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STEIM has created junXion, a software application for music performers, art installation makers, theater makers, choreographers. STEIM has become institutional friend of dance-tech.net and offers a special version of the junXion software: a version that works for half a year for 30 Euros. This software is normally 75 Euros. After the 6 month you, if you wish can buy the software only paying the remaining balance. junXion v3 is a Mac OSX data routing application that can process any Human Interface Device (joysticks, mice, touchscreens) and MIDI device data using conditional processing and remapping, with MIDI events as its output. This resulting MIDI data is then available to any audio or music software that runs on that Mac or can be send to external MIDI devices. junXion v3 is redesigned completely from the ground up (as compared to v1.4), resulting in a system whereby the user creates so-called 'Patches'. Each Patch is a connection between a sensor input (for example: 'joystick X-axis') and an Action (for example: 'convert the sensor data into midi controller 3, but only under certain conditions'). The Action is a user selectable set of conditions and actions that determine what should happen with the input-sensor's data and what kind of MIDI data should be send out. All the members of the network can enjoy this discount! Interested members should email me (marlon@dance-tech.net) and add a link to your profile page in the network! You can also use the network to communicate with me. CONDITIONS: -The member needs to be an "individual" and needs to have a completed profile in dance-tech.net with his or her real and complete name. This is the only way of confirming your identity and membership to dance-tech.net. -The members favored with this deal must blog at least once a week about their learning and creative process, use of the software during 6 months in their blog at dance-tech.net.
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Very goods news!
Cycling74 the company that produces, develops and sales MaxMSP and Jitter ( and other software and hardware) is a dance-tech.net's institutional friend!

All members of dance-tech.net will enjoy of the Student Discounts at Cycling74
This is the student discount list
They have set up a record for dance-tech.net.

This student discount will allow dance-tech.net members to buy the 9-month
authorization of Max/MSP/Jitter for $59.00 USD. Members would also be able to purchase
the full bundle.

CONDITIONS:
-This deal is geared specially to independent artists all over the world. Full time students and faculty are able get this benefit from their educational institution.
-The member needs to be an "individual" and needs to have a completed profile in dance-tech.net with his or her real and complete name. This is the only way of confirming your identity and membership to dance-tech.net.
-The members favored with this deal must blog at least once a month during one year moths about their learning and creative process, use of the software in their blog at dance-tech.net.



Interested members should email me (marlon@dance-tech.net) and Erin Dougherty (erin@cycling74.com), to to start the process and add you to the dance-tech.net/cycling74 account and then you could log in to an online account at the Cycling74 and purchase
software with discount.

You should include your name and the link to your member page in dance-tech.net
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The Performance Mix festival organized Mobile Clubbing. It was an spontaneous gathering for dance. The rules are show up at the designated place and time, turn on your personal stereo and dance. Mobile clubbing is a matter of identity: you can dance the way you want, and listen to the music you choose. www.newdancealliance.org
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eyebeam logo


Outside Eyebeam

Give get, give get

Those of you that have been by our Feedback exhibition—and we’re pleased to report heavy foot traffic—will know all about drinking and peeing. There’s a similar cycle that keeps Eyebeam’s ecosystem in good health, and that’s giving and getting!

Mark your calendars for our annual tech-infused bacchanal: Eyebeam’s 2008 Benefit celebrates freedom and creativity, will take place May 6. In the meantime, swing by this Saturday for the culmination of Joseph DeLappe’s reenactment of Gandhi’s March to Dandi—The Salt Satyagraha Online, his 240 mile treadmill-trek through Second Life.

Other reasons to stop by: composting, power-plant building and street-reclaiming workshops. Our lovely new signage on our building’s facade will help you find your way.


