Call (42)

Please distribute to anyone you might think is interested.

Research Associate position available in movement, computation and digital media in the School of Arts, Media and Engineering [http://ame.asu.edu/] at Arizona State University.

Research focus themes: embodied interaction for rehabilitation and cultural networks.


Qualifications include:

• Computational background in programming, interest in movement and/or theory of new media systems and art practices

• excellent research and scholarly writing skills in the domains of new technology art and digital culture as well as an ability to do research in realms of scientific literature, health and education.

• Creative movement practice, background or critical interest for use in research, scholarly writing and development for system building for experiential media systems [see AME website for further details]

• Ability to work with transdisciplinary teams as well as produce individual work that crosses traditional disciplinary boundaries in the arts and sciences.

• Familiarity with studies and practices of embodiment [e.g. somatic practices and/or knowledge of kinetic, physiological, philosophical texts]

Specific duties and responsibilities:

⁃ research and write for publication in scholarly journals in arts, media and science.

⁃ coordinate in the computational design and implementation of an overarching, hybrid approach to integrating systems building for arts practice [see echo::system project www.echo-system.org]

⁃ assume a leadership role in the design and implementation of an overarching, hybrid approach to the development of movement schema [physical and computational] and evaluation of Parkinson's' rehabilitation System and related programs.

⁃ coordinate and extend ongoing efforts that assess patients, tools and programs that integrate the arts, sciences and engineering

⁃ design new evaluation instruments that integrate computational models with both qualitative and quantitative measures


Appointment period: Academic year appointment beginning in August 2010; 9 month, full-time post-grad appointment.

Minimum degree requirements and specialty area:
Minimum Master's degree in any of following disciplines; Computer Science, Media Studies, Critical theory. Specialty area or background in movement; Creative Practice, Embodiment studies, Somatic Movement, Physical therapy, Neuroscience.

Application:
⁃ Please provide CV and two work samples of your choice for application to this position.

Email to testcase@asu.ed
Todd Ingals
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CONVOCATÒRIA INTERNACIONAL III PREMI VIDEODANSA, BARCELONA


RECORDEU!


El 30 de juliol és la data límit per a inscriure les vostres obres.


El Premi Videodansa Barcelona és una convocatòria internacional dirigida a reconèixer aquelles obres més rellevants en la creació audiovisual amb el cos, el moviment i el llenguatge coreogràfic com elements significatius i diferenciadors del contingut i la forma del film.

Totes les obres seleccionades s'exhibiran en el marc del programa del festival IDN - Imatge, Dansa i Nous mitjans - que tindrà lloc del 13 al 16 de gener de 2011 al Mercat dels Flors de Barcelona.

El Premi, dotat amb 4000€, s'atorgarà a una sola obra o com a màxim a dos ex aequo i es farà públic en el marc de IDN. A més del Premi, un jurat internacional format per curadors i artistes del sector, seleccionarà entre 6 i 10 treballs destacats que passaran a formar part de les iniciatives de difusió pública de l'associació NU2’s.

Trobareu les bases i tota la informació a la web de NU2’s: http://www.nu2s.org



* Si’s plau reenvií aquest missatge a totes les persones que puguin estar interessades amb la fi d’obtenir la màxima difusió *



NU2's associació per a la creació rep el suport del Department de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya, de l’Institut de Cultura de l’Ajuntament de Barcelona, i de l’Institut Ramon Llull
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/// CASTELLANO


CONVOCATORIA INTERNACIONAL III PREMIO VIDEODANZA, BARCELONA


RECORDAD!

El 30 de Julio es la fecha límite para inscribir vuestras obras.


El Premi Videodansa, Barcelona es una convocatoria internacional dirigida a reconocer aquellas obras más relevantes en la creación audiovisual con el cuerpo, el movimiento y el lenguaje coreográfico cómo elementos significativos y diferenciadores del contenido y la forma del film.

Todas las obras seleccionadas se exhibirán dentro del programa del festival IDN – Imagen, Danza y Nuevos medios - que tendrá lugar del 13 al 16 de enero de 2011 en el Mercat de les Flors de Barcelona.

El Premi, dotado con 4000€, se otorgará a una sola obra o cómo máximo a dos ex aequo y se hará público en el marco de IDN. Además del Premi, un jurado internacional formado por curadores y artistas del sector, seleccionará entre 6 y 10 trabajos destacados que pasarán a formar parte de las iniciativas de difusión pública de la asociación NU2’S.


Encontraréis las bases y toda la información en la web de NU2’s: http://www.nu2s.org



* Por favor reenviar este mensaje a todas aquellas personas que puedan estar interesadas con el fin de obtener la máxima difusión *


Helvetica, Arial"">NU2'S associació per la creació recibe la ayuda del Departament de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya, del Ajuntament de Barcelona y del Institut Ramón Llull



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INTERNATIONAL CALL FOR ENTRIES – III BARCELONA, VIDEODANCE PRIZE


REMEMBER!


July 30 is the deadline for submit your works.


The Videodance, Barcelona Prize is an international competition designed to recognize those most relevant works of the audiovisual creation with the body, movement and choreographic language as significant elements of the content and form of the film.

All the selected works will be projected at the program of IDN - Image, Dance and New media – festival which will take place from 13 to 16 January 2011 at the Mercat de les Flors of Barcelona.

The prize, worth € 4,000 will be awarded for a single work or a maximum of two ex aequo and it will be given during IDN. In addition to the Prize, an international jury of curators and artists will select between 6 and 10 distinguished works that will become part of the public initiatives of diffusion of NU2’s association.


