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Kinetic Cinema is Back! Monday Sept 8th

I'm very pleased to announce the start of a new season of Kinetic Cinema, with the first screening happening at 8pm on Monday Sept 8th at Chez Bushwick. As you might of heard, our original presenting partner, Collective:Unconscious unexpected lost their space in Tribeca this July when their basement was flooded and they were forced out by their landlord. It is a sad and all too familiar story of endangered affordable art spaces in Manhattan. Luckily Chez Bushwick has stepped in and saved the day for this program, and their director, Jonah Bokaer has curated a fabulous selection of films drawing from Chez Bushwick's constituency of dancers and choreographers.

"Momentum" by Samuel Topiary"PRIME MOVER: Dance on Camera From Chez Bushwick" is a program of works created to represent the diversity of artists working in movement-based media. Filmmakers and choreographers featured on the program will be Charles Atlas, DD Dorvillier, Jillian Peña, Dean Moss, Samuael Topiary, and Ann Liv Young.Pentacle Movement Media presents:Kinetic Cinemain collaboration with Chez BushwickMonday September 8th, 8:00pm (and the first Monday of every month)$5 Admission (buy tix at the door)Chez Bushwick304 Boerum St., Buzzer #11Brooklyn, NY 11206.Phone: 718.418.4405URL: http://chezbushwick.net/Trains: L to Morgan AveAdmission: $5

In addition, we also wish to recognize and support Jillian Peña, a choreographer and filmmaker on this program who was hit by a car three weeks ago and sustained very serious injuries and hospitalization. The driver was unlicensed, and Jillian, like many artists in our community does not have health insurance. Her dear friend and colleague, Miguel Gutierrez has set up a paypal account to receive financial donations to alleviate the financial hardship that Jillian and her family are experiencing at this time. In addition, there will be opportunities to make donations for her at the screening. Please consider making a donation on her behalf. ANY amount, any number of times that you can give it, will be invaluable for her and for her family.To donate online, go to paypal.com and sign up for an account (takes literally about 2-3 minutes) and then go to the "Send Money" tab and make the donation to:donations4jillian@gmail.comKinetic Cinema explores the intersection of dance and the moving image both on screen and stage. Each month curator Anna Brady Nuse invites a special guest from the dance community to share the films and videos that have inspired or moved them. These could be films that feature dance, are kinetic-based, or have been influential on their work in some way. The guest curators come from a range of backgrounds as performers, choreographers, critics, and filmmakers. Past programs have included fresh new shorts from the Dance On Camera Festival, a survey of the history of mediatized movement curated by Brian McCormick, dance films from the popular to the avant-garde curated by Malinda Allen, feminist video art curated by Jonah Bokaer, explorations in experimentalism with Levi Gonzalez, and a tour of inspiringly bad dance films curated by Kriota Willberg. Next month on October 6th, dance writer and critic Elizabeth Zimmer will curate.This screening of Kinetic Cinema also marks the first event of Movement Media, a new project I am directing at Pentacle that provides screenings, consulting services, and online interactive programs for dancers about dance and media. More information will be available soon online at pentacle.org. In addition to producing Kinetic Cinema, my blog, Movement Media will soon become the home of Move the Frame. Stay tuned for more announcements!
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Via DTW's site: As many of our readers know Jillian Peña, dancer/choreographer, was hit by a car in two and half weeks ago in Brooklyn, NY. Click here for more information about the accident. Since then she has been at Bellevue Hospital in Manhattan. She was admitted with two hematomas in her head, underwent multiple surgeries, and is now progressively waking up from a coma. For more information about Jillian’s recovery visit the Friends of Jillian Pena blog. Unfortunately, as with so many artists and working people in this country, Jillian doesn’t have health insurance. The medical costs will be staggering. In addition, her parents have re-located here indefinitely from their home in New Mexico, and it will be a huge expense for them as well to stay in NY during Jillian’s rehabilitation. A paypal account has been set up to receive financial donations to alleviate the financial hardship that Jillian and her family are experiencing at this time. Please consider making a donation on her behalf. ANY amount, any number of times that you can give it, will be invaluable for her and for her family. I know this is hardly a time when people have extra cash, but please know that this donation will provide immediate and much needed assistance. No donation is too small or too large. To donate, go to paypal.com and sign up for an account (takes literally about 2-3 minutes) and then go to the “Send Money” tab and make the donation to: donations4jillian@gmail.com Please consider making a donation on behalf of Jillian and her family today. This is an interview with Jillian at dance-tech.net from April 2008:
Find more videos like this on dance-tech.net
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Bridge Wind FarmAndrea Polli, Bridge Wind Farm, Queensboro Bridge

No rest for the wicked

It looks like Mayor Bloomberg is endorsing current Eyebeam resident Andrea Polli's proposal to create wind turbines for the spires of the Queensboro Bridge, and Eyebeam fellows have been working all summer to release new projects that are a real steal: Bright Idea Shades, littlebits, and TouchKit; and are currently recruiting for a Morse code workshop, the AAAFFF competition, and the Machinima FilmFest 08. We've also got Eyebeamer's heading off to Ars Electronica, The Upgrade! International, not to mention igniting Conflux Festival happening in and around NYC this year.

