International Workshop-Seminar on Public Data Visualization will take place in November 12 - 27, 2009 at Medialab-Prado (Madrid, Spain).Deadline for projects and papers: October 5, 2009Call for collaborators: October 16 - November 11, 2009http://medialab-prado.es/visualizarDirected by José Luis de Vicente. Teachers: Ben Cerveny (Stamen) and Aaron Koblin. With the support of Bestiario.This new edition will focus on the implications of using data structure visualization to aid in public processes of decision-making. Selected projects and papers will tackle the topic of Open Data and Visualization for Government Transparency and Civic Engagement.Visualizar'09 includes an international seminar and an advanced project development workshop. Both activities will tackle the topic of transparency of data to make public discussion and debate possible, regarding the political, social, and scientific processes. Consequently, one of the objectives of Visualizar'09 will be the development of new strategies for communicating these data and returning them to the public domain.All those interested in collaborating in one of the selected projects can sign in from October 16 to November 11.Submission of databases:Public databases of institutions or research groups interested in sharing them and making them more available to citizens can be sent to visualizar[arroba]medialab-prado.es or through http://medialab-prado.es/visualizarSubmitted databases could serve as work material for data visualization projects selected for this workshop.More information:http://medialab-prado.es/article/convocatoria_de_proyectos__visualizar_09_datos_publicos_datos_en_publicovisualizar(arroba)medialab-prado.esWith the support of the Spanish Foundation for Science and Technology - Ministry of Science and Innovation (FECYT - Ministerio de Ciencia e Innovación)Nerea García GarmendiaComunicación / PressMedialab-PradoÁrea de Las Artes, Ayuntamiento de MadridPlaza de las LetrasAlameda, 15 28014 MadridTfno. +34 914 202 754difusion@medialab-prado.eswww.medialab-prado.esRead more…
The Centre for Contemporary Art Ujazdowski CastleEuropean Performance Art Festival openEPAF 2009We invite emerging performance artists to submit performance art proposals.epaf-festival.blogspot.com/2009Artists who are qualified to participate in the festival will receive:materials, equipment and CCA space required for performance;board and lodging during the festival;photographic and video documentation of the performance presented during the festival;a fee of 1000 PLN and as far as possible travel costs.Performances presented at openEPAF will be selected by a jury consisting of artists and art critics.In order to participate in openEPAF, you have to submit an application containing the following:1. first name and surname, biographical note, artistic CV, address.2. short description (not longer than 120 words) of the proposed performance, including information about a duration of the performance, materials, equipment and space required.3. video material with the documentation of previous performances on DVD video, miniDV or VHS (with a description containing the title, date and place of the performance)Language of the application: English, PolishNotice: this call for proposals is addressed only to artists from performance art area.We will not accept theatrical performances.Proposals should be submitted personally or by mail to the address below;And by email (only the information specified in 1 and 2 above).EPAF 2009Centre for Contemporary Art Ujazdowski Castleul. Jazdow 200-467 WarszawaPolandopenepaf [at] csw [dot] art [dot] plepaf-festival.blogspot.comRead more…
Please apply by September, 15th 2009TANZPLAN DRESDEN seeks to give new impulses to the contemporary dance scene in Dresden and is therefore looking for two production teams to come to Dresden and create a new project for the dance evening of TANZPLAN DRESDEN in June 2010. Choreographers may apply with a team of for instance multimedia artists, composers, stage designers, musicians, dancers, or artists of other genres. The prime funding criteria is to support and promote young and upcoming talents. The two productions will be supported with a total of 40.000€.More detailed information about the application can be found at our website:http://www.tanzplan-dresden.de/v2/en/news.htmlApplication deadline is September 15th, 2009application form_2010.pdfRead more…
