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Are you a choreographer based in Europe?

 

Aerowaves is a hub for dance discovery in Europe. Each year the Aerowaves network selects 20 of the most promising emerging choreographers, promotes their work, and creates performance opportunities with Aerowaves' Partners.

Apply to Aerowaves and get a chance to have your work programmed by the partners of the network, whether or not you are selected as Aerowaves artists. Around 100 performance opportunities are guaranteed by the partners and supported by Aerowaves each year.

Applications are now open and will close at midnight on 12 September 2017.

Should you be selected as one of the Aerowaves Twenty, your work will be promoted by Aerowaves via its website for one year by an artist profile, with images, video and calendar all in one place.

You may be selected to perform your work at our Spring Forward Festival. We guarantee to programme at least 15 of the current Aerowaves Twenty artists in the festival each year.

For more details and to apply click here

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Watch Spring Forward Live online!

Spring Forward showcases some of the best and brightest emerging choreographers in Europe at a jam packed weekend of new dance in Aarhus, Denmark from Friday 28 to Sunday 30 April 2017.

Missed your chance to get a place at Spring Forward? Don’t worry we’ll be streaming all the action live online from the 28th to 30th April!

You can watch live online

On Facebook: @AerowavesEurope 

On Twitter: @AerowavesEurope 

On our website

Full programme details here

https://vimeo.com/199886506

Get Ready to be Moved.

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We will present a short version of The Wheel Connecting Fingers Company at the EnglishTheatre Berlin for the Festival Expat Expo-

2nd April 2017 from 2pm-


We will be thrilled to share with you this new project--

http://www.artconnect.com/projects/the-wheel
Here the link to the event: https://www.facebook.com/events/1101704719951797/

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Now available at: http://circadian.co/product/dangerous-dances/

This text finds the intimate affinity between dance and philosophy in the concept of problem and invites the reader to perceive dance and philosophy as a form of ballistics: the art of throwing. On one hand, this text is an invitation to look at dance not necessarily as an artistic practice but rather as an affirmative force that manifests itself as an expression of the power to turn any domain into a dance floor. On the other hand, this text also understands philosophy as an invitation to dance a problem, or, in other words, philosophy is a practice of choreographing the trajectories of problems.

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I am very happy to announce that since February 1st 2017, dance-tech.net and other related dance-tech projects have initiated process of developing a collaborative ownership  model involving several important organizations in the field.
These organizations represent diverse approaches and perspectives  on the transmission of dance knowledge, facilitating an exciting and strong synergy that may manifest in new developments and collaborations to support this community.
It is a moment of reconnection and reinvention.
Motion Bank from Frankfurt (Germany) have decided to step in to support directly the transition,  joining efforts with Bates College with direct financial support  covering the costs of server and hosting of dance-tech.net and dance-tech.tv.
Here are the words of Florian Jenett from Motion Bank:
"Motion Bank has explored intersections of dance and technology since 2010 building on projects that reach back to as early as 1994. Technology for us is an enabler, an invitation to see more and take new perspectives on an art form that is inherently hard to translate into other domains outside the body. We know Marlon for a long time and have been following his relentless efforts in shaping dance-tech.net for this community and hence are happy to now be able to support it."
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Dance-tech Core Node:

I am honored that the following people and organizations have expressed interest in participating in this  process as the Dance-tech Core Node:

