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The Food Chain and Dream World of the Organism is a landscape of bodies that form an organism which visitors can step into and breath life in. Visitors feed the organism by blowing into an umbilical cord that extends out of its main body. The organism responds by shifting in color, emitting sounds and by growing in size until it eventually rewards its nurturer by opening up a window to its dream world. The installation is part of the Man Machine 2 exhibition whose theme is how the human mind and body “have interplayed with the machine historically and how man and machine will interact in the future”.
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Great compilation of excerpts of performances from the festival with a broad variety of performers, dancers and choreographers. From 1991 to 2006. It is an important documentation of the Downtown New York City scene of the last 15 years. There excepts of performances of Jenifer Monson,Ishmael, Houston-Jones, Kelly Garfield, RoseAnne Spradlin, ChenekiLerner, Guy Yarden, Dennis O'Connor among others... Edited by Charles Denis Cortesy of Karen Bernard from New Dance Alliance http://www.newdancealliance.org/
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kate Weare@Dance New Amsterdam

I made this preview for kate Weare Company about three weeks ago and they are performing this week in SPLICE at DNA. sharing the program with Deborah Lohse. She got an edge with duets full of raw elegance. They are technically sensual with calculated violence and layered complicity.

I will attend the show this Sunday, This is taste from that informal showing! Enjoy.
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This is a crucial text for "the field"(from Troika Ranch's profile): Troika Ranch is the collaborative vision of artists Mark Coniglio and Dawn Stoppiello. Established in 1994, and based in New York City, Troika Ranch produces live performances, interactive installations, and digital films, all of which combine traditional aspects of these forms with advanced technologies. The artists’ mission in producing this wide range of art experiences is to create artwork that best reflects and engages contemporary society. The name Troika Ranch refers to Coniglio and Stoppiello’s creative methodology, which involves a hybrid of three artistic disciplines, dance/theater/media (the Troika), in cooperative interaction (the Ranch). This method preceded the organization Troika Ranch, which was formed as a means to support the artists’ engagement in this process. During the 1990’s, Coniglio, Stoppiello and their company Troika Ranch were among the pioneers in the field that came to be known as Dance and Technology. They performed in festivals and venues internationally and were greatly sought after as guest artists, teachers, and lecturers. In response to the desire in the international arts community to understand this emerging genre, Coniglio and Stoppiello began developing educational programs. Among their public outreach activities are workshops, lectures, online and traditional publications, websites, software and hardware. Having conceptualized and invented much of the technology, equipment, and techniques currently in use, their expertise is unprecedented. The educational programs Troika Ranch provides have become a significant part of their contribution to the arts. As the use of technology in the arts has developed and integrated over the last decade, the need for the separate moniker Dance and Technology has dissolved. Troika Ranch’s present concerns correspondingly reflect this broader scope, expanding across genres and pioneering new frontiers. As innovators and visionaries, Coniglio and Stoppiello produce art that values live interaction – between viewer and viewed, performer and image, movement and sound, people and technology. It is time-based but typically includes an element of spontaneity, in that the events and images that unfold lie within a certain range but are not exactly replicable. As authors, they establish images, direct performances, determine time frames, and devise technologies. The works may be presented as performances, installations, or in portable formats. In sum, Troika Ranch engages in creative endeavors using all that contemporary invention has to offer. The company has received major funding from the Jerome Foundation, the National Endowment for the Arts, and the Arts Council England as well as from the Brooklyn Arts Council, Meet the Composer and Art/NY’s Nancy Quinn Fund. The company tours nationally and internationally with recent performances at the Laban Centre London (UK), the Forum Neues Musictheater (Germany), ISEA/ZeroOne Festival (CA) and 3LD Art & Technology Center (NYC). Where are you based? Brooklyn, New York / Berlin, Germany Area of interest on performance and new media All. How did you learn about dance-tech.net? Marlon Barrios Solano Enviornments and applications that you use the most for your projects Isadora, Eyesweb, mocap, Final Cut ( or any other video editing), camera work, Second Life, Protools (other sound editing software), robotic devices How do you train yourself or your performers. How do you approach your embodied practices? what kind of technique do you use? Interaction is the word that singularly defines the driving force of our artistic practice. Whether it is between audience and performer, performer and image, movement and sound, or human and machine, interaction as an idea fundamentally shapes our work from its inspiration to its presentation. Interaction first comes into play as we collaboratively develop materials for a work with our fellow artists and performers. Recognizing that each human being possesses a vast and unique set of life experiences, we encourage all involved in the creative process to take on a role of authorship. We push our collaborators to locate the intersection of their personal background with the overarching theme of a work, and encourage them to use this connection to deeply inform the manner and method of creating and realizing materials. The second instance of interaction extends this collaborative authorship into the moment of presentation. Our groundbreaking software and hardware senses movement and vocalizations and creates a way for performer’s to directly influence the final presentation of visual and sonic digital materials. In our work the performer on stage or the viewer in an installation becomes the final arbiter of the material’s timing, dynamics and organization, and thus are key collaborators in the penultimate creative moment of composition. The final moment of interaction occurs upon the work’s presentation to an audience. We intend to present a dense and highly physical theater of ideas that echoes the multiplicity and maximum sensory capacity of our time and culture. Visual imagery, dance, music and text implode into a flux point from which we leverage specific properties from each discipline to powerfully communicate on multiple levels. This density often leads to our works being described as experimental; they are, in fact, grounded in traditional theatrical values. This is because our work is content-driven: the materials in a work are present to serve the narrative arc. The relationships – between man and machine, man and woman, action and image – exist to drive expression and present –and translate– the essence of the human condition. In the end, our aim is to examine an ongoing human effort: the desire to integrate the most basic expressions of the soul with the most complex creations of the mind.
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Dance/USA Winter Forum - Day 2 This weekend, Kristin Sloan from The Winger, Chris Elam, and myself (Jaki Levy) led a workshop at the annual Dance / USA winter forum in Los Angeles on Recording, Producing, and Sharing Online Video. The workshop was well attended by the dance company executive / managing directors, development and outreach staff, and the attendees had some good questions. One particular participant asked if there was a way to track who is viewing your video, and what age are they are. For performing arts organizations, this data can be very valuable for building your audiences. With a bit of work, you can certainly get a sense of what your viewership is. While you may not have quick access to this information, you can certainly look at who is subscribing to your videos, and leaving comments. YouTube users are fairly open and usually post their age on their profiles. You just have to go and get this data - there is not automatic way to do this - yet. Go to complete article ar Great Dance Blog
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I Believe In by Ai-Chen Lin