And if you haven't heard yet: GRL's James Powderly, an Eyebeam alum, is now safely back in NYC after being detained in Beijing, where he was collaborating with the group Students for a Free Tibet. You can find photos and updates are online at Free Art and Technology Lab site: http://fffff.at/the-eagle-has-landed/

So come and don your kinky Syrian lingerie on Saturday, September 6 at Eyebeam as we kick-off Fall!


This Week at Eyebeam:

September 6: Fashion Week with Ayah Bdeir

September 6 + 7: Light-Mobs Morse Code workshops

September 12: Machinima FilmFest 2008 deadline

September 13: Fashion Week with JooYoun Paek

Position available: Eyebeam seeking Production Manager

New from our Labs:

August 16 – September 21: Vagamundo—A Migrant's Tale

August 18 – Sept 1: Jeff Crouse's Finger Olympics

August 29 – 31: David Jimison's Urban Bingo at IndieCade

September 1: Anti-Advertising Agency Foundation For Freedom deadline

September 7: Eyebeam stars at Ars

September 10: Fauxcialite at WadKlub Fashion Week Party

Download the source: touchkit online now

Steal this idea: Bright Idea Shade online now

Ayah Bdeir's littleBits gain a little fame

Climate Research: The city gets some help from Eyebeam

Community:

September 11 – 13: Eyebeam Conflux Events

September 11 – 14: Upgrade! International's Chain Reaction


Ayah Bdeir

September 6: Fashion Week with Ayah Bdeir

Date: Sat., Sept. 6, 4PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free

Join us at 4pm on Saturday when R&D OpenLab fellow Ayah Bdeir will hold a runway show of her and Luma Shihab-Eldin's Syrian-style technologically hacked lingerie on the street in front of Eyebeam.

For more information, visit: http://www.haniyassecrets.com

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The Pocket Lightcoder

September 6 + 7: Light-mobs Morse Code workshops

Date: Sat., Sept. 6, and Sun., Sept. 7, 1 – 4PM
Location: Eyebeam, 540 W. 21st St., NYC
Cost: Free
Sign-up: workshop@didididahdahdahdididi.com

Eyebeam senior fellow Geraldine Juárez is recruiting a team for her Light-mobs, during Conflux Festival 2008. The Light-mobs are flash-mob style actions where communication between participants happens in morse code, using the Pocket Lightcoder and sunlight to transmit information.

The workshops are at Eyebeam (Sept. 6 + Sept. 7), and the action will be at the Conflux Festival weekend (Sept. 13 + 14). For more information, visit: http://www.didididahdahdahdididi.com.
But hurry! There are only 12 spots available. Free Pocket Lightcoder and small lunch provided.

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September 12: Machinima FilmFest 2008 deadline

Date: Submission deadline: Fri., Sept. 12
http://www.festival.machinima.org

The Academy of Machinima Arts & Sciences (AMAS) is calling for submissions for the much anticipated Machinima FilmFest 08 (the “Sundance of the Video Game Set”) which will be held Sat., Nov. 1 at Eyebeam! Filmmakers interested in submitting their work for the awards (“The Mackies”) have till Fri., Sept. 12.

As in years past, Machinima FilmFest 08 will feature panel discussions with prominent machinima filmmakers from around the world discussing this new form of cinema which often uses popular video games like Halo 3, World of Warcraft and The Sims as source material for entirely new, and often subversive works.

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September 13: Fashion Week workshop with JooYoun Paek

Date: Sat., Sept. 13, 4PM
Location: Eyebeam, 540 W. 21st St. W.
http://confluxfestival.org/conflux2008/self-sustainable-chair/

In conjunction with Conflux Festival 2008, Eyebeam alum JooYoun Paek leads a workshop on how to make your own Self-Sustaining Dress, a dress made out of polyethylene, connected to shoes that pump air into an inflatable bubble attached to its rear part on each step. The dress slowly transforms into a chair with each step and holds the person to sit on it naturally.

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Position available: Eyebeam seeking Production Manager

Eyebeam is currently seeking a full-time Production Manager to support the development, coordination, and production needs of Eyebeam's Fellowship and Residents programs. Details of the position and application requirements will be posted on the Eyebeam website on September 2.

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New from our Labs:

August 16 – September 21: Vagamundo—A Migrant's Tale

Vagamundo—A Migrant's Tale is a solo exhibition of work by Eyebeam resident Ricardo Miranda Zuniga, curated by Aniko Erdosi and Veronica on view from Aug. 16 – Sept. 21. Closing reception: Sept. 21, 6–8PM at 0.00156 acres, 119 Smith St. Brooklyn, NY


Finger Olympics

August 18 – Sept 1: Jeff Crouse's Finger Olympics

R&D OpenLab fellow Jeff Crouse presents the Finger Olympics! A game where contestants print and cutout special accessories, and then use their fingers to compete in a 100 decimeter dash. The game uses computer vision to track your fingers as you race for the finish line. After an initial training period, the best runners will compete in a final race for the Finger Olympics gold medal.

