teoman madra photos old and new
http://www.artslant.com/ny/artists/show/141742-teoman-madra?loc=ew
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Call for entries: VIDA 13.0
At a time when the notion of life is once again located in an uncertain domain, a wide range of artistic initiatives come together to illustrate and investigate this phenomenon; they examine the impact on the collective conscience and the way it is manifested in cultural, technological and social thought.
Over the last decade, in the same formal space, VIDA has been bringing together inter-disciplinary projects that respond to this situation. By means of formal strategies that defy the boundaries between existing practices, these projects offer new ways of reflecting on what we understand by life and artificial life.
Fundación Telefónica announces the VIDA 13.0 Art & Artificial Life International Competition, which for the last twelve years has awarded prizes for artistic projects using technological mediums offering innovative approaches to research into artificial life.
The projects may be based on systems which emulate, imitate or speculate on the notion of life through current research and technology. These systems may involve attributes of agency and autonomy which display specific behaviour, are dynamic, react to their surroundings and evolve, and which question the frontiers between what is alive and what is not, between synthetic and organic life.
As in previous years there are two categories to the competition:
FINISHED PROJECTS
In this category VIDA 13.0 will award prizes to artistic ALife projects developed after 2008. The sum of 40,000 Euros will be shared between the projects selected by the jury: First Prize: 18,000 Euros, Second Prize: 14,000 Euros, and Third Prize: 8,000 Euros. In addition seven honourable mentions will be awarded.
ARTISTIC PRODUCTION INCENTIVES IN IBEROAMERICA, SPAIN AND PORTUGAL
In this category VIDA 13.0 helps to fund artistic ALife projects that have not yet been produced. This is aimed at citizens or residents of countries comprising Latin America, Spain and Portugal. The sum of 40,000 Euros will be shared between the selected projects.
The winning projects will be subsequently exhibited at the VIDA Gallery,http://www.fundacion.telefonica.com/arteytecnologia/galeriavida/. and may be presented in exhibitions related to art and new technologies organised by Fundación Telefónica or in which it takes part.
DATES
Period for submission of projects: from 19th July to 7th November 2010.
The half-hour documentary follows the creative efforts of company members over a two year period as they struggle with the extreme physical and emotional demands of creating an experimental new work.
WATCH HERE
dance-techTV exclusive:
Watch excerpts of In Plane, a 1994 solo performed by Dawn Stoppiello wearing the MIDIdancer (a wireless interface designed and engineerd by Mark Coniglio) controlling the sound and video with the bending of the joints: knees, elbows and wrists.
GO TO TROIKA RANCH PAGE in dance-tech.net
in Rho - Milan
4th - 10th december 2010 7 days, 5 hrs/day
for info and registration:
cortile@ilcortile.net
Associazione Il Cortile Via G. Garibaldi 30, 20017 Rho (MI)
Tel. +39 02 9300205 mobile + 39 347 8805330
www.ilcortile.net
For english speaking people: Laura Banfi tel. +39 3498436046 or Laura Giudici tel +39 3382003356 (english & french)
future:
011-012 (november, april, november)
6 week intensive workshop series with Steve Paxton and Lisa Nelson
at Earthdance, Plainfield, Massachussetts, USA
this is still in the planning stage, full info will be available at www.earthdance.net by november 010.
Tuning Scores: Composition and the Sense of Imagination
The Tuning Score, a performance research format, asks what do we see
when we're looking at dance. The research focusses on the physical base
of the imagination. Composition, communication, and performance are the
subjects. By altering the way we use our senses while moving and
watching movement, we identify how the movement patterns of our senses
influence how and why we move, and shape our interaction with our inner
and outer environments.
Focussing on vision, touch, and hearing, the scores provoke
spontaneous compositions that make evident our opinions about space,
time, and action, and provide tools and a framework for communication
and collaboration amongst us.
The tools of the score cross disciplinary lines and give insight
into and practice of performance and dance-making processes. Performing
artists of all disciplines welcome.