I Believe In… by Ai-Chen Lin, selected project for Interactivos? Better than the Real Thing

There’s a party in the warehouse: Would you like to come?

Upcoming events: It all depends on who you ask. Some of us are getting ready for the latest MIXER party on June 14, others are preparing for the end of the world. Good news: You can do both!


This Week at Eyebeam:

May 31: Interactivos? Call for Collaborators

June 14: MIXER: with Kudu | BiLLLL$ | The Collection Agency

New from our Labs:

Steve Lambert launches Add-Art

Teta Haniya and the Secrets of Syrian Seduction

Pocket Lightcoder

Community:

May 31: Graffiti Research Lab at the Brooklyn Academy of Music

June 1: How Soon is Now?

June 4: 01SJ Adobe Global Youth Voices Exhibition

June 14: Windows Brooklyn


May 31: Interactivos? Call for Collaborators

Interactivos? at Eyebeam: Better Than the Real Thing
Date: June 26 – August 9
May 30: Call for Collaborators deadline | June 3: Notification of acceptance

We’re pleased to announce that we (Eyebeam fellows, residents and staff) have selected ten projects—from the 60-plus submitted applications—to be realized during a two-week workshop in late June.

But we need help, and that’s where you come in. We are now recruiting collaborators—artists, engineers, musicians, programmers, designers, and hackers—to help bring these projects to life. This is an opportunity to work with international artists including current Eyebeamers Zachary Lieberman, Taeyoon Choi, Jeff Crouse, Friedrich Kirschner, and others. Collaborators will participate in skill-based workshops, attend public lectures and associated events, and be an integral part of the production of exciting new interactive projects. The completed projects will be included in Eyebeam’s Summer 2008 exhibition.

To be considered, send us a letter outlining your skill set and what you think you could contribute to the workshops, with a CV (in word or pdf format; no image attachments please) to interactivosinfo AT eyebeam DOT org by May 31. Selected collaborators will be notified June 3.

Interactivos? was initiated two years ago by the Medialab–Prado program and the Madrid City Council. This is the first time it has taken place outside Spain.

The full list of projects, with details on the kind of collaborative help we are looking for can be found online. See: http://www.eyebeam.org/learning/learning.php?page=interactivos

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June 14: MIXER: with Kudu | BiLLLL$ | The Collection Agency

Kudu

Date: Saturday, June 14, 9PM – Midnight
Location: Eyebeam, 540 W. 21st St., NYC
Cost: $15. PURCHASE TICKETS HERE: MIXER JUNE 14

Open bar! Sponsored by Dewar’s, Newcastle Brown Ale, and The Onion.

Kudu | BiLLLL$ featuring Guillermo E. Brown | The Collection Agency

Plus interactive art by Eyebeam artists: Addie Wagenknecht | Friedrich Kirschner | Digital Solutions | Geraldine Juárez

MIXER is Eyebeam’s new series dedicated to showcasing leading performing artists in the fields of live video and audio. In addition to live performances by video artists, musicians, VJs and DJs, each MIXER presents new interactive work by Eyebeam artists that encourages audience participation and creative play. Hybrid in format, and Eyebeam in spirit—collaborative, spontaneous and a little off-the-wall—MIXER electrifies Eyebeam’s Chelsea warehouse for a Saturday night quite unlike any other.

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New from our Labs

Steve Lambert launches Add-Art

Ad-Art

Add-Art is a free Firefox add-on that replaces advertising on websites with curated art images. Created as a open source project in Eyebeam’s R&D OpenLab, developers are encouraged to contribute to the project though Eyebeam’s development site (which includes a wiki, ticket system, and code repository). For more info: http://add-art.org.

For a video introducing Add-Art, with installation directions, see: http://vimeo.com/1075987

Steve is also hosting a remix contest: http://fffff.at/intro-to-add-art-f-remix-contest/

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Teta Haniya and the Secrets of Syrian Seduction

Syrian Lingerie by Ayah Bdeir

After decades of running her kinky Syrian lingerie store in the Hamidiya souk of Damascus, Teta Haniya has arrived in America bearing gifts. Drawing on more than 60 years of Islamic teachings on seduction, and updating it using her arsenal of kitschy technology, Teta Haniya hijacks the Western panty, triggering the sexual liberation of American women. http://www.haniyassecrets.com

Teta Haniya’s Secrets is a line of electronic lingerie made by Eyebeam R&D OpenLab fellow Ayah Bdeir and graphic designer Luma Shihabeldine. See pictures and videos of Teta Haniya’s Secrets (including the flying panty, ponpon panty, fiberoptic panty, talking panty, magnet panty), from last week’s event on wearable technology at Eyebeam: http://www.flickr.com/photos/26390070@N03/sets/72157605278503947/

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Pocket Lightcoder

Lightcoder by Jerry Juarez

Digital communication relies on the performance of networks of infrastructure that enable the transmission of messages. In the event of a massive breakdown of these networks in a natural disaster or social crisis, how will we transmit information?

