Posted by Caden Manson on October 9, 2015 at 8:40pm
The new Contemporary Performance Almanac Open Call has launched and we are giving away digital copies of last year's Contemporary Performance Almanac 2015!
ABOUT THE PROJECT: The Contemporary Performance Almanac 2016 is an overview of contemporary performance created or presented during the 2014/2015 season available for touring now. The book will be published in January 2016 and mailed to international presenters who are looking to invite touring work. So often presenters do not have access to the work of artists that are outside the touring circuit. Contemporary Performance sees a need to give access to both artists and presenters to find each other and start new working relationships. The book is a perfect bound 10″ x 7″ paperback book with each artist receiving a full page BW image and a full page listing.
MOV-S Chile continúa con los objetivos que se han desarrollado hasta ahora a nivel Iberoamericano, integrando además el contexto local regional y nacional en torno a las problemáticas y urgencias del sector de la danza chilena. Para el caso de Chile se asume una dirección nacional con María José Cifuentes, investigadora y directora artística de NAVE, quién ha participado en las ediciones de MOV-S de 2010, 2012 y 2014, llevando a cabo éste último año en Bilbao, el programa de radio de MOV-S en AlhóndigaBilbao.
Para el contexto chileno se pretende indagar en los siguientes objectivos:
Potenciar las prácticas de pensamiento colectivo con respecto a algo que nos afecta a todos.
Identificar experiencias para trabajar juntos en relación a olvidarnos de lo personal y pensar en lo común.
Generar un contexto para pensar juntos, introducir otras metodologías y lenguajes de otras prácticas sociales y políticas en las artes vivas.
Operar bajo una dimensión mucho más pequeña que nos permita atravesar la experiencia de modo más íntimo y operativo.
Compartir códigos y herramientas en cuanto a nuestras experiencias de organización y gestión de la danza y su política.
El encuentro de Chile está pensado como un seminario de reflexión donde participarán diversos agentes de la sociedad civil, pertenecientes tanto a la danza chilena, como a organizaciones culturales o artísticas independientes. La propuesta es desarrollar un espacio de conversación y desarrollo de propuestas y proyectos, donde se reflexione principalmente sobre las necesidades de la danza. Su objectivo es reunir agentes culturales, sindicales y artísticos que han generado en nuestro contexto nuevas prácticas en torno al desarrollo del arte y la cultura, compartiendo códigos y estrategias que permitan una renovación en las prácticas de gestión, creación, educación y política de la danza. La discusión se enfocará hacia la importancia de la sociedad civil organizada y de cómo ésta puede ejercer una influencia en la creación de política pública de la danza.
Para ello, el encuentro se estructura en dos partes:
TALLERES
Considerando algunas temáticas importantes en el sector, se ha incluído al desarrollo de MOV-S la propuesta de dos laboratorios temáticos que permiten indagar en nuevas formas de gestión y curatoría de la danza.
Nuevos modelos de gestión cultural desde la colaboración y el trabajo en Red.
Impartido por Natacha Melo (Uruguay), miembro directivo y fundador de la Red Sudamericana de Danza. 15 de octubre. Horario: 10:00 a 16:00 h. Lugar: Biblioteca de Santiago.
Curatoría, la mediación entre todos.
Impartido por Catarina Saraiva, curadora e investigadora, ha sido Directora Artística del Festival Alkantara Portugal por más de 10 años y del Festival Panorama Danza de Brasil. 13 y 14 de octubre. Horario: 15:00 a 19:00 h. Lugar: por definir.
En ambos laboratorios participan 20 personas. Abierto al público y gratuito previa inscripción.
SEMINARIO DE REFLEXIÓN (del 15 al 18 de octubre)
Espacio de reflexión y trabajo, donde participan 25 invitados provenientes tanto de la danza nacional como también agentes específicos del ámbito artístico y cultural independiente.
El seminario estará guiado metodológicamente por un equipo de expertos donde participan Cristina Alonso de Graner (Barcelona), Victoria Pérez Royo de Artea (Madrid), David Gutiérrez de Museo del Chopo (Ciudad de México) y María José Cifuentes, directora de MOV-S Chile.
El encuentro integra en su formato:
Visibilidad de nuevas prácticas: Mesas de exposición durante las jornadas del seminario donde se expondrán prácticas, proyectos y casos de estudio que han surgido como inquietud desde la sociedad civil y que permiten identificar de qué manera es posible incidir en política pública.
