soon be doing video interviews here in New York City. I'm especially interested to interview choreographers who:1) Have explored the relationships of dance to many of the body and movement-based developments taking place in many fields, and2) Would like to discuss and demonstrate their creative and choreographic process with an emphasis on how dances are created.Much thanks and I look forward to being an active member of this group.
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Find more videos like this on dance-tech.net
I went to the end of residency show at Lemurplex, and Dafna Naphtali presented a piece for the Lemurplex bots also exploring morse code, online poetry generator and Wii controllers. Very cool and nuance composition! I put here almost the whole performance! Dafna Naphtali is a sound-artist/improviser-composer from an eclectic background of music-making. A singer/guitarist/electronic-musician she performs and composes using her custom Max/MSP/Jitter programs for sound processing of voice and other instruments that she has been writing since 1992. Besides her composing and improvised projects, she co-leads the digital chamber punk ensemble, What is it Like to be a Bat? with Kitty Brazelton (www.whatbat.org). and has collaborated / performed with Lukas Ligeti, David First, Joshua Fried, Ras Moshe, Kathleen Supovê and Hans Tammen She's received commissions and awards from NY Foundation for the Arts, NY State Council on the Arts, Meet the Composer, Experimental TV Center, American Composers Forum, and a residency at STEIM (Holland). She teaches and has given workshops at universities in the US (especially New York University) and in Europe. As a freelancer, she teaches, programs and consults about Max/MSP since 1996, and has done sound design and/or programming work for the projects of Jin Hi Kim, Shelley Hirsch, Pamela Z, Phoebe Legere, Fred Frith, Jim Staley, Henry Threadgill, Steve Coleman, Chico Freeman and others. Dafna can be heard with Mechanique(s) on a forthcoming release on In-situ ('06) and was featured vocalist on Josê Halac's CD 'Dance of 1000 Heads' (Tellus), as well as on her acclaimed release with What is it Like to be a Bat? on Tzadik/Oracles (4 Stars, All Music Guide). http://www.dafna.info/
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There is a lot of great dance film stuff going on this week!Screening:First, you won't want to miss Kinetic Cinema tonight (5/5) curated by downtown dance fav Levi Gonzalez. Levi has brought out a bunch of friends to share cutting edge dance videos and talk about experimentalism in dance and film. Come see new videodances by Melanie Maar, Sarah White, Theo Angell, Yasuko Yokoshi, Hedia Maron, ChameckiLerner, and much more!Be one of the first 10 to arrive and get a free Corona for Cinco de Mayo!Kinetic CinemaMonday May 5th, 7:30pm (and the first Monday of every month)$5 Admission (buy tix at the door)@ Collective:Unconscious279 Church Street (just south of White Street)New York, NY 10013Trains: 1 to Franklin; A, C, E to Canalhttp://weird.org/films.htm212.254.5277Salon:Tomorrow night is Dance Film Lab at DTW, moderated by the wonderful Zach Morris of Third Rail Projects. This salon brings dance filmmakers together to present raw footage, drafts, works-in-progress and newly finished films to their peers for constructive feedback, to share information, and address technical, practical and artistic challenges. The lab is free and open to the public, though reservations are necessary.Meeting Details:Dance Film LabTuesday, May 6, 8-10pmat Dance Theater Workshop (DTW)219 West 19th Street(between 7th and 8th Aves)Phone: (212) 691-6500Blogathon:Last but not least, yesterday marked the beginning of the week-long Dance Movie Blogathon! Marilyn Ferdinand over at Ferdy on Films has organized this fabulous web event in which dozens of dance and film bloggers (including yours truly) will be blogging about dance on the silver screen. Check out her blog during the week for links to all the latest posts.
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Find more videos like this on dance-tech.net
Short video of some pieces at the Moma in NYC. It was not allowed! Emergent Surface by Chuck Hoberman https://www.youtube.com/watch?v=fsD6p7OXfA8 http://www.seedmagazine.com/news/2007/06/seed_salon_lisa_randall_chuck.php Technological Dreams Series N.1 by Anthony Dunne and Fiona Raby http://www.we-make-money-not-art.com/archives/2007/03/-your-works-exp.php Shadow Monsters by Philip Worthington https://www.youtube.com/watch?v=g0TOQo_7te4 http://www.moma.org/exhibitions/exhibitions.php?id=5632 Flickr photo set here See a very cool website companion of the exhibition. Very good! Closes this week!
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The Surveillance System says Poulson is a physical network of bodies controlling bodies through movement, video, improvisation and sound. "These works exist somewhere between the realms of performance art and dance. They focus on movement as a language of basic human interaction, whether it is through a subtle gesture, a theatrical spectacle, or the placement of a body within a space." says Poulson.In fact it also represents to many viewers a temporal and iterative dimension to dance with technology capturing proportions of bodies and technologies temporally in dimension and space..Sarah says, " Pre-recorded and live surveillance videos act as signals that trigger the performers’ options within the non-linear dramas. Choreographed and improvisational elements based on spontaneous decisions force us (and/or other performers) to learn how we fit within the system and how we can or cannot manipulate one another. Dynamic systems of communication emerge within these multi-sensory works."Visit Sarah's page

