festival (82)

moves10:   Framing Motion

moves10: Framing Motion will hit the region from 21-25 April with more than 30 screenings, 16 screen-based installations, 4 interactive video performances, debates and workshops spilling out to over 50 venues across the North West and the UK.

Catch moves online, on site, on screens, indoors and outdoors!
Please find moves festival guide, schedule and registration forms for festival passes at www.movementonscreen.org.uk.

TICKET INFO:

moves full festival pass: £ 55/45
EARLY BIRDS! moves full festival pass: £ 45/35 (deadline 9 April 2010, 5pm)
moves combi pass (full festival pass + Kinesthetic Empathy conference): £ 85 (deadline 16 April 2010, 5pm)
To book tickets for individual events please check moves festival guide and contact moves partner venues: the Bluecoat, Picturehouses at FACT, the Contemporary Urban Centre (CUC) and LJMU Arts & Design Academy.

OPPORTUNITIES AT MOVES10:

- Interactive Scenography LAB by Santi Vilanova ( Telenoika, Spain), an inspiring and creative taking place during the course of the festival (22-24 April). Places are limited. Please book tickets in advance.
- moves filmmaking LAB : be part of a team and join an exciting 7 day filmmaking challenge!
- You still want to get involved? There are some volunteering opportunities still available. Check moves website for details!
- Are you a dancer? moves is looking for contemporary dancers to support Goran Vejvoda's piece Sayat Nova Revisited, coming all the way from France, to be performed during the festival.

Visit www.movementonscreen.org.uk for full programme details and see you at moves10: Framing Motion, 21-25 April 2010, Liverpool!

The moves festival team.
moves10 image strip
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Original post : AS-MAP.COM French
A google traduction French 2 English


Pour ceux qui me suivent depuis un momment je vous ai déjà parler de la borne innovanews developpé par Digimind & Pikko dans le cadre de l’Observatoire des Innovations et du projet innovanews à la Cité des Sciences
Rajouter à cela une micro veille sur les instruments du futurs et plus particulierement leurs interfaces ...
J'étais aux anges pendant la conference sur la realitée augmentée organisée en collaboration avec Demain la lune et Future-instruments durant le jamais assez recomandé MAPPING FESTIVAL
Je reprends ici les pistes d'outil de processing évoquée au début de la conférence par DEMAIN LA LUNE

Le processing KEZAKO?

Processing :
Langage de programmation & environnement de dév "multimédia" de Design by numbers. prolongement "multimédia" de Design by
numbers
l'environnement de prog graphique développé par John Maeda du le Media Lab du Massachusetts Institute of Technology.

Le logiciel processing à pour vocation la création plastique
et graphique interactive. (MAC, WINDOWS, LINUX) Source: WIKIPEDIA


NDLR :A ce que j'ai compris le terme est devenu générique pour definir les outils de création interactives
Les outils de réalitée augementée présenteé par Demainlalune.ch

ARToolKit http://www.hitl.washington.edu/artoolkit/

is a software library for building Augmented Reality (AR) applications. These are applications that involve the overlay of virtual imagery on the real world. For example, in the image to the right a three-dimensional virtual character appears standing on a real card. It can be seen by the user in the head set display they are wearing. When the user moves the card, the virtual character moves with it and appears attached to the real object.
DECOUVERTE DE L'ARTOOLKIT Via http://deptinfo.unice.fr/~renevier/nmi/
Arduino
open-source electronics prototyping platform based on flexible, easy-to-use hardware and software. It's intended for artists, designers, hobbyists, and anyone interested in creating interactive objects or environments.
Processing
T-Shirt Image pen source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool.

Cours en ligne de l'École d'Art d'Aix-en-Provence
Cours en ligne de l'Université Paris 8
Openframeworks.cc
The library is designed to work as a general purpose glue, and wraps together several commonly used libraries under a tidy interface: openGL for graphics, rtAudio for audio input and output, freeType for fonts,freeImage for image input and output, quicktime for video playing and sequence grabbing.

The code is written to be both cross platform (PC, Mac, Linux, iPhone) and cross compiler. The API is
designed to be minimal and easy to grasp. There are very few classes, and inside of those classes, there are very few functions. The code has been implemented so that within the classes there are minimal cross-referening, making it quite easy to rip out and reuse, if you need, or to extend.
GAMUZA

A specific tool designed for non-professional or absolute beginners programmers working on art/interaction/design field, and to
provide an easy-to-use fast-approaching tool to cover computer vision interaction design teaching needs(otras).
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Art.On.Wires Festival Oslo 2010 - day 2

May 11th

As a festival like this, or maybe every festival, it is always a contact-making-connections-pool.