Scott deLahunta  and Florian Jenett from Motion Bank (Germany)
Kerstin Kussmaul from IDocde/REFLEX Europe (Austria)
Nayse Lopez from festival Panorama (Brazil)
Rachel Boggia from bates College (USA)
Johannes Birringer  from Brunel University (UK)
Matt Lewis from ACCAD/OSU (USA)
Marcela Giesche from Lake Studios Berlin (Germany)
Mark Coniglio from Troikatronix/Isadora (Germany)
Susan Kozel  from Medea Malmo University (Sweden)
Norah Zuniga-Shaw from Department  of Dance of The Ohio State University
Director of Dance and Technology
Jaki Levi from ArrowRoot Media
Jeannette Ginslov Independent artists and researcher (UK)
PhD Candidate London South Bank University 
Lisa Nelson from Contact Collaborations, codirector CQ Contact Quarterly Magazine and director of Videoda
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These are the agreements  and basic guidelines for the transition from  February 1st 2017:
1.-Participants of this process must have an active account on dance-tech.net and join a group that will be specially created for this process on the same network (dance-tech core node)
2.-The ownership of the dance-tech.net and dance-tech.tv will be transferred  to a group of collaborators of stakeholders.
3.-Motion Bank, in agreement with Marlon Barrios Solano, is the main/first enabler of this transmission of ownership and commits to continue paying the hosting fees and maintenance of all the dance-tech platforms: dance-tech.netdance-tech.tv and dance-tech.tv@  Vimeo starting February 1st 2017
4.-All collaborators commit to keep the content available and free of cost. A donation system is embedded in the dance-tech.net platforms and it is  linked to Motion Bank
5.-Marlon Barrios Solano will keep his account in dance-tech,net as Marlon Barrios Solano (network creator);  and will share the moderation/administration privileges until is necessary.
6.-It should be very clearly and visibly stated in the main page sidebar that dance-tech projects are supported by this new collaborative model. All supporters may use of the side bar to show a linkable logo to their websites or dance-tech accounts.
7.-Marlon Barrios Solano will maintain the ownership of projects such as dance-tech interviews and views, meta-academy, meta-medialab, meta-creationlab and will keep using his dance-tech.net account for their publishing. It is also offered in this new phase, the possibility that all organizations can use the names and concepts the dance-tech projects.
An excellent start of this new phase!
Please leave questions, ideas in the comment section of this post!
Onwards,
Marlon
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Images: Motion Bank Choreographic Coding Lab #5 Los Angeles 2015 @ UCLA

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Original can be found here http://idocde.net/pages/122

Call For Proposals

5th IDOCDE Symposium on Contemporary Dance Education

July 28 - 30, 2017 at ImPulsTanz Vienna International Dance Festival

 

why compromise. mind the dance.

promoting actions and creative visions in a precarious world

 

Informed by the developments in the world of socio-politics – and the cultural attention that goes along with it – we at the IDOCDE headquarters decided it was time to frame our annual Call for Proposals as a Call for Action. This decision is to address the theme of the 5th IDOCDE Symposium.

The theme of the 5th IDOCDE Symposium – why compromise. mind the dance – is different from the previous themes in that it does not only ask you – the dance educator, artist, student, cultural worker, and the participant in the making of The World – to look inwards and reflect on your developing practice, share your reflections and by doing so enrich the experience of others. The aim of this year’s Symposium is also to ask you to add an outward-looking reflection whilst asking the question: what is my practice actually doing to the world – given my experience of managing personal pedagogic and artistic practices? How are my pedagogic and artistic decisions shaping the world of others – my students? My peers? And what, in particular, is the effect of the decisions I am not making?

(The time for mulling around is up.) 

Assuming that compromise is somewhat a part of everyone's daily life, we ask: What do you actually do when you compromise? What are the reasons for which you compromise? And how long do you think it will be possible for you to continue that practice?

We are not interested in asking you to imagine a world without compromise. This is not a utopian exercise. What we are inviting you to is, thinking thoroughly about compromise. And consider what kind of world your practice is creating. What kind of institutions, what kind of organisations, what kind of ecosystems, what kind of politics, what kind of families. 

Instead of stepping into the trap of ‘judge-mentality’, we would like to ask you to join us, think together with us; to pose sincere, straightforward, and challenging questions. In short, we would like to ask you to approach this Symposium with the clarity of body-mind you may have never dared to engage with before in a public space, and by doing things you may have never dared to do before in a public space. In other words, we would like to ask you to approach this challenge – ‘as a human being’, an experienced participant in an alliance of individuals, artists and educators. 