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kate Weare@Dance New Amsterdam

I made this preview for kate Weare Company about three weeks ago and they are performing this week in SPLICE at DNA. sharing the program with Deborah Lohse. She got an edge with duets full of raw elegance. They are technically sensual with calculated violence and layered complicity.

I will attend the show this Sunday, This is taste from that informal showing! Enjoy.
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Find more videos like this on DNA World
Dance New Amsterdam, where I work as a web/new media specialist launched DNA World, a social network open to everybody. This is from the home page: Dance New Amsterdam, downtown New York's home for contemporary dance invites you to be a part of DNA World. To see members pages and any content beyond the home page, you need to join, complete your profile and login using your password. DNA World is a forum for discussion about dance; a place to talk about what you are doing in the dance world, and a network of dancers, dance teachers choreographers, bloggers, critics and dance administrators. I also had the amazing opportunity of interviewing Lois Greenfield for DNA World. Yes, she is the one that created those iconic images of flying dancers. She talks about the show opened yesterday at DNA called Celestial Bodies and some cool anecdotes about her 20 years of taking photographing the downtown dance in New York City.
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Freedom + Creativity

Three words: Benefit Benefit Benefit!

Ever use craigslist? Here’s your chance to thank the man behind the site! May 6 Eyebeam will honor Craig Newmark and party to raise money for Eyebeam’s public programs, residencies and fellowships .

Other good news: Interactivos? deadline has been extended to Friday, May 2; two new intern opportunities to work with resident artist JooYoun Paek; Dirt Party testing for the Futuresonic conference; and Eyebeam’s star appearance at the Chelsea Block Party.

Online: videos of Eyebeam artists Friedrich Kirschner, Taeyoon Choi, and Stephanie Rothenburg at the Synthetic Times reception, and an in-depth interview with Eyebeam senior fellow Steve Lambert on National Public Radio.

We would also like to welcome, Sarah Cook, our curatorial fellow from acroass the pond. For curators interested in studio visits with Eyebeam artists—stop by during open office hours on Tuesdays between 2PM and 4PM, and Sarah will be happy to facilitate your visit!


This Week at Eyebeam:

May 3: A guided tour with Charlie The Magical Image-Digesting Robotic Duck

May 6: Eyebeam Benefit Celebrating Freedom and Creativity

May 17: Teen Mashup Remix: Creative Youth Workshops

New from our Labs:

May 1: Eyebeam at Futuresonic Conference 2008

May 1: Results of the iraqimemorial.org First Juror’s Review are in!