Vacía de Espacio Teatro danza Clases y Talleres 2do cuatrimestre1. Danza Teatro: Entrenamiento y MontajeAbierto a todos los niveles de Experiencia.Viernes de 19:30 a 22 hs BoedoDestinado a estudiantes de danza, teatro, músicos, cantantes y artistas de cualquier disciplina interesados en iniciarse en el lenguaje compositivo de la danza teatro o con necesidad de profundizar en él. Principiantes bienvenidosObjetivos:Entrenar desde un abordaje sensoperceptivo elementos técnicos propios de la Danza Teatro como género a saber:Integración cuerpo-voz,La danza como acción física,Destrezas y habilidades,Dramaturgia aplicada a la composición en danza,Elaboración de materiales escénicos.Técnicas de abordaje:Danza Teatro, Danza Contemporánea, Entrenamiento Antropológico, Eutonía, Sensopercepción, Anatomía Funcional aplicada al movimiento y la voz.Arancel: $140.- meses de 4 clases$ 150.- meses de 5 clases. Incluye material teórico y clases extras con videos.Se reserva la vacante abonando anticipadamente el 50% del arancel x medio de un depósito bancario. Solicitar Nº de cuenta por mail o teléfono.2. Composición y Montaje en Danza Teatro.Martes de 11 a 13hs. Casa PuánDestinado a estudiantes de danza, teatro, músicos, cantantes y artistas profesionales de cualquier disciplina interesados en iniciarse en el lenguaje compositivo o con necesidad de profundizar en él. Requiere al menos dos años de experiencia previa en Danza y/o Teatro o haber realizado alguno de los seminarios intensivos de verano.Objetivos: Acercar elementos concretos de organización y composición del material escénico desde un abordaje integrador y analítico.Generar material escénico concreto y en lo posible para ser "puesto en escena/ mostrado/ estrenado" durante el 2009. (Las muestras son siempre optativas dependiendo del crecimiento del trabajo y del deseo de cada participante)Se trabajará a partir de la propuesta de cada participante en la elaboración de un solo (o dúos o tríos) pudiendo ser éste coreográfico, teatral, musical, performático, etc. Se tenderá a la mixtura de estos lenguajes respetando siempre el deseo de cada participanteSi bien el Laboratorio es grupal, el trabajo se centrará en cada propuesta elegida previamente por el participante. Para aprovecharlo en su totalidad requerirá de ensayos y trabajo personal por fuera del mismo.Arancel: $140 meses de 4 clases$150.- meses de 5 clases. Incluye material teórico y clases extras con videos.Se reserva la vacante abonando anticipadamente el 50% del arancel x medio de un depósito bancario. Solicitar Nº de cuenta por mail o teléfono.3.Composición Espontánea segunda etapa cruce danza y artes plásticas:"Kandisnky en los pies"Sábado 15 de Agosto de 15 a 18 hsver info específica Aquí4. Entrenamiento Dinámico: Eje Postural, Apoyos y Columna Vertebral o "Las Raices del Asunto" en Casa PuanAbierto a todo público, principiantes bienvenidos.Desde un trabajo de reconocimiento corporal profundo, a través de elementos de Anatomía Funcional, Eutonía, Esferodinamia y Sensopercepción, se propone un recorrido dinámico en las premisas del Movimiento, la postura y la bipedestación.Las clases son en grupos muy reducidos o bien individualesZona: Parque Chacabuco.Grupales arancel:1 vez x semana $80.- x mes2 veces x semana $100.- x mesIndividuales: Horarios a convenir.5. Danza teatro en espacio abiertos. Trimestral Septiembre/ Octubre/ NoviembreEntrenamiento en Danza, sensopercepción, exploración y composición en espacios abiertos.Abierto a todos los niveles de experiencia.Jueves de 14 30 a 16 30.En Parque Chacabuco y Casa PuánLa propuesta parte de un espacio concreto: el Parque Chacabuco en Caballito, como partenaire del cuerpo en "situación de danza"Exploración y entrenamiento físico y vocal.Presencia.Implicancias de la danza al aire libre.Organización y percepción del cuerpo en espacios abiertos.Principios compositivos de teatro y danza callejeros.Arancel: $110 por mes o un pago de $300.-Más información envaciadeespacio@yahoo.com.arhttp://carolinadeluca. blogspot.comhttp://vaciadeespacio. blogspot.comhttp://casapuan.blogspot.comMuchas gracias por difundir esta información