A possibility to get to know other fields of art/artists which could or do collaborate in order to create new art (pieces).
Along those lines the day yesterday ended in an open space introducing the people who give the workshops.
Everyone who was interested in talking a little about their work, their art-approach, projects etc. got a microphone in his/her hand and could give a glimpse into their life to the audience.

Today we(*) started our workshop for interactive environments. Talking about recent projects and showing some video material to expose the listener to some ways of making use of the system/environment.
I was talking about the need of finding a common working-language. Just by trying to understand the other participating project-developer. Which means, everyone creating a performance (for instance) should move a little in the interactive space, should look over the shoulder of the musician, try to comprehend the graphic program or install the camera system. Within this crossing the boarders you bring everyone to a point of equality. There you have a chance of a communication which eventually will lead to an artistic output with hopefully some semantic comprehensible line for the audience.


Across the hall where the festival happens, Alexander Carot ( http://www.carot.de/ ) is giving his workshop on a software he developed to enable musicians to rehears and perform together without meeting in real person. Having the problem of delivering the sound with a delay he invented his software “Soundjack” ( http://www.soundjack.eu ).


Another interesting workshop deals with kids toys. Through soldering components together they create the weirdest sounds. After everything is put together, you just press buttons and the sounds come out of a toy. Very funny one.
( http://www.daal.at/ )

After a very intriguing key note by Mark Coniglio about his work, he is giving a workshop on the software Isabora, which he invented himself.

In his lecture he was talking about some art pieces which work with the matter of fact that we are the number one in our life.

I am - is the most used expression in Skype chat.

When we use interactive environments we are fascinated by the music I can create because I move (or graphics etc).

Mark introduced us to one of his recent works "loopdiver". Loopdiver was created with the Isadora software.

They basically filmed a dance phrase from 6 different ankles and then cut them apart and together in all possible orders. In addition they put loops on top with different durations and so on.

At the end, the dancer had to learn what they created with the software.

( http://www.troikaranch.org/vid-loopDiver.html )


In one corner you could see a huge table with stooped people around again soldering something together. The goal was to built a small LED Gadget/Screen with a USB connection which can be fed with any information you want. Some of the components just need to get a software, which has yet to be written.

( http://www.daal.at/ )


Before dinner time I was sitting together with some people and Frode Volden (docent for cognitive psychology and human interface design at Gjøvik university) for a so called focus talk.

The question to discuss was on perception of quality. What does it mean to us. How do we use it in a artist approach.

This focus talk is used as a platform to develop a new vocabulary in the field of audio-visual cognition in order to find a way to measure quality. To install parameters and make technology/interfaces more effective, better designed for an intuitive use, to simply define it with its own words/vocabulary.

A few statements shall be listed here


- in the moment there is human energy invested it has a high level of quality

- everything containing passion has high quality

- that would be nice

- it is a matter of (expert) knowledge if you receive something as high or low or no quality

- it's a matter of content

- don't mix high and low quality components

- but "south park" does it

- does technology helps to raise the level of quality?

- depends on the use of it

- restrictions within the use of technologies can be useful


and so on.

Frode Volden was mostly listening, making some notes and asking some questions.

Even that we all came from a very different background (musician, dancer, wearable LED artist, VJ, programmer) we were able to talk on an equal level. We made similar experiences and so had a platform of communication in a high quality ;-)


After dinner there will be a concert with Alexander Carot.

http://www.carot.de/




(*)
We is:
Marko Ritter - VVVV programmer - http://blog.intolight.de
Valérie-Françoise Vogt - graphic design - http://veevee.de
Jacob Korn - musician (Abelton, Max 4life) - http://www.jacobkorn.de/
Johanna Roggan - dancer, choreographer - www.moveonit.net
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May 10th
A new laboratory-like festival has been born. In Oslo, Norway. Out of nothing Dr. Alexander Eichhorn ( http://www.dance-tech.net/profile/echa ) organized a whole festival by himself. Inviting artists (dancers/choreographers, musicians, code-poets, interior designer, visual designer), programmer, nerds as well as students from the university Oslo to lead workshops in the wide field of media art.