May 4: Friedrich Kirschner presents Eine Kleines Puppenspiel

May 9: Call for proposals Artist as Startup: Web Application as Cultural Intervention

Anti-Advertising Agency announces “Foundation For Freedom”, featured on NPR

Community:

May 4: GRL: The Complete First Season at the MoMA

May 9: Eyebeam at the Chelsea Block Party!


Camerautomata: Taeyoon Choi

May 3: A guided tour with Charlie The Magical Image-Digesting Robotic Duck

A guided tour with Charlie The Magical Image-Digesting Robotic Duck
Date: May 3, 2 – 4PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free. RSVP taeyoon AT eyebeam DOT org
www.camerautomata.org
www.tyshow.org

This guided tour is the first in a two month series exploring how images are produced and consumed in public spaces. Taeyoon Choi, recipient of Eyebeam’s 2008 Commission for Resident Artists and inventor of Charlie, will lead a walking tour from Eyebeam in Chelsea. After an introductory presentation of the project, participants will accompany Charlie on a photo-taking tour of the neighborhood. Participants are encouraged to bring their own cameras to help in document the experience.

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May 6: Eyebeam Benefit Celebrating Freedom and Creativity

Freedom + Creativity

Freedom and Creativity: Eyebeam 2008 Benefit
Date: Tuesday, May 6
6:30PM Cocktails | 7:30PM Dinner/Show | 9:30PM After-Party
Location: Eyebeam, 540 W. 21st St., NYC
Tickets: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

HONORING: Craig Newmark, craigslist founder and the Internet’s best known customer service representative.

Join us in honoring craigslist founder Craig Newmark for his commitment to public service and a free Internet! Support Eyebeam’s residencies, fellowships and public programs! Comedy Central’s John Mulaney will cue the night’s laugh track, NYC’s Misshapes will supply the after-party and much, much more!

Featuring:
Drawn & Magical A/V Performance: Zach Lieberman, Eyebeam fellow
Kinetic Shadow: Addie Wagenknecht, Eyebeam fellow
Excerpts from The Nebulous Object-Image Archive: Joe Winter, Eyebeam resident
Fame Game—social network re-invents fame
The Little Death
Hanging Space: Geraldine Juárez, Eyebeam senior fellow
Live visuals: Benton-C Bainbridge, Eyebeam alum
Plus: Special Guests, DJs, VJs, and more

EVENT CHAIRS: John S. Johnson | Jazz J. Merton

COMMITTEE CHAIRS: Tatiana Platt | Bryce Wolkowitz

BENEFIT COMMITTEE: Jed Alpert | Marc + Caryn Becker | Laura Dawn | Ze Frank | Andrea Harner | Garrett + Maureen Heher | Arianna Huffington | Jaime Johnson | Jonah Peretti | Lily Johnson Whitall | Marc Schiller

EXECUTIVE DIRECTOR: Amanda McDonald Crowley

MEDIA SPONSOR: GOOD Magazine
GOOD

Proceeds from the evening will help underwrite Eyebeam’s international fellowship and residency programs for artists and creative technologists, more than 300 of whom have benefited since 1997.

Tickets and information online: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

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May 17: Teen Mashup Remix: Creative Youth Workshops

Public Workshop + Presentations
Date: Saturday, May 17, 1–7PM. Presentations: 8PM
Location: The Change You Want to See, 84 Havemeyer St. (storefront), Williamsburg, Brooklyn
http://www.notanalternative.net/

Workshop for student residents
In continuation of Eyebeam resident Andrew Paterson’s Seeders ’N’ Leechers ’R’ Us project, Eyebeam student residents will take part in workshops at Eyebeam May 12 and 16 to remix audio-visual material found online and develop “fair-use” guidelines for fellow students and laymen.