This Week at Eyebeam:

April 5: FEEDBACK: Alternative Energy Sources + Use/Reuse Workshops

April 8: Green Drinks NYC at Eyebeam

April 15: Synthetic Times: Media Art China 2008

April 19: FEEDBACK: Sustainability Action Day: Toxic Tours + Urban Gardening

New From our Labs:

April 3 – 4: They Were Here installation by Addie Wagenknecht

April 4: Application online: Interactivos? @ Eyebeam

April 4: Open Source for Snobs at MIND08

April 5: Party at Dandi: Celebrate Gandhi’s mileage in Second Life + Eyebeam

April 10 – 12: Forays takes over Pittsburgh and Braddock, PA

Community:

Share Prize Winner 2008: Eyebeam alum Chris Sugrue

April 2: Where We Are Now: Locating Art and Politics in New York City

April 2: Call to Artists: Windows Brooklyn


April 5: FEEDBACK: Alternative Energy Sources + Use/Reuse Workshops

Power Cart, Mouna Andraos

Alternative Energy Sources + Use/Reuse Workshops
Date: April 5, 3 – 6PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free
Sign-up: bookstore AT eyebeam DOT org

Eyebeam resident artist Joo Youn Paek presents Expand-a-Bag, an inflatable craft workshop.

Eyebeam alums Jenny Broutin, Carmen Trudell and Mouna Andraos will lead a workshop in which participants create personal power stations using alternative energy sources. The Personal Power Plant is a portable device that harvests energy using a solar cell and hand crank generator. The device also includes a visual multimeter to monitor the amount of energy stored.

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April 8: Green Drinks NYC at Eyebeam

Power Cart, Mouna Andraos

Green Drinks NYC
Date: April 8, 6 – 9PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Eyebeam is pleased to host the next Green Drinks NYC, a monthly gathering of individuals with professional or personal interest in environmental issues. Green Drinks take place 6 – 10PM on the second Tuesday of each month at various Manhattan hotspots.

Come to network, share info and make friends this Tuesday at Eyebeam!

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April 15: Synthetic Times: Media Art China 2008

OP_ERA by Daniela Kutschat Hanns + Rejane Cantoni

OP_ERA by Daniela Kutschat Hanns + Rejane Cantoni

Synthetic Times: Media Art China 2008
Date: April 15, 6:30 – 8PM
Location: Symposium: Parsons, The New School for Design, 66 W. 12th St., NYC | Closing Reception: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Synthetic Times: Media Art China 2008, a Cultural Olympics project that will open at the National Art Museum of China in Beijing in June 2008, launches in NYC with programming co-organized by the exhibition’s curator, Zhang Ga, the MoMA, Parsons School of Design and Eyebeam.

On April 15, following a day-long symposium at Parsons, Eyebeam will feature performances by Eyebeam artists Jeff Crouse, Stephanie Rothenberg, Taeyoon Choi, and Friedrich Kirchner from 8 – 10PM.

For more information visit: http://www.mediartchina.org/organization.

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April 19: FEEDBACK: Sustainability Action Day: Toxic Tours + Urban Gardening

Sow-In, Leah Gauthier

Sustainability Action Day: Toxic Tours + Urban Gardening
Date: April 19, 3 – 6PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Join Feedback artists Natalie Jeremijenko, Leah Gauthier, Brooke Singer, and The Lower East Side Ecology Center for a day of workshops.

Natalie Jeremijenko will present No Park, a project on maximizing paved roads.

Leah Gauthier will lead Sow-In, in which participants will distribute hundreds of seed pots to community gardeners across the city for transplant, care, harvest, and seed saving.

The Lower East Side Ecology Center will lead demonstrations on composting with worms.

Brooke Singer will lead tours through very local sites of contamination (such as Greenpoint, Williamsburg, and Gowanus). Tours will be guided by a private toxicologist who studies the legacy of industrial areas within NYC that are not classified by the EPA but are, in some cases, more harmful than Superfund sites.

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New From our Labs

April 3 – 4: They Were Here installation by Addie Wagenknecht

They Were Here, Addie Wagenknecht

They Were Here
Date: April 3 – 4, all day
Location: Clement Clarke Moore Park, 22nd St. and 10th Ave., NYC

They Were Here is an installation by Addie Wagenknecht, a fellow in the production lab, installed at the Northwest corner of Clement Clarke Moore Park, located at 22nd St. and 10th Ave., Chelsea.

A flock of stark, white, static two-dimensional birds inhabit a tree. The birds’ physical negatives were modeled on the actual species that once inhabited Manhattan. According to a recent Audubon Society report, 20 species of birds are declining at a rate of 68 percent a year.

Stop by the park for a vision of what once was.

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April 4: Application online: Interactivos? @ Eyebeam

Entramado, Plaza de Luz. Installation by Pablo Valbuena. Photo: Pablo Valbuena

Entramado, Plaza de Luz, installation and photo by Pablo Valbuena.