Introduction to OpenFrameworks, Motion Capture Systems and Techniques, BoBo – Gadgetto, Isadora – Advanced Features Quick Boot, Using Interactive Environments for Performance (dance, visuals, music), Telematic Interaction – How physical and technical restrictions determine artistic consequences, Systematic Understanding of Music.

http://art-on-wires.org/workshops


After a nice long ride from Dresden, Germany to Oslo, we(*) arrived with a lot of equipment for the workshop we're going to give. Using Interactive Environments for Performance (dance, visuals, music).
A warm atmosphere and friendly people were welcoming us.
On Sunday and today we set up the festival venue at the Kanonenhallen and due to the fact that there are not so many people from the "outside" (people who would just come to take a workshop) have signed in and all the workshop-leaders are wanting to go to the other workshops as well, we decided not to have the workshops overlapping, but giving space that everyone could participate in every workshop and/or to tinker on or with something...

This is how we started today. With some setting up, a nice lunch and a short introduction speech from Dr. Eichhorn.
Now people listen to the OpenFramework lecture and already implementing codes.
Mark Coniglio ( http://www.dance-tech.net/profile/TroikaRanch ) gives kind of a private workshop for two people on the software Isadora, which he invented.

Everything is quite informal and relaxed - a good start for a young festival.


http://art-on-wires.org/


(*)

We is:

Marko Ritter - VVVV programmer - http://blog.intolight.de

Valérie-Françoise Vogt - graphic design - http://veevee.de

Jacob Korn - musician (Abelton, Max 4life) - http://www.jacobkorn.de/

Johanna Roggan - dancer, choreographer - www.moveonit.net


About me, Johanna Roggan:

I'm a dancer, dance creator, teacher. Currently residing in Dresden, Germany. Working together with the non-profit organization Trans-Media-Academy (TMA) Hellerau ( http://t-m-a.de/ ).

I'm going to give a workshop here in Oslo for interactive environments. Questioning the need of interactivity in performances, how long is it supportive and when does it turn into a show effect.

About communication between the performance-developer (the dancer, the programmer, the designer) - how to find a common working language.

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Rebecca Parris was born on December 28, 1951 in Newton, Massachusetts into a family of educators and musicians. Her early career is marked by studies with world-class vocal coach, Blair MacClosky, and attendance at Boston Conservatory. At first she toured with top 40’s bands, then became immersed in the American jazz genre of singing, developing herdistinctive version of improvisation, scat, exemplary phrasing, and masterful story telling.


Parris has performed worldwide with great jazz legends, including Dizzy Gillespie, Buddy Rich, Wynton arsalis, Gary Burton, Count
Basie, Woody Herman, Terry Gibbs, David “Fathead” Newman, Norman Simmons. Harold Jones, Andy Simpkins, Gerry Wiggins, Bill Cunliffe, Red Mitchell, Buster Cooper, Nat Pierce, and many others. Rebecca has performed
at the legendary
Monterey Jazz Festival in '90 & '95, North Sea Jazz Festival, >Oslo Jazz Festival and the International
Floating Jazz Festival, continuing to exemplify American jazz singing across the globe.



Rebecca's latest release is You Don't Know Me on the Saying It With Jazz label. Rebecca performs some
well-chosen standards with her long-time trio: Brad Hatfield, piano; Peter
Kontrimas, bass; and Matt Gordy, drums. Rebecca's previous releases include her
all-ballads CD,
My Foolish Heart
, The Secret of Christmas"Arial Narrow"; A Beautiful Friendship, with the Kenny Hadley Big Band, Double Rainbow with Eddie Higgins and Michael Monaghan, A Passionate Fling, Love Comes and Goes, and Live at Chan's. (go to: http://www.rebeccaparris.com)


Additional to performing, Rebecca is a noteworthy vocal teacher, widely in demand, from students near and far, that don’t mind traveling to benefit from her instruction. She is also a community activist who has led benefit concerts for numerous charities and causes, is an ardent supporter of “Save School Music,” and a recent advocate of the “Massachusetts Dance Festival.”


Rebecca Parris will be opening for two weekends of dance festivals during the first statewide MDF events, beginning on Saturday August 21st @ 8:00 pm, at the Boston Ballet top floor performance venue, and the following Saturday, August 28th, and the Fine Arts Center in Amherst. Sheyes""> will perform a few of her favorite jazz songs, then turn the
stage over to 11 professional dance companies for the evening.


Having just attended another spectacular performance by Rebecca last night, I can vouch that our regional icon and “First Lady of Jazz” from Massachusetts, is fully engaging in her playful, serious, sensuous way, that pulls you into an astounding musical experience.


Ticket prices for August 21st and 28th are $25.00 at the door, $20.00 in advance. Go to: http://www.massdancefestival.org/tickets.html
to order in advance.



And enjoy the show!