You will find all the information at our website: http://www.nu2s.org



* Please help us to ensure we reach as many people as possible by forwarding this message to anyone that may be interested *


Helvetica, Arial"">NU2'S associacío per la creació has the support of the Generalitat de Catalunya's Departament of Cultura, the Ajuntament de Barcelona and the Ramón Llull institute.



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Call for Papers (including publishing opportunity in the International Journal of Performance Arts and Digital Media (Intellect Ltd)
Two Thousand + TEN Symposium (on performance and technologies)
Sonic Arts Research Centre Belfast

DATE:
6th of November 2010, SARC Belfast

KEYNOTES:
Professor Georgina Born (Cambridge University/University College London)
Professor David Borgo (University of California San Diego)
Evan Parker (saxophone) - invited performer and director of the 'improvised music collective'


THEME:
Improvisation

CALL FOR IMPROVISORS:
See here for Call Them Improvisors!: Sonorities Festival of Contemporary Music

ABOUT:
The Two Thousand + symposia series, in its fourth edition in 2010, has established itself as a forum for contemporary critical exchange and discussion relating to the performing arts.
Since 2006 the symposium has been running alongside the Sonorities Festival of Contemporary Music in Belfast.

By focusing on a specific theme each year the symposium has brought together practitioners and theoreticians from fields as diverse as architecture, music, technology, dance, sound art, drama, philosophy and cultural theory. The Two Thousand + TEN symposium will focus on the theme of improvisation.
The Symposium is co-hosted by the European 2007 project CO-ME-DI-A (Cooperation and Mediation in Digital Arts) and will run alongside several days of showcase events/performances by COMEDIA partners.

The symposium is free of charge and presenters will be given free access to Sonorities events. These will run from the 4-7th of November 2010.

DEADLINES:
  1. 13th of August 2010: 600-1000-word proposal for 20 minutes presentations due (emailed to F.Schroeder@qub.ac.uk in word or pdf format).
  2. Authors will be notified within one week and asked to proceed to develop their papers with a view to possible inclusion in a special issue of International Journal of Performance Arts and Digital Media (Intellect Ltd).
  3. 6th of November 2010: Symposium 9.30am - 6pm, followed by evening concert
  4. 15th of January 2011: Full manuscript (6000 words) must be ready for peer review
  5. Envisaged Publication: Autumn 2011

CONTACT:
All inquiries can be directed to:
Franziska Schroeder: F.Schroeder@qub.ac.uk

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Artist Daan Roosegaarde and V2_Lab are looking for two fashion designers (M/F) to contribute to the 'Intimacy' series.

'Intimacy White' (2009), the first dress in the series, is made out of smart foil that becomes transparent when electrified. The distance of a spectator to the dress determines the level of transparency. This first dress received a lot of media attention and is considered highly successful. V2_Lab and Daan Roosegaarde now intend to make a series of 'Intimacy' dresses, each playing with a different material to create a sensual play of shared control.


'Intimacy Lotus' is a new heat-sensitive material by Studio Roosegaarde, responding and physically moving to the subtlest amount of warmth. We invite one designer to create a new interactive dress with the Lotus foil.


'Intimacy Black' is the dark sister of 'Intimacy White'.


We invite one designer to create accessories with the black foil that become
transparent when electrified.


Daan Roosegaarde says: ‘Technology is used here not merely functional but also as a tool to create intimacy as well as privacy on a direct, personal level ... which in our contemporary tech society is becoming increasingly important.’


In order to take this step from one dress to a series of fashion items, V2_Lab and Daan Roosegaarde are looking for:

  • Recently graduated or senior year fashion designers (M/F);
  • He or she must be able to participate in thought process along the lines set out by V2_Lab and Studio Roosegaarde in the preliminary stages and therefore must be a good team player;
  • He or she must be ambitious and determined to achieve our request for success;
  • The project starts on 1 May 2010. It is a full-time position for a period of 8 weeks.

What we offer:

  • Access to functioning new technology, an existing prototype and an artist' Impression of the intended final product;
  • A workplace at V2_Lab;
  • The opportunity to collaborate with an experienced, interdisciplinary team;
  • Technical support and backup;
  • Exhibition of the end result;
  • Name credit.

Please send your resume/portfolio and motivation before 15 April, preferably by email, to piem@v2.nl

V2_Institute for the Unstable Media

Attn. Piem Wirtz

Eendrachtsstraat 10

3012 XL Rotterdam


Eligible designers will be invited for an interview end of April.


About 'Intimacy White'

'Intimacy'

http://www.v2.nl/lab/projects/intimacy


'Intimacy Project Blends In Latest Technology With The Trendiest In Fashion Today'

http://elitechoice.org/tag/studio-roosegaarde-v2-lab/


'Intimacy: A Sensitive High-tech Garment'

http://ourfavoritegadgets.blogspot.com/2009/12/intimacy-sensitive-high-tech-garment.html


'Intimacy— A Sensual Haute-tech Wearable'

http://www.fashioningtech.com/profiles/blog/show?id=2095467%3ABlogPost%3A12563

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2011 Call for Participation, open to members of the Leonardo Education
and Art Forum

CAA 99th Annual Conference
New York, NY, February 9–12, 2011


PROPOSALS FOR PAPERS TO SESSION Eddie Shanken
Due May 3, 2010

Leonardo Education Forum
New Media, Art-Science, and Mainstream Contemporary
Art: Toward a Hybrid Discourse?