Apertura a Público: El encuentro contempla diversas actividades que permiten diseminar los resultados e insumos del seminario, mediante un panel de participantes y voceros de la actividad. La intención es poner esta información al servicio de la comunidad mediante entrevistas, programas de radio, documentos o participan online.
Participan 25 personas:
10 representantes de las regiones más activas en cuanto a organización civil en danza: dirigentes de agrupaciones o personas que hoy llevan espacios o festivales.
5 representantes de la danza metropolitana: artistas-coreógrafos.
5 representantes de espacios y festivales.
5 representantes de la sociedad civil: junta de vecinos, sindicatos, espacios independientes, propuestas culturales independientes, etc.
I hope that you are having a creative and peaceful season!
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dance-tech.net has always been a free access network since its creation in 2007. I want to keep its access free and for that I need your help...
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I believe that we have reached a critical mass with more than 5000 members to really leverage the potential of collective generosity of our international community to make this project sustainable... and to further develop it.
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The dance-tech project, as I like to call it, comprises two websites ( dance-tech.net and dance-tech.tv), the dance-tech interviews (more than 400), curated video collections of complete works, online educational events (meta-academy@), app development and online/offline artistic residencies.
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All instances are geared to create and develop an exciting and inspiring international community focused on the investigation of embodied knowledge, interdisciplinary performance and emergent hybrid arts practices.
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I believe that we, as a "crowd", can instantiate strategies to support and develop these projects. More than 5000 members may gently enable this project to keep going with a "road map" that we can envision together. My main goal is to keep its access for and add free.
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Here you can read more about the dance-tech, a bit of history and its instances:
Dance-tech.net is an infrastructure of generosity!
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Since its creation the dance-tech project has been mainly supported by my work as many international collaborations, partnerships, and employment with peers, friends and organizations.
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I am deeply thankful to all of them!
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This is a time to reformulate a direct commitment to the value of this work.
If it matters to you it will continue thanks to your direct contribution.
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Thank you!
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Marlon
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Any questions, problems and suggestions email:
marlon (at) dance-tech.net
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How to donate?
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For members via dance-tech.net:
I have put in place a SECURE automated monthly donation system integrated with the sign-up and sign-in functions for the dance-tech.net members.
As a dance-tech.net member you will be prompted by the site to make a SECURE donation every time you login. If you make a donation the site will remind you after 30 days.
The window will show you a suggested donation of 3.95 but you can donate any other amount.
You will have access to the site and community even if you decide that you can donate only $0.00 (Zero).
Remember: Any amount helps!
Members can pay with their Visa, Master Card, American Express, Discover Card or PayPal account. They will benefit from a seamless integration reliable and trusted payment platform.
If the member donates $3.95 or more they will have a smiling face badge on their profile image for 30 days after the donation.
ALL MONTHLY SUPPORTERS WILL BE AGGREGATED IN THIS PAGE...
This kind of payments are not integrated to the automated systems of the network website, so you will be prompted to donate even if you have donated any amount via PayPal.
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If you have any questions email:
marlon(at)dance-tech.net
you may also show your appreciation and feedback in the comment area of this post.
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This is the form that will appear when you log in to remind you about dance-tech.net donation system:
Posted by Gilles Jobin on September 10, 2015 at 10:35am
CIE GILLES JOBIN GENEVA PRESENTS
Choreography in the quantum space
PARTICLE PHYSICS, CONTEMPORARY DANCE AND FUNDAMENTAL RESEARCH
October, 31st to November, 6th Geneva & Meyrin
The GVA Sessions are intended for dancers, scientists and artists. This week of creative exchanges offer to the participants a motivating artistic environment for research without production constraints. International participants, artists and scientists will share their knowledge and experience throughout the session. Research space, choreographic and scientific workshops, debates, lectures and presentations will be offered as well as films and a dance performance to guests and participants.
Guests and speakers.Gilles Jobin, Choreographer (CH), Nicholas Chanon, CERN physicist and CNRS researcher (FR), Monica Bello Head of Arts@Cern (ES), Carla Scaletti Composer and softwaredesigner @symbolicsound (USA), Minerva Muños Physicist and choreographer (MX), Peter Mettler Movie director (CAN), more tbc…
2015guest of honor : INDIA with the support of Embassy of Switzerland in India, Pro Helvetia New Delhi, swissnex India, and Air France
Organization Cie Gilles Jobin/GVA Dance Project and RP Danses – Genève
Swiss and international participants: We offer bursaries to Swiss and international participants but they must take care of travel and accommodation in Geneva.