Article by Lisa Leake

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Art.On.Wires Festival Oslo 2010 - day 4

May 13th

After an AMAZING evening with 3 professors playing music for us, a handsome live act by Jacob Korn, amongst others, and a very cosy atmosphere, the next day started relatively relaxed and a bit late. For me at least.
Jacob Korn gave his Abelton live/MAX MSP workshop.

Here and there was still some working, talking, tinkering around going on.


Within the festival there was a small scholarship given for two projects.

Veronika Mayerböck, Jordi Puig & Wendy Ann Mansilla presented us their work-in-progress results from the last 4 days of researching. Veronika was hunting for a way to let music response to light changes.

Jordi Puig and Wendy Ann Mansilla were working on light changes in 3D environments.

But in general we had to dismantle everything.
We (the Dresden crew) left around 5pm.

It's not the easiest to make a synopsis on the last 4 days.
We all had a very good time. We met new people, were listening to interesting keynotes and workshops, we had good food and good music all the time. We learned new things or immersed deeper into topics, software or conversations.
We were part of a great birth of new and promising festival for media art on wires.
For the next year we all just hope for more audience. This festival needs to be seen!

People missed out something very special.


A BIG thank you to Alexander Eichhorn and all the hands and good souls behind the scene! Great work, well done!


Thanks for reading,
Johanna
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Massachusetts Dance Festival’s first annual statewide events, sponsored by the UMass Amherst Department of Musicand Dance, will be held August 21st and 22nd at Boston Ballet, 19 Clarendon Street,Boston, and August 28th and 29th, at UMass Amherst (Totman Building) and The Fine Arts Center, Amherst. 2010 events at both sites includeSaturday evening performances by eleven professional dance companies, andSunday late afternoon performances by eleven emerging dance companies,representing genres of ballet, jazz, modern, contemporary, multimedia, EastIndian, and hip hop/jazz. Each presentation reveals the sheer creative power ofdance – the breadth of training and talent across the Commonwealth – ofphysicality, technical excellence, emotional exuberance, and compellingartistry, that is certain to attract and engage audiences of all ages andbackgrounds.

Innovative choreographies of two weekends include: 1) “Marionette,” which questions the notion of “success,” reflectingthe “struggle to get ahead in business, financial, and personal lives…driven byrelentless social images,” choreographedby Katherine Hooper of BoSoma DanceCompany, where athleticism and the “constant energy of phrasing” propelsdancers ahead three steps, and back only two; 2) A dramatic selection by Contrapose Dance entitled “Sanitas,” which approaches society’s “recent obsession withcleanliness and staying free of sickness,” plummeting deeply into the humanpsyche … gripping audiences while challenging dancers through feats of athleticand artistic elocution; 3) Monkeyhousedancers’ newest creation, “"Times New Roman Italic""">Against the Odds11.0pt"">,” which “explores themes of endangerment and stagnancy,” and theenormous effort required to get “unstuck,” using a series of ‘found sound’recordings of rain and train station buskers; 4) A multi-media celebration ofthe Connecticut River by Sorvino DanceProject called “Downstream,” where fluid movements are adapted to the power,stillness, and interruptions of the river, against a backdrop of SamPettengill’s visual artwork, and a magnetic improvisational and polyrhythmicmusical landscape; 5) An energetic and uplifting piece, Mariah Steele’sSimon &Garfunkel Suite,” which portrays a“desire to celebrate life and the human experience in all its grit and humor,dust and glory… a love of community, awe of our bodies’ vast capabilities … anda deep faith in humanity.”

Additional to dance performances are a total of 48 dance classes for adults and childrenin Boston, August 21st and 22nd, and in Amherst, August28th and 29th, between the hours of 11:00 am and 5:00 pmon Saturdays, and between 11:00 am and 3:00 pm on Sundays. Massachusettsmaster dancers, college and K-12 educators, and industry specialists covergenres of ballet, jazz, tap, modern, African, Cuban Salsa, hip hop, “inclusivedance for physically disabled dancers,” and a diverse range of innovativechildren’s dance classes. Specialty workshops on “dance photography,” “managing a successfulcultural business,” and “healthy dancers” will also run adjacent to movementclasses, offering a full spectrum of activities for all ages and levels ofaudience participants.