Interactivos? @ Eyebeam
Date: April 4: Call for Participation online
April 25: Application Deadline | May 15: Notification of acceptance
May 26: Call for Collaborators | May 29: Notification of acceptance

Interactivos? was initiated by the Medialab-Prado program and the Madrid City Council in 2006. The two week program is a hybrid workshop, exhibition, and seminar.

This summer, Eyebeam joins Medialab-Prado in running Interactivos? as part of its annual summer workshop-based programming.

Through a call for participation targeting artists, engineers, musicians, programmers, designers, architects, and hackers, Interactivos? seeks a set of projects for collective development, within a set of inter-disciplinary work groups. Once projects have been selected from the call for participation, a second call will be published for individuals to apply to become collaborators on the selected projects. Completed projects will be presented in an exhibition July 12 – August 9, at the end of the program.

The program will be produced by Eyebeam staff and fellows, with the support of local community members. Please see the Call for Participation after April 4 for more details.

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April 4: Open Source for Snobs at MIND08

Open Source for Snobs at MIND08
Date: April 4, 9AM – 6PM
Location: Tishman Auditorium, Parsons, The New School for Design, 66 W. 12th St., NYC
Cost: Free

R&D OpenLab Fellows Ayah Bdeir and Jessica Banks will present Open Source for Snobs at MIND08 on Friday, April 4. Their talk will take place during the afternoon session two, Design in the Near Future.

MIND08 is a conference presented by SEED and MoMA and inspired by Design and the Elastic Mind. Bringing together an eclectic group of speakers and participants, including leading scientists, designers, and architects, the conference will explore topics such as the personal genome, brain visualization, generative architecture, and collective design.

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Joseph DeLappe

April 5: Party at Dandi: Celebrate Gandhi’s mileage in Second Life + Eyebeam

Reenactment: The Salt Satyagraha Online—Gandhi’s March to Dandi in Second Life—Last Day of the March
Date: April 5, 12 – 6PM
Location: Eyebeam, 540 W. 21st St., NYC, and Eyebeam Island after 5PM

Saturday, April 5 marks the culmination of Eyebeam artist and resident Joseph DeLappe’s 22 day and 240 mile reenactment of Gandhi’s Salt March to Dandi, the 1930’s walk in protest of the British Salt Act of 1882. On Saturday, DeLappe will have completed this trek on a treadmill installed at Eyebeam, which he used to control a Gandhi avatar in Second Life. The public is invited to witness the final steps at Eyebeam, or online in Second Life.

The march will end at the Eyebeam Island in Second Life, with MGandhi Chakrabarti’s arrival some time after 5PM Eastern time: http://slurl.com/secondlife/Eyebeam%20Island/102/160/27

For daily start locations visit the project blog: http://saltmarchsecondlife.wordpress.com

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Forays into Pink

April 10 – 12: Forays takes over Pittsburgh and Braddock, PA

Forays into Lifestyle | Forays into Blow Jobs | Forays into Pink
Date: April 10 – 11
Location: Various, Pittsburgh + Braddock, PA
Cost: Free

Forays into Lifestyle
Eyebeam alum Adam Bobbette and senior fellow Geraldine Juárez will present their new installation Forays into Lifestyle, as part of the touring exhibition Other Options, organized by INCubate. The exhibition will feature objects they have been constructing by repurposing and hacking the urban infrastructure of New York City. The show opens on April 11 in Tent Show, 6 – 9PM.

Forays into Blow Jobs
As part of the collaborative process of Forays, the group will work with Carnegie Mellon University students in the storefront of Good Services, to construct a system to repurpose vehicle traffic to inflate a car-sized iceberg balloon. The action will take place on April 10 at noon, 2628 East Carson St., Pittsburgh, directly across from South Side Works.

Forays into Pink
On April 12, Forays will unveil their Snake and Ladders labyrinth game, equipped with a giant inflatable die. Snake and Ladders is a DIY scaffolding structure attached to a building in Braddock. The event is part of public projects created for Points of Interest, an event organized by Braddock Active Arts and featuring work by Swoon, Leon Reid, Material Exchange and Forays, among others. Transportation from Pittsburgh to Braddock will be available. The event will run all day.