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Wand 5 invites you to submit your entry for the competition of the 23rd Stuttgarter Filmwinter in the categories Film/Video, New Media or Installation.Requirements:FILM & VIDEOContributions to the film/video competition must include a preview DVD or VHS tape (PAL or NTSC). Films and videos submitted to the »International Short Film Competition« can't be longer than 30 minutes.Submitted films and videos being longer than 30 minutes may run in a special programme outside the competition.MEDIA IN SPACE (INSTALLATION), PERFORMANCES, WORKSHOPSPlease enclose detailed plans, information, technical specifications and a calculation.There is no fee for works selected for the competition programme.ON-/OFFLINEOn-and Offline works on software, net-art and virtual communities may be submitted for this section. Online work can also be submitted via www.filmwinter. de.Prizes:TEAM-WORK-AWARD RITTER SPORT endows an award amounting 2.000 Euro for a film and video production realized by a team.NORMAN 2010 Award of the jury for film and video of 4.000 EuroAWARD FOR MEDIA IN SPACE Award for Media in Space (installations)AWARD FOR ON-/OFFLINE This award goes to an independently produced work in the field of software, net art or virtual communities.WAND 5 AWARD Our legendary Wand 5 team special price award!AUDIENCE AWARDS The prizes for the best short film and the best media-installation in the international competition will be awarded by the audience.We kindly ask you to send us a printed and filled copy of the application form along with the preview material of your work. Application shall be mailed to our address.Application formDeadline: 01/09/09Contact:Wand 5 e.V.Friedrichstr. 23 A70174 StuttgartGermanyPhone: 0049-711-99 33 98 0Fax: 0049-711-99 33 98 10E-mail: wanda@wand5.deURL:www.filmwinter.deRead more…
Wearable_dynamic research is a company created by Paola Tognazzi,which purpose is to associate artists with common interestsin designing interactive tools based on the artistic phylosophy of:1- Changing the dynamic motor of human body2- Developing ergonomic full-body interface for control of immersive audio-visual environment.3- Creating an infrastructure and a modular network.We are delighted to present our first baby project W_Space:http://thegenerationborn1973.blogspot.com/2008/10/interview-on-tv.htmlhttps://www.youtube.com/watch?v=n-OYfuxtWMYA collaboration between Paola Tognazzi and Tom Tlalim.Programming by Steven Pickles and Martin Nadal.Supported by Medialab-Prado Madrid, Steim Amsterdam, Liem Reina Sofia MadridFor more informations contact:Paola Tognazzi 0034622496254ptognazzi@hotmail.comvideo links:http://www.thegenerationborn1973.blogspot.comother webhttp://www.wearabledynamics.blogspot.com/
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Merce Cunningham, the American choreographer who was among a handful of 20th-century figures to make dance a major art and a major form of theater, died Sunday night. He was 90 and lived in Manhattan.
See complete post in the NYT blogRead more…
Randy Felts (Berklee Prof, saxophone guru and synthophone expert) assembles another "Dancing in the Light" multimedia performance at Berklee's David Friend Recital Hall, Monday, July 27, at 7:30 pm. He will be joined by Ricardo Monzon (Berklee Prof, expert world and drum set percussionist) and Lisa Leake (M.Ed., dancer, teacher), blending wild images from the computer, Lisa's dance moves, and the bending of his own and Ricardo's notes, for a total improv act that continually changes, according to the "beat, the light, and the spirit."
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Even though the Ndaje West African dance festival has commenced for 2009 in Massachusetts, it is moving to New York City in August. Some of the recent photos posted are of the magnificent cast of dancers and actors from the Ndaje School of African Arts, Inc., founded and directed by Pape N'Diaye (who fortunately co-teaches in NYC and Boston). Go to his website for more info: wwwpapendiaye.com. And enjoy - the sizzle is commin' at ya, if you live in NYC.