Edward A. Shanken, University of Amsterdam; eshanken@artexetra.com
Since the mid-1990s, new media has become an important force
for economic and cultural development. Support institutions
including Ars Electronica, ZKM, and Eyebeam have expanded,
while interdisciplinary PhD programs at the intersections of
art, science, and technology have proliferated internationally.
Simultaneously, mainstream contemporary art experienced
dramatic growth, propelled by the proliferation of venues from
Art Basel Miami to the Shanghai Biennial, and by the creativity
of artists, curators, dealers, and pedagogues. Yet rarely do these
two art worlds meet. As a result, their discourses have increasingly
diverged. To what extent are art-science, new media art,
and mainstream contemporary art commensurable? Is it possible
to construct a hybrid discourse that offers insights into each,
while enabling greater mixing between them? What roles have
educational programs played in fostering these divides and how
can they contribute to suturing them? What insights into larger
questions of emerging art and cultural forms might be gleaned
by such a rapprochement?

Every proposal should include the following six items:
1. Completed session participation proposal form, located at the
end of this brochure.
2. Preliminary abstract of one to two double-spaced, typed
pages.
3. Letter explaining speaker’s interest, expertise in the topic, and
CAA membership status.
4. CV with home and office mailing addresses, email address,
and phone and fax numbers. Include summer address and
telephone number, if applicable.
5. Documentation of work when appropriate, especially for sessions
in which artists might discuss their own work.
6. If mailing internationally, it is recommended that proposals be
sent via certified mail.

CHAIRS DETERMINE THE SPEAKERS FOR THEIR SESSIONS
AND REPLY TO ALL APPLICANTS BY JUNE 1, 2010.
ABSTRACTS OF PAPERS TO SESSION CHAIRS
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Early Deadline: December 16, 2009Final Deadline: January 15, 2010Celebrating our 9th annual dance film festival, Dance Camera West welcomes dance media in any dance style or genre. Categories include: screendance, movement based film, short films, features, documentary, installations, and interactive dance media.Dance Camera West’s June 2010 festival will feature an international selection of dance media and special screening events throughout the month at prominent Los Angeles venues such as Walt Disney Concert Hall’s REDCAT Theatre, Hammer Museum, American Cinematheque, Cheviot Hills Recreation Center, and several new venues to be announced.We look forward to seeing your new work!Entry forms and guidelines available at: www.dancecamerawest.org/submit.htmPlease direct questions to: festival@dancecamerawest.org
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DRHA 2010 Conference: Digital Resources for the Humanities and Arts
Sunday 5th September - Wednesday 8th September 2010
Brunel University, West London
www.drha2010.org.uk


CONFERENCE THEME: Sensual Technologies: Collaborative Practices of Interdisciplinarity

The conference’s overall theme will be the exploration of the
collaborative relationship between the body and sensual/sensing
technologies across various disciplines. In this respect it will offer
an interrogation of practices that are indebted to the innovative
exchange between the sensual, visceral and new technologies.
At the same time, the aim is to look to new approaches offered by
various emerging fields and practices that incorporate new and existing
technologies. Specific examples of areas for discussion could include:

• Delineation of new collaborative practices and the interchange of knowledge
• Collaborative interdisciplinary practices of embodiment and technology
• Integration/deployment of digital resources in new contexts
• Connections and tensions that exist between the Arts, Humanities and Science
• Notions of the ‘solitary’ and the ‘collaborative’ across the Arts, Humanities, and Sciences
• eScience in the Arts and Humanities
• Use of digital resources in collaborative creative work, teaching, learning and scholarship
• Open source and second generation Web infrastructure
• Digital media in time and space
• Music and technology: composition and performance
• Dance and interactive technologies
• Taking inspiration from SET: imaging, GPS and mobile technologies
• Evaluating the experience among providers and users / performers and audiences
• Interface Design and HCI
• Performative Practices in SecondLife or other virtual platforms
• New critical paradigms for the conference’s theme

The DRHA (Digital Resources for the Humanities and Arts) conference is
held annually at various academic venues throughout the UK. This year’s
conference is hosted by Brunel University, West London. It will take
place from Sunday 5th September to Wednesday 8th September 2010. It
will be held across various innovative spaces, including the newly
expanded Boiler House laboratory facilities, housed in the Antonin
Artaud Building, and state of the art conference facilities plus high
standard accommodation.

Confirmed Keynote Speakers
- Richard Coyne - Professor of Architectural Computing at the University of Edinburgh.
- Christopher Pressler: Director of Research and Learning Resources and
Director of the Centre for Research Communications, University of
Nottingham.
- Thecla Schiphorst: Media Artist/Designer and Faculty Member in the
School of Interactive Arts and Technology. Simon Fraser University,
Vancouver, Canada.
- STELARC, Chair in Performance Art at Brunel University and Senior
Research, Fellow in the MARCS Labs at the University of Western Sydney.

We invite original papers, panels, installations, performances,
workshop sessions and other events that address the conference theme,
with particular attention to the ‘Sensual Technologies’ focus. We
encourage proposals for innovative and non-traditional session formats.

DRHA 2010 will include a SecondLife roundtable/discussion event, led by
performance artist Stelarc, which will enable international
participants to present performative work via Second Life. For this
event, we particular encourage submission of Machinima works that can
be screened as part of this panel.
Short presentations, for example work-in-progress, are invited for poster presentations.
Anyone wishing to submit a performance or installation should visit http://www.drha2010.org.uk for information about the spaces and technical equipment and support available.
All proposals - whether papers, performance or other - should reflect the critical engagement at the heart of DRHA 2010.
The deadline for submissions will be 31 March 2010. Abstracts should be between 600 - 1000 words.
Letters of acceptance will be sent by 15th of May 2010, when the conference registration will be opened.
Please see http://www.drha2010.org.uk more information and a link for online submission.