Have no fear: Eyebeam senior fellow Jerry Juárez has designed a new tool for the end of the world: The Pocket Lightcoder, a rebozo-style bag and communication device to explore the possibilities of survival in an urban environment. There are only a few Pocket Lightcoders left, so if you need one for your survival kit or want to find out more about her upcoming “light-mobs”, shoot her an email at: .---- . .-. .-. -.--@eyebeam.org
http://www.chocolaterobot.com/lightcoder.html

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Community

May 31: Graffiti Research Lab at the Brooklyn Academy of Music

The Graffiti Research Lab will be tagging the side of the Brooklyn Academy of Music’s Peter J. Sharp Building on May 31 to coincide with the midnight screening of the documentary Graffiti Research Lab: The First Season. The GRL events are part of the Sundance Series at BAM from May 29 to June 8.

For a complete schedule of events: http://bam.org/sundance/frontier_2008_LASER.aspx.

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June 1: How Soon is Now?

How Soon is Now?
Date: June 1 – August 18
Open House: 2 – 6PM, Sunday, June 1
Location: The Bronx Museum of the Arts, 1040 Grand Concourse, Bronx

Eyebeam alum Luke Lamborn will show three new videos made during his residency at Eyebeam at this year’s Artist in the Marketplace exhibit at The Bronx Museum of the Arts. How Soon Is Now? features an array of work by 36 artists from Artist in the Marketplace (AIM), one of the most celebrated and competitive programs for emerging artists in the country.

For more information, visit: http://www.bronxmuseum.org

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June 4: 01SJ Adobe Global Youth Voices Exhibition

01SJ
Date: June 4 – 8, 2008
http://www.01SJ.org
http://01sj.org/?page_id=63

Liz Slagus, Eyebeam’s Director of Education and Public Programs, is heading out to the 2008 01SJ “global festival of art on the edge”, June 4 – 8 to produce the Adobe Global Youth Voices Exhibition.

Designed to enable youth worldwide to examine critical community issues, share their views, and take action, this project has funded 18 different international artists, art collectives, and established non-profit arts organizations and institutions to support the creation of new work by young digital artists. The project culminates in an exhibition of their work during the 01SJ Festival; selected works from the Adobe Youth Voices global network will also be on display.

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June 14: Windows Brooklyn

Opening Reception: June 14, 3 – 5PM, cash bar
Location: Sam’s Restaurant, 238 Court St., Brooklyn

Art Walk
Date: June 22, 3 – 5PM
Location: Various

Closing Reception: June 22, 6PM
Location: Carroll Park (entrance on President between Smith and Court St., Brooklyn), closing performance by Maya Pyndick and Fletcher Boote

Windows Brooklyn is an art exhibition that will be installed in numerous storefronts along Court and Smith Streets in Carroll Gardens and Cobble Hill, Brooklyn from June 14 – 22, 2008.

Participating artists include: Eyebeam alum Leah Gauthier, and many more! Windows Brooklyn is curated by Leah Gauthier, Sara Jones and Andrea Wenglowskyj. All three curators are graduates of the School of the Museum of Fine Arts, Boston and are long-time collaborators.

Visit www.windowsbrooklyn.com for a full list of participating storefronts and artists, schedule of events, printable map of the area and more.

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Dark Matter at Montage

I'm very pleased to announce that Dark Matter has been selected to be screened as part of the Montage Video Dance Festival in Johannesburg, South Africa this weekend. Unfortunately I can't be there so if you're in the area, pop in and let me know how it goes.
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4th INTERNATIONAL WORKSHOP OF THE TECHNOLOGIES OF THE BODY FRONTIER BODIES: AESTHETICS AND POLITICS IN POST-POSTMODERNISM _________Applications deadline: 2nd december APPLY NOW >info in www.reverso.org/reverso-engl.htm >>>and in - http://www.lacasaencendida.es ---->programacion ----------->Artes Escénicas------------>
TALLER INTERNACIONAL DE LAS TECNOLOGÍAS DEL CUERPO ______Directed by Jaime del Val__REVERSO _with seminars, presentations and performances by: _____Stelarc ______ Allucquére Rosanne (Sandy) Stone ______ Daniel Schorno_STEIM ______ Donald Glowinski_InfoMus Lab ______ Rudolfo Quintas (Swap Project) & André Gonçalves ______ Roberta Bosco ______ Laura Cañete ______ Juan Carlos Olmos & Universitat Pompeu Fabra ______ Jaime del Val & Olinto_REVERSO _17th-23rd December 2007____Spain__Madrid___La Casa Encendida ________________________________________________________ ________________________________________________________ 4º TALLER INTERNACIONAL DE LAS TECNOLOGÍAS DEL CUERPO CUERPOS FRONTERA: ESTÉTICAS Y POLÍTICAS EN EL POST-POSTMODERNISMO _____Plazo de inscripciones: hasta el 2 de diciembre >>>>>>>> INSCRÍBETE AHORA DESCARGA PROGRAMA OFICIAL: tecnologias_cuerpo_pdf.pdf >información en www.reverso.org >>> y en - http://www.lacasaencendida.es ---->programacion ----------->Artes Escénicas ______dirigido por Jaime del Val__REVERSO _con seminarios, presentaciones y performances de: ______ Stelarc ______ Allucquére Rosanne (Sandy) Stone ______ Daniel Schorno_STEIM ______ Donald Glowinski_InfoMus Lab ______ Rudolfo Quintas (Swap Project) & André Gonçalves ______ Roberta Bosco ______ Laura Cañete ______ Juan Carlos Olmos & Universitat Pompeu Fabra ______ Jaime del Val & Olinto_REVERSO _17-23 Diciembre 2007_____Madrid__La Casa Encendida __________________________________ _____________________________ www.reverso.org
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Feedback tadpoles

What do tadpoles and toilets have in common?