To take the tour vist: http://vimeo.com/1510617, and for a tutorial: http://vimeo.com/1536174
Official website: http://www.fingerolympics.com

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August 29 – 31: David Jimison's Urban Bingo at IndieCade

Urban Bingo will be appearing at IndieCade Independent Games Festival, in Seattle Washington August 29 – 31. Developed by Eyebeam production fellow David Jimison, Urban Bingo is a variant of the popular Bingo game, that turns city elements into game pieces.
http://urban-bingo.com/

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September 1: Anti-Advertising Agency Foundation For Freedom deadline

Are you in marketing or advertising and want to quit your job? We want to pay you with a giant novelty check! Applications are due Mon., Sept. 1. To learn more visit: http://antiadvertisingagency.com/projects/foundation-for-freedom

Listen to Eyebeam senior fellow Steve Lambert and Anne Elizabeth Moore on Chicago Public Radio talking about the AAAFFF here:
http://visitsteve.com/news/aaafff-on-chicago-public-radio/

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Eyebeam stars at Ars

Date: Sun., Sept. 7, 3 – 6PM
Location: Brucknerhaus Ars Electronica, Linz, Austria

Eyebeam executive director Amanda McDonald Crowley, R&D OpenLab fellow Zach Lieberman and Production Lab fellow Friedrich Kirchner will be presenting at Pixel-Spaces, the latest installment in the Ars Electronica Futurelab’s annual conference series, featuring selected international R&D facilities and labs that are teaching and/or working at the interface of artistic-creative media production and technological research.

Date: Sept. 4 – 9
Location: Brucknerhaus Ars Electronica, Linz, Austria

R&D OpenLab fellow Zach Lieberman and alum Theo Watson, creators of openFrameworks—an open source, C++ toolkit for artists and creative technologists (Ars Electronica Prix honorary mention, 2008)—will be transforming the first floor of the Brucknerhaus into an experimental OF laboratory. The OF lab will focus on creating new works that derive from suggestions from festival audience members. Over the course of this event, a feedback loop will be created between suggestions, experimentation, making projects, exhibiting the results and exposing the creative process. They will be joined by over a dozen other lab mates, including Eyebeam alumni Chris Sugrue, Taeyoon Choi, Golan Levin and Interactivos@Eyebeam participant Tine Papendick.

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September 10: Fauxcialite at WadKlub Fashion Week Party

Date: Thurs., Sept. 11, 10PM
Location:Hiro Ballroom
INVITE ONLY: david@eyebeam.org

WADKLUB is a party concept created in 2002 by the French fashion publication, WAD magazine. WADKLUB launches various Fashion Weeks around the world including Paris Fashion Week, Barcelona's Bread & Butter, and since this last February the NYC Mercedes Benz Fashion week. Production Lab fellow David Jimison will be installing the Fauxcialite photo system allowing guests to create time lapse poses of themselves, that are then projected in real time at the party.

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touchkit

Download the source: touchkit online now

Eyebeam Production Lab fellow Addie Wagenknecht and collaborator Stefan Hechenberger of NOR_/D have released their open source multitouch API, touchkit, online at http://touchkit.nortd.com.

This project relies on the help of the community to get the code/schematics out there. Your task is simple: test it, break it and make awesomeness with it! It also comes with a hardware reference design (TouchKit) so you can “build your own.” Through this open source process, we hope to be able to eliminate some of the complexities and provide a solid common starting point.

For the project description, setup guides, code, more examples, and to access the live forum, visit: http://touchkit.nortd.com

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Steal this idea: Bright Idea Shade online now

As we convert our burnt out silver-tip incandescent bulbs into CFL bulbs, we are faced with the problem of a bare harsh light. Eyebeam's R&D OpenLab and Sustainability Action Group designed a versitile lampshade to soften this light. They took several existing designs and customized one to fit a CFL bulb, made out of heat resistant photo diffuser material, and laser cut diffuser template which is now online, free to download, with an instructable for the templates and other goodness. The DIY kits are also available at Eyebeam.

The Bright Idea Shade is licensed with a Creative Commons Attribution license, and is a project of the Eyebeam R&D OpenLab/Sustainability Action Group members R&D OpenLab fellow Michael Mandiberg, senior fellow Steve Lambert, with Eyebeam interns Simon Jolly, Peter Duyan, and Oscar Torres.