Public Workshop + Presentations
A dozen participants selected from Eyebeam’s educational partners are invited to bring at least three clips to add to a pool of footage. During the workshop, they will learn to remix clips from the pool into short narrative sequences. The session will close with a screening of the finished pieces.
Workshops by:
Dan Winckler: http://danwinckler.com/vid/
Not An Alternative: http://thechangeyouwanttosee.org/
Jeff Crouse and David Jimison: http://www.digitalsituations.com/awbh/

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New from our Labs

May 1: Eyebeam at Futuresonic Conference 2008

Futuresonic Conference 2008: The Social Technology Summit
Date: May 1 – 2
Location: Contact Theatre, Manchester, UK
http://www.futuresonic.com/08/2008conf.html

May 1, 2–3:30PM: Collective Media
Spanning user-generated content, collaborative authoring and collectively owned media, this panel will feature case studies of initiatives from India to Germany. Panelists include: Platoniq (Olivier Schulbaum, Susana Noguero), Ravikant Shama (Sarai), Jennie Savage (STAR Radio), Eyebeam senior fellow Geraldine Juárez, Christine Hanson and Michael Schafae.

May 1, 5:30–11PM | May 2, 2 – 6PM: Dirt Party
Eyebeam senior fellow Jeff Crouse and Production Lab fellow David Jimison will present Dirt Party. Dirt Party is a performance in which salacious information about party attendees is gathered from sources including the web and presented to the entire audience.
Help dig up “Dirt” on the Futuresonic participants by logging on to http://futuresonic.dirtparty.org/, and view some examples here: http://futuresonic.dirtparty.org/thumbs.

May 2, 10–11:30AM: Musical Interfaces
This panel will consider the mobile phone user as micro-DJ, a Toronto-wide open source musical interface and more. Panelists include: Florian Hollerweger, Gauti Sigthorsson, Steve Daniels, and Eyebeam resident Jamie Allen.

Additional Events:
Freeware: The Manchester Collection
May 3, time TBD (check the Futuresonic website for schedule) | Fashion show: May 4
Zion Art Center | Free
A workshop about Manchester, its people and the stuff they give away. This session will be dedicated to creating fashion items from freecycled materials collected around the city. The clothes will be presented in a community fashion show at the end of the workshop.

Finally, members of CRUMB (Curatorial Resource for Upstart Media Bliss) will be curating couples and setting up blind dates for gun-shy curators and artists. Find your soulmate—stop by the mezzanine at the Contact Theatre on Friday, May 2, 2–5PM.

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May 1: The results of the iraqimemorial.org First Juror’s Review are in!

A recipient of Eyebeam’s 2008 commission for Resident Artists, Joseph DeLappe’s, iraqimemorial.org has garnered 125 proposals from 30 nations. On May 1, the results of the First Juror’s Review of memorial proposals will be posted to the site. Jurors for the project were invited to create individual rankings of their top ten proposals. The jurors for the project are:
Yaelle Amir, curator and writer, New York City
Dr Bernadette Buckley, Goldsmiths University of London
Monica Narula & Shuddhabrata Sengupta, The Raqs Media Collective, New Delhi, India
Dr. David Simpson, University of California, Davis
John David Spiak, curator, Arizona State University Art Museum, Tempe
Dr. Marjorie Vecchio, Director, Sheppard Fine Arts Gallery, University of Nevada, Reno

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Puppet play beta

May 4: Friedrich Kirschner presents Eine Kleines Puppenspiel

Ein Kleines Puppenspiel
Date: May 4 – 6
Location: Trickfilm Festival, Stuttgart, Germany

Friedrich Kirschner, a fellow in the Eyebeam Production Lab, will perform his piece Ein Kleines Puppenspiel on May 4 as part of the International Trickfilm Festival in Stuttgart, Germany. Kirschner will also lead workshops on machinima and moviesandbox on May 5 and 6.

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May 9: Call for proposals: Artist as Startup: Web Application as Cultural Intervention

Deadline for proposals: May 9
Date: February 25 – 28, 2009
Location: College Art Association Conference, Los Angeles
Submission Details: http://www.collegeart.org/pdf/CallforParticipation2009.pdf.