MDF’s Emcee for both Saturday nights is Massachusetts native and national jazz icon, RebeccaParris, who will open both performances and sing two of her favorite,popular jazz standards. She is an ardent supporter of music and danceperformance and education in Massachusetts, and a tireless promoter of theMassachusetts Dance Festival’s mission:

…to revitalize dance and arts-related professions by developing partnerships withbusinesses, corporations, institutions and communities. MassachusettsDance Festival believes that dance, as a major component of arts and culture,is essential to meaningful lives and healthy communities. Dance and artseducation contribute to quality life in the 21st Century byproviding rich education for youth and promoting cultural understanding andtolerance within diverse communities.”

yes"">

Tickets are $25.00 and can be purchased in advance or at the door. Discounts areavailable for Boston Dance Alliance Members, students, senior citizens, andgroups of 10 or more. Call: (508) 429-7577 for ticketsales information. You may alsopay for tickets in advance, through Pay Pal, at the Massachusetts DanceFestival web site http://massdancefestival.org.

For a full listing of performing artists and adult and student dance classes, go to: 11.0pt"">http://www.massdancefestival.org/performers.html and 11.0pt"">http://www.massdancefestival.org/schedule.html.

MDF is a registered 501(C) 3 non-profit, with its 2010 summer dance festivalsupported by: Body Grooves,Boston Dance Alliance, Dancing Arts Center, the Dance Inn, Hot Stepz Magazine, North Shore Dance Alliance, Red Fez Restaurant, and Teddy Shoes.yes""> Senator Sonia Chang Díaz,Chair of the Tourism, Arts, and Cultural Development Committee, endorses the Massachusetts Dance Festival.

MDF can help to establish Massachusetts asan important destination for arts, culture and tourism.

Photo of BoSoma Dance Company
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Art.On.Wires Festival Oslo 2010 - day 3

May 12th
First some pictures:
http://www.flickr.com/photos/art-on-wires/

This day we started the interactive environment workshop with introducing the software VVVV (V4). Two rows of laptops (which have to run windows for using V4) were set in front of a screen to show each single step on it. Valerie Vogt and Marko Ritter were conducting the workshop and walking around to help out with any problem the participants might have.
It was an short and very basic introduction of how to use it and what is possible beside making 3D generated graphics.

One of the most beautiful things here at the festival is the feeling of equality with every person. Two luminaries of the media art section were holding a keynote and afterwards they just hang out, talk to who ever is having a question. There is no privileging going on. Just Sharing knowledge, interest and going for ones curiosities.
Lars Graugaard, Anders Friberg both from the Stockholm university, Alexander Refus Jensenius (Olso university) and Aki Asgeirsson from Iceland hold a keynote on „systematic understanding of music“ by presenting several projects.
Music and emotion and creating new instruments were the trigger point of their lecture.
Coming from the fact that there is a level of emotional content inside every musical piece, they disassemble the vocabulary in order to categorize it into parameters like sad, happy, angry, tenderness/love etc.
Knowing that an expert listener is able to distinguish different moods easily but not an untrained ear, every research issue comes across psychology.
Emotion perception – listeners' perception of emotional expression.
Lars Grauggard and Anders Friberg presented then a software based on MAX/MSP which works with these parameters to analyze music and/or create new music pieces.
http://www.graugaard-music.dk/
Alexander Refus Jensenius gave us a brief glimpse on his, still in germinal, SUM sensor device. A gadget like tool to measure emotions. Using the information of blood preasure (via infrared), skin conduction and movement, the small sensor device in your hand gives a lot of parameters to scale your sensitivities.
It is still under construction but could be used in performances to navigate other out/input for instance.
http://art-on-wires.org/workshops/sum
Aki Asgeirsson presented us some of his new instruments he invented. One is an impossible one but still quite impressive. He would use the tunnels of Iceland. Tunnels such as for cars, wires, water. On one side he would place a violin snail on the other end a horn looking like amplifier. For every tunnel the same set up. The audience would be sitting in the center of Icland and receive all tones from all tunnels. BUT – the tunnels have to be empty. So that is the impossible part of it.
http://slatur.is/aki/about.html


After a short break Atau Tanaka was holding his keynot about various projects he has done.
He was working on using networks as a performance space, network music and many different music-related projects and research fields.
I really recommend to read his papers or watch the recorded lecture (online soon on www.art-on-wires.org)
http://www.ataut.net/site/spip.php?page=plan
http://www.ncl.ac.uk/culturelab/people/profile/atau.tanaka


Before lunch time Alexander Eichhorn announced the open laboratory space – so who ever is interested in collaborating with one, two, three of the others at this festival, should go for it and maybe we have something to show at the end.
It is meant to be an option of crossing boarders, of overcoming the idea of this or that could never funktion together but just trying it out and having fun within it and maybe have some outcome.