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Community

Share Prize Winner 2008: Eyebeam alum Chris Sugrue

Congratulations to Eyebeam alum Chris Sugrue who was awarded the Share Prize 2008 at the Share Festival this year. Cluster Magazine, Italy, featured this article on March 19: http://www.cluster.eu/2008/03/19/share-prize-2008/

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April 2: Where We Are Now: Locating Art and Politics in New York City

Where We Are Now: Locating Art and Politics in New York City | Network-Wide Meeting
Date: April 2, 6:30 – 8:30PM
Location: Judson Church, 239 Thompson St., at W. 3rd St., NYC, in the assembly hall basement

In October 2007 a call was circulated for a meeting of art, academic and activist institutions and individuals to discuss the merits of a coordinated strategy to raise awareness of the many art and politics discussions and projects in the city, while making an impact on the politics of NYC and beyond.

One month later, more than 60 representatives from a range of institutions convened, and the Where We Are Now network was born. Our goal is to demonstrate that powerful critical voices still exist, in pursuit of global justice, agency and participation. Using the pivotal moment of the 2008 presidential election, we share a sense that the times have changed and are ours to claim. Through activities as diverse as art exhibitions, days of decentralized action, street performances and pedagogical conferences, we seek to gauge the status of the political in contemporary art, and consider how we may act as resources for one another and for communities within and beyond New York City.

Network-wide meetings will be held on the first Wednesday of every month at the same location and time.

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April 2: Call to Artists: Windows Brooklyn

Windows Brooklyn
Date: June 14 – 22
Location: Carroll Gardens and Cobble Hill, Brooklyn

Sara Jones, Andrea Wenglowskij, and Eyebeam alum Leah Gauthier are curating a show entitled Windows Brooklyn, and are inviting local artists to participate. Windows Brooklyn is an art exhibition which will be installed in numerous storefronts along Court St. and Smith St. in Carroll Gardens and CobbleHill, Brooklyn from June 14 – 22. This is an opportunity for local artists to make newwork in response to public space. Photos of the participatingstores are online, soyou can tailor your proposal to a particular location.

Information about the show and the application process are online at: http://windowsbrooklyn.com/artists.htm.

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Mobile Clubbing

mobile clubbingMarch April 3 FREEThursdays | Foley Square near City Hall |12:30 pmMobile Clubbing is a spontaneous gathering for dance. The rules are show up at the designated place and time, turn on your personal stereo and dance. Mobile clubbing is a matter of identity: you can dance the way you want, and listen to the music you choose.To RSVP email 29friendsdancing@gmail.comCo-produced by Megan Metcalf
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On Monday April 7th, Chez Bushwick founder and dance/media phenom Jonah Bokaer will guest curate a program for Kinetic Cinema, my monthly screening series at Collective:Unconscious.For his program, Jonah will show pivotal works of movement-based video art by Nam June Paik. The theme of the evening will be the thread between between video art and post-modern dance focusing on Paik's significant contributions to both art forms. As a dance artist whose work addresses the human body in relation to contemporary technologies, Jonah will be able to offer rare insights into Paik's multi-disciplinary work that overlapped with dance, visual art, media, and technology.