For more information:
http://eyebeam.org/project/cfl
http://vimeo.com/1553079
http://www.instructables.com/id/Beautify_your_CFLs_with_Bright_Idea_Shades_steal_/

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Ayah Bdeir

Ayah Bdeir's littleBits gain a little fame

In the past week, R&D OpenLab fellow Ayah Bdeir's littleBits has been seen on Engadget, Gizmodo, Make, Core77, BoingBoing, Geek, and many more!

The littleBits videos: http://www.vimeo.com/tag:littlebits have been viewed over 25,000 times, and have received tonnes of great comments, emails and encouragements. Keep 'em coming!

For more information visit: http://www.ayahbdeir.com/littleBits

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Climate Research: The city gets some help from Eyebeam

Has Mayor Bloomberg been hanging out at Eyebeam? Earlier this year, as part of the Feedback exhibition, we featured artist (who is now also an Eyebeam resident) Andrea Polli's proposal to create wind turbines for the spires of the Queensboro Bridge (a project she began four years ago).

Working with the NASA Goddard Climate Research Group, technical designer Markus Maurette and videographer Morgan Barnard, Polli produced a short video promoting the installation of working turbines as an art project on the bridge that would provide enough power to light the necklace lights, which were turned off by Bloomberg a few months after 9/11 in order to save money. Polli's project was inspired by the darkening of the necklace lights and by the Northeast blackout of 2003.

Polli's project has been presented widely througout New York City, nationally and internationally. Looks like the inspiration is mutual—during the 2003 blackout, Polli remembers listening to the mayor speak of the need for innovative solutions to the energy issue on the radio, and began work on the project the very next day.

For more information visit: http://www.andreapolli.com/queensbridge

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Community:

September 11 – 13: Eyebeam Conflux Events

Conflux Festival 2008
Date: Sept., 11 – 13
Location: Headquaters: Center for Architecture, 536 LaGuardia Place, NYC. Events take place at various locations
Cost: Free
http://www.confluxfestival.org

Conflux curators panel
Thurs., 11 Sept., 10AM – 12:15PM, Center for Architecture
Panelists: Eyebeam executive director Amanda McDonald Crowley with Odin Cappello, Brian House, Sal Randolph and Radhika Subramaniam; and following opening remarks by Festival Director Christina Ray, Conflux Co-Founder David Mandl and Keynote Speaker Chris Carlsson.

Serendipitous Anthems
Sun., Sept. 14
Production fellow David Jimison's Serendipitous Anthems is an audio spotlight that follows people as they walk down the block projecting a personal music anthem to them, dynamically generated based on their walking speed, the weather, and other factors.

Light-mobs
Sun., Sept. 14, 12PM
http://confluxfestival.org/conflux2008/light-mobs/
Senior fellow Geraldine Juárez's Light-mobs are flash-mob style actions that use the Pocket LightCoder and sunlight to communicate in morse code, between participants. For more information visit: http://www.didididahdahdahdididi.com

Teta Haniya's Secrets
http://confluxfestival.org/conflux2008/the-arab-store/
Teta Haniya’s Secrets by R&D OpenLab fellow Ayah Bdeir, Openlab Fellow collaboration with Luma Shihab-eldin is a line of kinky electronic lingerie by Teta Haniya, a character based on real Syrian grandmothers. With over 60 years of Islamic teachings on seduction, and an arsenal of kitschy electronics Teta Haniya comes to New York to hijack the western panty, triggering the sexual liberation of the American woman.
For more information visit: http://www.haniyassecrets.com

The Federation of Students and Nominally or Unemployed Artists
Sun., Sept. 14, 1 – 3PM, Center for Architecture
A group of which senior fellow Steve Lambert is a member, will be giving away unsecured cash grants in the form of $10–$60 for creative projects thought-up on the spot by everyday people. The $1000 source fund is raised by $100 contributions by the ten students and nominally or unemployed artists in the Federation.

The Vertical Bed
http://confluxfestival.org/conflux2008/vertical-bed/
Alum Jamie O'Shea will give visual performance of an alternate way of occupying urban space, born partly out of fantasies of minimal need and elegant futurism, and partly out of fears of the dehumanization of space. Occupants will absorb the vertical structure of urban architecture into their bodies. The vertical sleeper is in a constant state of readiness, never succumbing to collapse.

Wildernets
Thurs., Fri., Sat., 4 – 8PM, various locations around the Conflux Headquarters
http://confluxfestival.org/conflux2008/wild-nets-working-title/
Alum Mouna Andraos in collaboration with Doris Cacoilo & Sonali Sridhar create Wildernets: portable mesh structures that create experiences of wilderness in public spaces.

Other Eyebeam alumni participating in Conflux include: Ken Wark, Joo Youn Paek, Jonah Brucker-Cohen, Leon Reid IV, and Bennett Williamson (with Jeff Sisson).