There is some not so well recognized stuff going on as well. Beside two always very tasty meals (lunch and dinner (German chefs)), the crew FEM ( www.fem.tu-ilmenau.de ) is, beside managing all sound and light happenings, recording and live-streaming the whole festival all the time. All lectures, keynotes, workshops are streamed and most of them will be online soon – if you missed something.

The evening concert series is about to start. All the musicians, producers and Vj's in the hall are going to have some great fun together.
At first all is a live act and then the Dj's will finish us up..
Pierre Proske (music), Arturo Castro (visuals), Jacob Korn (music), Marko Ritter (visuals), Lars Graugraad (music), Aki Asgeirsson (music), Atau Tanaka (music) and then the two Dj's Rainer Wachtelborn and Dj Subway.
www.jacobkorn.de
www.residentadvisor.net/dj/rainerwachtelborn
www.myspace.com/_subway
www.digitalstar.net/about/

http://arturocastro.net/index.html



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XII Festival VideoDanzaBA 2010

September 4 to 12, 2010
DEADLINE: June 15, 2010

| Call for entries 2010
DEADLINE: JUNE 15, 2010
The International Festival VideoDanzaBA opens its call for selection for its twelfth Edition, to be held from September 4th to 12th, 2010.

The call opens in two categories:
• Video-dance as an art form
• Documentaries on dance

For entry form and regulations, please visit www.movimiento.org/profile/VideoDanzaBA

Pieces must be sent by regular mail up to June 15th, 2010 to:
FESTIVAL INTERNACIONAL VIDEODANZABA
CENTRO DE INVESTIGACION CINEMATOGRAFICA
Benjamín Matienzo 2571 (C1426 DAU)
Buenos Aires – Argentina
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Early Deadline: December 16, 2009Final Deadline: January 15, 2010Celebrating our 9th annual dance film festival, Dance Camera West welcomes dance media in any dance style or genre. Categories include: screendance, movement based film, short films, features, documentary, installations, and interactive dance media.Dance Camera West’s June 2010 festival will feature an international selection of dance media and special screening events throughout the month at prominent Los Angeles venues such as Walt Disney Concert Hall’s REDCAT Theatre, Hammer Museum, American Cinematheque, Cheviot Hills Recreation Center, and several new venues to be announced.We look forward to seeing your new work!Entry forms and guidelines available at: www.dancecamerawest.org/submit.htmPlease direct questions to: festival@dancecamerawest.org
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Tiradentes square, subway stations and, of course, the main theaters in Rio de Janeiro, São Gonçalo and Baixada Fluminense. These are the "stages" of the 18th edition of Festival Panorama de Dança. This year, the program goes from 5th to 15th November, bringing to the public dance shows of more than 30 artists, from Brazil and abroad, and also a video installation by William Forsythe, a seminar on the economy of dance, a university showcases, a project of audience development for training the public, dance workshops and "Panoraminha”, a program dedicated to kids. The activities have popular prices or free entrance.Panorama’s opening night on November 5th is a tribute to the Brazilian critic and curator Roberto Pereira, who died in June, at age 43, leaving a legacy of solid academic research and appreciation of dance history.A small but precious program, with the pianist Cadu Pereira as a special guest, is set to remember the beginning of the movement in film, something that Roberto would love to share once again.The opening night goes on with CNN Ballet de Lorraine (photo) and its Répertoire, a journey through the multiple possibilities and conceptual breakthroughs that helped to set down contemporary dance as we see it today, with pieces by Isadora Duncan, Martha Graham, William Forsythe and Maguy Marin."More than 18 thousand people were attended in 2008. What sets us apart from any cultural event held in the city is our ability to expand the circuit of dance to underprivileged neighborhoods with popular prices" said Nayse Lopez, Festival Panorama de Dança’s curator.Stay tuned! Visit www.panoramafestival.com for more information and follow @panoramafest on twitter.
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Right in the middle of a world-wide tour that's taking the best of moves09 as far as Glasgow, Australia, Hungary, Spain, Brazil or Russia moves returns to the North West. Showcasing the most recent and fascinating works that examine movement on screen moves will takeover the renowned cultural centre The Bluecoat (Liverpool) from 21 to 25 April 2010.Established in the North West of England, moves is the largest exhibition platform in the UK for experimental short film and new media with a unique focus on movement on screen, exploring new ways of telling stories through films, installations and screen-based works.moves10 is preparing for its 6th edition in April 2010 with a new and exciting programme going more international than ever and presenting work indoors and outdoors, featuring international screenings, talks, interactive installations, workshops and live events.OPEN CALL FOR ENTRIESDeadline Sunday 13 December.NEW!PRIZE This year you can win a tour across Europe to present your work with the Alternative Routes Award! (see below)moves is now inviting artists to submit their work for inclusion in the 2010 festival programme.moves10 expands the open call and welcomes screen-based installations as well as films and papers exploring movement through its context.The works must have been completed from January 2008 onwards.THE THEMEUnder the theme “Framing Motion”, the festival will explore how practitioners choose to frame movement through their choice of setting and context, viewed through the eyes of the director, choreographer, animator,... in defining the boundaries for screen-based works. These can be real worlds or imaginary, abstract, impossible or augmented environments defined by a specific visual intent.In looking at methods of capturing a sense of pulse and energy, we also investigate definitions of stillness. Rather than contradicting our central motif, it is the dialogue of pause-and-release through which motion occurs: capturing - if only for a moment - the essence of life ablaze.ALTERNATIVE ROUTES AWARDmoves is part of Alternative Routes, a European network to encourage the transnational circulation of artistic and cultural works, developing a new route for experimental screen-based work in collaboration with three festivals in Hungary, Iceland and Portugal.By participating in moves10's open call, you and your work enter the Alternative Routes competition with a chance to become part of this exciting network and tour to the partner festivals across Europe!If your work is successful the selection committee will either nominate you for the Alternative Routes PRIZE or the Alternative Routes TOUR.AR Prize: Alternative Routes will take you and your work as far as Iceland, Hungary and Portugal. The prize is a great opportunity to present your work across Europe, meet other artists, visit and get to know other organisations, and promote your work to industry people on international level.AR Tour: Alternative Routes will take your work on tour and showcase it across Europe, using moves (UK), 700IS (Iceland), FRAME Research (Portugal) and INTERMODEM (Hungary) as platforms.note: only Europe-based artists are eligible to enter the AR award.Read more about Alternative Routes here.Submission forms can be downloaded on www.movementonscreen.org.uk.Deadline: Sunday 13 December 2009.Experience, create, debate and tour your work celebrating with us 6 years of moves!
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Screendance Touring Public Places