Lisa Nelson is a dance-maker, improvisational performer, videographer,
and collaborative artist who has been exploring the role of the senses
in the performance and observation of movement since the early '70s.
Stemming from her work with video and dance in the '70s, she developed
an approach to spontaneous composition and performance she calls Tuning
Scores. She performs, teaches and creates dances in diverse spaces on
many continents, and maintains long-term collaborations with other
artists, including Steve Paxton, Daniel Lepkoff, Scott Smith,
videoartist Cathy Weis, and Image Lab--a Tuning Score performance
ensemble. She lives in Vermont in the US.
RESIDENTIAL PROJECT WITH LISA NELSON.doc
Watch Interview:
http://www.dance-tech.net/video/video/show?id=1462368%3AVideo%3A15448
Please join me at SWEDANCE
We're a community focused on dance
that now offers a FREE DANCE COURSE!
See you there!! Welcome!
Chris & Team Swedance
In the next month I will be uploading interviews with dance video makers that challenge the traditional modes of creating and viewing cinema. I have framed the interviews around the notion of "bending cinema", an idea that came out of MoveStream 01.
The first is with Icelandic artist Ingi Jensson and German choreographer Heike Salzer. Ingi and Heike who collborate under the company name SALTS produced - Bekkur/Baenk 1,2,3… This was simultaneously shown in cafes in Copenhagen & Reykjavik during April 2010.
The second interview will be with Simon and Katrina McPherson, who produced the mountaineering dance video installation work "Crux". This was shot in the Scottish Highlands and was commissioned by the Hannah McClure Centre, Dundee, Scotland. It was recently shown at Bluecoat Art Centre Liverpool UK 2010 for moves 10 Festival.
The third will be with Lene Boel and her installation work "Life Force" currently being presented in the foyer at DanseHallerne in Copenhagen Denmark.
It leans towards the technical but does include quite a bit of relevance to choreographers and dancers too.
http://www.perfectlandscape.com/frozen_motion_and_beyond/Frontspiece.html
It will more than likely change with time .....the text is too long for a magazine article and too short for a book ...so for the mo a website it is to help stimulate some feedback
I shall be keeping a track of comments as they come in and will do an update at a suitable time ...so any further input will be most gratefully recieved
jim.rowbotham@gmail.com
Ups! Perdón! Es una joven Cia. de danza contemporánea creada por Ingrid Medina en el 2010 en la isla de Tenerife, Canarias.
Su objetivo principal es formar una plataforma de trabajo para buscar, profundizar e investigar un discurso corporal y escénico propio y personal.
Para ello, la intérprete y creadora, está abierta e interesada en el diálogo e intercambio con otros artistas, nuevas tecnologías y otros lenguajes artísticos contemporáneos de otras regiones. La insularidad, la distancia geográfica y el aislamiento que conlleva, hace que aumente el interés de crear un intercambio y acercamiento artístico y cultural con artistas de otras regiones.
2011 NEWPORT BEACH FILM FESTIVAL - CALL FOR ENTRIES
ATTENTION SCREENDANCE ARTISTS AND FILMMAKERS!
Celebrating its 12th year, the NEWPORT BEACH FILM FESTIVAL is open for submissions from innovative filmmakers and artists from around the world, who specialize in the exploration of body, dance, and movement through the medium of film and video. All movement-based genres are accepted, such as videodance, animation and documentary.
Selected films will be showcased in a special program focused on dance and will also be eligible for Jury, Audience, and Festival Awards. Please take advantage of this grand opportunity to screen your work in front of thousands of film fans and industry professionals!
The Festival will be running from April 28 to May 5, 2011 and screened in Newport Beach, CA.
For more information on our festival and the submissions process, please visit our official website: www.NewportBeachFilmFest.com
or submit now using this link:
https://www.withoutabox.com/login/1249
Early Deadline - October 22, 2010
Thanksgiving Special - November 19, 2010
Standard Deadline - December 17, 2010
Final Deadline - January 24, 2011
SUBMIT NOW AND SAVE!