Senior fellow Michael Mandiberg will chair a panel at the 2009 College Art Association Conference in LA, and is accepting proposals for papers on the topic of web artists making cultural interventions through “life- like” functioning tools and applications. Artists, theorists and historians are all welcome to submit an abstract.

Send applications to Michael Mandiberg, Michael AT Mandiberg DOT com (email applications preferred), or at College of Staten Island, City University of New York, Dept. of Media Culture, 2800 Victory Blvd., Staten Island, NY 10314.

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Anti-Advertising Agency announces “Foundation For Freedom”, featured on NPR

The most creative and forward-thinking professionals of our time work in marketing. The Anti-Advertising Agency Foundation For Freedom wants them to quit. And they’re offering cash.

Read about Eyebeam senior fellow Steve Lambert and Anne Elizabeth Moore’s new project on the Anti-Advertising Agency site:
http://antiadvertisingagency.com/projects/foundation-for-freedom
or on Gawker:
http://gawker.com/381161/get-paid-to-quit-the-advertising-industry

Plus: Check out recent interviews with Steve Lambert on National Public Radio , and in Gelf Magazine.

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Community

May 4: GRL: The Complete First Season at the MoMA

GRL: The First Season
Date: May 4, 8–11PM
Location MoMa Titus Theatre, 11 W 53rd St., NYC
Tickets: http://www.moma.org/calendar/ev_tickets.php?id=8571&tid=VS0000195&dept=VS

Info about the screening: http://graffitiresearchlab.com/?p=140

PopRally invites you to a screening of Graffiti Research Lab: The Complete First Season, a film documenting the adventures of an architect and an engineer who quit their day jobs to develop high-tech tools for the art underground. Featuring insightful and humorous commentary by GRL founders James Powderly and Evan Roth, The Complete First Season argues for free speech in public, open source in pop culture, the hacker spirit in graffiti, and not asking permission in general. The film premiered at the 2008 Sundance Film Festival.

The screening will be followed by a panel discussion with Graffiti Research Lab members and surprise guests. Stay for the party afterwards, featuring music by Javelin and a final chance to see MoMA’s Design and the Elastic Mind exhibition, which includes the work of the GRL.

Watch the trailer for GRL: The Complete First Season: http://graffitiresearchlab.com/?page_id=142#video

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Chelsea Block Party

May 9: Eyebeam at the Chelsea Block Party!

Citizens Committee for New York City Block Party
Date: May 9, 4–8PM
Location: Hudson Guild Place, 26th St., NYC (btw. 9th and 10th Aves.)

Eyebeam artist Taeyoon Choi’s infamous picture-taking duck will be making an appearance at the local block party organized by the Citizens Committee for New York City. Learn about other Eyebeam projects, meet your neighbors or just come by and hang out! Other groups at the block party include: Pantomonium Productions Theater Group; Chelsea Community Supported Agriculture; Transportation Alternatives; Just Food; Chelsea Tenant Action Committee; Hudson Guild.

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Founded in 1997, Eyebeam is an art and technology center that provides a fertile context and state-of-the-art tools for digital experimentation. It is a lively incubator of creativity and thought, where artists and technologists actively engage with the larger culture, addressing the issues and concerns of our time. Eyebeam challenges convention, celebrates the hack, educates the next generation, encourages collaboration, freely offers its output to the community, and invites the public to share in a spirit of openness: open source, open content and open distribution.

Eyebeam’s current programs are made possible through the generous support of The Atlantic Foundation, The Pacific Foundation, the Johnson Art and Education Foundation, the John D. and Catherine T. MacArthur Foundation, the Jerome Foundation, Dewar’s, Deep Green Living, ConEdison, Datagram, Electric Artists Inc.; public funds from New York City Council Speaker Christine C. Quinn, the New York City Department of Cultural Affairs, the National Endowment for the Arts, and the New York State Council on the Arts, a state agency; and many generous individuals. For a complete list of Eyebeam supporters, please visit http://www.eyebeam.org/donate.