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For Immediate ReleaseContact: Lauren Withhart, Press Coordinator443-845-0779 cellwithhart@comcast.net“Move Music” on July 30th and 31st : new dance, live music“Move Music” will feature new work from local choreographers: Reggie Cole, Cindi L’Abbe, Kelly Mayfield, and Lauren Withhart. Each choreographer will present an innovative collaboration between movement and live music. “Move Music” will be presented at the Creative Alliance at the Patterson Theater located at 3134 Eastern Ave. in Highlandtown. Performances are on Thursday, July 30th at 7:30pm and Friday, July 31st at 8:00pm.“Move Music” is a unique opportunity for dance to live symbiotically with musicians live on stage. Each choreographer will showcase their creativity along side talented local musicians. Representing the wide spectrum of modern dance, each choreographer builds a unique relationship that highlights musicality and virtuosity.Cindi L’Abbe founded Dilettante Dance Company in Baltimore. Her work is a true collaboration with guitarist David Ross as they explore literary works of Edgar Allen Poe and the photography of Georgia O’Keeffe, the process of which is documented at www.dilettantedance.blogspot.com. Reggie Cole has dance and choreographed with CityDance Ensemble, Edgeworks Dance Theatre, and Contradiction Dance as well as performing solo work both regionally and internationally. In this concert, he is presenting solos and duets with cellist Henry Mays and percussionist William Goffigan. Kelly Mayfield, founder of DC’s Contradiction Dance explores the life between internal and external realities with Imaginary Clouds, accompanied by Aligning Minds. Lauren Withhart, an MFA candidate of Dance from UMD and professional member of Baltimore’s The Collective, VTDance, and Gesel Mason Performance Projects in DC, presents two restaged works, including a distinctive improvisation with partner Betty Skeen.These four choreographers along with professional local musicians unite for a two-evening engagement at the Creative Alliance. The performance will feature professional dancers from the Baltimore and DC area with original scores by local composers.“Move Music” is the perfect performance to invigorate the senses and stimulate the Baltimore dance community.Ticket info:Tickets are $12/adults or $10/students & members on Thursday, July 30th. Tickets are $15/adults or $12/students & members on Friday, July 31st. Tickets can be reserved by calling 410.276.1651 or visiting www.creativealliance.org. Performances are at 7:30pm on July 30th and 8:00pm on July 31st.
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Go to dance-tech.net interviews @ mouvement.net
Starting this month, the dance-tech.net interviews are been syndicated by the well known french magazine and website Mouvement.net!
dance-tech.net add the prestigious and interesting publication Mouvement.net as a media syndication partner becoming its exclusive video content provider.
The 7th International Interaktionslabor takes place from July 20 to August 2 on the site of the former coal mine Göttelborn in southwest Germany.
This year the main focus of the workshop is on perceptual processes. The project title -Halbinseln der Wahrnehmung/Peninsulae of Perception - is a reference to a diary written by a person afflicted with Asperger’s Syndrome. The diary has been proposed as research libretto for investigations into differing perceptual channels and psycho-social research on autism, synaesthesia, music composition and real-time performance. The acoustic-musical dimension of the 2009 laboratory is complemented by research into design or wearable audiophonics and acousmatic architectures and sound perceptions.
The workshop brings together artists, scientists and researchers from different backgrounds committed to sharing their experiences and catalyzing multidisciplinary science-art collaborations. Special guests in residence at the summer lab are Stefan Scheib and Katharina Bihler from the Liquid Penguin Ensemble, an experimental music-theatre group that gained wide recognition through their award-winning radio music dramas. Their latest production, "Bout du Monde," has just been selected radio drama of the month (June 2009) by the German Academy of the Performing Arts. Previously, "GRAS WACHSEN HÖREN - das biolingua Institut wir 100 Jahre alt" was awarded the prize for best german radio drama and the ARD Online Award in 2008. Their music theatre performance "Eurydike hinter den Grenzen" (2007) was shown at festivals in Luxembourg, Düsseldorf, Saarbrücken and other venues.
The laboratory is organized by theatre director and media artist Johannes Birringer who founded the Interaktionslabor in 2003 and currently holds a professorship in digital performance at Brunel University, London. "We have had many inquiries this year, as our subject combines research into media arts and psychology," Birringer says, "and the lab also has a continuing commitment to challenging our assumptions about space and perceptual constructions. We look forward to the participants from Latin America, Great Britain, France and Switzerland who will join artists and educators from the region." The lab ensemble plans to create a sonic installation in the 10KV, a former electric plant on the campus of the mine. The Interaktionslabor, which went on tour last summer to Belo Horizonte, Brasil, has become increasingly well known for its unique peripheral location, its independent, autonomous status, and the transcultural partnteships it has helped to build over the years.
The lab ensemble plans to create a sonic installation in the 10KV, a former electric plant on the campus of the mine. The Interaktionslabor, which went on tour last summer to Belo Horizonte, Brasil, has become increasingly well known for its unique peripheral location, its independent, autonomous status, and the transcultural partnerships it has helped to build over the years.
The activities are open to visitors, and information about the proceedings and the research process can be found at
http://interaktionslabor.de.