THANK YOU AND BEST OF LUCK!
SAYAT NOVA REVISITED
Fri 10 Sept | 8pm | The Bluecoat | Liverpool
moves is proud to host the world première of this performative, free re-interpretation of Armenian cinema master Sergei Paradjanov’s work Sayat Nova.
Paris based VJ artist Goran Vejvoda will enchant
us with an unusual performative & poetic sui generis re-interpretation of Sergei Paradjanov's surrealist classic Sayat Nova.
Goran Vejvoda (BACKGROUND) and a selected set of local contemporary
dancers will present the mind-blowing audiovisual performance of SAYAT
NOVA - REVISITED, a unique fusion of interdisciplinary visual art,
multi-media and dance techniques. This immersive performance, a poetic
re-interpretation premieres at the Bluecoat on Friday 10th, 8pm.
move(s)ers who caught moves10‘s classic screening of Sayat Nova in
Liverpool back in April can by now imagine the intensity and touching
frenzy of this beautifully improvised revival.
"Inhabiting a world of symmetrical spirits.
Books filled with water, thoughts filled with timeless illusions.
Dreams become a distorted reality, and what you see is just a bit closer from a fading vision that you thought you saw.
Symbols that you can't read the meaning of, meanings that are not distinguishable.
You think it's religion or something else, while you are thinking you
are overwhelmed by all the illogical messages that are coming this way.
You are just in Sayat Nova - revisited, let loose and maybe the
timelessness will fulfill and lead you to somewhere - called -
Nowhere." Goran Vejvoda.
Get your tickets now!
More info at www.movementonscreen.org.uk
MAIDA WITHERS DANCE CONSTRUCTION COMPANY performs the multimedia work, Fare Well - The End of the World As We Know It OR Dancing Your Way to Paradise! with Maida Withers, dancer/choreographer; Steve Hilmy, Electronic Music Composer/Musician; Ayo Okunseinde, New Media Artist at the ZAGREBI! FESTIVAL - ZAGREB, CROATIA September 10, 2010. http://zagrebi.com/hr/program/
Fare Well brings insight and vibrant critique to the contemporary issue of end time. Fare Well is as extreme in its moods and absurdities as we might think of “extreme weather.” We watch hypnotized, immobilized, arrogant, innocent, and powerful as the fires rage, volcanoes and oil erupt, the Arctic melts, the earth becomes parched, and the seas rise.
KONTRAFILM/ZAGREBI! EKOFESTIVAL | |
| Festival Description |
|---|
The reason I decided to throw my self into this program is a very practical one. I am finishing my new creation, EDIT, which will be premiered in Madrid (La Casa Encendida) the 13 and 14 of october.
For this piece I'm using some technology in a very specific way. EDIT talks about seeing reality with the eyes of a camera, or more accurately, with the possibilities of video material. So what I do in the piece, really, is edit immediate reality as we do with video. So I do actions which are cut in time creating a fragmented narrative. The second part of the piece is a video installation in which the audience can walk around and look at some videos. These videos are reconstructions of the fragmented actions that were recorded during the performance. And here's where MAX gets crucial.
I have five cameras capturing five specific areas of the stage. What I need to do is making every camera capture its content when I'm in its point of view. So first thing I have to learn: activate objects from MIDI. Then, every camera should create a separate video with all the pieces assembled. And here is where I am now: exploring the jit.qt.record object.
First, I've been reading the very useful tutorials. Some of the basic MAX tutorials first and some more from the Jitter section later. I think is just great how logic everything is. And, as a computer nerd dancer that I am, I love discovering the mechanisms of new programs.
Main problems I have: my lack of mathematical knowledge. I wish I had been more attentive in my school days, but I always found better things to do...
Touring in Brazil is a great excuse to learn MAX... :) So when I don't have to rehearse or perform, when I'm not drinking Caipirinhas or walking around HUGE Sao Paulo, I open the MAX tutorials and... voila. Here I am in the hotel room.
Blur and happily exhausted!