Franziska Schroeder
DRHA 2010 Programme Chair
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TANZPLAN POTSDAM: ARTISTS IN RESIDENCE

Informations according residencies for the first half of 2010:Download | PDF 0.2MB1 February 2010 (post-marked) is the closing date for applications for residencies for the second half of 2010 (August until December 2010).The program Tanzplan Potsdam: Artists-in-Residence offers international choreographers the opportunity of several weeks work residencies in the fabrik Potsdam.Proposals for research-oriented residencies from the fields of dance and choreography that would include collaborations between different artists, theorists as well as experts from other disciplines or which formulate an interest in such dialogues in the framework of a concrete research process will be particularly supported.The residencies provide, where appropriate, a rehearsal studio at your sole disposal. Accommodation is provided at no cost in guest rooms at fabrik or in a guest flat in the centre of Potsdam. Residents receive a scholarship between € 300,- and € 375,- per week per person (if the residency includes not more than 4 participants). Residencies are possible between 2-10 weeks maximum.Furthermore, Tanzplan Potsdam covers the costs for the one-time round trip to Potsdam and can partly cover material-/production costs. Individual guidance during the residency is possible and can include the research and distribution of contacts and possible dialogue partners as well as organizational, technical and artistic advice.Applications should include a residency proposal and information about work to date. Postal submissions only to:fabrik PotsdamTanzplan Potsdam: Artists-in-ResidenceSchiffbauergasse 10, PF 600607, 14406 Potsdam, GermanyApplications accepted in English or German.Applications postmarked after the deadline will not be accepted.All complete applications will be considered and replied to in writing (by e-mail). Residents are selected by a panel. Please note that we can unfortunately not return your application material to you.Contact: fabrik Potsdam, Ulrike MelzwigTel. +49 (0)331 2800314, e-mail: residenzen@fabrikpotsdam.de
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Screendance Touring Public Places

For anybody interested, I am organising a group of works that will be touring public spaces in the UK this summer. The project may not be for everyone, as the works will not always be screened on a large screen and with a silent attentive audience. The works will always be screened with sound - in shops, bars, outdoor public spaces etc.If you are interested in the project and would like your work to have the chance to be shown to a wide public audience I'd love to receive your work. email circuitsoup@gmail.com or go to http://www.circuitsoup.com for more details.
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CIMATICS\09 \FESTIVAL - call for artists

Cimatics - Brussels International Festival for Live Audiovisual Art & VJing - invites all artists, creatives and producers to send their submissions for the next Cimatics festival.Cimatics festival takes place from 20th - 29th November 2009 at various locations in the centre of Brussels.Festival theme: New CitiesCimatics is an audiovisual festival that is closely connected to contemporary digital and urban practice. Cimatics 2009 aims at encouraging all projects that focus on the relation of both cultures. This theme is not a statement but utters the question of how to approach digital and urban culture not as 2 separate layers, but as a single given. Send us your ideas, lectures, performances or videos for 'New Cities' by using the form below. Note that also non-audiovisual work is highly appreciated.Pre-selectionAccepted media: DVD, Blue-Ray, HD DVD, Mini-DV, CD (please don't send any original/master work, only copy of good quality or first gen, also don't send data DVD with movies on: DVD's should play on a consumer DVD player & CD-ROM's should play on a Mac/PC)Mailing costs will be borne by the entrant. Hard copies will NOT be returned.LanguageWorks submitted must be in French, Dutch or English or have subtitles in either of these languages. Works in other languages must be accompanied by a text list in English.Deadline: 31/07/09Contact:CIMATICS 09c/o Cimatics vzwOnderwijsstraat 51B-1070 BrusselsBelgiumPhone: +32 [0] 2 520 07 82Fax: M: +32 [0] 475 497 110E-mailinfo@cimaticsfestival.comURL: www.cimatics.com/entries
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January 25-27, 2010 MIT Media Lab - Cambridge, MA, USA