Interaktionslabor is supported by private-public partnerships and donations, and by the IKS IndustrieKultur Saar. Photo credit (c) Zeitgenossen/dans sans joux
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Aproveitando a presentação da performance Protomenbrana do Marcel.lí Antunez no FILE 2009, o artista ministrará um workshop com o tema “SISTEMATURGIA", -Transmissão de conhecimento e experiências”- literalmente dramaturgia dos sitemas computacionais na Oficina Cultural Oswald de Andrade . As oficinas acontecem dias 29, 30 e 31 de julho, das 10 às 14 horas. Para participar, os interessados devem enviar currículo e carta de interesse para cultura3@ccebrasil.org.br até o dia 26 de julho. Mais informações podem ser obtidas pelo número 3822 2627 no ramal 22.
Programa de trabalho do workshop:
Dia 1:Teoria de dois ámbitos, a maquinaria de creição coletiva. A Trilogia de la Fura dels Baus 1984/88 (ACCIONS, Suz/o/ Suz & Tier Mon), outros trabalhos dos anos 80’ (Los Rinos, films Aixalà/Antunez….)
Dia 2: Sistematurgia 1 e outros desdobramentos do trabalho de Antunez-Roca. O exemplo de Afasia (Satel·lits Obscens / Afasia / Afalud). Outras performances mecatrónicas Epizoo, Pol e instalações interativas; trabalhos biológicos.
Dia 3: Sistematurgia 2. Formas de interação, Interatividade sequencial, microrrelatos… A dimensão do desenho. O projeto Membrana episódios e satélites Protomembrana, Hipermembrana e Metamembrana. DMD Europa.
Organização: Oficina Cultural Oswald de Andrade- Secretaria de Cultura do Estado de São Paulo e CCE_SP
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Cimatics - Brussels International Festival for Live Audiovisual Art & VJing - invites all artists, creatives and producers to send their submissions for the next Cimatics festival.Cimatics festival takes place from 20th - 29th November 2009 at various locations in the centre of Brussels.Festival theme: New CitiesCimatics is an audiovisual festival that is closely connected to contemporary digital and urban practice. Cimatics 2009 aims at encouraging all projects that focus on the relation of both cultures. This theme is not a statement but utters the question of how to approach digital and urban culture not as 2 separate layers, but as a single given. Send us your ideas, lectures, performances or videos for 'New Cities' by using the form below. Note that also non-audiovisual work is highly appreciated.Pre-selectionAccepted media: DVD, Blue-Ray, HD DVD, Mini-DV, CD (please don't send any original/master work, only copy of good quality or first gen, also don't send data DVD with movies on: DVD's should play on a consumer DVD player & CD-ROM's should play on a Mac/PC)Mailing costs will be borne by the entrant. Hard copies will NOT be returned.LanguageWorks submitted must be in French, Dutch or English or have subtitles in either of these languages. Works in other languages must be accompanied by a text list in English.Deadline: 31/07/09Contact:CIMATICS 09c/o Cimatics vzwOnderwijsstraat 51B-1070 BrusselsBelgiumPhone: +32 [0] 2 520 07 82Fax: M: +32 [0] 475 497 110E-mailinfo@cimaticsfestival.comURL: www.cimatics.com/entriesRead more…
Title:"One Step - Hickle-Dee-Pickle-Dee"The following video has been inspired by TheScotsman report 'One giant gaffe for mankind'about the Nasa taping over the original footage of1969 Moon landing.Produced for the Dance Films Association, Inc'scompetition 'What moves you? 48 Hour Challenge'.17th - 19th July 2009Brief:The four performers are elderly people who havedementia trying toremember watching thefirst steps on the moon by Neil Armstrong.This video draws an analogy betweenlosing memory and lost visual documentationthrough words and movements.Inspiration:The trying steps and movements of the elderlyperformers and the first step on the moon byNeilArmstrong as well as losingmemories and materialistic things.
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Watch the first pilot broadcasting of MovimientoTV from Asuncion, Paraguay.
It will be a workshop on Improvisation and composition called Creadon Espacios (Creando Espacios).
This channel is created in collaboration with dance-techTV Network and movimiento.org.
Broadcasts will the 19 to the 28th of July.
More about the workshop:
TALLER DE IMPROVISACION Y COMPOSICION EN DANZA
En el marco del Programa de circulación e intercambio de procesos creativos
El Proyecto “Creando Espacios”, es una iniciativa de integración y colaboración, por parte de la productora local Diana Fuster junto a OTRAPIEL Compañía de danza, en el marco de las actividades del Programa de Circulación e intercambio de procesos creativos creado por Vanilton Lakka (Brasil). Esta propuesta cuenta con la colaboración de la Red Sudamericana de danza y elpatrocinio del Centro Cultural de España Juan de Salazar en Asunción y el Centro Cultural de España en Buenos Aires.