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September 11 – 14: Upgrade! International's Chain Reaction

3rd Upgrade! International gathering: Chain Reaction
Date: Sept., 11 – 14
Location: Skopje, Macedonia
Cost: Free
http://www.line.org.mk/

Chain Reaction is a four day festival curated by the Upgrade! International community bringing together artists, curators and art producers from more than 20 cities worldwide (Asia, Canada, Europe, North America, South America, South Africa, New Zealand). The thematic approach for this city-wide digital art and networked culture festival, explores cultural development and growth in the local region as well as within digital networks. The festival will be a catalyst for dialog, future collaborations and new cultural understanding.

Representing Eyebeam will be honorary fellow Yael Kanarek, who initiated the Upgrade! network, and will be facilitating the organizers sessions; director of education and public programs Liz Slagus moderating a discussion about Upgrade! New York; program and events coordinator Paul Amitai performing his perform his audio/video work, InBetween States; Production Lab fellow Friedrich Kirschner presenting Realtime Animation for Everyone, including demos and a workshop of realtime full-body scanning using open source software to animate captured scans; Mushon Zer-Aviv hosting a workshop about KRIEGSPIEL, Guy Debord’s 1978 “Game of War” produced in collaboration with alum Alexander Galloway and RSG.

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Time Lapse Dance website relaunches

With the help of many, many people and some great teamwork, I officially launched Jody Sperling's new website : Time Lapse DanceThe original redesign was put together by Paris Marashi, while the site design and content management system was executed by Sam MarxJody's upcoming work, Ghosts, will feature a wearable costume assembled by folks from ITP (Jenny Chowdhury & Alex Kowal)The site features a full content management system (run on Drupal), a full media player managed through brightcove, and some nice graphic work provided by her colleagues.During the process, we spent great care taking a look at the works page.We wanted to make sure we could feature individual photos, videos, and text - all in one area - so the content management system had to be flexible enough to handle all those elements.During the process, we also setup a facebook page, a blip.tv page, as well as a pro flickr account. The goal of setting up all these sites were simply to allow Jody to extend her reach beyond her site, while still providing a homebase for her work, and image.In addition to visiting the new site, make sure you check out Ghosts, premiering in October!
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Berlin, GermanyOCTOBER 5, 2008Call for Participants to join us in an exciting public site-specific performance as part of the Laban Conference.CONNECTING LANDSCAPES- A BERLIN/NEW YORK MOVEMENT CHOIRCALL FOR PARTICIPANTSWhat: Movement Choir EventWho: professional dancers, movement specialists, dance educators and moversWhen: October 5th, 2008 at 15:30 hours (3:30)Where: grounds of Haus der Kulturen der Welt, Berlin, GermanyProduced by: URBANCHOIR Project in cooperation with EUROLAB Laban ConferenceWe invite all dancers and movers to share in creation of a site-specific dance piece in the spirit of the movement choirs created by Rudolf Laban in Berlin during the 1920’s and 1930’s.contact for information:Balinda Craig-Quijada craigquijada@kenyon.eduKristi Spessard KiSpeDance@aol.comChase Angier angierc@alfred.edu
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berlin tanz im august