http://www.tei-conf.org/10/ Please note new conference tracks including Studio Workshops, a great opportunity to propose a hands-on workshop for the conference Submission Deadlines and Categories ----------------------------------- >> Note: different from last year << August 3, 2009: Papers August 3, 2009: Studios October 2, 2009: Explorations October 2, 2009: Student Consortium July 10, 2009: Submission opens January 25-27, 2010: TEI Conference at the MIT Media Lab Keynote speaker announced: Professor John Frazer ------------------------------------------------ We are pleased to announce that Professor John Frazer of Queensland University of Technology will be giving the opening keynote. Professor Frazer pioneered the use of computers in architecture, created of one of the first tangible construction kits for creating virtual models, and has been an inspiration for much work in our field. We are very excited to have him at TEI! Call for Contributions ---------------------- Computing is progressively moving beyond the desktop into new physical and social contexts. Key areas of innovation in this respect are tangible, embedded, and embodied interactions. These concerns include the interlinking of digital and physical worlds and the computational augmentation of everyday objects and environments. TEI 2010 will uphold the successful single-track tradition of previous TEI conferences. The new Studios, Explorations, and Graduate Student Consortium forums are aimed to further establish the TEI conference as a unique place for exchanging ideas and advancing the field of Tangible, Embedded, and Embodied Interaction. Submission Topics ----------------- Appropriate topics for submission (in each of the four categories) include but are not limited to: - Novel tangible interfaces, embodied interfaces, or embedded interactive systems including: physical computing application, whole-body interfaces, gesture-based interfaces, and interactive surfaces - Provocative design work and interactive art - Embodied interaction, movement, and choreography of interaction - Programming paradigms and tools, toolkits, and software architectures - Novel enabling technologies (e.g. programmable matter and transitive materials) - Interactive and creative uses of sensors, actuators, electronics, and mechatronics - Design guidelines, methods, and processes - Applied design in the form of concept sketches, prototypes and products - Role of physicality for human perception, cognition and experience - The role of aesthetics in tangibles (e.g. decorative electronic wearables) - Novel applications areas and innovative solutions - Theoretical foundations, frameworks, and concepts - Philosophical, ethical, and social implications - Case studies and evaluations of working deployments - Usability and enjoyment - Teaching experiences, lessons learned, and best practices - Sustainability aspects of the design and use of tangible systems We invite four types of submissions ----------------------------------- 1) Papers: We are happy to consider a variety of styles, such as academic papers, design sketches, and descriptions of art pieces or installations. At the conference, papers will be presented as a 5 or 15-minute talk, a poster, or an interactive demo/exhibit/installation. All accepted submissions will be included in the conference proceedings and archived in the ACM Digital Library. For more details and submission guidelines see: http://tei-conf.org/10/Participation/Papers 2) Studios: Proposals for hands-on workshops (to be held on Tuesday, January 26th) that offer novel hands-on experiences to conference attendees with diverse skills and technical backgrounds. Proposals can range from the exploration of new development toolkits, to prototype design techniques, and the use of emerging or traditional materials in creatively applied ways. For more details and submission guidelines see: http://tei-conf.org/10/Participation/Studios 3) Explorations: Thought provoking, evocative, visually and sensually rich content created by a diverse and broad group of practitioners, researchers, artists, designers, inventors, students, and independents. Accepted Explorations will be presented at the conference as a demo, a 5 or 15-minute talk, or a video poster. For more details and submission guidelines see: http://tei-conf.org/10/Participation/Explorations 4) Graduate Student Consortium: A chance for students to get feedback and advice on their final terminal degree project including but not limited to those leading to a PhD. We anticipate that financial support will be available for graduate students to attend the GSC and TEI. ?For more details and submission guidelines see: http://tei-conf.org/10/Participation/GSC Contact ------- If you have any questions, please do not hesitate to contact the Program Co-Chairs at tei10program@media.mit.edu. TEI 2010 Organizing Committee ----------------------------- General Co-Chairs Hiroshi Ishii, MIT Media Lab Robert J. K. Jacob, Tufts University Pattie Maes, MIT Media Lab Conference Co-Chairs Marcelo Coelho, MIT Media Lab Jamie Zigelbaum, MIT Media Lab Program Co-Chairs Thomas Pederson, IT University of Copenhagen Orit Shaer, Wellesley College Ron Wakkary, Simon Fraser University Treasurer Lisa Lieberson, MIT Media Lab Studios Co-Chairs Pamela Jennings, Banff New Media Institute Amon Millner, MIT Media Lab Jay Silver, MIT Media Lab Explorations Co-Chairs Jon Kolko, Frog Design Thecla Schiphorst, Simon Fraser University Graduate Student Consortium Chair Mark D Gross, Carnegie Mellon University Demo Session Chair Leah Buechley, MIT Media Lab Design Chair Richard The, MIT Media Lab Art Co-Chairs Jean-Baptiste Labrune, MIT Media Lab Ryan O'Toole, MIT Media Lab Web Chair Ryan O'Toole, MIT Media Lab Video Chair Michael Weller, Carnegie Mellon University Engineering and Logistics Co-Chairs Pranav Mistry, MIT Media Lab Sajid Sadi, MIT Media Lab Student Volunteer Co-Chairs Daniel Leithinger, MIT Media Lab Chloe Fan, Wellesley College Publicity Co-Chairs Sabine Fekete, Institute of Innovation and Design Dana Gordon, Zazaziza Interaction Design Takashi Matsumoto, Pileus LLC Eric Schweikardt, Cornell University
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F.I.A – 2009/2010 From October 12th 2009 till March 26th 2010 A transdisciplinary artistic investigation deeply rooted in the Studies of the Body. A period of 6 months dedicated to a practical daily work which promotes the arising of essential questions brought by each individual in her/his own investigation. This daily work includes reflexion and discussion. Through it the proposals developed by each creator will come to form allowing a growing understanding and a profound knowledge of the matter under investigation. F.I.A is organized in blocs of 3 weeks of practical work focusing on the Body (sensation, perception, movement, relation) tangled with short term proposals from two days to one week long. All the work is guided by professionals from different artistic and scientific backgrounds (dance, writing, video, sound art, philosophy, anthropology, biology, body theory). At the same time each person is individually coached, having regular dialogues with the tutors and producing weekly papers that are presented to the collective for feedback. During these six months of practical work each creator should find the ways that better suit him in the process of sharing with others the questions of his current investigation. The final public communication will assume the form that each creator considers adequate as an exercise fitted to the matter of study. Applications till September 6th 2009. The applications must contain name, address, email, telephone number, date of birth, images of work, text biographies, curriculum vitae, writing in areas of interest and investment at the moment (artistic, scientific, social ...) , text to enter the area or areas to be developed through this program. And in case you want to join the last stages of artistic research - monitoring of the individual creative journeys - which take place between April and June 2010, you must attach a synopses of the work you may develop. More information & how to apply NOTE TO APPLICANTS: info received from Paula Petreca - a member of Rede Sudamericana de Danza who says: "We´re looking forward to improve the European influx among our students/research because the intercultural exchange we've already established with Spain and Latin American has been motivating us to spread our relationships."
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The Centre for Contemporary Art Ujazdowski CastleEuropean Performance Art Festival openEPAF 2009We invite emerging performance artists to submit performance art proposals.epaf-festival.blogspot.com/2009Artists who are qualified to participate in the festival will receive:materials, equipment and CCA space required for performance;board and lodging during the festival;photographic and video documentation of the performance presented during the festival;a fee of 1000 PLN and as far as possible travel costs.Performances presented at openEPAF will be selected by a jury consisting of artists and art critics.In order to participate in openEPAF, you have to submit an application containing the following:1. first name and surname, biographical note, artistic CV, address.2. short description (not longer than 120 words) of the proposed performance, including information about a duration of the performance, materials, equipment and space required.3. video material with the documentation of previous performances on DVD video, miniDV or VHS (with a description containing the title, date and place of the performance)Language of the application: English, PolishNotice: this call for proposals is addressed only to artists from performance art area.We will not accept theatrical performances.Proposals should be submitted personally or by mail to the address below;And by email (only the information specified in 1 and 2 above).EPAF 2009Centre for Contemporary Art Ujazdowski Castleul. Jazdow 200-467 WarszawaPolandopenepaf [at] csw [dot] art [dot] plepaf-festival.blogspot.com
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Please apply by September, 15th 2009