We hope this call is inspiring and exciting; resonating with your priorities, with your practices, with your interests, and with your passions for dancing – if so send your proposal today! And help us bring about a Symposium that will not only enrich, but that will also move – move participants to action. Help inspire, inform, and support our community by exposing your experiences: Your physical practices, your pedagogic practices, your theoretical practices, your artistic practices. Your public thoughts, your intimate thoughts, your affirmative thoughts, your challenging and critical thoughts.

Help encourage the community by joining this alliance. Participate at the 5th IDOCDE Symposium on contemporary dance education and so – help make a difference!

Proposal for “why compromise. mind the dance.” and their formats* may include the following, but are not limited to these:

Emerging practices in the oscillation between art-making and education

Examples you find within you or around you, or in other landscapes beyond dance as a response-ability to the world around you

Movement(s)

Philosophy in and of dance

Political actions

Historical context(s)

Proposals that address the how we are being with each other right now right here

Scores

Workshops

Classes

Lectures

Installations

Performative actions

Hang outs

Site-responsive

Mediated spaces (virtually and non-virtually)

*We invite you to challenge (or not) the ‘usual’, the ‘conventional’, the ‘traditional’ formats of public presentations and sharings, teachings by staging your sessions in a way that aligns the staging to your thinking and ‘the doing of your thinking’. In other words, we invite you to think ‘outside the box’. This might be the opportunity for some to question or problematize the assumed role language has in enabling communication. What of your thinking would best be communicated in words, and what of your thinking would best be communicated in experience, performance, movement, action, etc?

 

IDOCDE invites contemporary dance practitioners, dance and movement educators, researchers, theoreticians and other practitioners contributing to this field

to submit proposals for the 5th IDOCDE Symposium!

All practical or theoretical proposals centered on aspects of teaching, researching or practicing dance, in relation to the proposed theme, are being considered.

Formats might range from teaching a class and sharing reflections, hosting a lecture demonstration, talk or discussion, to more uncommon or experimental formats, or anything in between.

Propositions of a length up to 2 hours (ideally 90 minutes, longer or durational propositions will be considered whenever possible), individual and team proposals from teachers all over the world and the IDOCDE community are warmly welcome. 

 

Please fill in the PROPOSAL FORM by creating a new idoc under your profile and add it into the Symposium Folder before February 15th, 2017.

  • If you feel inspired but you’re unsure of how to frame your thoughts within the parameters given by this form – please contact pavle.heidler@idocde.net
  • Complete the proposal form on idocde.net and send a copy to lieve.de.pourcq@idocde.net
  • For technical issues/ idocde website, please contact defne.erdur@idocde.net
  • Deadline for proposals: February 15th, 2017

 

Your Symposium and REFLEX project team:

Defne Erdur, Eszter Gál, Pavle Heidler, Kerstin Kussmaul, Lieve de Pourcq, Martin Streit 

 

 

The IDOCDE symposium is part of the EU program REFLEX EUROPE.

REFLEX researches and uses documentation as a tool for reflection in order to improve the teaching and to increase the impact on the learners in contemporary dance.   


For further details head over to http://idocde.net/pages/122

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Part of the New York City Digital Humanities Festival.
Tuesday, 7 February 2017 @ 6:30 pm - 8:30 pm.
RSVP: eMail d@schmud.de

We will discuss strategies for creating experiences and performances that cross the domains of software, sound, and dance while respecting each medium’s idiosyncratic strengths. D. Schmüdde will provide a brief overview of the hardware, software, and original code he wrote to track bodies and manipulate sound in “Borderless.” Co-creator Kim Burgas will discuss the process of developing a physical language for video and highlight how the subject matter affected the medium and how the medium affected the subject. After establishing this context, the group will workshop themes and initiatives brought by each member. This may include specific projects or general research interests. We’ll discuss tools and techniques, implementing by direct experimentation wherever possible.