Greeting to all,
Pablo
Form Guggenheim website:
For over twenty-six years, David Zambrano has been a monumental figure in the international dance community, and his passion for cultural exchange continues to influence his work. Living and making work in Amsterdam and teaching/performing internationally, Zambrano is an ambassador and liaison across many borders, bringing together artists from all over the planet for his projects.
An inspiring teacher, thrilling performer, and innovative choreographer, Zambrano has contributed generously to the field of dance in ways that have influenced many and impacted the dance world from several angles. His development of the “Flying Low” and “Passing Through” techniques are among his recent innovations that have helped to lead improvisational dance into an exciting future. Many of his projects have continuously influenced Zambrano’s pedagogic methods, keeping them fresh and interesting for the students from around the globe.
Watch a compilations if interviews and performance excepts
here
http://www.dance-tech.net/video/video/listTagged?tag=zambrano
David Zambrano's 50 DAYS-workshop trailer from Rodrigo Pardo on Vimeo.
EMPAC: Experimental Media and Performing Arts Center, Troy, NY
-- Helene Lesterlin, Curator
Individualisation is a condition of freedom -- "the condition of seeing the world as it really is." Ivor Chipkin (2007). "freedom", half interview half dance video, explores five female South Africans dancers grappling with the notions of freedom, authenticity and democracy.
Format: DVD PAL, 16:9
Length: 15'00"
Date: 2008
Credits
Director
Jeannette Ginslov
Editor
Jeannette Ginslov
Assistant editor
Julian Thomas
Cinematographer
Adam Bentel
Soundscape
James Webb
Choreography in collaboration with the dancers
Tercia Alexander
Vishanthi Arumugam
Penni Ho Hin
Zoey Lapinsky
Portia Mashego
Assistant on set Eric Dube
Between the Seas is a festival of performing arts from the Mediterranean organized for 2011 in NYC, curated by Aktina Stathaki (www.aktinastathaki.com) and produced by Les Manouches (www.lesmanouches.wordpress.com). The goal of the festival is to highlight contemporary Mediterranean cultural production, connect artists form the US, the Mediterranean and its diaspora and bridge research and performance practice on topics of Mediterranean identity and culture. We are currently seeking:
- Submissions from playwights and performance companies for an evening of staged readings of plays relating to the Med on October 18th. Read the full call for submissions here: http://lesmanouches.wordpress.com/2010/08/19/call-for-submissions-between-the-seas-staged-readings/
-Contributors for the Between the Seas blog that will offer bi-weekly news on events, performances, articles, cultural policies and intitiatives from the Mediterranean region and Mediterranean diaspora.
For questions and submissions please contact: lesmanouchestheatre@gmail.com
- Submissions from playwights and performance companies for an evening of staged readings of plays relating to the Med on October 18th. Read the full call for submissions here: http://lesmanouches.wordpress.com/2010/08/19/call-for-submissions-between-the-seas-staged-readings/
-Contributors for the Between the Seas blog that will offer bi-weekly news on events, performances, articles, cultural policies and intitiatives from the Mediterranean region and Mediterranean diaspora.
For questions and submissions please contact: lesmanouchestheatre@gmail.com
the sternberg project from zena bibler on Vimeo.
The Sternberg Project is a brand new site-specific dance film by Zena Bibler/Little Dances Everywhere that is an interactive, crowd-sourced, multi-media time capsule of the park made up of video submissions filmed by the community at the park this summer.
Dancers: Katie Schetlick, Ashley Hannan, Faye Min Lim, Ariel Lembeck, Jacob Liberman, Rishauna Zumberg, Malinda Crump, Ashley Murray
Sound Design: Chris Tabron
2 Workshops _ Expanded Body
Call for subscription
4 Scholarships*
As part of their stay in residence at 3-Legged Dog art and technology center in NY, Kònic thtr
organizes this training program in R + d + i.
This course will examine the relationship between voice, body movement and audiovisual
languages. It is a transdisciplinary workshop linking installation and performance, searching
the relationship between action, video, sound and real-time digital processes on the stage.