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Acabamos de volver de Berlin, donde hemos visto un monton de cosas bien impresionantes. El estupendo festival de danza Tanz im August no nos dejaba mucho tiempo para respirar actuaciones fuera de este mundillo..... menos mal!primero nuestros amigos de membros, que imponaban el publico de sophiensaele, (una sala muy guapa) con su danza politica y sus movimientos tan precisos.Luego, "accumulated layout" Hiroaki Umeda nos dejaba flipando. Del momento un pequeño video del performance:Dock11, un centro de crecion escenico con énfasis en danza es un sitio muy bonito y potente. Tienen salas de ensayo, hacen workshops de alta nivel y tienen sala de actuacion con propuestas muy inbteresantes.Vimos una recopilación curiosa de propuestas diversas que interprataban el "baile" de un adolecente americano, cuyo video cursaba extensivamente en el mundo you tube... la realisacion de la pieza era estupenda. con tecnica minima (un videoproyector, unas altavoces y un dvd player hacian todo desde iluminación hasta sonido). iniciado por la no-compania de teatro post-theater, se puede ver - y si estas en berl lo recomendamos- esta performance Napoleon D. todos los lunes el septiembre. aka la info.
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Beijing: Activists detained after lighting up "Free Tibet" LED Throwies banner near Olympics site from Students for a Free Tibet on Vimeo.
Free Tibet 2008 Online TV Station from Students for a Free Tibet on Vimeo. No word from the American artist 24 hours after being taken into Chinese custody Powderly was in Beijing to unveil a project made with pro-Tibet activist group New York City, August 19, 2008, 7:30PM EST- Artist and Eyebeam alum James Powderly was detained by Chinese authorities in Beijing early Wednesday, according to a message received by Students for a Free Tibet around 5PM Beijing Standard Time, said an SFT spokesperson. The message, sent through the social networking site Twitter, read "held since 3AM", said friend and SFT board member Nathan Dorjee. Powderly has not been heard from since-more than 24 hours later-and his whereabouts remain unknown, he said. "Freedom of speech has always been central to James' practice, and we support this commitment. Most importantly, we hope for his quick release," said Eyebeam Executive Director Amanda McDonald Crowley. Powderly was a fellow in Eyebeam's R&D OpenLab in 2005-2006, and a senior fellow in the OpenLab from 2006-2007. Powderly is also co-founder of the Grafitti Research Lab, a project developed during his fellowship at Eyebeam. He was in Beijing collaborating with the activists to project messages onto the facades of prominent Beijing buildings using a laser beam and stencils. The artist was detained before the planned launch of the project-dubbed the "Green Chinese Lantern"-in which a beam of light would be used to display graphics and text on structures up to two stories high, said Dorjee. It is unclear how Chinese authorities learned of the plan. Also today, five activists with Students for a Free Tibet were detained after displaying a banner that spelled out "Free Tibet" in LED Throwies, the open source technology pioneered by the Grafitti Research Lab and popularized online and worldwide. This brings the number of SFT protestors detained in Beijing to 42. In the majority of these cases, the individuals were heard from and deported within 6-12 hours of their arrest, said Dorjee. Upon learning of the detention, fellow artist, collaborator, and current Eyebeam senior fellow Steve Lambert said, "He's an amazing, entertaining, brilliant, and committed person. Not all of us have the courage to travel to China to make such a statement at a key time like this. He's a great friend and obviously, like so many others, I'm concerned about his well-being. I hope he's allowed to return home as soon as possible." The L.A.S.E.R. Stencil technology is a modification of the GRL's L.A.S.E.R. Tag, which was featured in the 2007 Eyebeam exhibition Open City. This portable, updated version is the size of a flashlight, requires one person to operate, and is intended for use with homemade micro-stencils. Students for a Free Tibet, a group with more than 700 chapters worldwide, has been staging protests in Beijing over the course of the past two weeks. According to Dorjee, who is also the group's technical advisor, GRL technology was an ideal fit for the spectacle of the Olympics, and called the GRL the "go-to group for open source urban expression". For the latest information and images, please visit the website of Students for a Free Tibet: http://freetibet2008.org/ Additional images for download: The Grafitti Research Lab, with images made using the L.A.S.E.R. Stencil (in the US): www.grafittiresearchlab.com LED Throwies: http://www.flickr.com/photos/urban_data/tags/ledthrowies/ Additional coverage: Boing Boing: http://www.boingboing.net/2008/08/19/beijing-activists-de.html The Washington Post: www.washingtonpost.com/wp-dyn/content/article/2008/08/19/AR2008081901287.html
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Edinburgh Tonight we have another show of ‘Mortal Engine’ at the Edinburgh International Festival. Compared with ‘Glow’, my initial collaboration with Australian dance company ‘Chunky Move’ this piece is quite large scale. A heavy set for our six dancers, with pneumatically moving stage sectors makes it quite challenging to set up in only two days. After a few minor disasters like a broken laser audio interface we got it all fixed for the premiere on Sunday which was very well received. (Preview - Review) Mortal Engine is performed on a large steep stage. It is mainly lit by video projectors, graphics generated from and closely connected to dancers movements. The visual world is quite abstract, not really video on it’s own, more like a very graphical and dynamic stage lighting. The general lighting pattern is to light the stage and mask out the dancers, putting our marvelous dancers in a distant alienating world. Illuminating a moving object This reversed lighting approach actually got a funny new meaning just recently. A german company keeps contacting us (i.e. different collaborator, not Chunky Move), holding high their patent for ‘system and method of illuminating an object’. It is about video-tracking (=detection means) based lighting of dancers (=3D moving objects) with a video projector (=radiation source). I hereby admit to be having done similar in the past. It is a more or less trivial method several media art groups were using in the past to do ‘on body projections’, The company is a ‘spin off’ of an arts project and claims to market the whole concept exclusively. In the arts world there is always a race for being the first one to use a new approach, but not sure whether patents suit the dance tech world too much. Anyway, Mortal Engine will be save cause the ‘moving objects’ are masked out of any illumination. This weekend ‘Mortal Engine’ will go to the Festival in Groningen, Netherlands, performances on Saturday and Sunday (23, 24. of August) Tanzmesse Düsseldorf Together with Emily Fernandez we will be presenting a lecture / demonstration about our approaches into digital dance performance at the Tanzmesse at the end of August (27-30). It will take place at the studio of ‘Theater der Klänge’ , Winkelsfelderstrasse 21 as part of the open studio, interleaved with presentations and dance films by Theater der Klänge and Christian Ziegler. More fun in a Norwegian parking lot Our Onskebron Installation is reopening for the winter season. This installation sits in a parking lot of Norwegian city ‘Sandnes’, basically a large Walk-On LED screen with movement showing interactive motion graphics generated from visitors movements. The installation was up for four month earlier this year. It was great fun watching couples starting to dance on the installation in the middle of the night, families going there for their Sunday afternoon walk, or the local kindergarten coming for their regular visit on Monday morning. After those months the installation was pretty much drowned and quite a few of the segments had stopped working due to the harsh weather conditions. Now it will be reinstalled, using slices of the floor screen you have seen at the opening ceremonies of the Olympics in Bejing. (Collaboration with Phase-7) Additional information is found at http://www.frieder-weiss.de All the best, Frieder Weiss Thank you Frieder! Merde! Marlon
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Dance New Amsterdam is looking for a part-time graphic designer, 20 hours/week, who is a fast worker, a quick learner and team worker. Must have basic skills in Photoshop, Quark, InDesign and web media (html and CSS).If interested please send resume and cover letter to Amanda Szeglowski at aszeglowski@dnadance.org with DNA graphic design in the subject line.Marlon
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Jilian Pena Hit by Auto in NYC