Soon approaching, over the weekend Fri 11 – Sun 13 September, is our first Digital Lab at The Place as part of the Choreodrome artist development programme.
Choreographers will be 3D scanned and printed, hear talks from BBC Sherlock Network app writer David Varelawho is now travelling back by boat from Montevideo to Buenas Aires, then a plane to São Paulo where he has been part of a traveling transmedia conference: Mediamorfosis.
Ju Row Farr from interactive performance company, Blast Theory will talk about engaging audiences with their interactive cinema piece My One Demand at Toronto film Festival, and the BIMA nominated digital life coach app Karen.
Friday and Saturday will feature a hands on experience of making motion controlled audio circuits alongsideDirty Electronics’John Richardswho has been busy this season performing at the Supersonic Festival, Sonar Festival, Barcelona, Incubate, Netherlands and is lead speaker at the forthcoming, Ableton Loop conference in Berlin.
Newly announced Wired/The Space Creative Fellow, Annette Meesof Coney leads our Sunday daytime session on multiplatform audience engagement.
With digital technology now integrated into our everyday lives, this weekend aims to present exciting new ideas on how we can experience and understand technology with a group of performance artists who are exploring the new creative landscape.
For the 7th time, JOINT ADVENTURES is inviting choreographers, dancers, film and (multi-)media artists to develop new aesthetic approaches and visual languages for choreography and film in a 60-second ad format. We are searching for works that operate choreographically with the film medium and initiate unusual aesthetic dialogues. Cineastic media confrontations with choreographic approaches can result from a new combination of film, art, video and choreography; the goal is to sensitize the audience’s view of film and choreography as art forms and open its eyes for a choreography of images.
There are prizes in two categories. Monetary prizes will be awarded for the artistic quality of the films in the amount of up to 2.000,- EUR. In addition, prizes will also be awarded in the “cinema” category that includes the presentation of the winning films throughout Germany and Switzerland, as well as the screening at different European festivals. Within the framework of a cooperation with Das Tanzfest.ch, the winning films will also be included in the programs of the cities participating in Das Tanzfest.ch between 12th and 15th of May, 2016. The films submitted to the competition will be judged and the winners selected by an external and independent jury of experts; the jurors are active in the international film and dance worlds.
The award ceremony and the presentation of the winning films will take place in November 2015 in Switzerland.
The goal of the short-film project CHOREOGRAPHIC CAPTURES initiated by JOINT ADVENTURES is to anchor the various forms of representation and realization of choreography and film in the audience’s consciousness. It is meant to give this art form space for artistic input, exchange, networking and presentation in order to advance the interaction between choreography and media art.
All information required for participating in the competition is available at > www.choreooo.org.
Exploring choreographic knowledge in networked environments
an online lab led by Marlon Barrios Solano (HZT-Berlin researcher associate and dance-tech.net and .TV creator) and Rachel Boggia (Bates College, USA)
This online collaborative lab is offered as a pilot to students from all HZT-Berlin-| UDK programs and is also open to worldwide remote participants free of cost.
meta-academy@HZT-Berlin-Bates is an online lab investigating the potential affordances and impact of networked environments (from internet to mobile devices) for collaborative creation, performance and knowledge production about contemporary choreographic practices.
The lab will offer online video presentations and encounters, discussion forums, online individual and collaborative projects and a final project exhibition. The participants will explore and play with online choreographic knowledge resources and cutting edge digital internet technologies to register, aggregate, map and visualize the knowledge articulated on their own or others creative/artistic practice and research.
The students will collaborate on the design and creation of a meta-resource on choreographic knowledge and may also apply the tools and resources in their own creative process and/or research.
All the content, tools and activities will be served online and will include video sharing platforms, network visualization and mobile augmented reality.
This online collaborative lab is offered as a pilot to students from all HZT-Berlin-| UDK programs and is also open to worldwide remote participants free of cost.
The students need to dedicate at least 8 self paced hours a week engaging with the materials and activities. Participants needs to have access to broadband internet connection. Smart mobile devices are desirable yet not required.