For anybody interested, I am organising a group of works that will be touring public spaces in the UK this summer. The project may not be for everyone, as the works will not always be screened on a large screen and with a silent attentive audience. The works will always be screened with sound - in shops, bars, outdoor public spaces etc.If you are interested in the project and would like your work to have the chance to be shown to a wide public audience I'd love to receive your work. email circuitsoup@gmail.com or go to http://www.circuitsoup.com for more details.
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CIMATICS\09 \FESTIVAL - call for artists

Cimatics - Brussels International Festival for Live Audiovisual Art & VJing - invites all artists, creatives and producers to send their submissions for the next Cimatics festival.Cimatics festival takes place from 20th - 29th November 2009 at various locations in the centre of Brussels.Festival theme: New CitiesCimatics is an audiovisual festival that is closely connected to contemporary digital and urban practice. Cimatics 2009 aims at encouraging all projects that focus on the relation of both cultures. This theme is not a statement but utters the question of how to approach digital and urban culture not as 2 separate layers, but as a single given. Send us your ideas, lectures, performances or videos for 'New Cities' by using the form below. Note that also non-audiovisual work is highly appreciated.Pre-selectionAccepted media: DVD, Blue-Ray, HD DVD, Mini-DV, CD (please don't send any original/master work, only copy of good quality or first gen, also don't send data DVD with movies on: DVD's should play on a consumer DVD player & CD-ROM's should play on a Mac/PC)Mailing costs will be borne by the entrant. Hard copies will NOT be returned.LanguageWorks submitted must be in French, Dutch or English or have subtitles in either of these languages. Works in other languages must be accompanied by a text list in English.Deadline: 31/07/09Contact:CIMATICS 09c/o Cimatics vzwOnderwijsstraat 51B-1070 BrusselsBelgiumPhone: +32 [0] 2 520 07 82Fax: M: +32 [0] 475 497 110E-mailinfo@cimaticsfestival.comURL: www.cimatics.com/entries
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Hello all, I will be in Madrid for the European Tele-Plateaus 2nd session from the 26th to the 28th of June. Is also very cool that I will be able to attend to some events of the Im-presentable 09 (Un-presentable un-showable) cool name! Find out more about this interesting festival, their activities for the next days and its peculiar approach.
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SideBySide art center defines its main purpose in supporting and cultivating art and culture, stage-play and dance. In general, the association wants to help talented artists of any genre. In detail, SideBySide art center especially wants to give social support to young people in the areas of art, culture, training and education. Thus, the association exclusively and immediately serves public welfare purposes.SideBySide art center offers artists of all kinds a new cultural platform. Always on behalf of their urges - communication, exchange and public images - the association tries to bring artists of different genres together and paves the way for their artistic development (side by side). Young talents as well as renowned artists can use this platform to get into contact with each other, to participate in a project or to find a new and individual way of presenting themselves effectively to the public.FESTIVALChoreographers who take part in the fifth international internet dance festival SideBySide-net 2009 get the unique opportunity to present themselves and their art online to a broad international audience over a longer period of time.The videos of the recent four festivals’ participants have in sum been watched and voted by almost 100.000 viewers from all over the world.The audience’s favourite artists receive prizes summing up to 3.000 Euro.» Download application form here http://www.side-by-side.org/en/festival/2009Application deadline is July 31st 2009.