Hint: Feedback. That’s right, Feedback, our show on sustainability closes this Saturday, so you only have a few days left to see the “mind-blowing” work on display. Added incentive: a day of workshops followed by a closing reception—perhaps this preview will pique your interest? There’s a wealth of new material online: podcasts, guest reBlogger Andrew Price from GOOD Magazine, and, of course, information on how to get tickets for our May 6 benefit celebrating freedom and creativity. The fun’s just around the corner … .


This Week at Eyebeam:

April 19: FEEDBACK Closing: Sustainability Action Day: Toxic Tours + Urban Gardening

April 25: Interactivos? Application Deadline

May 6: Eyebeam Benefit Celebrating Freedom and Creativity

New from our Labs:

April 19 + 22: Zach Lieberman at See Conference + FITC

April 21: Médecins Sans Frontières Visualization

April 24: Non-Motivational Speaker Series

April 26: Art Wiki Marathon 2

May 1 – 2: Futuresonic Conference 2008

Community:

April 12 – May 30: 1800 Frames | Take 4

April 25: Opening Reception: Main Space: The New Normal

Colbert Discovers the Darkside

Coworking at The Change You Want To See


April 19: FEEDBACK Closing: Sustainability Action Day: Toxic Tours + Urban Gardening

Sow-In, Leah Gauthier

Sustainability Action Day: Toxic Tours + Urban Gardening
Date: April 19, 3 – 6PM
FEEDBACK Closing Reception: 6PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Join Feedback artists Natalie Jeremijenko, Leah Gauthier, and Brooke Singer for a day of workshops.

Natalie Jeremijenko will lead a surface-level noPARK action on a plot of pavement in Chelsea (within a short walk of Eyebeam, exact location TBA the day of the event).

noPARK is a public art project to create “no parking zones" of micro-engineered green spaces to prevent storm water runoff, use foliage to stabilize the soil, and provide a durable low maintenance surface cover.

In order to help raise funds for the noPARK project that the artist plans to implement throughout the city, limited-edition potted plants will be sold as "shares" of the project (complete with certificates) at Eyebeam for $10. (A single noPARK zone is estimated to cost approximately $6000 to implement.) Shareholders will be encouraged to take their plants to the site of the April 19 noPARK for the 3-6PM action.

Leah Gauthier will lead Sow-In, in which participants will distribute hundreds of seed pots to community gardeners across the city for transplant, care, harvest, and seed saving.

Brooke Singer with Michael Heimbinder and Emily Gallagher will conduct a virtual toxic tour followed by a hands-on workshop. The virtual tour will focus on a site in Greenpoint, Brooklyn that is currently undergoing contamination evaluation by the New York State Department of Environmental Conservation and the Department of Health. Together they will explore the region’s historic and current industries, detail the contaminants of concern and discuss potential remedies. In the second part of the workshop, the artists will provide resources for participants to identify toxic exposures in their own neighborhoods. The workshop will end with a group discussion of effective organizing strategies and ways to develop activist networks .

Brooke Singer is a New York Foundation for the Arts (NYFA) 2007 Artist Fellowship recipient. This presentation is co-sponsored by Artists & Audiences Exchange, a NYFA public program.

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April 25: Interactivos? Application Deadline

Entramado, Plaza de Luz. Installation by Pablo Valbuena. Photo: Pablo Valbuena

Entramado, Plaza de Luz, installation and photo by Pablo Valbuena.

Interactivos? @ Eyebeam
Call for Participation online
April 25: Application deadline | May 15: Notification of acceptance
May 26: Call for Collaborators | May 29: Notification of acceptance

This summer, Eyebeam will produce Interactivos?—the Medialab-Prado and Madrid City Council program initiated in 2006—as part of our workshop-based programming. Invited projects will creatively explore the theme of “real versus fake” in an intensely collaborative and interdisciplinary two-week project development cycle, resulting in a public exhibition in our Chelsea gallery. In May, Eyebeam will open a second call for individuals interested in collaborating on the selected projects.

Submit you project proposal now to be a part of this two-week workshop, exhibit, and seminar.

The program will be produced by Eyebeam staff, fellows and residents. Please see the Call for Participation for details: http://eyebeam.org/production/onlineapp/join_detail.php?program_id=472096

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May 6: Eyebeam Benefit Celebrating Freedom and Creativity

Freedom + Creativity

Eyebeam 2008 Freedom and Creativity Benefit
Date: May 6 | 6:30PM Cocktails | 7:30PM Dinner/Show | 9:30PM After-Party
Location: Eyebeam, 540 W. 21st St., NYC

Honoring Craig Newmark, Craigslist founder and the Internet’s best known customer service representative.

Proceeds from the evening will help underwrite Eyebeam’s international fellowship and residency programs for artists and creative technologists, more than 300 of whom have benefited since 1997.

Featuring:
Drawn and Magical, an A/V performance by Eyebeam R&D OpenLab fellow Zach Leiberman
Kinetic Shadow, by Eyebeam Production Lab fellow Addie Wagenecht
Consellational Models from the Nebulous Object Archive, by Eyebeam resident Joe Winter
Fame Game, a social network that re-invents fame
Little Death, featuring Laura Dawn, Daron Murphy, and Aaron Brooks
The Hanging Out Station, by Eyebeam senior fellow Geraldine Juárez
Plus: Special Guests, DJs, VJs, and more!