NUDEDESCENDANCE by Jonah BokaerKinetic CinemaMonday April 7th, 7:30pm (and the first Monday of every month)$5 Admission (buy tix at the door)@ Collective:Unconscious279 Church Street (just south of White Street)New York, NY 10013Trains: 1 to Franklin; A, C, E to Canalhttp://weird.org/films.htm212.254.5277MORE INFO: www.movetheframe.comKinetic Cinema explores the intersection of dance and the moving image both on screen and stage. Each month curator Anna Brady Nuse invites a special guest from the dance community to share the films and videos that have inspired or moved them. These could be films that feature dance, are kinetic-based, or have been influential on their work in some way. The guest curators come from a range of backgrounds as performers, choreographers, critics, and filmmakers. Upcoming guests include Jonah Bokaer (April 7th), Levi Gonzalez (May 5th), and Kriota Willberg (June 2nd).Jonah Bokaer's work has been presented widely throughout venues in the United States and abroad, including Cornell University, Dance Theatre Workshop, Danspace Project, Dixon Place, La Mama ETC, P.S. 122, Symphony Space, The Laban Centre (London), the ISB (Bangkok), Naxos Bobine, Studio Théatre de Vitry, and La Générale (Paris), Les Subsistances (Lyon), La Compagnie (Marseille), and OT301 (Amsterdam). Bokaer was a member of the Merce Cunningham Dance Company from 2000 to 2007. In 2002, he formed Chez Bushwick with a group of artists and choreographers, to create an adventurous arts organization that has significantly impacted a new generation of dance artists, choreographers, and performers in the United States, and beyond.For more info on Kinetic Cinema and reviews of past programs, check out my videodance blog, Move the Frame
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Find more videos like this on dance-tech.net
Great compilation of excerpts of performances from the festival with a broad variety of performers, dancers and choreographers. From 1991 to 2006. It is an important documentation of the Downtown New York City scene of the last 15 years. There excepts of performances of Jenifer Monson,Ishmael, Houston-Jones, Kelly Garfield, RoseAnne Spradlin, ChenekiLerner, Guy Yarden, Dennis O'Connor among others... Edited by Charles Denis Cortesy of Karen Bernard from New Dance Alliance http://www.newdancealliance.org/
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Find more videos like this on dance-tech.net
Interview with Karen Bernard director of new dance alliance and producer of the Performance Mix Festival in NYC http://www.newdancealliance.org/about-pmix.htm She also shred with us a video with excerpts of performances in the festival from 1992. There are performances of many NY downtown now well known dance, performance artist and choreographers. I will upload it later today. About the NDA: Formed in 1979, New Dance Alliance (NDA) is a non-profit tax exempt arts service organization whose mission is to actively promote emerging forms of innovative dance, video, music, and interdisciplinary performance work. NDA was founded to support an artistic community with limited institutional resources, and to provide this community with increased opportunities to share experimental works with the public. Today NDA remains dedicated to its founding principals and has expanded its programming to include services that enable artists’ career advancement.
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Find more videos like this on dance-tech.net This is video in which I ask for a reflexion on the tone of comments and opinion in each others work. Is related to commens from Matt to Johannes posts: http://www.dance-tech.net/profiles/blog/show?id=1462368%3ABlogPost%3A1260 Johannes continued the discussion in the dance-tech email list. Please watch and comment, thank you, marlon
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This workshop is for dance, theater, film, video-ists, conceptual artists, sound artists who are interested in learning about the collaborative process between sound designer and "other." It is for those who want to interface their medium with sound or want to learn about sound making process process.In this interactive workshop, participants will go "out into the streets" to record sound that will later be contributed to a short score. Prior to the field trip portion of the class, we will discuss collaboration, the formulas and limits for sound collection and the meaning and relevance of intention and limits in the creative process. We will especially look at how we can infuse the theme, which is "productivity," every step of the way. Upon collection of sound, we will return to engage in the interactive compositional portion of the day concluding with a real live useable score that will (in some form) be a part of The Movement Movement's full length evening contemporary dance piece premiering at the Joyce SoHo in June 2008.Sunday April 6, 10 AM to 4 PM - $50 (12 person limit) PRE-REGISTRATION IS REQUIREDPlease visit Harvestworks to register596 Broadway, Suite 602 (btwn Houston and Prince)Pre-payment required, space is limited to 12 participants. Please register at www.harvestworks.org under classes/audioFor questions about content please email Martha Williams info@themovementmovement.org or call 917-531-1171Facilitated by sound designer Norm Scott and director/choreographer Martha Williams**Funded in part through the Meet the Composer's MetLife Creative Connections program.**