Skill Level
Beginner

Prerequisites
None

Equipment & Software requirements
None
Location
Kitchen Table Coders at Morgan and Grand in Brooklyn, NY

RSVP: d@schmud.de

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Springback Academy is on the look out for budding dance writers to form the class of 2017!  This will be the fourth year that the Academy will be bringing a group of aspiring writers to Aarhus, Denmark for Spring Forward Festival, where they will watch and review selected performances, participate in lively dance debates and receive mentorship from some of the best professional dance writers in the business.  For full information on Springback Academy and how to apply, please click here

Deadline 27th February 2017

Springback Info and Requirements

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METABODY 2017 - ALGORICENE

International Metabody Forum

IMF 2017: ALGORICENE

Ecologies of Indeterminacy in the Big Data Era.

http://metabody.eu/imf-2017/

Subproject/transversal theme:

Threads:

Have a look at the pictures from 2016http://metabody.eu/imf2016media/

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When I dance at Rollout Dance FIlm Festival in the World Competition

After the opening with Mr Gaga,

When I dance will have a Premiere in Macao
Rollout Dance Film Festival/ World Competition 18th December 2016 Icentre Macao

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www.whenidancefilm.com

http://www.rolloutmacao.com/programme_rollout.html

https://pontofinalmacau.wordpress.com/2016/12/13/danca-e-video-num-festival-que-congrega-producao-filmica-global/

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My chapter: Temporal Scaffolding: a collaborative, relational and networked infrastructure of technology, screendance, AR, affect, audiences and smart mobile devices in the project AffeXity.

Thank you Camille Baker and Kate Sicchio for the opportunity.

Available to order here:

www.routledge.com/Intersecting-Art-and-Technology-in-Practice-Techne-Technique-Technology/Baker-Sicchio/p/book/9781138934115

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Womb J-7 first on Sunday 6 November Festival Tous Ecrans!!!! Come discover this film in 3 D and high definition Cinérama Empire in Geneva. With the sets of Sylvie Fleury, the music of Franz Treichler (The Young Gods) the costumes of Jean-Paul Lespagnard. With Susana Panadés DíazMartin Roehrich and Gilles Jobin. Chief Photo Patrick Thresh.

WOMB J-7 première le dimanche 6 novembre Festival Tous Ecrans!!!! Venez découvrir ce film en 3D et haute définition Cinérama Empire à Genève. Avec les décors de Sylvie Fleury, la musique de Franz Treichler (The Young Gods) les costumes de Jean-Paul Lespagnard. Avec Susana Panadés DíazMartin Roehrich et Gilles Jobin. Chef photo Patrick Tresh.

More info here

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Amidst the flurry of techno-utopian industry hype surrounding Virtual Reality, Augmented Reality, Mixed Reality, Artificial Intelligence, and Machine Learning, not enough attention has been paid to long-term socio-cultural or neurobiological impacts of these new technologies. How can theorists, activists and artists develop a useful framework to explore the complex implications of using these technologies?

This version of the Codes and Modes Symposium aims to create an intervention into the uncritical excitement about emerging technologies to establish a space for conversations that are not being had. We are looking for presentations on new forms of nonfiction media that feature critical thinking on new technology, aesthetics, activism, practices, platforms and outreach.

Topics may include but are not limited to: sensory input, VR, AI, machine learning, the role of the body, methods for engaging subjects, AR, immersion, MR, user interfaces, games, creative code, representations of nature, interactive documentary, transmedia, technology and pedagogy, collaborative environments, biomedia, social media platforms, or experiential design.

We are interested in questions that examine:

  • What are new methods media makers are using to engage communities for social transformation?  
  • How can the economics of data mining that permeate social media be avoided in this new realm?
  • What are compelling open source technologies and knowledge practices that advance possibilities for a genuinely free exchange of ideas and experiences?
  • Does the dominance of an ocularcentric focus of emerging technology in nonfiction hide the affective and embodied potential of immersive media?
  • What are the ethical implications of immersion and how might we collectively develop a set of best practices?
  • What strategies are activists using with immersive environments that turn outreach into policy change?