TANZPLAN DRESDEN seeks to give new impulses to the contemporary dance scene in Dresden and is therefore looking for two production teams to come to Dresden and create a new project for the dance evening of TANZPLAN DRESDEN in June 2010. Choreographers may apply with a team of for instance multimedia artists, composers, stage designers, musicians, dancers, or artists of other genres. The prime funding criteria is to support and promote young and upcoming talents. The two productions will be supported with a total of 40.000€.More detailed information about the application can be found at our website:http://www.tanzplan-dresden.de/v2/en/news.htmlApplication deadline is September 15th, 2009application form_2010.pdf

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Call for Submissions of Student Dance Films, postmark deadline, July 15, 2009. More info: http://www.dance.utah.edu/index.php/program/detail/C37/ The University of Utah Department of Modern Dance and the Division of Film Studies are pleased to announce a call for submissions of original student dance works made specifically for the medium of video or film. An evening of student works will be presented on Thursday, September 10, 2009, in conjunction with the International Dance for the Camera Festival. Students of the University of Utah’s Department of Modern Dance and Division of Film Studies will present an evening of student works chosen from submissions from around the world. Selected by a jury of professionals and educators in the field, the adjudication process provides valuable feedback to submitting students. The adjudicated evening provides young filmmakers and choreographers a venue for their work, and provides audiences a glimpse of the work of future dance filmmakers from around the world. Being accepted are: - Choreography for the Camera - original work made specifically for the video/film medium or staged work remade for the camera (performance documentation will not be adjudicated) - Documentary - productions which include interviews or other educational elements in addition to choreography - Experimental/Digital Technologies - work that extends the boundaries of the medium and exists only in the realm of video, film or new technologies Students submitting works must be or have been enrolled in a full-time university undergraduate or graduate degree program, or a dance film workshop when the work was made. The postmark deadline for national and international submissions is 5:00 pm, Wednesday, July 15, 2009. There is no submission fee. Only Region 1 or All Region DVD formats will be accepted. Please send all entries and inquires to: Dance for Camera Festival Department of Modern Dance The University of Utah 330 South 1500 East, Rm. 106 Salt Lake City, Utah 84112-0280 Phone: 801-581-7327 Fax: 801-581-5442 For more information please contact: Student Co-Director Shannon Vance: allthe5dance@yahoo.com Student Co-Director Erin Empey: erin_eb@hotmail.com
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Call for a fashion designer for “Intimacy”

Artist Daan Roosegaarde and V2_Lab are looking for a fashion designer (M/F) to help realise “Intimacy”, a next step in wearable technology.Artist Daan Roosegaarde, known for his interactive artworks such as ‘Dune’ and ‘Sustainable Dance Floor’, is expanding his artistic and innovative horizon to include fashion. In close collaboration with V2_ Lab he will be developing electronic fashion that becomes visually transparent according to the amount of personal intimacy involved.The dress ‘Intimacy’ is made out of smart foil that becomes transparent when electrified. The distance to the dress determines the level of transparency; creating a sensual play of shared control.Daan Roosegaarde says: ‘Technology is used here not merely functional but also as a tool to create intimacy as well as privacy on a direct, personal level ... which in our contemporary tech society is becoming increasingly important.’In order to take this step from prototype to haute couture V2_Lab and Daan Roosegaarde are looking for:- a recently graduated or senior year fashion designer (M/F) with an affinity for hairstyling;- he or she must be able to participate in thought process along the lines set out by V2_Lab and Studio Roosegaarde in the preliminary stages and therefore must be a good team player;- the project starts on 1 November 2009; it is a full-time position for a period of 4 to 6 weeks.What we offer:- access to functioning new technology, an existing prototype and an artist's impression of the intended final product;- a workplace at V2_Lab, Rotterdam;- a trainee allowance;- exhibition of the end result;- name credit.Please send your resume/portfolio and motivation before 1 October, preferably by e-mail, to:piem@v2.nlV2_Instituut voor de instabiele mediaAttn. Piem WirtzEendrachtsstraat 103012 XL RotterdamEligible designers will be invited for an interview mid-October.