If you would like to subscribe or unsubscribe from the Eyebeam email list please visit:
http://www.eyebeam.org/about/about.php?page=contact


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http://www.ted.com - In a wide-ranging talk, Vilayanur Ramachandran explores how brain damage can reveal the connection between the internal structures of the brain and the corresponding functions of the mind. He talks about phantom limb pain, synesthesia (when people hear color or smell sounds), and the Capgras delusion, when brain-damaged people believe their closest friends and family have been replaced with imposters.
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http://www.ted.com Neuroanatomist Jill Bolte Taylor had an opportunity few brain scientists would wish for: One morning, she realized she was having a massive stroke. As it happened -- as she felt her brain functions slip away one by one, speech, movement, understanding -- she studied and remembered every moment. This is a powerful story about how our brains define us and connect us to the world and to one another.
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Intermedia artistStephanie Rothenberg presents "Invisible Threads", a mixed reality project in real and Second Life. Form Eyebeam's website. Stephanie Rothenberg uses performance, video, and net-based media to create interactive situations that question relationships between individuals and socially constructed identities, lifestyles and public spaces. Referencing corporate models and their infrastructures, her work merges popular forms of advertising and market research with participatory experiences involving role-playing and fantasy. Stephanie received her MFA from the School of the Art Institute of Chicago, and her work has been exhibited in numerous media festivals and galleries in the US and abroad. Stephanie commutes between New York City and Buffalo, New York where she is Assistant Professor of Communication Design at the State University of New York at Buffalo. While at Eyebeam, she will be working on the project “The School of Perpetual Training,” which explores the intersections between physical labor in the real world and the immaterial labor of the virtual sweatshops that have emerged over the past five years in the online gaming industry. http://www.pan-o-matic.com/
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moves08