Please submit papers, panel discussions, artworks, workshops and artist talks to imamfaassistant@gmail.com prior to December 1st. Include your CV, short bio, and an abstract (500 words or less) of your presentation. Make sure to include your name, title, email, and institutional affiliation (if any). The symposium is March 17th & 18th. Symposium website: http://ima-mfa.hunter.cuny.edu/reframe/ ;

The symposium is sponsored by the Integrated Media Arts MFA Program at Hunter College, the Department of Film and Media Studies at Hunter College and the Emerging Media Technologies Program at NYC College of Technology, the Entertainment Technology Department.

Symposium Organizers:

Marty Lucas, Associate Professor, Integrated Media Arts MFA Program, Hunter College

Heidi Boisvert, Assistant Professor, Emerging Media Technologies Program, NYC College of Technology

Andrew Demirjian, Assistant Professor, Integrated Media Arts MFA Program, Hunter College

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Greetings Dance Film Magicians!

I'm overjoyed to be back with my TFF Family curating the 8th year of the Dance Film Showcase


The festival will be Feb 10-12 in lovely Topanga Canyon.

Please share your newest work with us and come if you can, we are one of the top 25 coolest Film Festivals ya know...

Submit Here https://filmfreeway.com/festival/TopangaFilmFestival


About the showcase:

The Topanga Film Festival Dance Film Showcase now in its 8th year strives to present the highest quality of visually engaging, sensory stimulating, movement driven short film work.

We consider short films under 15 min that engage at least one of these topics:
1.) Dance for Camera
2.) Experimental film involving dance
3.) Narratives about dance
4.) Documentaries about dance
5.) Films about movement

Check out last year's festival highlights here http://www.topangafilminstitute.com/2015-retrospective/
Wishing you all wondrous adventures,

Shim Sham*

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Metabody_Toulouse 2016

1509-metabody-forum-web-30.jpgFriday, September 30, 2016, Quai de Savoirs, Toulouse, in the frame of the European Researchers’ Night, 6-12 pm

Dance, visual arts, music, digital arts, non verbal communication, architecture

In 2016 Metabody_Toulouse invites in the city three european partners.

The Quai des Savoirs organises the event in the frame of the European Researchers’ Night.

K Danse and the Quai des Savoirs organize, in this context, a complete program of performances, installations, concerts, meetings and micro workshops. (see detailed programme).

METABODY is a European project that questions the homogenisation of expressions induced by current information and control technologies, which place unprecedented threats to plurality and to fundamental rights and freedoms by reducing all our actions to predictable behaviours, and proposes to reinvent them highlighting the role and diversity of embodied expression through a new concept of interactive architecture that transforms in all its physical and digital aspects, constituting dynamic, participatory and performative environments for outdoors and indoors, an emergent and indeterminate space, a METATOPIA. http://www.metabody.eu/
METABODY is a project supported by the European Commission (2013-2016) and the participation of numereous partners in 10 countries, coordinated by Reverso (Spain).

Video of Metabody_Toulouse 2015 (Science Animation)

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Phi - StratoFyzika 5' video documentation

5' documentation of Phi as performed at the end of the"Technology, the Body, and Choreography" TroikaTronix (Isadora ) sponsored Lake Studios Berlin Residency, July 2016 at Uferstudios.Isadora has been used for lighting and projectors controls as well as for a/v sync. The lights sequencing follows a score created by analysing movement dynamics patterns through X-io sensors. As this performance was the outcome of the Troikatronix funded residency at Lake Studios Berlin, we plan to dive deeper into interactivity and create the score patterns live, based on bodies movements and their phasing in and out . I am particularly interested in looking at the difference values between the two sensors being worn by one dancer each, and see if we can use that variance.More on http://stratofyzika.tumblr.com and www.stratofyzika.com

Phi - StratoFyzika from AlessandraLeone on Vimeo.

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