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In order to support, acknowledge, and promote current research and production in new media art, Consejo Nacional para la Cultura y las Artes through its Centro Multimedia of the Centro Nacional de las Artes calls the local and international artistic community to the Third New Media and Art Contest which will take place in the New Media and Art Video International Festival.The contest is open to any individual, group and association engaged in the production of artwork created with new media technologies, including video art, sound art, net-art, installation, composition, performance and related disciplines.The Third New Media and Art Contest, Autonomies of Disagreement, provides a setting of located practices, where disagreement allows for dialogue and exchange in the realms of local and international new media art.This international contest is concerned with acknowledging those distinct technological displacements and art’s current status, bearing a particular emphasis on those artworks whose technological innovations and contributions are supported by means that can be used for creation, stressing above all a critical perspective.1 Residual topographyThis category seeks to reveal the discourses pronounced by means of obsolete technology (electronic and digital) and those articulated when contrasting local technologies with high technology appropriations. It is open for installation; interactive, immersed or sound environments; robotic art; hardware hacking; circuit bending; physical computing; site intervention; or any other related disciplines. A single prize will be awarded worth $50,000 (Fifty thousand Mexican pesos). The Jury will decide the honorable mentions granted.2 Unusual displacements: the scope of the moving imagesIn order to analyze the moving images technological reconfigurations (and/or its possibilities) and consider its unusual territories, this category is intended to welcome artworks that use moving images in any of its modalities, be it lineal presentation or interaction: single channel video, 16mm, live cinema, Vj´s, videogame, mobile video, interactive animation, augmented reality, or any other related disciplines. A single prize will be awarded worth $50,000 (Fifty thousand Mexican pesos). The Jury will decide the honorable mentions granted.3 Dissident territories: the emergence of technologyIn order to explore technological developments that differ from industrial ones, this category looks for research and technology development projects who seek for innovations in the use of digital tools and electronic circuits with expressive and experimental means: free hardware and software, bioethical technology, gadget development, applications, devices or any other related disciplines. A single prize will be awarded worth $50,000 (Fifty thousand Mexican pesos). The Jury will decide the honorable mentions granted.4 Concealed order: viral construction of web contentsThis category will welcome those works whose poetics distinguish or surpass conceptions regarding mobile interfaces and information networks. Those that bear important contributions on distribution, expression and collaboration will be more privileged: internet, bluetooth, GPS, radiofrequency, mobile telephony, infrareds or any other related disciplines. A single prize will be awarded worth$35,000 (Thirty five thousand Mexican pesos). The Jury will decide the honorable mentions granted.All works must be submitted after this notification and no later than June 19th at 15:00 hrs.Works postmarked after the application deadline will not be considered. The submission date will be considered only if artworks are sent thorough express mail, not through ordinary mail. Submissions must clearly indicate the category.International submissions must be clearly labeled as “Material cultural sin valor commercial”. THE FESTIVAL WILL NOT COVER MAILING OR OTHER CUSTOMS FEES.Participants agree on these terms. Eventualities shall be resolved by the Festival’s Planning Committee.DocumentationTo learn more about application guidelines, obtain application forms, and other relevant information, please visit:http://en.transitiomx.netor the Multimedia Center website:http://cmm.cenart.gob.mxFor further inquiries and application submission please contact:Centro Nacional de las ArtesCentro MultimediaAvenida Río Churubusco 79, Colonia Country Club,C. P. 04220, Coyoacán, México, D. F.From 10:00 to 15:00 hrs.Ana Villa. Tel. ( 52 55) 41 55 00 00 Ext. 1207concurso03@transitiomx.net
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