Tickets and information online: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

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New from our Labs

April 19 + 22: Zach Lieberman at See Conference + FITC

See Conference
Date: April 19
Location: Wiesbaden, Germany
http://see-conference.com/

Flash In The Can Festival
Date: April 22
Location: Toronto
http://fitc.ca/

Eyebeam fellow Zach Lieberman will be presenting and perfoming his work at See Conference in Wiesbaden, Germany on April 19, and at Flash In The Can Festival in Toronto, Canada on April 22. Zach will show recent projects and talk about the work underway at the Eyebeam R&D OpenLab, including the upcoming Interactivos? workshop.

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April 21: Médecins Sans Frontières Visualization (MSF)

Ars Electonica Futurelab
Date: April 21
Location: Vienna
http://www.msf.org/
http://www.aec.at/en/futurelab/

Eyebeam fellows Jessica Banks, Ayah Bdeir, Friedrich Kirschner, Zach Lieberman, and Addie Wagenknecht have teamed up with MSF and the Ars Electonica Futurelab to craft an interactive visualization for a live concert and fundraiser in Vienna on April 21. The visualization will track and display in real-time the the SMS donations of audience members.

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April 24: Non-Motivational Speaker Series

Gelf Magazine’s Non-Motivational Speaker Series
Date: April 24, 7:30PM
Location: Happy Ending Lounge, 302 Broome St., NYC
Cost: Free

Culture jammers and pranksters are the topic of this month’s Non-Motivational Speaker Series organized by Gelf Magazine. The evening’s featured speakers will be Alan Abel founder of The Society for the Indecency to Naked Animals and Citizens Against Breastfeeding and subject of the recent award-winning documentary Abel Raises Cain; Eyebeam senior fellow Steve Lambert, guerrilla artist, founder of The Anti-Advertising Agency; and Ron English, patriarch of the agit-pop art movement, corporate branding vigilante, and subject of the documentary POPaganda: The Art and Crimes of Ron English.

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April 26: Art Wiki Marathon 2

Art Wiki Marathon 2
Date: April 26, 12 – 8PM EST (9AM – 5PM PST)
Location: Wherever you want to gather. At the library (for books you can reference), at mini house parties, a local art center, or at home online at: IRC: irc://irc.gimp.org/#artwikimarathon | AIM: join chat artwikimarathon

Following on the success of the last wikimarathon, we present the Great Wikimarthon 2. Participating artists will include: Eyebeam senior fellow Steve Lambert, R&D OpenLab fellow Michael Mandiberg, and alums Bennett Williamson, Jamie Wilkinson, Marisa Olson, and Joe DelPesco aka Mr. Collective Foundation.

For more information on how to participate, visit: http://thegreatinter.net/wikimarathon/

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May 1 – 2: Futuresonic Conference 2008

Freewear at Futuresonic

Futuresonic Conference 2008: The Social Technology Summit
Date: May 1 – 2
Location: Contact Theatre, Manchester, UK
http://www.futuresonic.com/08/2008conf.html

May 1, 2PM – 3:30PM: Collective Media
Spanning user-generated content, collaborative authoring and collectively owned media, this panel will feature case studies of initiatives from India to Germany. Featuring: Platoniq (Olivier Schulbaum, Susana Noguero), Ravikant Shama (Sarai), Jennie Savage (STAR Radio), Eyebeam senior fellow Geraldine Juárez, Christine Hanson and Michael Schafae.

May 2, 10AM – 11:30AM: Musical Interfaces
Featuring: Florian Hollerweger, Gauti Sigthorsson, Steve Daniels, and Eyebeam resident Jamie Allen. This panel will consider the mobile phone user as micro-DJ, a Toronto-wide open source musical interface and more.

Additional Events:
Freeware: The Manchester Collection
May 3, time TBD (check website schedule) | Fashion show: May 4
Zion Art Center | Free

A workshop about Manchester, its people and the stuff they give away. This session will be dedicated to creating fashion items out of freecycled materials collected around the city. The clothes will be presented in a community fashion show at the end of the workshop.

Also presenting (TBA) is Eyebeam senior fellow Jeff Crouse and Production Lab fellow David Jimison’s Dirt Party project. Dirt Party is a performance where salacious information about each party attendee is gathered from the web and other means and presented to the entire audience.

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Community

April 12 – May 30: 1800 Frames | Take 4

1800 Frames Take 4

1800 Frames | Take 4: The Video State of the Global Union
Date: April 12 – May 30
Location: cWOW Gallery, 6 Crawford St., Newark, NJ
Cost: Free
http://www.cwow.org

1800FRAMES | Take 4: The Video State of the Global Union, curated by Eyebeam alum Norene Leddy and Eyebeam’s director of education and public programs Liz Slagus, City Without Walls’ fourth annual one-minute video exhibition. The exhibition continues through May 30. The show is free and open to the public, Wednesday through Friday 12 – 6PM and Saturday 1 – 6PM. Artists on display include Eyebeam program coordinator Paul Amital, and alum Benton-C Bainbridge.

The video show is online at http://www.cwow.org, and DVDs are on sale at Eyebeam’s bookstore.

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April 25: Opening Reception: Main Space: The New Normal

Main Space: The New Normal
Date: April 26 – June 21
Location: Artists Space, 38 Greene St. 3rd Fl., NYC
Cost: Free
http://www.artistsspace.org/exhibitions/future.html

Curated by Michael Connor, co-organized with Independent Curators International, with works by Eyebeam alums Jonah Peretti, Michael Frumin, Jill Magid, Trevor Paglen and Jennifer and Kevin McCoy; along with Sophie Calle, Mohamed Camara, Hasan Elahi, Kota Ezawa, Miranda July and Harrell Fletcher, Guthrie Lonergan, Corinna Schnitt, Thomson and Craighead and Sharif Waked.