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during August 2009. CONCEPT A show of performance works that never were realized because of practical, economical, institutional or personal reasons or censure in any way or any other reason - NOPERFORMANCE. b>BASE The majority of all the performances will never be realized depending on many different reasons. The world only knows about the presented performance works but not about the NOPERFORMANCES. A NOPERFORMANCE could be a performance works that was never presented or realized because: - it was not possible to fund - was censored - for practical reasons: not enough space, technical problems etc. - for personal reasons - or just did not have energy enough to make reality of the idea Anything goes. Think creatively! Not to forget the contradiction of that performance works never presented or realized will be shown in several countries. STRUCTURE OF PRESENTATIONS The show will be presented in a numbre of sites in Latin America during August 2009. The installation and presentation of the show in each site will have the same characters as a performance: - limited in time: could be limited to 15 min or 1 hour or one evening or a day or two. Depending on each context. - site specific: the presentation of the show will be adapted and changed according to each site, everything from gallery, culture centre, artist studios etc. EXAMPLES OF EARLIER EXPERIMENTAL PERFORMANCE EXHIBITIONS http://kuradoriahenrikhedinge.blogspot.com/2009/04/uber-art-exhibit.html http://kuradoriahenrikhedinge.blogspot.com/2008/06/21-artists-from-21-countris.html Still missing a lot of text. PRESENTATION OF THE NOPERFORMANCE WORKS In general the base for the presentations is A4 printed in colour or black&white. Video or sound recordings will not be possible to show in all the sites, maybe in some of them. Printable matter is preferred. One show will be produced that will be moved between the different sites. No of your work will be presented on internet apart from general photos of the show. MATERIAL WE ARE LOOKING FOR: Drawings, sketches, notes, maquetes, correspondence, discussions, official documents, research photos, applications, registers of chats or emails, photos of the place very the performance was imagined or planned … We accept all types of documents of text, photos and graphics. We accept material in any language. You email and we print. Send material to henrik.hedinge@gmail.com. If heavier then 20 MB, send via for example www.yousendit.com or www.megaupload.com FINANCING OF THE PROJECT Well we don’t really have any funding but since Henrik is going to travel back to Sweden from the south of Latin America he is going to pass at least Asunción, several cities in Bolivia, Lima and Caracas anyway. We will print one set of the exhibition and Henrik will bring it with him on his journey northward presentation the show in collaboration with galleries, art centres, other artists… on the way north. For the prints we use personal money or local sponsors. IF ANY MORE QUESTIONS: Mail to Henrik.Heding@gmail.com or MSN hedinge@yahoo.se Feel free start sending materials so that we can start to discuss what you have and what we can show:) WHO IS HENRIK HEDINGE? Young Swedish performance artist with several curatorial experiments regarding how to present performance in different ways. http://HenrikHedinge.blogspot.com http://KuradoriaHenrikHedinge.blogspot.com CV2008-Spanish http://henrikhedinge.blogspot.com/2008/12/henrik-hedinge-en-2008-el-cv.html CV2007-English/Swedish http://henrikhedinge.blogspot.com/2007/12/cv-in-2007.html
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amberConference - Call for papers

The first international conference of amberConference will be held in conjunction with the amber’09 Art and Technology Festival, on 7,8 November 2009 in Istanbul, Turkey. The aims and scope of this conference are to create a platform of discussion and dissemination for the various themes and topics in which Social Science, Art and Technology converge.The theme for this year's event is the Cyborg, a phenomenon that has captured the attention and imagination of artistic, academic as well as scientific communities in terms of creative, theoretical, and technological output. The conference seeks previously unpublished papers of a maximum of 4500 words within the fields of Arts and Humanities, Social Sciences, Computer Sciences and Art Papers discussing original artwork.Topics can cover (but are not limited to)Machinic/Cyborg ArtRobotics and robotic artCyborg and Performing artsAvatars (virtual worlds and virtualenvironments)Computer GamesWearable and Tactile TechnologiesArtificial intelligencePost humanismNew modes of embodimentAgencyMedicineGenetic engineering, biology, clones and hybridsReligion, tradition and eternal lifeMilitarismGenderDeadline: 1st of August 2009Click here for more details: www.amberconference.org
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European Musicday Anniversary Party in Athens

Call for video entriesEUROPEAN MUSICDAY ANNIVERSARY invites international video-artists to show their work in a celebrating venue that will take place on the 21 of December in Athens, Greece. The video works category includes short videos, music videos, animation, dance videos and video art, that have been completed / released after 1-1-2005.Closing day for submissions is 17th December 2008Requirements for EntrySubmissions must be postmarked by the deadline in order to be considered.Indicate: “With no value/ for cultural purposes only” in your submitted DVD.Submitted materials will not be returned.Submission Material / Screening RequirementsEstimated video length up to 10minutesFormat: DV AVI format (broadcast high quality 720X576)Short biography of the author in word .doc format (100words max)Email address required by all applicantsAll credits/rights should be included at the end of the videoDeliver Submission Pack To:EUROPEAN MUSICDAYPO BOX 26006Athens10022GREECEContactanthony.pls@gmail.com
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Call: BALKAN DANCE PLATFORM