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FREE Market"I should not even be writing this blog because I should get paid for it. It's my work. It's my idea. But I'm so worried that someone will do it before I do that I'm going to blog about it anyway. At least I'll get the exposure. And the publicity may lead to gigs where I"ll get paid...."~ANONYMOUSWith that. I am guilty of it. You are guilty of it. Pretty much all bloggers are guilty of it. If we put our work online it immediately becomes public. We've given up our material. Released it for free. Our art, our lives, and our work are becoming a commercial, for ourselves, our work, and our art. When do we get the payout?"We're not in it for the money" - but do we have to avoid selling out by selling short?After all the hype has settled down, what will there be? What are we getting ourselves and our field into by putting dance online? Do we know? Have we considered it?This is to incite reflection and investigation.
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"stylishly sexy" — The New Yorker “I’d settle for more choreographers as hip as Laura Peterson” — danceviewtimes (New York, NY) - Dance New Amsterdam (DNA) is pleased to present Laura Peterson Choreography in the premiere of Electrolux, choreographed by DNA Artist in Residence Laura Peterson to music by Led Zeppelin. Performances are Thursday–Saturday, March 27–29 at 8:00 p.m. and Sunday, March 30 at 3:00 p.m. in the theater@DNA located at 280 Broadway (entrance at 53 Chambers St.). An opening reception will precede the performance on Thursday, March 27 at 7:00 p.m. Imagine the kind of luxurious carpet that retains the marks of a vacuum cleaner. Every step destroys its plush perfection. Performed by Kathryn Harris, Kate Martel, Christopher Hutchings and Laura Peterson with costumes by Charles Youssef, Electrolux is about environment, texture, garbage -- and carpet. Laura Peterson is a NYC-based dancer, choreographer and Artistic Director of Laura Peterson Choreography. She received a 2007 Mondo Cane! Dixon Place Commission. Her dances have been presented throughout NYC, other US cities and produced internationally in Argentina and Germany. Her work has been performed at Lincoln Center Out-of Doors and Jacob’s Pillow Dance Festival, and commissioned by DROP Dance in Boise, Hartford Ballet and Pennsylvania Ballet. In 2004 LPC was a guest performing company at NYU’s Tisch Summer Dance Program. Her performance credits include Julie Taymor’s film, Across The Universe, choreographed by Daniel Ezralow. She has performed the work of Mark Morris at Radio City Music Hall, and has danced with Risa Jaraslow & Dancers, Poppo & the GoGo Boys (NYC), Paule Turner’s c o u r t (Phila), Group Motion Dance Co (Phila), and Asimina Chremos (Chicago). Laura Peterson holds an MFA from NYU’s Tisch School and a BFA from University of the Arts. She has taught at Western Connecticut State University, Rowan University and has been a guest teacher at Hunter College.
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Tonight, I attended a very stimulating evening of performances as part of the Performance Mix Festival. Cynthia Hopkins, Karen Bernard, Layard Thompson, from New York and Nathalie Claude from Montreal delivered layered, sensitive, clever and shamanic performances with humor and sophisticated craft. Queer warriors mixed with holly madness, reflexions on mortality mixed with time/space travel. A trip! I was taken by the complexity, risk and the evocative power of their presence. It was an evening of edges and impossible stories about our human and post-human deliriums. Performances until April 5th!
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Find more videos like this on cinedans
Alain Platel interview for Cinedans 2007 Film shown: les ballets de ci de là This documentary is shot to celebrate the twentieth anniversary of the company Les Ballets C. de la B. Alain Platel is filming his dancers and goes back to their roots. This results in moving images when one thinks of family reunions in Burkina Faso and Vietnam. Platel is known for his unconventional approach and makes the audience a privileged witness of a new work in progress. Winner Dance screen Award 2007(endowed with 15,000.- EUR) www.lesballetscdela.be
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I interviewed the digital musician and performer Joel Ryan at STEIM in Amsterdam. 3/8/08. This is his bio: (he has been around!)

Spawned in the first generation of computer music hackers in San Francisco’s silicon valley, Joel Ryan is a composer who has long championed the idea of performance-based electronic music. Drawing on his scientific background, he pioneered the application of digital signal processing to acoustic instruments. At STEIM in Amsterdam since 1984, he has collaborated extensively with artists and musicians including Evan Parker, William Forsyth, George Lewis, Steina Vasulka and Jerry Hunt. Formerly a Research Associate in physics at the Lawrence Berkeley Laboratories of the University of California, he has taught philosophy, physics, and mathematics. He is a researcher at STEIM in Amsterdam, tours with the Frankfurt Ballet and is Docent in Sonology at the Royal Conservatory in The Hague. He has performed at the Theater Chatelet in Paris, the Concertgebau Amsterdam, the Pit Inn in Tokyo, Brooklyn Academy of Music and The Kitchen in New York. Recent work includes a series of duets with Evan Parker,Frances Marie Uitti and Joelle Leandre, EIDOS/TELOS, with William Forsyth and Roberto Zucco with the Royal Shakespear Company. Other works include Or Air, The Number Readers, Hat Moon Joy, and The Effect of Noise on the Sleep of Children. MMVI http://www.xs4all.nl/~jr/
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