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Colbert Discovers the Darkside

Trevor Paglen on The Colbert Report

Eyebeam alum Trevor Paglen promoted his new book, I Could Tell You But Then You Would Have to be Destroyed by Me: Emblems from the Pentagon’s Black World, on the April 7 broadcast of The Colbert Report. For a taste of the black humor visit: http://www.comedycentral.com/colbertreport/videos.jhtml?episodeId=164897

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Coworking at The Change You Want To See

The Change You Want To See
Location: 84 Havemeyer St. (storefront), Williamsburg, Brooklyn
http://www.notanalternative.net/

Tired of complaining to your cat about broken code or a bad client? Wondering what the next wave of social software will be? Looking for an invigorating environment to call your office? Join Williamsburg Coworking! Break free from hourly coffee runs and grab a slice of Williamsburg’s alternative working community by coworking at The Change You Want to See—a café-like community and collaboration space for developers, writers and freelancers. Bring a laptop, snack, manuscript, screenplay, or killer app and leave the cats behind!

For more information on coworking opportunities at The Change You Want to See, visit: http://thechangeyouwanttosee.org/coworking, or email: info@thechangeyouwanttosee.org

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Find more videos like this on dance-tech.net
dance-tech.net interviewed via Skype dance and technology pioneer Robert Wechsler, director of Palindrome. He is a choreographer, dancer and developer of interactive ways of performing using new technology. His interest in sensors and electronic devices dates back to the 1970's when he used hand-held electronic devices to generate sounds through his movement on stage. This was in Ames, Iowa, in the United States where he was studying genetics. A move to New York City and a ten-year dance training (SUNY Purchase, Merce Cunningham, Maggie Black, ...) did little to lessen his interest in science and technology. For his choreography and dancing he has been honored with a Fulbright Fellowship, a Nürnberg Innovation Award (2000), CynetArt (first prize for multi-media achievement, 2001), first prize for best interactive art at the Berlin Transmediale (2002) and was second place for the Jury Prize of the Monaco Dance Forum in 2006. In 2004, Wechsler designed England's first masters degree program in digital performance at Doncaster College which he head for two years. He is the author of articles concerned with dance and new media for Leonardo Magazine, IEEE Technology and Society Magazine, Ballet International, Dance Magazine, Dance Research Journal, Nouvelle de Danse, Der Tanz der Dinge and others. His first book, "Motion Tracking -- a practical guide for performing artists" is scheduled for publication later this year. Video Editing courtesy of Ashley A. Friend
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Find more videos like this on DNA World
Dance New Amsterdam, where I work as a web/new media specialist launched DNA World, a social network open to everybody. This is from the home page: Dance New Amsterdam, downtown New York's home for contemporary dance invites you to be a part of DNA World. To see members pages and any content beyond the home page, you need to join, complete your profile and login using your password. DNA World is a forum for discussion about dance; a place to talk about what you are doing in the dance world, and a network of dancers, dance teachers choreographers, bloggers, critics and dance administrators. I also had the amazing opportunity of interviewing Lois Greenfield for DNA World. Yes, she is the one that created those iconic images of flying dancers. She talks about the show opened yesterday at DNA called Celestial Bodies and some cool anecdotes about her 20 years of taking photographing the downtown dance in New York City.
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Find more videos like this on dance-tech.net
Interview with Karen Bernard director of new dance alliance and producer of the Performance Mix Festival in NYC http://www.newdancealliance.org/about-pmix.htm She also shred with us a video with excerpts of performances in the festival from 1992. There are performances of many NY downtown now well known dance, performance artist and choreographers. I will upload it later today. About the NDA: Formed in 1979, New Dance Alliance (NDA) is a non-profit tax exempt arts service organization whose mission is to actively promote emerging forms of innovative dance, video, music, and interdisciplinary performance work. NDA was founded to support an artistic community with limited institutional resources, and to provide this community with increased opportunities to share experimental works with the public. Today NDA remains dedicated to its founding principals and has expanded its programming to include services that enable artists’ career advancement.
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Freedom + Creativity

Three words: Benefit Benefit Benefit!

Ever use craigslist? Here’s your chance to thank the man behind the site! May 6 Eyebeam will honor Craig Newmark and party to raise money for Eyebeam’s public programs, residencies and fellowships .

Other good news: Interactivos? deadline has been extended to Friday, May 2; two new intern opportunities to work with resident artist JooYoun Paek; Dirt Party testing for the Futuresonic conference; and Eyebeam’s star appearance at the Chelsea Block Party.

Online: videos of Eyebeam artists Friedrich Kirschner, Taeyoon Choi, and Stephanie Rothenburg at the Synthetic Times reception, and an in-depth interview with Eyebeam senior fellow Steve Lambert on National Public Radio.

We would also like to welcome, Sarah Cook, our curatorial fellow from acroass the pond. For curators interested in studio visits with Eyebeam artists—stop by during open office hours on Tuesdays between 2PM and 4PM, and Sarah will be happy to facilitate your visit!


This Week at Eyebeam:

May 3: A guided tour with Charlie The Magical Image-Digesting Robotic Duck

May 6: Eyebeam Benefit Celebrating Freedom and Creativity

May 17: Teen Mashup Remix: Creative Youth Workshops

New from our Labs:

May 1: Eyebeam at Futuresonic Conference 2008

May 1: Results of the iraqimemorial.org First Juror’s Review are in!

May 4: Friedrich Kirschner presents Eine Kleines Puppenspiel

May 9: Call for proposals Artist as Startup: Web Application as Cultural Intervention

Anti-Advertising Agency announces “Foundation For Freedom”, featured on NPR

Community:

May 4: GRL: The Complete First Season at the MoMA

May 9: Eyebeam at the Chelsea Block Party!