Moves08www.movementonscreen.org.ukThe Movement on Screen Festival (short moves08) took place in Manchester and Lancaster from 22nd to 26th April 2008. Here is my little summary of the event for anyone who – unfortunately - could not make it because you really missed something. It was simply awesome! Pascale Moyse, Festival Director of Moves08, pulled together a well-organized, interesting and elite-level string of events and although the festival was filled with high profile and international input; it still remained very personal and offered a great opportunity to network and to gain real insight into the contemporary world of video dance.Due to work commitment (I was filming TRENCH with Anthony Missen and Kevin Turner) I had to miss the first two days of the festival but joined in on Thursday and that’s where this blog starts:Thursday, 24th April 200810am – 11:25am Brigitta Hosea at RNCMForum 6Brigitta Hosea spoke about sound drawings and performance drawings and demonstrated various ways to great stunning imagery purely with her voice. She also mentioned how she uses PWM, light sensors and motors in her work and her interest in motion sensitive toys like the ones that can be found in an Argos catalogue. For example, there is a Barbie head that is able to learn a song and sing it with its lips in sync. From here on the discussion was opened up and the “Modified Toy Orchestra” by Brian Duffy from Birmingham was brought up as well as French emotional toys. More physically active gadgets like a Wii or GPS can get literally our bodies involved in an interactive way, e.g. in a project based in London a drawing was created matching the tracks tagged mobilephone carries have taken. And then we wondered how Maurice Merleau-Ponty would have viewed those new aspects of technology and knowledge of sense-data in his philosophy on perception.USEFUL:www.arduino.ccwww.tinker.itb.hosea@csm.arts.ac.uk11:45am – 1pm Alex Reuben at RNCMForum 7Alex Reuben was once a DJ who moved his passion for dance to filmmaking. His quest to find out why he loves dance and why especially certain styles of music make him dance led him to travel America and documented personal journeys of the roots of dance in “Routes”. It is a sound-led work for cinema that shows an anthropological side of music and dance and was commissioned by Capture/ English Arts Council.Reuben’s own artistic roots lie in Fine Art which is still reflected in his video work like Que Pasa bringing together painting, sound and ethnic dance. He says that as a DJ, he was able to ‘sculpt’ a room with his music and that he sees similar physical responses created by American artists like Jackson Pollock.2:30pm – 4pm Donald Glowinsky at RNCMForum 8, Keynote speakerDonald Glowinsky is based at the InfoMus Lab at Casa Paganini at University of Genova, Italy. His research focuses on activity analysis of music and dance performance to develop novel techniques and computational models for understanding non-verbal communication. The interactive software Eyesweb derives from the concept of animacy: kinematics (speed), form (shape) and dynamics (force) to give information of intention. 12 dots are sufficient enough for the human eye to recognize a human being in motion and its emotion, possibly even with as little as 3 dots (GEMEP Corpus).USEFULwww.nime.org (festival in June)Mr Gurk effect 1970www.infomus.orgwww.casapaganini.orgwww.eyesweb.org4pm – 5pm Conference Wrap Up6pm – 9pm Dance for Camera Night at Sandbar with South East DanceMy friend Christopher Perkins, a photographer and filmmaker based in Manchester wrote a blog about this particular Thursday night’s eventhttp://snapztalks.blogspot.comFriday 25th April 200810am – 4pm Eyesweb Masterclass with Donald Glowinsky at MMU CheshireThis workshop gave a hands-on experience with the Eyesweb software which has a straightforward layout resembling a mix of an email inbox and Apple Motion. The icons are kept simple: a camera represents the camera input, a TV is the connection to a monitor; this makes it very easy to achieve interactive results with little start-up help.Eyesweb is a free software and is currently utilized by about 10,000 users6:30pm – 8pm Visions d’aillieurs, screening at RNCMThis screening brought together an international selection of various video dance genres. The possibly all-over favourite was Pork by Gido Leytens from Netherlands: a guy is watching TV when a woman on the screen starts speaking, this causes him to have a fit and flashbacks of being treated like a dog explode in. This might not sound too exciting, yet, the way it was shoot, directed, edited and acted worked really well. Personally, I enjoyed Tango Finlandia by Hannu Lajunen because it used animation in an original way and the story of two guys trying to dance/wrestle was very amusing. In Andy Wood’s Three is a Crowd the audience can sense how Wood actually dances with his camera in this uncut version with the improvising, tango-dancing couple. Analog Brother by German Falk Peplinski applies stop-motion animation technique to the dancers/actors with a fantastic overall bluish grade. It throws you back to the 80’s and I couldn’t help thinking of Petshop Boys and Kraftwerk.8:15pm – 9:45pm Alex Reuben’s Now that’s what I call Modern Disco Dancing Classics Vol 1 at RNCMReuben ingeniously mixed together video works he created between 1999 and 2007; a natural flow run throw the varying imagery and proves his djing skills can also be applied to editing and vjing. It blended together hand-held documentary shoots with scripted studio shoots to motion capture animations. The Q & A afterwards offered the opportunity to get some background information about the works.Saturday 