This workshop proposes a process of training in a practical and theoretical activity that
combines the performative action with interactive audiovisual technologies. Contents will
be related with models based on projects and devices made by Kònic Thtr, to understand,
from its analysis, the significance of technologyc languages applied to contemporary creation.
Participants will work in groups and theoretical sessions will alternate with practice sessions
and demonstration, using available tools, and there will also be screenings of the creative
projects discussed by Kònic Thtr.
konic@koniclab.info
When:
Workshop #1_ September, Saturday the 18th and Sunday the 19th , 1:00 – 5:00pm
Workshop #2_ September, Saturday the 25th and Sunday the 26th , 1:00 – 5:00pm
Where: 3-Legged Dog Art & Technology Center. 80 Greenwich St. NY 10006
Organizer: 3-Legged Dog Art & Technology Center
Price for 1 workshop: $ 125 + taxes
Producers: Kònic Thtr / Associació Kòniclab - 3-Legged Dog Art & Technology Center
+ Info: www.3ldnyc.org
map_www.3ldnyc.org/map.shtml
* 2 HALF TUITION SCHOLARSHIPS FOR EACH WORKSHOP FOR DANCE-TECH.NET MEMBERS/
WRITE AN EMAIL STATING YOUR INTEREST IN THE WORKSHOP AND INCLUDE THE URL OF YOUR DANCE-TECH PROFILE PAGE.
konic@koniclab.info
IF GIVEN THE SCHOLARSHIP YOU MUST SHARE YOUR EXPERIENCE AT THE WORKSHOP VIA DANCE-TECH.NET WITH BLOG POSTS AND OR VIDEOS.
DEADLINE: SEPTEMBER 15TH 2010
Workshop at Harvestworks. September 2010
Alain Baumann has been using Max/MSP as his main tool to develop the creative works of
Kònic thtr, and working with dancers to interact both with sound and image in real time
on stage. As an important part of their activity, Kònic thtr is actively contributing to the
dissemination of their knowledge, both by teaching in different colleges in Catalonia and
Spain and by giving workshops in many countries of Europe and Central and South America,
workshops in which the emphasis is the development of creative languages based on
interactive technologies.
FTM is a set of Max externals developed at the IRCAM that eases the handling of complex
data structures in the max/MSP environment. This course, taught by KonicLab's Alain
Baumann (Barcelona), will specially focus on the MnM package included in the library, and
have hands-on experiments with included abstraction MnMfollower, which allow us to do
real time gesture following when used in combination with sensors, camera analysis, or a
wiimote.
Subscription: konic@koniclab.info
When: September, Saturday the 11th, 12:00 – 6:00pm
Where: Harvestworks. 596 Broadway Suite 602, NY 10012
(between Houston and Prince Streets in SoHo)
Organizer: Harvestworks
Price: $ 100 + taxes
Producers: Kònic Thtr / Associació Kòniclab - Harvestworks
Artist-in-residence program at 3-Legged Dog Art & Technology Center
a {d’Aigua} show_5 presentations. September - October 2010
In 2009, the center of performing arts and digital technologies 3 legged Dog invited Kònic
thtr to develop a residency at its center in New York. Kònic Thtr will take the opportunity to
develop a new phase of the show a {d'Aigua}, an existing project with a modular structure,
and elaborate a new format for the piece at 3LD,, an interactive dance installation involving
audience participation opens up to visual arts audiences and new circuits. This time the show
will stage dancer and performer Masu Fajardo.
Kònic Thtr/Koniclab hope to strengthen their research in non-linear and interactive
performing and choreographic narratives.
a {d'Aigua} is a project originally developed in the context of several labs made by Kònic Thtr.
As part of this process, we highlight the encounters with the Catalan choreographer Maria
Muñoz, from Mal_Pelo dance company, with the aim of developing a cross-experience work
that includes dance, performance, music, computer graphics and interactivity.