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PAF (=PerformingArtsForum) is a place for the professional and not-yet professional practitioners and activists in the field of performing arts, visual art, new media and internet, theory and cultural production, who seek to research and determine their own conditions of work. PAF is for people who can motorize their own artistic production and knowledge production not only responding to the opportunities given by the institutional market.Initiated and run by artists, theoreticians and practitioners themselves, PAF is a user-created, user-innovative informal institution. Neither a production-house and venue, nor a research-center, it is a platform for everyone who wants to expand possibilities and interests in his/her own working practice.PAF is- a forum for producing knowledge in critical exchange and ongoing discursive practice- a place for temporary autonomy and full concentration on work- a tool-machine where one can work on developing methods, tools and procedures, not necessarily driven toward a product- a place for experimenting with other than known modes of production and organization of work, e.g. open source productionMost importantly, PAF offers all these possibilities without imposing them. In other words, PAF depends on how you affect and are affected by taking an active part in shaping your own activity in your workplace.more info on: www.pa-f.netRead more…
Oh,
I wish I would have known about this:
Computational Creativity : An Interdisciplinary Approachhttp://www.dagstuhl.de/de/programm/kalender/semhp/?semnr=09291
This is what they wrote in the seminar website:
ah, we can download the research papers in pdf!!
very cool...
12.07.09 - 17.07.09, Seminar 09291
Margaret Boden (University of Sussex - Brighton, GB)
Mark d'Inverno (University of London, GB)
Jon McCormack (Monash University - Clayton, AU)
Motivation
Artistic creativity remains a mysterious, enigmatic subject — a “grand challenge” for Computer Science. While computers have exceeded the capabilities of humans in a number of limited domains (e.g. chess playing, music classification, theorem proofs, induction), human creativity generally remains unchallenged by machines and is considered a fundamental factor in our intellectual success. There is a sense that artistic creativity is somehow “special” in a way that could not be captured in an algorithm, hence implemented on a machine. This seminar aims to show that creativity is indeed special, but that it can be an emergent property of mechanical processes.
The seminar will address problems in computational creative discovery where computer processes assist in enhancing human creativity or may autonomously exhibit creative behavior independently. The intention is to develop ways of working with computation that achieve creative possibilities unattainable from any existing software systems. These goals will be developed in the context of artistic creation (visual art and music composition), however the results may be applicable to many forms of creative discovery.
The specific seminar aims are to:
* Contribute to fundamental research on our understanding of artistic creativity in humans and machines;
* Develop new methodologies for creative design in digital media, with particular emphasis on evolutionary ecosystem dynamics, where new algorithms for creative discovery are inspired by biological processes;
* Bring together researchers from a variety of disciplines and backgrounds, with coverage across the arts and sciences, but with a common goal of furthering our understanding of how computers may generate creative behaviour, using an interdisciplinary approach.
Creativity is a vast and complex topic, investigated by many disciplines. In broad terms it involves the generation of something novel and appropriate (i.e. unexpected, valuable). In this seminar we focus on artificially creative systems, either simulated in software or software process working in synergetic tandem with a human artist. The necessary conditions for any artificial creative system must be the ability to interact with its environment, learn, and self-organise, and this is the basis of the seminar’s approach. Darwinian evolution has been described as the only theory with the explanatory power for the design and function of living systems, accounting for the amazing diversity and astonishing complexity of life. Evolutionary synthesis is a process capable of generating unprecedented novelty, i.e. it is creative. It has been able to create things like prokaryotes, eukaryotes, higher multicellularity and language through a non-teleological process of replication and selection. We would like to investigate, on a metaphoric level, the mechanisms of biological evolution in order to develop new approaches to computational creativity.
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23 - 24 November 2009Taking place over two days, the Super Human symposium will present an invigorating and inspiring mix of keynote speakers and collaborative research projects engaging with one or more of the symposium themes: Augmentation, Cognition and Nanoscale Interventions.Questions that the symposium will address include, but are not limited to:How do scientific and artistic bodies of knowledge intersect with human, social bodies?Does art serve simply as a representational tool for the sciences or is there more to the picture than that?Does research into bodies and their systems offer an insight into aesthetics, or is it confined to the purely functional?More: ANAT - Australian Network for Art & TechnologyRead more…