From the New York Post: An accomplished dancer, choreographer and artist was struck and critically injured by an unlicensed driver as she crossed a rain-slicked Brooklyn street yesterday. Jillian D. Peña, 28 - a doctoral candidate in fine arts in London who got her MA at the Art Institute of Chicago - was in critical condition after getting hit at around 11 a.m. at Myrtle and Marcy avenues in Bedford-Stuyvesant. … Peña is a National Merit Scholar who is pursuing a Ph.D. in performance studies, according to her online profile. “Mothership,” which she choreographed, was performed at the Dance Theater Workshop last spring. Writing about her National Hispanic Merit scholarship, she says on a foundation Web site that “although I had always identified myself as Hispanic, this was the first time it had been thrust towards me from the outside as something that set me apart.” “I am a female Hispanic/Scandinavian performance artist, but simultaneously, and more simply, I am an American artist.” Jillian’s friend’s have started a blog to keep everyone abreast of progress. Here is the link: friendsofjillian.blogspot.com Jillian was one the first artist interviewed by dance-tech.net for her premiere at DTW for the Spring Season 2008. see interview here:
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All my positive thoughts to Jillian, her family and friends. Marlon
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My FIRST gas mask

I bought my first gas mask today - an Israeli M15 black rubber beauty. I can't wait to get it in the dance studio and put on Psyclon Nine and see how it modifies sensory perception and resulting movement. For too long I've kept two distinct categories of art in my life. The world of the classical dancer and the goth/industrial/fetish/vampyre world. I've excelled in both worlds but I made a point in my life to keep them separate and distinct. Maybe for fear of diluting my resolve to be the best I can be in each. Or maybe for the more basic fear of opposing polarities of subcultures within Mother Art simply rejecting or repelling each other.Well thats just plain stupid. I used to be more of a theatrical renegade. Once upon a time I would cross ballet technique with goth pageantry and come up with something that neither subculture had ever seen. That was 1994 and that formula worked. Why did I stop? I think I needed time to train to develop my identity and resolve within the confines and specific rulesets of the dance tradition. Check. Got that now. Its time to go back to the secret formula.For too long in my life has dance technique served as both the vehicle and the message. Well its not the message, its just one conveyance to speak to the message. This whole other world that I'm a part of is soon going to bleed all over the pristine white tights of the dance technician. And there will be a whole other blood-spattered message to be had.Take for example the gas mask in a dance piece. Image the possibilities of a piece based on breath play. Imagine any one of the sick, freakish things we do in the goth/industrial/fetish/vampyre world combined with barrel turns and tour jetes. There is a difference between a dance piece, and a theater piece. This is now theater (revived). And this is why I'm excited about my first gas mask.....
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Video Dance Screening