26th April 200811am – 1pm Industry Brunch at SandbarApologies if any names are misspelled!Tamsin Durie from LANWest (Live Art North West) brought to attention the various opportunities that are around in the area of Manchester:- Emgerency is an Open Performance platform happening in September/October- 3 yr funding scheme with In-Transit- LANWest collaborates together with the GreenRoom in Manchester but also with Leeds, Klucol, Carlisle, University of Lancashire, Neville in Lancaster to create a network for producing work and promotion- Panda-Arts focuses on support for stage, street theatre, live art, film, networking and business development. They offer mentoring and show-starter seminars for graduates and students.Werner Moebius and Mariella Greil are part of the Sound Networks which affiliates with the Open Source City, an autonomous village and is shaped by its members. On 3rd and 4th May 2008 a Contact Theatre is taking place.Lesley Ann Rose runs the Northern Film Maker Network which have been established since 2000; it is a dynamic creative non-profit agency helping uprising filmmakers to find funding and crews. The Northern Film Maker newsletter offers members to add in their own call-outs. The programme of events spans from opportunities with Channel 4 and Dazzle Films to networking events…and works together with the Cornerhouse (Manchester) and FACT.USEFULwww.panda-arts.org.ukwww.lanwest.orgwww.soundnetwork.org.ukinfo@northernfilmnetwork.comBrigitta Hosea contributed to the discussion on Funding & Comprising the fact that in Spain digital artists are not given any support and therefore set up Technearte in Asturias and Bilbao. This organization offers residencies for digital artists in professional companies that e.g. specialize in alarms and mobile phones and welcome the artists’ innovative creative approach.4pm – 5:30pm Outside the Box, Screening at RNCMOutside the Box screened my video A_WAY_AWAY which is a mix of live action and animation and can be view on my website www.creationeditor.co.uk. Pan Y Cebollas by Ramona Poenaru plays with the notion living on your object of desire alone; in a raw animalistic way two beautiful women “eat” a naked man laid out on a wooden table. The most inventive film was Kitchen by Francois Vogel from France; a special lens was created to for this video to give the illusion of a spinning room viewed through a fish-eye.6pm – 7pm Transcended, Screening at RNCMPhilippa Thomas’ Electric Desert brought together footage filmed form a limo in Las Vegas and shoots of a male dancer recreating Loie Fuller’s butterfly. An enigmatic visual mix intensified by music by 7Hertz. Suspension by Nicolas Provost from Belgium draws the audience into hyper-realistic psychedelic exploding clouds and I imaged it would be wonderful to see them in a looping installation or as an interactive backdrop of a performance.from 8pm Closing Night with Filmmaking Lab Screening at SandbarTo round up the festival, the screening of videos created over the duration of the festival was just the perfect way. Fantastic innovative ideas with hand-puppets, animation and live shoots accompanied by live music by Tony proved that performance can happen anywhere, anytime and anyway. My personal favourite was Mark Pilkington’s video of the ballerina in a black tutu filmed in the back of a driving car.The Closing Night also offered another great opportunity to meet more interesting people from the field of video dance and to have time to talk.To sum up: it simply was a fantastic festival which I thoroughly enjoyed and found very inspiring. It cannot be neglected how warmly we were all welcomed and how comfortable it was to be all in the same hotel around the corner. Many Thanks to Pascale Moyse for bringing us all together for an events-packed festival!NOTE: ALL THE ABOVE MENTIONED INFORMATION CAME FROM MY OWN PERSONAL NOTES AND SORRY BUT I CANNOT GUARANTEE THAT THEY ARE 100% CORRECT!
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Short interview with Taeyoon Choi on his project Camerautomata developed at Eyebeam as an artist in residency. From Eyebeam's website: Taeyoon Choi is a Seoul-based artist working with performance and digital media. Choi’s works intervene into urban media spaces humorously, in order to deliver critical commentary on contemporary digital culture. Choi is involved in interdisciplinary collaboration with various networks and collectives including: FunOut Urban Game Inc, DOTPLAY Mobile Hacking Workshop, and Upgrade! Seoul. Choi earned a B.F.A at the School of the Art Institute of Chicago, and completed a M.S. at the Korea Advanced Institute of Science and Technology. For the 2008 Eyebeam Commission, Choi will create Charlie: Camerautomata, a duck-shaped robot built from the hacked electronic components of a digital camera and photo printer, which consumes and defecates images in public spaces at its own will. http://tyshow.org
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I visited Eyebeam's reception for several fellows. Friedrich Kirschner presented a prototype of one of his recent projects as Production Fellow. From Eyebeams's website: Friedrich joins Eyebeam as a fellow in the Production Lab. He is also a filmmaker, visual artist and board member of the Academy of Machinima Arts and Sciences, and re-purposes computer games to create animated narratives and interactive performances. Friedrich’s work has been shown and performed at various international animation festivals and it occasionally spreads into the physical realm as well, where he investigates the impact of milk and other liquids on computer graphics. http://www.zeitbrand.de/
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