In the performative project a {d'Aigua}, a dancer, a performer and musician interact on
stage with sound and image using the iXKa, a small wireless sensor device integrated on the
body and designed to capture the movement and the dancers on stage in real time. These
devices are used in conjunction with a piece of software called MNM and developed by
Frédéric Bevilacqua from the Real-Time Music Interaction Team at IRCAM, Paris (France). The
combination of sensors and software allows us to record the gestures of the dancer and then
recognize it in real time. Whole phrases of movement are recognized and reproduced, and the
dancer can play sounds that are being recorded simultaneously with its movement.
This stage piece was first presented in openlab format, at Officine Sintetiche (Torino, Italy),
and was premiered in Barcelona at the Mercat de les Flors during the IDN Festival 2009, with
the participation of the dancer and choreographer María Muñoz.
Later, the piece continues to evolve through encounters with different dancers and
choreographers. It was presented at the Electron Festival (Switzerland), with dancer and
performer Masu Fajardo, and also at 'Certesa Simulada. New frontiers of science, art and
thought’, program organized by Ars Santa Mònica from Barcelona in September 2009.
In 2010, this show has been performed in the Theater of Madrid, for the event Cartographies
of Dance, in Theatre Moulay Rachid at the Festival International d'Art Vidéo of Casablanca
(Morocco) and at Thsekh_Proekt Fabrika in Moscow (Russia). There’s also a tour plan in the fall
2010 with presentations of the show int he III Seminário Transcultural sobre Teatro e Dança in
Salvador de Bahía (Brasil) and in the International Videodance Festival Cuerpo Digital in La Paz
(Bolivia).
When: september 9th – october 7th 2010
a {d’Aigua} show : september 30th, and october 1st, 2nd, 5th and 6th, 2010
Where: 3-Legged Dog Art & Technology Center. 80 Greenwich St. NY 10006
Producers: Kònic Thtr / Associació Kòniclab - 3-Legged Dog Art & Technology Center
+ Info: www.3ldnyc.org
Ad'Aigua Process_Spanish from konic thtr on Vimeo.
Seminario teórico práctico cuatrimestral:
“DELEUZE O EL CUERPO EUFÓRICO”
Filosofía-danza y sus mutuos contaminantes
“ Un pensamiento que fuese hasta el final de lo que puede la vida, un pensamiento que llevase la vida hasta el final de lo que puede. En lugar de un conocimiento que se opone a
la vida, establecer un pensamiento que afirmaría
la vida. La vida sería la fuerza activa del pensamiento, pero el
pensamiento el poder afirmativo de la vida (….) Pensar significaría: descubrir, inventar nuevas posibilidades de
vida.”
GILLES DELEUZE – Nietzsche y la filosofía (1962)
Esta propuesta nace como parte del proyecto de investigación “El cuerpo del Performer”, que lleva adelante la compañía independiente de video danza teatro Vacía de Espacio y que cuenta con el financiamiento del FNA.
Se plantea un recorrido teórico y físico en la obra de Gilles Deleuze buscando articular conceptos como cuerpo, arte, performance, acontecimiento, que emergen con claridad de la
lectura rigurosa y en clave rizomática de su obra. Se abordarán textos teóricos así como
lecturas que Deleuze hiciera de otros filósofos (Spinoza, Nietzsche, Bergson)
buscando la construcción de interrelaciones tanto teóricas como prácticas que
nos permitan pensar desde las fisuras que abre el pensamiento deleuziano en la
filosofía occidental.
Asímismo, aspiramos a poner en discusión y cuestionamiento conceptos que hacen a nuestra experiencia artística, política y ética en el mundo contemporáneo. Por esto mismo, se
abrirá el espacio a la investigación, improvisación y composición física
concreta construyendo planos posibles de esta obra filosófica, no solo desde
una perspectiva reflexiva sino también afectiva. El cuerpo como un concepto de
intensidades variables y el concepto como un cuerpo afectivo en devenir
Reunión informativa inaugural: Jueves 2 de Septiembre 19 30 hs en Casa Puán SOLO CON INSCRIPCIÓN PREVIA. Vacantes limitadas
Modalidad:
Doce clases desde el 9 de Septiembre al 26 de Noviembre de 2010.