Camerautomata: Taeyoon Choi

May 3: A guided tour with Charlie The Magical Image-Digesting Robotic Duck

A guided tour with Charlie The Magical Image-Digesting Robotic Duck
Date: May 3, 2 – 4PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free. RSVP taeyoon AT eyebeam DOT org
www.camerautomata.org
www.tyshow.org

This guided tour is the first in a two month series exploring how images are produced and consumed in public spaces. Taeyoon Choi, recipient of Eyebeam’s 2008 Commission for Resident Artists and inventor of Charlie, will lead a walking tour from Eyebeam in Chelsea. After an introductory presentation of the project, participants will accompany Charlie on a photo-taking tour of the neighborhood. Participants are encouraged to bring their own cameras to help in document the experience.

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May 6: Eyebeam Benefit Celebrating Freedom and Creativity

Freedom + Creativity

Freedom and Creativity: Eyebeam 2008 Benefit
Date: Tuesday, May 6
6:30PM Cocktails | 7:30PM Dinner/Show | 9:30PM After-Party
Location: Eyebeam, 540 W. 21st St., NYC
Tickets: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

HONORING: Craig Newmark, craigslist founder and the Internet’s best known customer service representative.

Join us in honoring craigslist founder Craig Newmark for his commitment to public service and a free Internet! Support Eyebeam’s residencies, fellowships and public programs! Comedy Central’s John Mulaney will cue the night’s laugh track, NYC’s Misshapes will supply the after-party and much, much more!

Featuring:
Drawn & Magical A/V Performance: Zach Lieberman, Eyebeam fellow
Kinetic Shadow: Addie Wagenknecht, Eyebeam fellow
Excerpts from The Nebulous Object-Image Archive: Joe Winter, Eyebeam resident
Fame Game—social network re-invents fame
The Little Death
Hanging Space: Geraldine Juárez, Eyebeam senior fellow
Live visuals: Benton-C Bainbridge, Eyebeam alum
Plus: Special Guests, DJs, VJs, and more

EVENT CHAIRS: John S. Johnson | Jazz J. Merton

COMMITTEE CHAIRS: Tatiana Platt | Bryce Wolkowitz

BENEFIT COMMITTEE: Jed Alpert | Marc + Caryn Becker | Laura Dawn | Ze Frank | Andrea Harner | Garrett + Maureen Heher | Arianna Huffington | Jaime Johnson | Jonah Peretti | Lily Johnson Whitall | Marc Schiller

EXECUTIVE DIRECTOR: Amanda McDonald Crowley

MEDIA SPONSOR: GOOD Magazine
GOOD

Proceeds from the evening will help underwrite Eyebeam’s international fellowship and residency programs for artists and creative technologists, more than 300 of whom have benefited since 1997.

Tickets and information online: https://salsa.democracyinaction.org/o/528/t/6209/shop/shop.jsp?storefront_KEY=497

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May 17: Teen Mashup Remix: Creative Youth Workshops

Public Workshop + Presentations
Date: Saturday, May 17, 1–7PM. Presentations: 8PM
Location: The Change You Want to See, 84 Havemeyer St. (storefront), Williamsburg, Brooklyn
http://www.notanalternative.net/

Workshop for student residents
In continuation of Eyebeam resident Andrew Paterson’s Seeders ’N’ Leechers ’R’ Us project, Eyebeam student residents will take part in workshops at Eyebeam May 12 and 16 to remix audio-visual material found online and develop “fair-use” guidelines for fellow students and laymen.

Public Workshop + Presentations
A dozen participants selected from Eyebeam’s educational partners are invited to bring at least three clips to add to a pool of footage. During the workshop, they will learn to remix clips from the pool into short narrative sequences. The session will close with a screening of the finished pieces.
Workshops by:
Dan Winckler: http://danwinckler.com/vid/
Not An Alternative: http://thechangeyouwanttosee.org/
Jeff Crouse and David Jimison: http://www.digitalsituations.com/awbh/

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New from our Labs

May 1: Eyebeam at Futuresonic Conference 2008

Futuresonic Conference 2008: The Social Technology Summit
Date: May 1 – 2
Location: Contact Theatre, Manchester, UK
http://www.futuresonic.com/08/2008conf.html

May 1, 2–3:30PM: Collective Media
Spanning user-generated content, collaborative authoring and collectively owned media, this panel will feature case studies of initiatives from India to Germany. Panelists include: Platoniq (Olivier Schulbaum, Susana Noguero), Ravikant Shama (Sarai), Jennie Savage (STAR Radio), Eyebeam senior fellow Geraldine Juárez, Christine Hanson and Michael Schafae.

May 1, 5:30–11PM | May 2, 2 – 6PM: Dirt Party
Eyebeam senior fellow Jeff Crouse and Production Lab fellow David Jimison will present Dirt Party. Dirt Party is a performance in which salacious information about party attendees is gathered from sources including the web and presented to the entire audience.
Help dig up “Dirt” on the Futuresonic participants by logging on to http://futuresonic.dirtparty.org/, and view some examples here: http://futuresonic.dirtparty.org/thumbs.

May 2, 10–11:30AM: Musical Interfaces
This panel will consider the mobile phone user as micro-DJ, a Toronto-wide open source musical interface and more. Panelists include: Florian Hollerweger, Gauti Sigthorsson, Steve Daniels, and Eyebeam resident Jamie Allen.

Additional Events:
Freeware: The Manchester Collection
May 3, time TBD (check the Futuresonic website for schedule) | Fashion show: May 4
Zion Art Center | Free
A workshop about Manchester, its people and the stuff they give away. This session will be dedicated to creating fashion items from freecycled materials collected around the city. The clothes will be presented in a community fashion show at the end of the workshop.

Finally, members of CRUMB (Curatorial Resource for Upstart Media Bliss) will be curating couples and setting up blind dates for gun-shy curators and artists. Find your soulmate—stop by the mezzanine at the Contact Theatre on Friday, May 2, 2–5PM.

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May 1: The results of the iraqimemorial.org First Juror’s Review are in!