5th BALKAN DANCE PLATFORM October 1–3, 2009 / Novi Sad, SerbiaPer.Art in collaboration with the Serbian National Theatre - New Dance Forum, TkH – Centre for theory and practice of performing arts and Station – Service for contemporary dance and the regional partners of the Platform is pleased to announce the 5 edition of the Balkan Dance Platform 2009 (BDP 2009) - the only biennial event in the Balkans presenting the current tendencies in contemporary dance and choreography in the region. Per.Art will stage BDP 2009 from October 1-3, 2009 in Novi Sad, Serbia at the venues of Serbian National Theatre. BDP 2009 follows on the success of the previous events in Athens/Greece 2007, Skopje/Macedonia 2005, Bucharest/Romania 2003 and Sofia/Bulgaria in 2001.The main festival programme me of BDP 2009 will present a selection of the best dance productions in the Balkans made in the period from April 13, 2007 until the March 20, 2009. The 5th BDP will be an opportunity for choreographers and dancers from Bulgaria, Romania, Greece, Macedonia, Slovenia, Serbia, Turkey, Croatia, Bosnia and Hercegovina, Albania and Montenegro to present thier work to a great number of international visitors (directors, producers, curators).The aims of BDP are:- Development of contemporary dance in the Balkans through presentation and promotion of the choreographers and dancers, groups, organizations, and institutions dealing with contemporary dance in the Region;- Stimulation of collaboration and initiation of new productions, collaborative projects, and regional networks.Members of the jury are:Ana Vujanovic – editor of TkH journal for performing arts theory and lecturer at University of Arts in Belgrade (Serbia);Andreea Capitanescu – artistic director of ArtLink (Romania);Christina Polychroniadou – director of Full House Promotion (Greece);Iskra Sukarova – artistic director contemporary dance of Lokomotiva Centre for New initiatives in Arts and Culture (Macedonia);Natasa Zavolovsek – director of Exodos (Slovenia);Tzvetelina Iossifova – director of The Red House Centre for Culture and Debate (Bulgaria).Deadline for application is March 20, 2009!(Please note: it is possible to apply with “work-in-progress”, but if selected for BDP 2009, the work is expected to be finished until May 31, 2009)Please, visit our website for ONLINE APPLICATION!Beside the main festival programme there will also be the Video Showroom Programme (video presentation of contemporary dance scene of each country in the Balkans). The video materials will include footage of the existing dance performances produced in the Balkan countries in the period from March 1, 2006 until March 20, 2009.The aim of the Video Showroom is to:- Create video archive of contemporary dance productions in the Balkans (mobile exhibition and online presentation);- Enable continuous promotion and information about contemporary dance tendencies in the Balkans;- Increase mutual acquaintance of the dance scenes in the BalkansDeadline for applications is March 20th, 2009!Please, visit our website for more info about application procedure for Video Showroom!We are looking forward to welcome you and present your work in Novi Sad during the 5th Balkan Dance Platform !More information:Regional partners of BDP are: ArtLink (Bucharest, Romania), Exodos zavod (Ljubljana, Slovenia), Full House Promotion (Athens, Greece), Lokomotiva - Centre for New Art and Culture Initiatives (Skopje, Macedonia), Per.Art (Novi Sad, Serbia) and The Red House Centre for Culture and Debate (Sofia, Bulgaria).Application procedure – the main festival programme me of BDP ‘091. Filled-out online application form2. Video of the dance performance in its full length (DVD format) sent by post to following address:UG Per.ArtP.Fah br.1521102 Novi SadSerbia3. Receipt of your application form will be confirmed after you submit your application onlinе4. Receipt of your video material (DVD) will be acknowledged by email5. Video materials (DVD's) will not be sent back to applicants6. Do not send video material by email!SUBMIT YOUR APPLICATION FORM ONLINE!Deadline: March 20, 2009Contact: officebdp09@gmail.comEligible for the Balkan Dance Platform are:- Works of authors who are based and work in the region of the Balkans;- Works produced in the period from April 13, 2007 until March 20, 2009;- Dance performances but also other forms of dance projects (actions, installations, lecture performnaces, etc.) which are performed at non-theatrical venues (galleries, outdoor, lobbies …);- Works with simple technical requirements, accomplished within three hours of technical set-up;- It is possible to apply with “work-in-progress”, but if selected for BDP 2009, the work is expected to be finished until May 31, 2009 and a DVD of the finished work is to be sent.Authors belonging to the same group/ organization/ institution, may apply for the festival. Authors whose works were presented in the previous BDP editions may apply. One author may apply with several performances but only one can be selected for the main festival programme of BDP 2009Selection procedure:- Applicants will be informed about the final selection decision on March 31 , 2009;- The works for the festival are chosen by the jury which consisting of the experts in the field of contemporary dance who are proposed by regional partner organizations;- The jury will not give individual explanation to those whose work is not selected for the main festival programme of BDP 2009;- The organizers will cover shared accommodation, per diems, a small fee and will provide the venue for the performances with technical support and promotion for companies selected for the main festival programme of BDP 2009;The artists/companies or regional partnership organizations will be in charge AND/OR will assist artists/companies in covering travel expenses, medical insurance and visa costsApplication procedure – Video Showroom ProgrammeEligible to apply:- Video documentation of dance projects produced in the period from March 1, 2006 until March 20, 2009 by the authors living and working in the Balkans!(please note - it is different than the period for the main festival programme of BDP 2009!)Authors should send by post their video materials (DVD format! Full length! No trailers!), info about the dance project (concept and credits) and contacts to:UG Per.ArtP.Fah br.1521102 Novi SadSerbiaDeadline: March 20, 2009!!Contact: video.showroombdp09@gmail.comMore info about Video Showroom Programme:Please note!- Please don't send video materials by email !- There is no limit to the number of authors that will be presented in the Video Showroom!- There is no limit to the number of submitted dance projects by the author!- Video Showroom will present video documentation of dance projects not video dance art!- There is no selection process!
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