This course will be realized twice:
September 1st to 12th 2015 March 29th to April 9th 2016
Job Announcement: Assistant Professor of Dance Bowdoin College Submission Deadline: September 30, 2015
The Department of Theater and Dance is currently accepting applications for a tenure-track position in Dance to begin July 2016. Possible areas of interest include screendance and dance performance intersections with dance and technology. Great opportunity to work with generous, collaborative colleagues and smart students in a supportive and dynamic artistic and academic environment. Details posted here.
A highly selective liberal arts college on the Maine coast with a diverse student body made up of 29% students of color, 3% International students and approximately 15% first generation college students, Bowdoin College is committed to equality and diversity and is an equal opportunity employer. We encourage inquiries from candidates who will enrich and contribute to the cultural, socio-economic, and ethnic diversity of our college. Bowdoin College does not discriminate on the basis of age, race, creed, color, religion, marital status, gender, sexual orientation, veteran status, national origin, or disability status in employment, or in our education programs. For further information about the college and the department, see our website at www.bowdoin.edu.
Live and create this Autumn in the beautiful Lake Studios Berlin.
dance-tech artist in residency in Berlin offers to international interdisciplinary movement and media artists the possibility to live and make art in a peaceful artist run working, living and performance space in Berlin, Germany.
The artists will enjoy the Lake Studios Berlin, a unique living and creative working space with fast connection into the exciting creative center of Berlin and with the advantage of the quiet beauty of Müggelsee lake and a forest at only 5 minute walk for in depth concentration on research and creative process. The resident artist will enjoy a private room or apartment and access to a dance space with sprung wooden floors. Lake Studios Berlin is primarily a working space for 6 diverse movement artists with the need to go deeper into their work and practice. It is an experience of collaborative living and creation, and the resident will have the opportunity of artistic exchange as well as access to inside information about the dance scene in Berlin.
This is a self generated residency and it is is conceived as an independent collaboration between dance-tech and Lake Studios Berlin as a way to facilitate alternative and affordable spaces for independent artists and creative researchers.
The applicants must be a dance-tech.net member The selected artists will pay his/her transportation expenses and will pay 580/660 Euros (depending on the type of accomodation) per month to cover costs.
Residency includes:
The resident artist will have access to 100 hours of studio space per month, divided between the large and small Studios.
The residency includes 2 hours of remote online coaching with Marlon Barrios Solano.
Possibility to teach classes, workshops and / or organize a performance or work-in-progress showing at the end of the residency period.
The artists will be featured and should blog about their process on dance-tech.net for the months of the residency.
The artist also may decide to use dance-tech.tvLIVE video channels to share the process of exchange with the community.
An extra person may be accomodated for additional fee of 140 Euros)
NOTE: There is one large projector, an electric keyboard, a sound recorder, a mixer, as well as sound equipment available in both studios. Further equipment is not provided.
Screening:September 10-13, 2015 at DOCK 11, Berlin Extended Deadline: July 15, 2015 Applications for POOL 15 under www.pool-festival.de
PROFIL
POOL is a festival for dance film and dance animation film
and offers space for the mutual exchange of experiences, development, training, and production prospects.
Every year POOL presents a selection of fascinating dance film productions from all over the world,
which makes the event a meeting place for creative people involved in the fields of dance, film, fashion and advertisement.
PARTICIPATION
All dancers, choreographers, film makers and artists are invited to apply with dance short films and dance animations. Films should not be longer than 30 minutes and also not only a documentation of a dance piece. The budget of the films or the background of its creators are less important for us.
PARTICIPATION DOCUMENTS Applications can be submitted online.
Only if your film is chosen for the programme: - Filled and signed online application form as scan to info@pool-festival.de - 3 digital film stills, minimum 300 dpi - Optional: biography, video testimonies and useful information
PROGRAMME & PEARLS
The POOL 15 jury will create a film programme from all submissions and select the winner films, the PEARLS 15. PEARLS are the equal winners of POOL – INTERNATIONALES TanzFilmFestival BERLIN.
Date: 25 June 2015, 20:00 Venue: MuseumsQuartier - Hall G - Museumsplatz 1 - 1070 Vienna
Timezone: Vienna 08:00 pm CEST/MEST (CET/MET +1h daylight saving time, or standardized GMT/UTC +2h)
The stage of Halle G in the MuseumsQuartier Wien and the ensemble in Vienna are the centre of the events. The images produced are processed in real-time and reach the audience like an interactive “collage”. I
net:art | near in the distance 2 is a production of ACOnet (the Austrian science and research network) in cooperation with the mdw-Vienna University of Music and Performing Arts, international science networks and art and cultural institutions.