A recipient of Eyebeam’s 2008 commission for Resident Artists, Joseph DeLappe’s, iraqimemorial.org has garnered 125 proposals from 30 nations. On May 1, the results of the First Juror’s Review of memorial proposals will be posted to the site. Jurors for the project were invited to create individual rankings of their top ten proposals. The jurors for the project are:
Yaelle Amir, curator and writer, New York City
Dr Bernadette Buckley, Goldsmiths University of London
Monica Narula & Shuddhabrata Sengupta, The Raqs Media Collective, New Delhi, India
Dr. David Simpson, University of California, Davis
John David Spiak, curator, Arizona State University Art Museum, Tempe
Dr. Marjorie Vecchio, Director, Sheppard Fine Arts Gallery, University of Nevada, Reno

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Puppet play beta

May 4: Friedrich Kirschner presents Eine Kleines Puppenspiel

Ein Kleines Puppenspiel
Date: May 4 – 6
Location: Trickfilm Festival, Stuttgart, Germany

Friedrich Kirschner, a fellow in the Eyebeam Production Lab, will perform his piece Ein Kleines Puppenspiel on May 4 as part of the International Trickfilm Festival in Stuttgart, Germany. Kirschner will also lead workshops on machinima and moviesandbox on May 5 and 6.

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May 9: Call for proposals: Artist as Startup: Web Application as Cultural Intervention

Deadline for proposals: May 9
Date: February 25 – 28, 2009
Location: College Art Association Conference, Los Angeles
Submission Details: http://www.collegeart.org/pdf/CallforParticipation2009.pdf.

Senior fellow Michael Mandiberg will chair a panel at the 2009 College Art Association Conference in LA, and is accepting proposals for papers on the topic of web artists making cultural interventions through “life- like” functioning tools and applications. Artists, theorists and historians are all welcome to submit an abstract.

Send applications to Michael Mandiberg, Michael AT Mandiberg DOT com (email applications preferred), or at College of Staten Island, City University of New York, Dept. of Media Culture, 2800 Victory Blvd., Staten Island, NY 10314.

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Anti-Advertising Agency announces “Foundation For Freedom”, featured on NPR

The most creative and forward-thinking professionals of our time work in marketing. The Anti-Advertising Agency Foundation For Freedom wants them to quit. And they’re offering cash.

Read about Eyebeam senior fellow Steve Lambert and Anne Elizabeth Moore’s new project on the Anti-Advertising Agency site:
http://antiadvertisingagency.com/projects/foundation-for-freedom
or on Gawker:
http://gawker.com/381161/get-paid-to-quit-the-advertising-industry

Plus: Check out recent interviews with Steve Lambert on National Public Radio , and in Gelf Magazine.

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Community

May 4: GRL: The Complete First Season at the MoMA

GRL: The First Season
Date: May 4, 8–11PM
Location MoMa Titus Theatre, 11 W 53rd St., NYC
Tickets: http://www.moma.org/calendar/ev_tickets.php?id=8571&tid=VS0000195&dept=VS

Info about the screening: http://graffitiresearchlab.com/?p=140

PopRally invites you to a screening of Graffiti Research Lab: The Complete First Season, a film documenting the adventures of an architect and an engineer who quit their day jobs to develop high-tech tools for the art underground. Featuring insightful and humorous commentary by GRL founders James Powderly and Evan Roth, The Complete First Season argues for free speech in public, open source in pop culture, the hacker spirit in graffiti, and not asking permission in general. The film premiered at the 2008 Sundance Film Festival.

The screening will be followed by a panel discussion with Graffiti Research Lab members and surprise guests. Stay for the party afterwards, featuring music by Javelin and a final chance to see MoMA’s Design and the Elastic Mind exhibition, which includes the work of the GRL.

Watch the trailer for GRL: The Complete First Season: http://graffitiresearchlab.com/?page_id=142#video

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Chelsea Block Party

May 9: Eyebeam at the Chelsea Block Party!

Citizens Committee for New York City Block Party
Date: May 9, 4–8PM
Location: Hudson Guild Place, 26th St., NYC (btw. 9th and 10th Aves.)

Eyebeam artist Taeyoon Choi’s infamous picture-taking duck will be making an appearance at the local block party organized by the Citizens Committee for New York City. Learn about other Eyebeam projects, meet your neighbors or just come by and hang out! Other groups at the block party include: Pantomonium Productions Theater Group; Chelsea Community Supported Agriculture; Transportation Alternatives; Just Food; Chelsea Tenant Action Committee; Hudson Guild.

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Founded in 1997, Eyebeam is an art and technology center that provides a fertile context and state-of-the-art tools for digital experimentation. It is a lively incubator of creativity and thought, where artists and technologists actively engage with the larger culture, addressing the issues and concerns of our time. Eyebeam challenges convention, celebrates the hack, educates the next generation, encourages collaboration, freely offers its output to the community, and invites the public to share in a spirit of openness: open source, open content and open distribution.

Eyebeam’s current programs are made possible through the generous support of The Atlantic Foundation, The Pacific Foundation, the Johnson Art and Education Foundation, the John D. and Catherine T. MacArthur Foundation, the Jerome Foundation, Dewar’s, Deep Green Living, ConEdison, Datagram, Electric Artists Inc.; public funds from New York City Council Speaker Christine C. Quinn, the New York City Department of Cultural Affairs, the National Endowment for the Arts, and the New York State Council on the Arts, a state agency; and many generous individuals. For a complete list of Eyebeam supporters, please visit http://www.eyebeam.org/donate.


If you would like to subscribe or unsubscribe from the Eyebeam email list please visit:
http://www.eyebeam.org/about/about.php?page=contact


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EYEBEAM

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540W. 21st Street, New York, NY 10011
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