I have been following online the events and co at EMPAC and hopefully will make it there myself soon in person. I can only agree on that dance film screenings should happen more often. Speaking from my own work and feedback I receive from friends, family and critics is that in public screenings the same piece of work is often well received and understood while most video dances lose their fascination online (think youtube). The problem is not only the lower quality that reduces the effects of sound and speed of movements but also the moment of 'live' performance in front of an audience is taken away from the work. The unique specialty of video dance is that it is closely related to live dance and thus its presentation in which it needs the space, the sound echoing of walls and an audience sharing the experience of movements, camerawork and edit. Personally, I am very audience-focused, some of you might know my work that aims on creating all-senses-incorporating interaction with the viewer through live performance and/or video installations in controlled spaces that enhance the experience and interaction.To return to the initial starting point of this discussion: yes, I hope more video dance events will happen, hopefully more dance places, cinemas and co venues will promote and open their spaces to show this genre of film. Currently, the Edinburgh Festival is happening which offers opportunities for video dance presentations for example.My aim is to increase the possibilities of showing dance work. Together with curator Alexandra Ross, I set up the traveling exhibition The State of Play that mixes live performance, audience involvement and interactive video dance projection:https://www.youtube.com/watch?v=QHmrSe5ZpBwmore info about this can be found on my website www.creationeditor.co.ukI am also involved with the events of Iam-Digital that fuses live performance, video dance and live music. I just put together a 2min docu of the last event in May'08https://www.youtube.com/watch?v=eKT5IMSfoiAmore on www.iam-digital.comMy latest video dance TRENCH was cut for the big screen were it works really well while it really loses it onlinehttps://www.youtube.com/watch?v=PciUp7-GsuoI would appreciate your feedbackIronically all is on youtube ;-)Best wishes and keep up the good workSabine Klausinfo@creationeditor.co.ukwww.creationeditor.co.uk
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dance-tech.net is pleased to congratulate member Jessica Mumford (http://www.dance-tech.net/profile/JessicaMumford) as the selected recipient of the MidiTron Wireless "Interfacing Motion" contest supported by Eroktronix (http://eroktronix.com/). The projects were reviewed by Eric Singer (creator of the Miditron), Dawn Stopello, (co-director of Troika Ranch) and me. Unanimously, we agreed upon Jessica's project as the recipient of the device due to its clarity, knowledge of the potential of the technology for her research, feasibility and sense of humor. Thank you! all the participants for your proposals and we encourage you to pursue them, continue to investigate and having fun in this exciting field. I hope that we can have more ways to contribute supporting our members to further their visions. Thank you Eric and Dawn for your time and support. Congratulations Jessica! Marlon New York City August 1st 2008 http://www.dance-tech.net/page/page/show?id=1462368%3APage%3A19466 PS: The selected artist commits to document and share the creative process using rich multimedia (writing, photos and videos) using his or her blog in dance-tech.net at least once a month during 6month after receiving the MidiTron Wireless The jury agreed to give a short feedback in writing on each proposal.
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GOOD NEWS: DANCE+TECH @ Tendu.TV

Hello dance-techers, I would like to announce that dance-tech.net will be producing a DANCE+TECH program for TenduTV (www.tendu.tv) starting this fall. I am very happy and proud about the opportunity of bringing the visions and performances of our field to a broader audience. DANCE+TECH will show the depth of the research, the complexity of the topics, the engagement of the practitioners and the relevance of embodied practices. An of course the fun of working with dance and new media. dance-tech.net is a community focused on innovation, creativity, generosity and self-discipline. DANCE+TECH/the program will amplify its pulse. This is my commitment! DANCE+TECH/The program adds value to your participation in the network and bigger exposure because it will bring more visitors to our site. It is in our dialog that these and new programs will emerge! Thank you Marlon Barrios Solano PS: we also have new logo! Press release: TENDUTV REINVENTS THE STAGE WITH DANCE-TECH FIRST ADAPTATION OF A SOCIAL NETWORK INTO LONG FORM PROGRAM NEW YORK, July 28, 2008 - TenduTV (www.tendu.tv), the first broadband channel focused on dance video, announced today an agreement with online community Dance-Tech (www.dance-tech.net) to adapt the social network into a self-titled monthly, long-form program. Dance-Tech will feature in-depth interviews with leaders, scholars and innovators in the performance art world who are taking advantage of new technologies in creating their work. The Dance-Tech program and related content will be made available through TenduTV's distribution, syndication and advertising partners beginning in the fall of 2008. "The technologies enabling both the art and science of movement have entered into an amazing and significant growth phase" said Marc Kirschner, General Manager of TenduTV, "in the last few years, movement and technology have combined to form the Segway, the Nintendo Wii and Oscar Pistorius, the double-amputee sprinter who nearly qualified for the Beijing Olympics. Dance-Tech will showcase a combination of technology and artistry that will educate and amaze." "We're thrilled to have the opportunity to invite more people to participate in our discussion," said Marlon Barrios Solano, founder of Dance-Tech and host of the Dance-Tech program. "With the larger reach of the TenduTV network, Dance-Tech will be able to share our community's passion and accomplishments with a much wider audience." Dance-Tech will be co-executive produced by Marlon Barrios Solano, Marc Kirschner, and Kevin Harkins. Early featured guests will include choreographer Gideon Obarzanek, of Australia's Chunky Move, who combines real-time motion tracking, generative animation and lasers to create unique dramatic landscapes, and Amsterdam-based choreographer Emio Greco, whose Capturing Intention research project has revolutionized the field of dance notation and documentation with its findings on computer based gesture analysis. ABOUT TENDUTV TenduTV (www.tendu.tv) is a broadband television channel featuring staged and filmed modern and contemporary dance and ballet performances from both established and emerging choreographers. The TenduTV channel will be launching in the Summer of 2008 on select video platforms, including TidalTV (www.tidaltv.com) ABOUT DANCE-TECH Dance-Tech (http://www.dance-tech.net) is a Ning-based social network catering to an international community of artists, scholars, technologists and organizations working within the disciplines of performance, science and new media. Members of Dance-Tech showcase their work, share ideas and opinions, and find collaborators for future works. Dance-Tech was created by former dancer Marlon Barrios Solano, who serves as Social Media Specialist for Dance New Amsterdam and is the Online Festival Coordinator for the Dance Films Association.
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