Technology and science become the allies of the artistic concept and follow the lead of the protagonists.
Special opportunities for Dance-Tech members who would like to apply to the Masterclass "Networked Rites and the Quest for Moprphic Fields of Compassion" this mid-August at the Ionion Center for the Arts and Culture in the island of Kefalonia, Greece.
This is an opportunity for dance/performance artists and involves 1 extra day free-of-charge at the center, including a presentation of their work (i.e., performance, video, etc.) at the center’s fully equipped theater or exhibition space.
There may be an opportunity to perform on location at the island as mid August is a week of celebrations in the island. However, this will be further probed by the center's management who will announce the event and invite locals and tourists.
In addition, we are offering the Masterclass to Dance-Tech members including full housing accommodation for 5 or 6 days (extra day for artists who will perform/present) plus extra arrival day and 2 meals (one hot meal, meat or vegetarian) a day for Euro 307.
For an ApplicationForms, e-mail: lila.dancefilm@gmail.com
Attention all artists, researchers, students, individuals and groups involved or interested in the creative fields and in the integration of art, science, technology and consciousness research!
This coming summer of mid August, we are happy to invite Dance-Tech members to the Masterclass in island of Kefalonia, Greece in conjunction with the local feast of the Holy Snakes of Mary.
All participants will be divided into groups to engage more with the island's geographical body, serpent mythology and ceremony. We will be soon announcing more exciting opportunities for artists involved in dance/performance as well as those who work with dance and screen-based technology.
Special opportunities for Dance-Tech members who would like to apply to the Masterclass "Networked Rites and the Quest for Moprphic Fields of Compassion" this mid-August at the Ionion Center for the Arts and Culture in the island of Kefalonia, Greece.
This is an opportunity for dance/performance artists and involves 1 extra day free-of-charge at the center, including a presentation of their work (i.e., performance, video, etc.) at the center’s fully equipped theater or exhibition space which otherwise would cost Euro 800 (not inclusive of VAT) per use.
There may be an opportunity to perform on location at the island as mid August is a week of celebrations in the island. However, this will be further probed by the center's management who will announce the event and invite locals and tourists.
In addition, we are offering the Masterclass to Dance-Tech members including full housing accommodation for 5 or 6 days (extra day for artists who will perform/present) plus extra arrival day and 2 meals (one hot meal, meat or vegetarian) a day for Euro 407.
The VI Contemporary Dance and Performing Arts Festival will take place from the 2nd to the 6th of September 2015.
The festival is conceived as an annual meeting where artists and amateurs interested in Contemporary Dance and Performing Arts gather together to create, interact, attend performances and take part in high quality workshops.
Dancers, performers and amateurs will stay for 5 days together again in the Natural Park Cabo de Gata, Almería,
Nature, culture and creation will merge again in this breathtaking landmark in the south-east of Spain.
Programme Costa Contemporánea 2015
This year the festival offers 4 workshops in contemporary dance and performing arts led by Spanish and international well-known teachers :
Morning Workshops will be in charge of Guillermo Weickert and María Muñoz & Pep Ramis (Mal Pelo). Guillermo Weickert offers his experience in contemporary dance and physical theatre, which he has developped in a physical vocabulary of his own. Mal Pelo has been developed its own artistic language through the movement, incorporating the theatricality with the creation of dramatic arts that include the word. They offer their experience as a creative group characterized by a shared responsibility, which has given like result more than 25 performances.
Afternoons will be dedicated to research, interaction and experimentation in connection with nature. Elías Aguirre will work on the physicality and theanimality, getting the inspiration from nature. La Macana will explore the inner tools to control your actions and emotions, using all your potential and being aware of it to redirect it in a performatic way.
Performances, pieces and artists confirmed:
The festival will hold its opening gala on the 2nd of September 2015, when the three finalists of the II Choreography Contest Mujer Contemporánea will perform their pieces and the jury and the audience will decide on the winner.