Primeros y terceros jueves Lectura de textos y reflexión Jueves de 19 30 a 21 hs. (1 hora y media)
Segundos y cuartos jueves: Lectura de textos + Impro física y composición Jueves de 19 30 a 22hs. (2 horas y media)
Total: 8 horas mensuales
Arancel : $150 mensuales
Contenidos:
EL VIAJE INICIÁTICO - HACIA UNA CARTOGRAFÍA MARAVILLOSA
Deleuze en la secuencia filosófica occidental. Continuidades y rupturas. El filósofo artista como fuga de la razón cartesiana. Discurso lógico y discurso paradójico. Escritura
in-tensa más allá del estilo. Pensar sin falo y agenciamiento múltiple en la
escritura. El uno y lo múltiple. Continuidad y variación. Deleuze-Spinoza,
Deleuze-Nietzsche: amistades electivas. Composición y plano de inmanencia.
Diferencia entre ética y moral.
Paralelismo como ruptura del dualismo cartesiano. Afecto, Afección, encuentro. Líneas de fuga y líneas de territorialización.
Spinoza, Deleuze, nosotros. Deleuze-Nietzsche. Concepto de voluntad de poder.
Fuerza activa y fuerza reactiva. ¿Moral del resentimiento o ética de las afecciones? Una filosofía de la fuerza y el valor. La
afirmación como salida dialéctica y de lo
negativo. Hegel: el gran adversario. Lo trágico. Eterno retorno como
vuelta de lo diferente. Jovialidad Nietzscheana Vs alegría burguesa. Pensamiento
afectado y cuerpo eufórico. La danza como horizonte del pensar. Recapitulación.
Coordinan:
Lic. Franco Castignani, Prof. Carolina De Luca.
Bios:
Franco Castignani es Licenciado en Ciencias Políticas (UCA) y actualmente cursa la carrera de filosofía en la UBA. Ha realizado seminarios
particulares de Filosofía con Danial Breuer, Nora Trosman, Leandro Pinkler,
Edgardo Albizu, Dina V. Picotti C., Esteban Ierardo, Ricardo Ibarlucía, Lucas
Soares. Estudió actuación Lorena Hourquebie, Cristian Drut y Leandro Airaldo,
Adrian Canale y Lorenzo Quinteros. Expresion Corporal con Chantal Pirra.
Danza Contemporánea, danza teatro y
composición con: Alina Folini, Carolina De Luca, Virginia Vargas y Mabel Dai
Chi Chan. Contact Improvisación con Vanina Goldstein.
Como Asistente de Dirección participó en “Bajo el Agua”, obra compuesta para el ciclo Proyecto 3 con Dirección de Chantal Pirra(2008) , y en “Lida y Misius”, estrenada en 2009 en el Teatro Payró bajo
dirección de Leandro Airaldo. Actualmente concurre al Taller de Historia de
la Poesía y Proceso de Escritura de Javier Galarza.
Carolina De Luca es directora de danza y actriz. Dirige “Vacía de Espacio” compañía independiente de video danza teatro. Su primera obra No se te ocurra quererme contó con el
apoyo del FNA y del INT. Fue invitada a participar del al XII Encuentro Internacional de Danza en paisajes urbanos: “Habana
Vieja ciudad en Movimiento”, La Habana Cuba (Abril 2007) y al “ European Womens
Theatre Festival” en Finlandia (Junio 2007).
Participó, becada por la compañía teatral Atalaya TNT y el Odin Teatret de la XIII ISTA (International School of Teatre Anthropology) 2005 en Sevilla. Esta participación fue Auspiciada por Asuntos Culturales de la
Cancillería Argentina.
Su formación incluye danza, teatro, dramaturgia, artes plásticas y video. Actualmente estudia composición Instantánea con Fabiana
Capriotti y composición con Andrea Servera. Cursó materias de Historia y
Antropología en la UBA.
cuerpoeuforico@gmail.com