The next three days will be the time to enjoy the works of experienced and well-known artists as well those of emerging artists.:
3rd September: Variety Show Night
Ana Cembrero, Lost Archive (Valencia). Videodance
Nicolas Rambaud, ¡Valgo? (Madrid). Dance
Irene de Paz, The skein, (Madrid/ Almería), Contemporary Circus
Elías Aguirre, Longfade (Madrid). Dance
4th September: My great Night
Francisco Córdova & Kiko López, Postskriptum (Barcelona). Dance
María Muñoz, Bach (Barcelona). Dance
Alberto Cortés + María del Mar Suárez, Mariché López. Omar Janaan, Yo antes era mejor (Málaga). Flamenco-theatre
5th September: Dance Fever
Guillermo Weickert, non defined yet (Sevilla). Dance
Alexis Fernández y Caterina Varela (La Macana), Ven (Galicia). Dance
Smantik, screening “II Costa Contemporánea” (Melilla). Videodance
Jam Session, Dance
VI Costa Contemporánea: 2 – 6 Sept 2015 Pack – Price: 385 euros It includes: – 4 workshops – Entrance to all shows – Accommodation from 2nd to 6th September and full board
More information: info@costacontemporanea.es
The entrance fees for the shows outside the pack: II Contest Contemporary Women -Award Gala – 6 /*4 € Variety Show Night – 8 / *6€ My great Night – 10 /* 8 € Dance Fever – 10 / *8 €
*Discount: Unemployed people, children 5-10 years old. Free entrance for 4 years old children and younger.
At University of California, Los Angeles (UCLA) 14-19 September 2015
Hosted by the Center for the Art of Performance (CAP UCLA) at UCLA in partnership with Design Media Arts (DMA) at UCLA
Call for Applications from artists working with code and digital media for the CAP UCLA / DMA @UCLA Choreographic Coding Lab
Are you an artist working creatively with code and digital media with an interest in movement? Then come join MotionBank and the UCLA team for the 5thChoreographic Coding Lab where movement hackers and practitioners will be gathering to discuss and work on projects, ideas and challenges in a peer-to-peer setting.
The Choreographic Coding Lab (CCL) format offers unique opportunities of exchange and collaboration for digital media ‘code savvy’ artists who have an interest in translating aspects of choreography and dance into digital form and applying choreographic thinking to their own practice. This format supports working with patterns in movement scores and structures through finding, generating and applying them with results ranging from prototypes for artworks to new plug-ins for working with dance related datasets. The CCLs also seek to support a sustainable collaborative practice among its participants encouraging ongoing exchange in a growing artistic research community.
CCLs are an outcome of MotionBank, a four-year research project of The Forsythe Company focused on the creation of digital dance scores with guest choreographers. This research involved the study, documentation and analysis of unique choreographic approaches, and the datasets and tools used behind the development of the MotionBank scores will be made available for the CCLs including an installation of Piecemeta / Piecemaker2. These systems hold and serve the data from MotionBank and previous CCL recordings.
The UCLA partners are ideal for the organization of this 5th CCL. CAP UCLA has a unique commitment to the art of performance that includes support for groundbreaking boundary crossing works between the performing arts and other fields. The DMA is world renowned for their comprehensive, multidisciplinary approach to media creation that fosters individual exploration and innovative thinking. This will be the first on-campus jointly sponsored project of these two extraordinary programs.
The week will be enriched by interactions with experienced local choreographers and members of the MotionBank research team. The organizers of the CCL will facilitate internal exchanges, documentation and open-door moments. The CAP UCLA/DMA@UCLA space and equipment will be freely provided.
Pathfinder tool from CCL #1 participant Christian Loclair (princemio)
There is no fee (or payment from our side) for participation, but applicants are asked to propose starting points and ideas. Collaborative teams involving coders, choreographers, object, sound and filmmakers interested in the MotionBankresearch are encouraged to apply. A selection will be made to ensure the right balance of participants and what they bring to the lab. The application deadline is 26 June 2015. Participants will arrive and gather on the evening of 14 September for an informal get together, then begin exploration in the lab on 15 September.
Audience who cannot be in Brisbane, will be able to participate online with their computers.
Looking forward to seeing you online
Suzon
WATERWAYS, WALKS & Wi-Fi--INVITATION
Intrepid artists James Cunningham & Suzon Fuks travelled 7500 km through Queensland exploring creeks from tropical Cairns, through the mining towns and dusty trails of the vast outback collecting data and exploring physical & digital connections to our environment. The pair has returned to Brisbane to present an interactive art installation called FLUIDATA.
